Orchestra SKU: FG.042-08310-9 Composed by Usko Merilainen. Score. Publish...(+)
Orchestra
SKU:
FG.042-08310-9
Composed by Usko
Merilainen. Score.
Published by Fennica
Gehrman (FG.042-08310-9).
ISBN
979-0-042-08310-9.
Merilainen's second
orchestral concerto (the
first dates from the
1950's) is a musical
study of the concept of
time. The strings provide
an element of stasis,
while other orchestral
sections are used as
active blocks. The
extensive percussion
section is used to
discreetly mark the
passing of time and plays
on the edge of silence.
The work's ending is
bound together by a
magical F sharp
pedal-point in the
horns.
Orchestra SKU: LO.30-3174H Composed by Cynthia Gray. Arranged by Mark T. ...(+)
Orchestra
SKU:
LO.30-3174H
Composed
by Cynthia Gray. Arranged
by Mark T. Barnard.
Conductor's score.
Concert, Festival.
Orchestral score and CD
with printable parts.
Heritage Music Press
#30/3174H. Published by
Heritage Music Press
(LO.30-3174H).
UPC:
000308139655.
Espec
ially effective with
combined choirs, this
piece celebrates music in
a unique way, starting
with the silence of the
earth before music. The
optional orchestration is
designed with versatility
in mind, as the full
instrumentation is not
required to be
effective.
Orchestra (FULL SCORE) SKU: HL.263038 For Orchestra. Composed by J...(+)
Orchestra (FULL SCORE)
SKU: HL.263038
For Orchestra.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
162 pages. Chester Music
#CH87131. Published by
Chester Music
(HL.263038).
UPC:
888680952907.
12.0x16.5x0.565
inches.
“Over
the years my orchestral
music has become simpler
and more expansive.
Clouds of Forgetting,
Clouds of Unknowing
(1991-95) contains four
different musical
textures. In the White
Silence (1998) has three.
For Lou Harrison (2002)
reduces this to just two.
In Dark Waves (2007), I
finally got to one. When
I first heard that piece
I began to wonder if I
could sustain a similar
sound for a longer span
of time. The result is
Become Ocean, a
meditation on the vast,
deep and mysterious tides
of existence. The title
is borrowed from a
mesostic verse that John
Cage wrote in honor of
Lou Harrison's birthday.
Likening Harrison's music
to a river in delta, Cage
writes: Listening to it
we become ocean. Life on
this earth first emerged
from the sea. And as the
polar ice melts and sea
level rises, we humans
find ourselves facing the
prospect that once again
we may quite literally
become ocean.†John
Luther Adams.
Orchestra SKU: BT.WH33466 Composed by Hans Abrahamsen. Classical. Score O...(+)
Orchestra
SKU:
BT.WH33466
Composed
by Hans Abrahamsen.
Classical. Score Only.
Composed 2023. 134 pages.
Edition Wilhelm Hansen
#WH33466. Published by
Edition Wilhelm Hansen
(BT.WH33466).
Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
Orchestra - Grade 3 SKU: HL.14043017 Composed by Pelle Gudmundsen-holmgre...(+)
Orchestra - Grade 3
SKU: HL.14043017
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31699.
Published by Edition
Wilhelm Hansen
(HL.14043017).
ISBN
9788759826591.
Prel
ude To Your Silence was
composed in 1978 by
Danish composer Pelle
Gudmundsen-Holmgreen
.
Orchestra - Grade 2.5 SKU: AP.44805S Fantasy on Picardy. Composed ...(+)
Orchestra - Grade 2.5
SKU: AP.44805S
Fantasy on
Picardy. Composed by
French carol. Arranged by
Michael Kamuf. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Belwin
Intermediate String/Full
Orchestra. Hymn; Sacred.
Score. 16 pages. Duration
3:30. Belwin Music
#00-44805S. Published by
Belwin Music (AP.44805S).
UPC: 038081517360.
English. French
Carol.
Realms of
Endless Day is a fantasy
setting of the hymn tune
melody, Picardy. This
melody, thought to have
been named for the region
in France where it is
believed the melody
originated, is also the
melody for the hymns Let
All Mortal Flesh Keep
Silence and Christians,
Let Us Love One Another,
as well as the Hymn of
Saint James. This
enduring and tuneful
melody is given three
contrasting statements
that gradually build to
an exciting conclusion.
This piece is scored for
full orchestra by
arranger Michael Kamuf,
but will work quite
effectively with strings
alone. (3:30).