Cavatina Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 2.5 SKU: BT.DHP-1135392-140<...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade
2.5
SKU:
BT.DHP-1135392-140
From Faust.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2013. 16 pages.
De Haske Publications
#DHP 1135392-140.
Published by De Haske
Publications
(BT.DHP-1135392-140).
9x12 inches.
English-German-French-Dut
ch.
Goethe’s
Faust has already
been set to music by
various renowned
musicians, such as
Berlioz, Busoni and
Spohr, and indeed Charles
Gounod, who built his
eponymous opera around
the tale. Gounod’s
Faust is primarily
known for its lovely
melodies and its
beautifully expressive
vocal parts and subtle
orchestrations. One of
the high points of this
opera is doubtless this
impressive
Cavatina
(“Salut, demeure
chaste et pureâ€).
Wil van der Beek has
arranged the
Cavatina with the
euphonium as solo
instrument.
Goethe
s Faust is in het
verleden al door
verschillende componisten
- waaronder Berlioz en
Spohr - op muziek gezet.
Ook Charles Gounod
gebruikte Faust
voor zijn gelijknamige
opera. Zijn versie staat
bol van prachtige
melodieën en uiterst
expressieve zangpartijen
in een
gera_x001C_ffineerde
orkestratie. Een van deze
hoogtepunten is zeker
zijn Cavatina
(“Salut, demeure
chaste et pureâ€),
in deze versie van Wil
van der Beek bewerkt voor
euphonium en
orkest.
Goethes
Faust wurde schon
mehrfach von namhaften
Komponisten vertont -
darunter Berlioz, Busoni,
Spohr und eben auch
Charles Gounod, der aus
dem Stoff_x001F_ die
gleichnamige Oper
komponierte. Sein
Faust ist vor
allem für herrliche
Melodien sowie schöne,
ausdrucksvolle
Vokalpartien und
feinsinnige
Orchestrierungen bekannt.
Einer der Höhepunkte
dieser Oper ist
zweifellos diese
eindrucksvolle
Cavatina (Salut,
demeure chaste et
pure“). Wil van der
Beek wählte für
seine Bearbeitung das
Euphonium als
Soloinstrument.
Il
Faust di Goethe fu
più volte messo in
musica da compositori
famosi quali Berlioz,
Busoni, Spohr e Charles
Gounod che compose
l’opera omonima.
Il suo Faust è
noto per le belle
melodie, le parti vocali
particolarmente
espressive e la
ra_x001F_nata
orchestrazione. Uno dei
punti di forza di questa
opera è senza dubbio
l’imponente
Cavatina (Salut,
demeure chaste et pure).
Wil van der Beek ha
scelto di arrangiare la
sua Cavatina per
eufonio solo e banda.
Cavatina Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 2.5 SKU: BT.DHP-1135392-010<...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade
2.5
SKU:
BT.DHP-1135392-010
From Faust.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Solo
Spectrum. Solo and
Concerto. Set (Score and
Parts). Composed 2013. De
Haske Publications #DHP
1135392-010. Published by
De Haske Publications
(BT.DHP-1135392-010).
9x12 inches.
English-German-French-Dut
ch.
Goetheâ??s
Faust has already
been set to music by
various renowned
musicians, such as
Berlioz, Busoni and
Spohr, and indeed Charles
Gounod, who built his
eponymous opera around
the tale. Gounodâ??s
Faust is primarily
known for its lovely
melodies and its
beautifully expressive
vocal parts and subtle
orchestrations. One of
the high points of this
opera is doubtless this
impressive
Cavatina
(â??Salut, demeure
chaste et pureâ?). Wil
van der Beek has arranged
the Cavatina with
the euphonium as solo
instrument.
Goethe
s Faust is in het
verleden al door
verschillende componisten
- waaronder Berlioz en
Spohr - op muziek gezet.
Ook Charles Gounod
gebruikte Faust
voor zijn gelijknamige
opera. Zijn versie staat
bol van prachtige
melodieën en uiterst
expressieve zangpartijen
in een
gera_x001C_ffineerde
orkestratie. Een van deze
hoogtepunten is zeker
zijn Cavatina
(â??Salut, demeure
chaste et pureâ?), in
deze versie van Wil van
der Beek bewerkt voor
euphonium en
orkest.
Goethes
Faust wurde schon
mehrfach von namhaften
Komponisten vertont -
darunter Berlioz, Busoni,
Spohr und eben auch
Charles Gounod, der aus
dem Stoff_x001F_ die
gleichnamige Oper
komponierte. Sein
Faust ist vor
allem fu?r herrliche
Melodien sowie schöne,
ausdrucksvolle
Vokalpartien und
feinsinnige
Orchestrierungen bekannt.
Einer der Höhepunkte
dieser Oper ist
zweifellos diese
eindrucksvolle
Cavatina (Salut,
demeure chaste et
pureâ??). Wil van der
Beek wählte fu?r seine
Bearbeitung das Euphonium
als
Soloinstrument.
Il
Faust di Goethe fu
più volte messo in
musica da compositori
famosi quali Berlioz,
Busoni, Spohr e Charles
Gounod che compose
lâ??opera omonima. Il
suo Faust è
noto per le belle
melodie, le parti vocali
particolarmente
espressive e la
ra_x001F_nata
orchestrazione. Uno dei
punti di forza di questa
opera è senza dubbio
lâ??imponente
Cavatina (Salut,
demeure chaste et pure).
Wil van der Beek ha
scelto di arrangiare la
sua Cavatina per
eufonio solo e banda.
Concert Band; Orchestra 2.2.2.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Contralto...(+)
Concert Band; Orchestra
2.2.2.2: 2.2.0.0: Str
(4-4-3-3-3 in set): Solo
Contralto: Mixed Chorus
SKU: AP.36-A494401
Composed by Gioachino
Rossini/ Italian libretto
by Angelo Anelli. Serious
Opera, Orchestra
Accompaniment, Conductor
Score. Kalmus Opera
Library. Score.
LudwigMasters
Publications #36-A494401.
Published by
LudwigMasters
Publications
(AP.36-A494401).
ISBN
9798892700726. UPC:
659359764028.
English.
Premiering
on May 22, 1813, at the
Teatro San Benedetto in
Venice, L'italiana in
Algeri (The Italian Girl
in Algiers) by Gioachino
Rossini (1792-1868) was a
success, with subsequent
performances in Vicenza,
Milan, and Naples. It was
later performed at His
Majesty's Theatre in
London in 1819, and again
in New York in 1832.
Rossini's mixture of
opera seria and opera
buffa is notable —
L'italiana in Algeri
tells the tale of
Isabella, an Italian girl
who uses her wiles to
trick unwitting Mustafà,
the Bey of Algiers, into
freeing her and her
lover, Lindoro from his
palace. The opera itself
fell somewhat out of
favor in the 19th century
but has been revived
frequently since World
War II with many
successful productions.
The sorrowful cavatina
Cruda sorte! Amor
Tiranno! takes place in
Act I, and serves as the
introductory aria of
Isabella, who finds
herself shipwrecked in
Algiers. The aria is
preceded by the chorus
Quanto Roba!
Instrumentation: 2.2.2.2:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Contralto:
Mixed Chorus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
(Cavatina from the Opera Le Nozze di Figaro). By Wolfgang Amadeus Mozart (1756-1...(+)
(Cavatina from the Opera
Le Nozze di Figaro). By
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Jos van de Braak. For
Soprano and Concert Band.
Grade 3. Score. Duration
4:00
Largo al factotum Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
(Cavatina from the Opera Il Barbiere di Siviglia). By Giaocchino Rossini. Arrang...(+)
(Cavatina from the Opera
Il Barbiere di Siviglia).
By Giaocchino Rossini.
Arranged by Jos van de
Braak. For Baritone and
Concert Band. Grade 4.
Score. Duration 5:00.
Published by Baton Music
Cavatina Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Steve Hodges. Music by Steve Hodges. For Concert Band. Concert Band. Challeng...(+)
By Steve Hodges. Music by
Steve Hodges. For Concert
Band. Concert Band.
Challenger Band Series.
Conductor Score & Parts.
1 pages. Published by
Alfred Publishing.
Hungarian Dances Nos.
5 & 6. Composed by
Johannes Brahms. Arranged
by Tohru Takahashi. Great
Classics. Transcription.
Score Only. Composed
2010. 36 pages. De Haske
Publications #DHP
1114946-140. Published by
De Haske Publications
(BT.DHP-1114946-140).
9x12 inches.
English-German-French-Dut
ch.
Fascinated by
the expressive power and
spirit of the gypsy music
from Hungary, Brahms used
mainly traditional
melodies in his Hungarian
Dances as well as themes
from compositions in
similar musical styles.
No. 5 and No. 6 are the
most well-known of his
Hungarian Dances and are
popular as encores at the
New Year’s Concert
of the Vienna
Philharmonic.
Fasziniert von
der Ausdruckskraft und
Lebendigkeit der
Zigeunermusik“ aus
Ungarn, verwendete Brahms
für die meisten
seiner Ungarischen
Tänze traditionelle
Melodien und Themen aus
Kompositionen in diesem
Stil. Besonders die
Tänze Nr. 5 und Nr. 6
sind heute noch weit
über die Grenzen
der klassischen Musik
hinaus bekannt und
beliebte Zugabenummern
bei den Neujahrskonzerten
der Wiener
Philharmoniker.
Aff
ascinato dal grande
potere espressivo e dallo
spirito della musica
gitana ungherese, nelle
Danze Ungheresi Brahms
utilizzò soprattutto
melodie tradizionali e
temi tratti da
composizioni scritte in
uno stile musicale
simile. La numero 5 e 6
sono le Danze Ungheresi
più note e sono spesso
eseguite come bis nel
Concerto di Capodanno dei
Wiener Philarmoniker.
Hungarian Dances Nos.
5 & 6. Composed by
Johannes Brahms. Arranged
by Tohru Takahashi. Great
Classics. Transcription.
Set (Score & Parts).
Composed 2010. De Haske
Publications #DHP
1114946-010. Published by
De Haske Publications
(BT.DHP-1114946-010).
9x12 inches.
English-German-French-Dut
ch.
Fascinated by
the expressive power and
spirit of the gypsy music
from Hungary, Brahms used
mainly traditional
melodies in his Hungarian
Dances as well as themes
from compositions in
similar musical styles.
No. 5 and No. 6 are the
most well-known of his
Hungarian Dances and are
popular as encores at the
New Year’s Concert
of the Vienna
Philharmonic.
Fasziniert von
der Ausdruckskraft und
Lebendigkeit der
Zigeunermusik“ aus
Ungarn, verwendete Brahms
für die meisten
seiner Ungarischen
Tänze traditionelle
Melodien und Themen aus
Kompositionen in diesem
Stil. Besonders die
Tänze Nr. 5 und Nr. 6
sind heute noch weit
über die Grenzen
der klassischen Musik
hinaus bekannt und
beliebte Zugabenummern
bei den Neujahrskonzerten
der Wiener
Philharmoniker.
Aff
ascinato dal grande
potere espressivo e dallo
spirito della musica
gitana ungherese, nelle
Danze Ungheresi Brahms
utilizzò soprattutto
melodie tradizionali e
temi tratti da
composizioni scritte in
uno stile musicale
simile. La numero 5 e 6
sono le Danze Ungheresi
più note e sono spesso
eseguite come bis nel
Concerto di Capodanno dei
Wiener Philarmoniker.
An der Schönen Blauen Donau Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104947-010 The Blue Danub...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104947-010
The Blue Danube, opus
314. Great Classics.
Transcription. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1104947-010.
Published by De Haske
Publications
(BT.DHP-1104947-010).
9x12
inches.
An der
schönen blauen
Donau (The Blue
Danube Waltz) has had
more success as a concert
waltz than in the
original choral version:
since its victorious
performance at the World
Exhibition in Paris
(1867) it has achieved
fame world-wide.
InAustria An der
schönen blauen
Donau has even become
an unofficial anthem. At
the traditional New
Year’s concert
given by the Vienna
Philharmonic, this
waltz—along with
Radetzky March by
Johann Strauss the
Elder—is always
played as
anencore.
Als
concertwals heeft An
der schönen blauen
Donau meer succes dan
in de oorspronkelijke
koorversie: na de
glorieuze uitvoering bij
de Wereldtentoonstelling
in Parijs (1867) werd de
wals wereldberoemd. In
Oostenrijk werd An der
schönenblauen
Donau zelfs tot
officieus volkslied
uitverkoren. Bij het
traditionele
nieuwjaarsconcert van de
Wiener Philharmoniker
wordt deze wals (naast de
Radetzkymars van
Johann Strauss sr.)
altijd als toegift
gespeeld.
Als
Konzertwalzer hatte An
der schönen blauen
Donau mehr Erfolg als
in der ursprünglichen
Chorversion: Nach der
siegreichen Aufführung
bei der Weltausstellung
in Paris (1867) erlangte
der Walzer Weltruhm. In
Österreich wurde
An der
schönenblauen
Donau gar zur
inoffiziellen Hymne
erkoren. Beim
traditionellen
Neujahrskonzert der
Wiener Philharmoniker ist
dieser Walzer (neben dem
Radetzky-Marsch
von Johann Strauss,
Vater) stets als eine der
Zugaben zu
hören.
Il
valzer da concerto Sul
bel Danubio blu ebbe
un successo maggiore
della versione corale
originale: questo valzer,
dopo la vittoriosa
rappresentazione
nell’ambito
dell’Esposizione
Universale di Parigi
(1867), raggiunse fama
mondiale. InAustria
Sul bel Danubio
blu divenne persino
l’inno non uffi
ciale. Durante il
Concerto di Capodanno
della Filarmonica di
Vienna questo valzer fa
sempre parte dei bis
(oltre alla Marcia di
Radetzky di Johann
Strauss padre).
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135483-010 Great Classics. S...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135483-010
Great Classics. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135483-010. Published by
De Haske Publications
(BT.DHP-1135483-010).
9x12 inches.
English-German-French-Dut
ch.
Geschichten
aus dem Wienerwald
(Tales from the Vienna
Woods) is an iconic
Viennese composition and
is regularly performed by
the Vienna Philharmonic
at the New Year’s
Concert. As with the
original, the arrangement
includes a zither part,
whichin this arrangement
can be played either by
double reeds or by
saxophones.
Ges
chichten aus dem
Wienerwald (Verhalen uit
het Weense woud) is
een icoon van de Weense
muziek, het werk wordt
geregeld uitgevoerd
tijdens de
nieuwjaarsconcerten van
de Wiener Philharmoniker.
In deze bewerking komt,
net als in het
origineel,de citer aan
bod, maar de citerpartij
kan ook worden gespeeld
door een dubbelriet- of
saxofoonensemble.
Geschichten aus dem
Wienerwald ist ein
Wahrzeichen Wiener Musik
und wird regelmäßig
beim Neujahrskonzert der
Wiener Philharmoniker
gespielt. Dem Original
entsprechend, enthält
das Set eine
Zitherstimme, die durch
Doppelrohrblasinstrumente
oder Saxophone ersetzt
werden
kann.
Ges
chichten aus dem
Wienerwald è
un’icona della
musica viennese e viene
eseguita regolarmente
durante il concerto di
capodanno dalla
Filarmonica di Vienna.
Seguendo
l’originale,
l’arrangiamento di
Tohru Takahashi presenta
anche una parte percetra
che può essere
sostituita da strumenti
ad ancia doppia o dai
sax.
Amazing Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094826-010 Arranged by Takas...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094826-010
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094826-010.
Published by De Haske
Publications
(BT.DHP-1094826-010).
9x12 inches.
English-German-French-Dut
ch.
After he had
survived a heavy sea
storm, John Newton
(1725-1807), captain of a
slave ship, became a
priest and from then on
he fought for the
abolition of slavery.
During his tenure he
wrote several hymns, of
which Amazing
Grace certainly is
the best known. The
melody assumedly derives
from a song by the
African slaves. Takashi
Hoshide has written a
compelling arrangement of
this beautiful melody.
Nachdem er einen
heftigen Seesturm
glücklich überlebt
hatte, wurde John Newton
(1725-1807), der bis dato
Kapitän eines
Sklavenschiffs gewesen
war, Pfarrer und
kämpfte fortan für
die Abschaffung der
Sklaverei. Während
seiner Amtszeit schrieb
er mehrere Kirchenlieder,
von denen Amazing
Grace sicherlich das
bekannteste ist.
Vermutlich stammt die
Melodie von einem Lied
der afrikanischen
Sklaven. Takashi Hoshide
schuf ein
unwiderstehliches
Arrangement für
Blasorchester dieser
schönen
Melodie.
Dopo essere
sopravissuto ad una
violenta tempesta in
mare, John Newton
(1725-1807), capitano
della propria nave e
mercante di schiavi,
divenne pastore e
cominciò a battersi
per l’abolizione
della schiavitù.
Scrisse diversi inni, il
più celebre dei quali
è Amazing
Grace. L’aria
è probabilmente
ripresa da una melodia
cantata dagli
schiavi.
Amazing Grace Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094826-140 Arranged by Takas...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094826-140
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Score Only.
Composed 2009. 24 pages.
De Haske Publications
#DHP 1094826-140.
Published by De Haske
Publications
(BT.DHP-1094826-140).
9x12 inches.
English-German-French-Dut
ch.
After he had
survived a heavy sea
storm, John Newton
(1725-1807), captain of a
slave ship, became a
priest and from then on
he fought for the
abolition of slavery.
During his tenure he
wrote several hymns, of
which Amazing
Grace certainly is
the best known. The
melody assumedly derives
from a song by the
African slaves. Takashi
Hoshide has written a
compelling arrangement of
this beautiful melody.
Nachdem er einen
heftigen Seesturm
glücklich überlebt
hatte, wurde John Newton
(1725-1807), der bis dato
Kapitän eines
Sklavenschiffs gewesen
war, Pfarrer und
kämpfte fortan für
die Abschaffung der
Sklaverei. Während
seiner Amtszeit schrieb
er mehrere Kirchenlieder,
von denen Amazing
Grace sicherlich das
bekannteste ist.
Vermutlich stammt die
Melodie von einem Lied
der afrikanischen
Sklaven. Takashi Hoshide
schuf ein
unwiderstehliches
Arrangement für
Blasorchester dieser
schönen
Melodie.
Dopo essere
sopravissuto ad una
violenta tempesta in
mare, John Newton
(1725-1807), capitano
della propria nave e
mercante di schiavi,
divenne pastore e
cominciò a battersi
per l’abolizione
della schiavitù.
Scrisse diversi inni, il
più celebre dei quali
è Amazing
Grace. L’aria
è probabilmente
ripresa da una melodia
cantata dagli
schiavi.
The Fever Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-001009-140 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-001009-140
Composed by Rob Goorhuis.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
001009-140. Published by
Gobelin Music
Publications
(BT.GOB-001009-140).
The composition
".The Fever
Tree". in 2008 was
commissioned by the Music
Association of Central
and Eastern Netherlands
St.Willibrord as a gift
to all its members on the
occasion of the formation
of a national music
organization and the
elimination of the music
union for Central and
Eastern Netherlands
St.Willibrord. The
fever tree is a
controversial legend
about St. Willibrord
(658-739). The
daughter of a pagan
chieftain of Hoemannen
that made the area around
Heumen unsafe, was
seriously ill. They
feared for her life.
The chief of the gang
turned to predatory
Willibrord, who same time
in this region led
mission. Willibrord
commanded theman to
repent and a headband of
the girl to a certain
special tree to hang.
The desperate captain
obeyed, and his daughter
was a miraculous heal.
Then came the anger
of the Hoemannen against
their leader, who in
their eyes had
committed treason by the
group to convert. They
abused themselves to him
and killed him brutally.
The daughter remained
behind in great sorrow,
comforted by Willibrord.
The composition
has the following scenes:
- Andante moderato -
the calling of Willibrord
- Allegro moderato -
Willibrord passes through
the province of Brabant
and try to people to
repent - Vivace -
Hoemannen terrorize the
inhabitants of the area
Heumen - Andante -
the healing of the sick
girl and the conversion
of the centurion -
Inquieto - the revenge of
the Hoemannen -
Adagio - elegy on the
death of the chief
De compositie
'The Fever Tree' (De
koortsboom) werd in 2008
geschreven in opdracht
van de Muziekbond Midden-
en Oost Nederland
St.Willibrord, als
geschenk aan al haar
leden bij gelegenheid van
de vorming van één
landelijke
muziekorganisatieen de
opheffing van de
muziekbond voor Midden-
en Oost Nederland
St.Willibrord.
De
koortsboom is een
omstreden legende rond
St. Willibrord
(658-739). De dochter
van de heidense hoofdman
van de Hoemannen, diehet
gebied rond Heumen
onveilig maakten, was
ernstig ziek. Men vreesde
voor haar leven. De
hoofdman van de
roofzuchtige bende wende
zich tot Willibrord, die
in dezelfde tijd in deze
streek missioneerde.
Willibrord gebood deman
zich te bekeren én een
hoofdband van het meisje
aan een bepaalde,
bijzondere boom te
hangen. De radeloze
hoofdman gehoorzaamde en
zijn dochter werd op
wonderbaarlijke wijze
genezen. Toen keerde de
woede van de Hoemannen
zichtegen hun leider, die
in hun ogen verraad had
gepleegd aan de groep
door zich te bekeren. Ze
vergrepen zich aan hem en
vermoordden hem op
gruwelijke wijze. De
dochter bleef in grote
droefheid achter,
getroost door
Willibrord.
De
compositie kent de
volgende
tableaus:
-
Andante moderato - de
roeping van Willibrord
- Allegro moderato -
Willibrord trekt door het
Brabantse land en tracht
de bevolking te bekeren
- Vivace -
deHoemannen terroriseren
de inwoners van het
gebied rond Heumen -
Andante - de genezing van
het zieke meisje en de
bekering van de hoofdman
- Inquieto - de
wraak van de Hoemannen
- Adagio - treurzang
over de doodvan de
hoofdman.
The Fever Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-001009-010 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-001009-010
Composed by Rob Goorhuis.
Set (Score & Parts). 7
pages. Gobelin Music
Publications #GOB
001009-010. Published by
Gobelin Music
Publications
(BT.GOB-001009-010).
The composition
".The Fever
Tree". in 2008 was
commissioned by the Music
Association of Central
and Eastern Netherlands
St.Willibrord as a gift
to all its members on the
occasion of the formation
of a national music
organization and the
elimination of the music
union for Central and
Eastern Netherlands
St.Willibrord. The
fever tree is a
controversial legend
about St. Willibrord
(658-739). The
daughter of a pagan
chieftain of Hoemannen
that made the area around
Heumen unsafe, was
seriously ill. They
feared for her life.
The chief of the gang
turned to predatory
Willibrord, who same time
in this region led
mission. Willibrord
commanded theman to
repent and a headband of
the girl to a certain
special tree to hang.
The desperate captain
obeyed, and his daughter
was a miraculous heal.
Then came the anger
of the Hoemannen against
their leader, who in
their eyes had
committed treason by the
group to convert. They
abused themselves to him
and killed him brutally.
The daughter remained
behind in great sorrow,
comforted by Willibrord.
The composition
has the following scenes:
- Andante moderato -
the calling of Willibrord
- Allegro moderato -
Willibrord passes through
the province of Brabant
and try to people to
repent - Vivace -
Hoemannen terrorize the
inhabitants of the area
Heumen - Andante -
the healing of the sick
girl and the conversion
of the centurion -
Inquieto - the revenge of
the Hoemannen -
Adagio - elegy on the
death of the chief
De compositie
'The Fever Tree' (De
koortsboom) werd in 2008
geschreven in opdracht
van de Muziekbond Midden-
en Oost Nederland
St.Willibrord, als
geschenk aan al haar
leden bij gelegenheid van
de vorming van één
landelijke
muziekorganisatieen de
opheffing van de
muziekbond voor Midden-
en Oost Nederland
St.Willibrord.
De
koortsboom is een
omstreden legende rond
St. Willibrord
(658-739). De dochter
van de heidense hoofdman
van de Hoemannen, diehet
gebied rond Heumen
onveilig maakten, was
ernstig ziek. Men vreesde
voor haar leven. De
hoofdman van de
roofzuchtige bende wende
zich tot Willibrord, die
in dezelfde tijd in deze
streek missioneerde.
Willibrord gebood deman
zich te bekeren én een
hoofdband van het meisje
aan een bepaalde,
bijzondere boom te
hangen. De radeloze
hoofdman gehoorzaamde en
zijn dochter werd op
wonderbaarlijke wijze
genezen. Toen keerde de
woede van de Hoemannen
zichtegen hun leider, die
in hun ogen verraad had
gepleegd aan de groep
door zich te bekeren. Ze
vergrepen zich aan hem en
vermoordden hem op
gruwelijke wijze. De
dochter bleef in grote
droefheid achter,
getroost door
Willibrord.
De
compositie kent de
volgende
tableaus:
-
Andante moderato - de
roeping van Willibrord
- Allegro moderato -
Willibrord trekt door het
Brabantse land en tracht
de bevolking te bekeren
- Vivace -
deHoemannen terroriseren
de inwoners van het
gebied rond Heumen -
Andante - de genezing van
het zieke meisje en de
bekering van de hoofdman
- Inquieto - de
wraak van de Hoemannen
- Adagio - treurzang
over de doodvan de
hoofdman.
Composed by Albert Oliver
Davis. Full Orchestra,
Conductor Score. Concert
Masters. Score.
LudwigMasters
Publications
#36-10205066. Published
by LudwigMasters
Publications
(AP.36-10205066).
ISBN
9781628760781. UPC:
659359725395.
English.
SHENANDOAH
is one of America's most
popular folk songs. It is
a capstan (or short haul)
chanty of American origin
whose subject is said to
be the Valley of the
Shenandoah (between the
Blue Ridge and Allegheny
mountains) and the great
Indian chieftain after
whom both the valley and
the river were named.
American cavalrymen sang
it, and it became a
rowing song sung on
midwestern rivers. This
fine orchestral setting
by Albert Davis of
Shenandoah captures the
rich folk quality
inherent in this lovely
melodic song.
These products
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may see delays of several
months.