Composed by F.D.
Marchetti and M. de
Feraudy. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084452-010. Published by
De Haske Publications
(BT.DHP-1084452-010).
9x12 inches.
English-German-French-Dut
ch.
The melody of
Fascination was composed
in 1905 by Dante
Pilade“Fermo“
Marchetti. In the 1930s
it was successfully
performed inFrench and
English and in 1957 it
again became famous when
itwas used in the
soundtrack of the
American movie Love in
theAfternoon. This piece
has been loved by many
generations andToshio
Mashima’s
arrangement will without
doubt bring joy to
allmembers of your
audience!
De
melodie van
Fascination werd
al in 1905 gecomponeerd
door Fermo Dante
Marchetti. In de jaren
dertig werd er zowel een
Franse als een Engelse
tekst op gezongen. In
1957 werd het lied
opnieuw bekend doordat
het werd gebruiktvoor de
Amerikaanse film Love
in the Afternoon, met
onder anderen Audrey
Hepburn en Gary Cooper.
Daarna bleef
¬Fascination
opeenvolgende generaties
fascineren. Toshimo
Mashima’s
bewerking is daarvan een
fraai bewjs.
Die
Melodie von
Fascination wurde
schon 1905 vom
U-Musik-Komponist Dante
Pilade Fermo“
Marchetti komponiert. In
den 30-Jahren wurde sie
erfolgreich auf
Französisch und
Englisch gesungen und
erreichte 1957 erneut
großen Ruhm durch den
amerikanischen Film
Love in the
Afternoon und mehrere
darauf folgende
Aufnahmen. Fascination,
das tatsächlich schon
mehrere Generationen
fasziniert hat, wird auch
in Toshio Mashimas
Blasorchesterbearbeitung
überzeugen!
A New Beginning Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1165727-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1165727-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2016.
De Haske Publications
#DHP 1165727-010.
Published by De Haske
Publications
(BT.DHP-1165727-010).
English-German-French-
Dutch.
A New
Beginning begins with
a beautiful and sensitive
chorale shaping the
musical ideas. This
chorale builds up to a
fast and rhythmical
setting, creating a vivid
and spectacular feel,
with lots of percussion.
The instrumentation is
versatile and colourful,
which makes the piece
very pleasant to play and
work on for each
instrumental group within
the band. The music slows
down again in the
finale, but in a
maestoso style.
This leads onto a
dramatic and impressive
ending!
Dit werk
van Satoshi Yagisawa
begint met een prachtig,
gevoelig koraal dat de
mogelijkheid biedt om
muzikale ideeën vorm
te geven. Het koraal
mondt uit in een snel,
ritmisch gedeelte dat
levendig en spectaculair
klinkt, met veel
slagwerk. De
instrumentatie is
veelzijdig en kleurrijk,
waardoor het werk leuk is
om te spelen en te
repeteren voor elke
sectie in het orkest. De
langzame finale, in een
maestoso stijl, eindigt
in een luisterrijk en
indrukwekkend
slot!
Dieses Werk
von Satoshi Yagisawa
beginnt mit einem
wunderschönen,
einfühlsamen Choral,
der viel Raum für
musikalische
Ausdrucksmöglichkeiten
bietet. Der Choral baut
sich zu einem schnellen
und rhythmischen Satz
auf, der sehr lebhaft und
spektakulär ist. Die
Instrumentierung ist
vielseitig und lebendig,
sodass es Spaß macht,
das Stück zu spielen
und mit jeder
Instrumentengruppe daran
zu arbeiten. Das Finale
ist wieder langsam, aber
maestoso, und führt zu
einem gewaltigen und
beeindruckenden
Schluss!
Concert Band/Harmonie - Grade 4 SKU: HL.44002278 Composed by Edvard Grieg...(+)
Concert Band/Harmonie -
Grade 4
SKU:
HL.44002278
Composed
by Edvard Grieg. Arranged
by Wil van der Beek. De
Haske Concert Band.
March. Score Only.
Composed 1994. De Haske
Publications #940598.
Published by De Haske
Publications
(HL.44002278).
UPC:
073999147063. 6.75x10.5
inches.
Along with
the movement In the
King's Hall, The Homage
March from Act III of
Sigurd Jorsalfar remains
one of the most popular
Scandinavian pieces of
classical music. This
arrangement has, once
again, has been skilfully
crafted by Wil van der
Beek for a younger
Concert Band and will be
a popular addition to any
concert.
Sigurd
Jorsalfar ist die
Buhnenmusik zum
gleichnamigen Drama des
beruhmten norwegischen
Dichters Bjornsterne
Bjornson. Das Werk
basiert auf einer
altnordischen Sage von
zwei Brudern, die beide
um den Konigsthron
kampfen und einer Frau,
die den Streit schlichten
soll. Wil van der Beek
bearbeitete den
feierlichen
Huldigungsmarsch
aus diesem Werk fur
Blasorchester.
La
Marche d'Hommage
de l'acte III de la suite
orchestrale Sigurd
Jorsalfar d'Edvard
Grieg, se trouve a
l'oppose des marches au
caractere sombre ou
martial. L'introduction
en forme de fanfare est
superbement lyrique. Puis
vient l'exposition d'un
theme joue cantabile.
L'instrumentation
developpe quelque peu le
theme initial avec des
accents rythmiques a la
basse. Le theme de la
marche est ainsi amorce.
Un trio central, lumineux
et serein, precede le
retour du theme de marche
au tutti.
Composed by F.D.
Marchetti and M. de
Feraudy. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2008. 28 pages.
De Haske Publications
#DHP 1084452-140.
Published by De Haske
Publications
(BT.DHP-1084452-140).
9x12 inches.
English-German-French-Dut
ch.
The melody of
Fascination was composed
in 1905 by Dante
Pilade“Fermo“
Marchetti. In the 1930s
it was successfully
performed inFrench and
English and in 1957 it
again became famous when
itwas used in the
soundtrack of the
American movie Love in
theAfternoon. This piece
has been loved by many
generations andToshio
Mashima’s
arrangement will without
doubt bring joy to
allmembers of your
audience!
De
melodie van
Fascination werd
al in 1905 gecomponeerd
door Fermo Dante
Marchetti. In de jaren
dertig werd er zowel een
Franse als een Engelse
tekst op gezongen. In
1957 werd het lied
opnieuw bekend doordat
het werd gebruiktvoor de
Amerikaanse film Love
in the Afternoon, met
onder anderen Audrey
Hepburn en Gary Cooper.
Daarna bleef
¬Fascination
opeenvolgende generaties
fascineren. Toshimo
Mashima’s
bewerking is daarvan een
fraai bewjs.
Die
Melodie von
Fascination wurde
schon 1905 vom
U-Musik-Komponist Dante
Pilade Fermo“
Marchetti komponiert. In
den 30-Jahren wurde sie
erfolgreich auf
Französisch und
Englisch gesungen und
erreichte 1957 erneut
großen Ruhm durch den
amerikanischen Film
Love in the
Afternoon und mehrere
darauf folgende
Aufnahmen. Fascination,
das tatsächlich schon
mehrere Generationen
fasziniert hat, wird auch
in Toshio Mashimas
Blasorchesterbearbeitung
überzeugen!
Guernica Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043740-140 Composed by Jan H...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043740-140
Composed by Jan
Hadermann. Sovereign
Series. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043740-140. Published by
De Haske Publications
(BT.DHP-1043740-140).
English-German-French-
Dutch.
Guernica, a
peaceful town in the
Basque region of Spain,
was reduced to ruins on
the 26th of April 1937 by
Nazi bombers. It was a
totally unexpected attack
that happened while the
crowded open-air market
was in progress. Over
1600 innocent citizens
were killed.This was one
of the most senseless and
abhorrent war crimes in
history. In this new work
by Jan Hadermann the
music of the Basque
region can clearly be
heard, with street
musicians adding lustre
to the open-air market
with dance music. Spring
is in the air when
suddenly from behind the
mountaintops, the death
squad appears and all
hell breaks loose. The
work ends with an intense
plea to never let
anything like this
happenagain. A moving and
contemplative new work
for concert band.
Guernica, een
vredig stadje in het
Spaanse Baskenland, werd
op 26 april 1937 door
nazi bommenwerpers
volledig in puin gelegd.
Die aanval vond totaal
onverwacht plaats terwijl
de drukbezochte
openluchtmarkt volop aan
de gang was. Meerdan 1600
onschuldige burgers
werden gedood. Dit is een
van de meest zinloze en
weerzinwekkende
oorlogsmisdaden uit de
geschiedenis. In het stuk
Guernica van Jan Haderman
horen we hoe de Baskische
muziek klinkt:
straatmuzikantenluisteren
de openluchtmarkt op met
dansmuziek. Het is lente.
Dan duikt plotseling
vanachter de bergtoppen
het doodseskader op en
barst de hel los. Het
werk eindigt met een
intense smeekbede zoiets
nooit meer te laten
gebeuren. Eenontroerend
nieuw werk voor
harmonieorkest.
Gu
ernica, eine friedliche,
strategisch eher
bedeutungslose Stadt im
Baskenland in Spanien,
ist durch einen
furchtbaren Blitzangriff
von Nazibombern im Jahr
1937 zum Symbol für
die Sinnlosigkeit und
Grausamkeit von
Kriegsverbrechen und
Terror geworden. Im
Stück Guernica
ist die fröhliche
Musik der Basken
herauszuhören, bevor
die Hölle des Angriffs
losbricht. Das Werk endet
mit der eindringlichen
Bitte, so etwas nie
wieder geschehen zu
lassen. Ein
eindrucksvolles Werk mit
einer nach wie vor
aktuellen
Botschaft.
Guernica Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043740-010 Composed by Jan H...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043740-010
Composed by Jan
Hadermann. Sovereign
Series. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043740-010. Published by
De Haske Publications
(BT.DHP-1043740-010).
English-German-French-
Dutch.
Guernica, a
peaceful town in the
Basque region of Spain,
was reduced to ruins on
the 26th of April 1937 by
Nazi bombers. It was a
totally unexpected attack
that happened while the
crowded open-air market
was in progress. Over
1600 innocent citizens
were killed.This was one
of the most senseless and
abhorrent war crimes in
history. In this new work
by Jan Hadermann the
music of the Basque
region can clearly be
heard, with street
musicians adding lustre
to the open-air market
with dance music. Spring
is in the air when
suddenly from behind the
mountaintops, the death
squad appears and all
hell breaks loose. The
work ends with an intense
plea to never let
anything like this
happenagain. A moving and
contemplative new work
for concert band.
Guernica, een
vredig stadje in het
Spaanse Baskenland, werd
op 26 april 1937 door
nazi bommenwerpers
volledig in puin gelegd.
Die aanval vond totaal
onverwacht plaats terwijl
de drukbezochte
openluchtmarkt volop aan
de gang was. Meerdan 1600
onschuldige burgers
werden gedood. Dit is een
van de meest zinloze en
weerzinwekkende
oorlogsmisdaden uit de
geschiedenis. In het stuk
Guernica van Jan Haderman
horen we hoe de Baskische
muziek klinkt:
straatmuzikantenluisteren
de openluchtmarkt op met
dansmuziek. Het is lente.
Dan duikt plotseling
vanachter de bergtoppen
het doodseskader op en
barst de hel los. Het
werk eindigt met een
intense smeekbede zoiets
nooit meer te laten
gebeuren. Eenontroerend
nieuw werk voor
harmonieorkest.
Gu
ernica, eine friedliche,
strategisch eher
bedeutungslose Stadt im
Baskenland in Spanien,
ist durch einen
furchtbaren Blitzangriff
von Nazibombern im Jahr
1937 zum Symbol für
die Sinnlosigkeit und
Grausamkeit von
Kriegsverbrechen und
Terror geworden. Im
Stück Guernica
ist die fröhliche
Musik der Basken
herauszuhören, bevor
die Hölle des Angriffs
losbricht. Das Werk endet
mit der eindringlichen
Bitte, so etwas nie
wieder geschehen zu
lassen. Ein
eindrucksvolles Werk mit
einer nach wie vor
aktuellen
Botschaft.
Composed
by George Sweet. Young
Band (YPS). Full score.
With Standard notation.
16 pages. Carl Fischer
Music #YPS214F. Published
by Carl Fischer Music
(CF.YPS214F).
ISBN
9781491153017. UPC:
680160910519.
This
new piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
Three Folk Miniatures by Andre Jutras. Concert band. Heritage of the March Serie...(+)
Three Folk Miniatures by
Andre Jutras. Concert
band. Heritage of the
March Series. Audio
recording available
separately (item
CL.WFR138). Grade 3.
Score and set of parts.
Composed 1986. Duration 5
minutes, 20 seconds.
Published by C.L.
Barnhouse
By David Shaffer. For young concert band. Rising Band Series. Grade 1.5. Score a...(+)
By David Shaffer. For
young concert band.
Rising Band Series. Grade
1.5. Score and set of
parts. Duration 1 minute,
48 seconds. Published by
C.L. Barnhouse
Composed by
George Sweet. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+1+2+3+16+2
pages. Duration 2
minutes, 49 seconds. Carl
Fischer Music #YPS214.
Published by Carl Fischer
Music (CF.YPS214).
ISBN 9781491152331.
UPC: 680160909834. Key:
Bb major.
This new
piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
Shades of Gold Orchestre d'harmonie - Débutant C.L. Barnhouse
Grade 1 SKU: CL.024-3845-00 Composed by Huckeby. Young Concert Band. Risi...(+)
Grade 1
SKU:
CL.024-3845-00
Composed by Huckeby.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR362). Score and set
of parts. Composed 2009.
Duration 3 minutes, 7
seconds. C.L. Barnhouse
#024-3845-00. Published
by C.L. Barnhouse
(CL.024-3845-00).
A beautiful new
lyrical composition by a
master of the style, Ed
Huckeby. In addition to
the use of limited ranges
and minimal technical
challenges, the flowing
style provides a great
tool for teaching legato
style and phrasing, as
well as balance and
intonation. The creative
harmonies make Shades of
Gold sound much harder
than it really is. Your
students and audiences
will LOVE the sensitive
nature of the composition
and will be asking for it
again and again. Great
music!
Shades of Gold Orchestre d'harmonie - Débutant C.L. Barnhouse
Grade 1 SKU: CL.024-3845-01 Composed by Huckeby. Young Concert Band. Risi...(+)
Grade 1
SKU:
CL.024-3845-01
Composed by Huckeby.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR362). Extra full
score. Composed 2009.
Duration 3 minutes, 7
seconds. C.L. Barnhouse
#024-3845-01. Published
by C.L. Barnhouse
(CL.024-3845-01).
A beautiful new
lyrical composition by a
master of the style, Ed
Huckeby. In addition to
the use of limited ranges
and minimal technical
challenges, the flowing
style provides a great
tool for teaching legato
style and phrasing, as
well as balance and
intonation. The creative
harmonies make Shades of
Gold sound much harder
than it really is. Your
students and audiences
will LOVE the sensitive
nature of the composition
and will be asking for it
again and again. Great
music!
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012841 Composed by Jan ...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44012841
Composed
by Jan Hadermann. De
Haske Concert Band.
Concert Piece. Softcover.
Composed 2004. De Haske
Publications #1043740140.
Published by De Haske
Publications
(HL.44012841).
UPC:
888680643607.
English-German-French-Dut
ch.
Guernica, a
peaceful town in the
Basque region of Spain,
was reduced to ruins on
the 26th of April 1937 by
Nazi bombers. It was a
totally unexpected attack
that happened while the
crowded open-air market
was in progress. Over
1600 innocent citizens
were killed.This was one
of the most senseless and
abhorrent war crimes in
history. In this new work
by Jan Hadermann the
music of the Basque
region can clearly be
heard, with street
musicians adding lustre
to the open-air market
with dance music. Spring
is in the air when
suddenly from behind the
mountaintops, the death
squad appears and all
hell breaks loose. The
work ends with an intense
plea to never let
anything like this
happenagain. A moving and
contemplative new work
for concert band.
Guernica, een
vredig stadje in het
Spaanse Baskenland, werd
op 26 april 1937 door
nazi bommenwerpers
volledig in puin gelegd.
Die aanval vond totaal
onverwacht plaats terwijl
de drukbezochte
openluchtmarkt volop aan
de gang was. Meerdan 1600
onschuldige burgers
werden gedood. Dit is een
van de meest zinloze en
weerzinwekkende
oorlogsmisdaden uit de
geschiedenis. In het stuk
Guernica van Jan Haderman
horen we hoe de Baskische
muziek klinkt:
straatmuzikantenluisteren
de openluchtmarkt op met
dansmuziek. Het is lente.
Dan duikt plotseling
vanachter de bergtoppen
het doodseskader op en
barst de hel los. Het
werk eindigt met een
intense smeekbede zoiets
nooit meer te laten
gebeuren. Eenontroerend
nieuw werk voor
harmonieorkest.
Gu
ernica, eine friedliche,
strategisch eher
bedeutungslose Stadt im
Baskenland in Spanien,
ist durch einen
furchtbaren Blitzangriff
von Nazibombern im Jahr
1937 zum Symbol fur die
Sinnlosigkeit und
Grausamkeit von
Kriegsverbrechen und
Terror geworden. Im Stuck
Guernica ist die
frohliche Musik der
Basken herauszuhoren,
bevor die Holle des
Angriffs losbricht. Das
Werk endet mit der
eindringlichen Bitte, so
etwas nie wieder
geschehen zu lassen. Ein
eindrucksvolles Werk mit
einer nach wie vor
aktuellen
Botschaft.
Le 26
avril 1937, la paisible
ville de Guernica dans le
Pays basque espagnol est
aneantie par les
bombardiers de l'aviation
nazie. Plus de mille six
cents civils sont tues.
La ville brule pendant
trois jours.
Guernica de Jan
Hadermann se developpe
aux sons de la musique
basque. La place du
marche est pleine de
monde. L'atmosphere est
douce, le printemps
s'eveille sur un air de
danse joue par des
musiciens de rue quand
surgit par dessus les
montagnes, l'escadron de
la mort. L'enfer commence
a Guernica. L'œuvre
se conclut dans une
intense expression de
supplication pour qu'une
telle folie ne se
reproduise plus.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-124-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-124-140
Composed by Philip
Sparke. Debut Series.
Folk Klezmer. Score Only.
Composed 2004. Anglo
Music Press #AMP 124-140.
Published by Anglo Music
Press (BT.AMP-124-140).
English-German-French-
Dutch.
Klezmer
music originated in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse
‘hazanut’
(cantorijmuziek) en de
‘nigunim’,
de melodieën die
worden gereciteerd door
de ‘hasidim’
(orthodoxe joden). De
term werd in de loopder
tijden synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen
für Braut und
Bräutigam, einen
Rundtanz und einen so
genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester
überzeugen wird!
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(“shtetlâ€) e
nei ghetti
dell’Europa
dell’est. A
Klezmer Karnival di
Philip Sparke raccoglie
tre arie tradizionali:
Choson Kale Mazel Tov,
una danza nuziale,
Freylekh, una tipica
danza ebraica in cerchio
e Sherele (letteralmente
piccole forbici), una
danza di pastori di
origine tedesca.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-124-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-124-010
Composed by Philip
Sparke. Debut Series.
Classical. Set (Score and
Parts). Composed 2004.
Anglo Music Press #AMP
124-010. Published by
Anglo Music Press
(BT.AMP-124-010).
English-German-French-
Dutch.
Klezmer
music originated in the
â??shtetlâ?? (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
â??klezmorimâ??, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the â??badkhnâ??
(the master of ceremony
at weddings), to the
â??Purimshpilâ?? (the
play of Esther at Purim)
and to traditions of the
Yiddish theatre, but the
term gradually became
synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse â??hazanutâ??
(cantorijmuziek) en de
â??nigunimâ??, de
melodieën die worden
gereciteerd door de
â??hasidimâ??
(orthodoxe joden). De
term werd in de loopder
tijden synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen
für Braut und
Bräutigam, einen
Rundtanz und einen so
genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester
überzeugen wird!
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(â??shtetlâ?) e nei
ghetti dellâ??Europa
dellâ??est. A Klezmer
Karnival di Philip Sparke
raccoglie tre arie
tradizionali: Choson Kale
Mazel Tov, una danza
nuziale, Freylekh, una
tipica danza ebraica in
cerchio e Sherele
(letteralmente piccole
forbici), una danza di
pastori di origine
tedesca.
Composed
by Larry Clark. First
Plus Band (FPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #FPS155F.
Published by Carl Fischer
Music (CF.FPS155F).
ISBN 9781491152836.
UPC:
680160910335.
Quest
for the Throne evokes
images of kings and
castles, knights and
horses, and dragons in
all their glory. It is
a bold and aggressive
piece throughout, but
includes a contrasting,
lush secondary theme for
variety. In his typical
style, Clark has used
forceful figures, and
strong melodic content to
give students music
they'll want to practice
and play again and
again. This piece
should depict images of
kings and castles, knight
and horses, dragons and
damsels in distress. It
should be bold and
aggressive throughout,
but never with bad
tone. This is then
contrasted by the lush
second theme that is
presented first in a
softer thin
orchestration, but later
becomes a change for the
whole ensemble to play in
a strong, but lush
presentation of this
theme.One thing that is
important to me when
writing music for younger
students is to offer
pieces that challenge all
students in the ensemble
and give every section an
important part of the
musical presentation,
which naturally should
include some melodic
material. Every member
of the ensemble wants to
feel that they are
contributing to the
collective whole.It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
Composed by
Larry Clark. First Plus
Band (FPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+2+3+16+2 pages.
Duration 2 minutes, 11
seconds. Carl Fischer
Music #FPS155. Published
by Carl Fischer Music
(CF.FPS155).
ISBN
9781491152157. UPC:
680160909650.
Quest
for the Throne evokes
images of kings and
castles, knights and
horses, and dragons in
all their glory. It is
a bold and aggressive
piece throughout, but
includes a contrasting,
lush secondary theme for
variety. In his typical
style, Clark has used
forceful figures, and
strong melodic content to
give students music
they'll want to practice
and play again and
again. This piece
should depict images of
kings and castles, knight
and horses, dragons and
damsels in distress. It
should be bold and
aggressive throughout,
but never with bad
tone. This is then
contrasted by the lush
second theme that is
presented first in a
softer thin
orchestration, but later
becomes a change for the
whole ensemble to play in
a strong, but lush
presentation of this
theme.One thing that is
important to me when
writing music for younger
students is to offer
pieces that challenge all
students in the ensemble
and give every section an
important part of the
musical presentation,
which naturally should
include some melodic
material. Every member
of the ensemble wants to
feel that they are
contributing to the
collective whole.It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1074314-140 Drei kurzweili...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1074314-140
Drei kurzweilige
Impressionen.
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2007. 36
pages. De Haske
Publications #DHP
1074314-140. Published by
De Haske Publications
(BT.DHP-1074314-140).
9x12 inches.
English-German-French-Dut
ch.
For Three
Aspects of Kurt Weill
Peter Kleine Schaars took
inspiration from the
three periods that
characterise the life of
Weill - he
successivelylived in
Berlin, Paris and New
York. One theme is used
to create threetotally
different atmospheres, a
protest march against the
fascists inBerlin, a
French Musette (valse de
Paris) and an American
big bandstyle Broadway
orchestra. Let this great
work show the versatility
ofyour concert band!
Kurt
Weill, der unter anderem
mit seiner Musik zur
Dreigroschenoper
berühmt wurde, lebte
nacheinander in Berlin,
Paris und New York.
Three Aspects of Kurt
Weill weist ein Thema
auf, das dementsprechend
in drei völlig
unterschiedlichen
Stimmungen erscheint: als
Protestmarsch gegen die
Faschisten in Berlin, als
französische Musette
und im amerikanischen
Big- Band-Stil. Beweisen
Sie die
Verwandlungsfähigkeit
Ihres Blasorchesters!
Per il
brano Three Aspects of
Kurt Weill, Peter
Kleine Schaars ha preso
ispirazione dai tre
periodi che
caratterizzano la vita di
Weill - visse prima a
Berlino, poi a Parigi e
infine a New York. Un
tema viene utilizzato per
creare tre atmosfere
completamente diverse:
una Marcia di protesta
contro i fascisti a
Berlino, una Musette
(valzer di Parigi) e una
big band americana nello
stile delle orchestre di
Broadway. Lascia che
questa grande opera
mostri la versatilit
della tua banda in
concerto!
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1074314-010 Drei kurzweili...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1074314-010
Drei kurzweilige
Impressionen.
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#DHP 1074314-010.
Published by De Haske
Publications
(BT.DHP-1074314-010).
9x12 inches.
English-German-French-Dut
ch.
For Three
Aspects of Kurt Weill
Peter Kleine Schaars took
inspiration from the
three periods that
characterise the life of
Weill - he
successivelylived in
Berlin, Paris and New
York. One theme is used
to create threetotally
different atmospheres, a
protest march against the
fascists inBerlin, a
French Musette (valse de
Paris) and an American
big bandstyle Broadway
orchestra. Let this great
work show the versatility
ofyour concert band!
Kurt
Weill, der unter anderem
mit seiner Musik zur
Dreigroschenoper
berühmt wurde, lebte
nacheinander in Berlin,
Paris und New York.
Three Aspects of Kurt
Weill weist ein Thema
auf, das dementsprechend
in drei völlig
unterschiedlichen
Stimmungen erscheint: als
Protestmarsch gegen die
Faschisten in Berlin, als
französische Musette
und im amerikanischen
Big- Band-Stil. Beweisen
Sie die
Verwandlungsfähigkeit
Ihres Blasorchesters!
Per il
brano Three Aspects of
Kurt Weill, Peter
Kleine Schaars ha preso
ispirazione dai tre
periodi che
caratterizzano la vita di
Weill - visse prima a
Berlino, poi a Parigi e
infine a New York. Un
tema viene utilizzato per
creare tre atmosfere
completamente diverse:
una Marcia di protesta
contro i fascisti a
Berlino, una Musette
(valzer di Parigi) e una
big band americana nello
stile delle orchestre di
Broadway. Lascia che
questa grande opera
mostri la versatilit
della tua banda in
concerto!
Concert Band and Vocal Soloist (Score) - Grade 5 SKU: HL.44011763 Poem...(+)
Concert Band and Vocal
Soloist (Score) - Grade 5
SKU: HL.44011763
Poems by Graeme
King. Composed by
Marco Putz. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2010. De Haske
Publications #1094768.
Published by De Haske
Publications
(HL.44011763).
The hymn Nun
ruhen alle Walder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux.
Concert Band and Vocal Soloist (Score & Parts) - Grade 5 SKU: HL.44011762 ...(+)
Concert Band and Vocal
Soloist (Score & Parts) -
Grade 5
SKU:
HL.44011762
Poems
by Graeme King.
Composed by Marco Putz.
De Haske Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #1094768.
Published by Hal Leonard
(HL.44011762).
The
hymn Nun ruhen alle
Walder (Now All Forests
Rest), arranged by J.S.
Bach (No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux.
The Titanic Saga Orchestre d'harmonie - Avancé De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-0991533-040 Composed by Piet Swerts. S...(+)
Concert Band - Grade 5
SKU:
BT.DHP-0991533-040
Composed by Piet Swerts.
Sovereign Series. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991533-040. Published by
De Haske Publications
(BT.DHP-0991533-040).
Following the
spectacular movie
Titanic, the story of the
world famous ship stood
in the spotlights once
again. Piet Swerts was
inspired by this
catastrophic saga to
compose this beautifully
narrative piece,
reflecting the massesof
people in Southampton,
playing children and the
undulating sea. The piece
gradually picks up
impetuously culminating
with the looming iceberg
and the dramatic sinking
of the Titanic.
Pierius Magnus Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115057-140 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115057-140
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2011. 40 pages.
De Haske Publications
#DHP 1115057-140.
Published by De Haske
Publications
(BT.DHP-1115057-140).
9x12 inches.
English-German-French-Dut
ch.
Pierius Magnus
is a historical figure
from the Friesland area
of Holland. He was a
farmer who became a
resistance fighter
against Dutch oppressors
in around 1500. Whether
Magnus was a hero or
barbarian is still
debatable, but composer
Jan de Haan was
fascinated by the
exciting story and let it
fuel his imagination. The
protagonist is introduced
with a capricious theme
which is followed by
“De Arumer Swarte
Heap,“ the troops
who took to the
battlefields against the
Dutch. An eerie calm
takes over moments before
Pier and his troops let
their battle cries sound.
The work ends as the
disillusioned Pier
retreats. A concert work
overflowing with
excitement!
Pierius
Magnus ist eine
historische Figur aus
Friesland, ein Bauer und
Aufständischer gegen
die holländischen
Unterdrücker um 1500.
Ob Held oder Barbar
lässt sich heute
einfach nicht
zweifelsfrei belegen,
aber der Komponist fand
die Geschichte einfach zu
spannend, um sie nciht
als Inspirationsquelle zu
nutzen. In Pierius
Magnus wird der
Nationalheld gleich zu
Beginn des Werkes mit
einem kapriziösen
Thema vorgestellt,
gefolgt von seinem Haufen
De Arumer Swarte Heap.
Dann- bevor der Kampf
beginnt- tritt ein Moment
der Ruhe ein, bevor Pier
und seine Truppe in den
Kampf ziehen. Das Werk
endet mit dem Rücken
des desillusionierten
Pierius.
Pierius Grelofs
Donia è una delle
più celebri figure
della storia della
regione olandese della
Frisia nel corso del
1500. La storia non ci
permette di discernere le
reali intenzioni di
quest’uomo
soprannominato Grutte
Pier (il grande Pier) per
la sua statura imponente.
Fu un paladino della
libert o un semplice
barbaro? Il compositore
ha trovato in questa
emblematica figura
un’affascinante
fonte
d’ispirazione. Le
prime misure di Pierius
Magnus descrivono
l’eroe nazionale
attraverso un tema
capriccioso. Un secondo
tema dipinge la brigata
nera di Arum, pronta ad
affrontare gli olandesi.
Un breve momento di calma
fa da preludio al
combattimento, prima che
Pier Grelofsentri in
azione. Disilluso, il
grande Pier si ritira; la
fine dell’opera
sancisce anche la fine
del combattimento.
Pierius Magnus Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115057-010 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115057-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115057-010. Published by
De Haske Publications
(BT.DHP-1115057-010).
9x12 inches.
English-German-French-Dut
ch.
Pierius Magnus
is a historical figure
from the Friesland area
of Holland. He was a
farmer who became a
resistance fighter
against Dutch oppressors
in around 1500. Whether
Magnus was a hero or
barbarian is still
debatable, but composer
Jan de Haan was
fascinated by the
exciting story and let it
fuel his imagination. The
protagonist is introduced
with a capricious theme
which is followed by
“De Arumer Swarte
Heap,“ the troops
who took to the
battlefields against the
Dutch. An eerie calm
takes over moments before
Pier and his troops let
their battle cries sound.
The work ends as the
disillusioned Pier
retreats. A concert work
overflowing with
excitement!
Pierius
Magnus ist eine
historische Figur aus
Friesland, ein Bauer und
Aufständischer gegen
die holländischen
Unterdrücker um 1500.
Ob Held oder Barbar
lässt sich heute
einfach nicht
zweifelsfrei belegen,
aber der Komponist fand
die Geschichte einfach zu
spannend, um sie nciht
als Inspirationsquelle zu
nutzen. In Pierius
Magnus wird der
Nationalheld gleich zu
Beginn des Werkes mit
einem kapriziösen
Thema vorgestellt,
gefolgt von seinem Haufen
De Arumer Swarte Heap.
Dann- bevor der Kampf
beginnt- tritt ein Moment
der Ruhe ein, bevor Pier
und seine Truppe in den
Kampf ziehen. Das Werk
endet mit dem Rücken
des desillusionierten
Pierius.
Pierius Grelofs
Donia è una delle
più celebri figure
della storia della
regione olandese della
Frisia nel corso del
1500. La storia non ci
permette di discernere le
reali intenzioni di
quest’uomo
soprannominato Grutte
Pier (il grande Pier) per
la sua statura imponente.
Fu un paladino della
libert o un semplice
barbaro? Il compositore
ha trovato in questa
emblematica figura
un’affascinante
fonte
d’ispirazione. Le
prime misure di Pierius
Magnus descrivono
l’eroe nazionale
attraverso un tema
capriccioso. Un secondo
tema dipinge la brigata
nera di Arum, pronta ad
affrontare gli olandesi.
Un breve momento di calma
fa da preludio al
combattimento, prima che
Pier Grelofsentri in
azione. Disilluso, il
grande Pier si ritira; la
fine dell’opera
sancisce anche la fine
del combattimento.
Score Only Concert Band (Score) - Level 3.5 SKU: HL.44013199 Composed by ...(+)
Score Only Concert Band
(Score) - Level 3.5
SKU: HL.44013199
Composed by Thomas Doss.
Mitropa Music Concert
Band. Concert, Festival.
Softcover. Duration 460
seconds. De Haske
Publications #213018140M.
Published by De Haske
Publications
(HL.44013199).
UPC:
888680793487.
The
celebration of 100 Years
of the Republic of
Austria provides an
occasion to reflect on
freedom and democracy,
precious values which
have to be fought for
again and again. The
composer wrote this
festive, impressive piece
as a tribute to all
people standing up for
democracy in the name of
mankind. (Grade 3.5) Dur:
6:45 (Mitropa).
Zombie Attack Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band - Grade 1.5 SKU: XC.HCB2007FS Composed by Jason Taurins. Har...(+)
Concert Band - Grade 1.5
SKU: XC.HCB2007FS
Composed by Jason
Taurins. Harmony Band
Series. Concert and
Contest. Concert and
contest. Score. Excelcia
Music Publishing
#HCB2007FS. Published by
Excelcia Music Publishing
(XC.HCB2007FS).
UPC:
812598033496. 9 x 12
inches.
This creepy
new work for developing
bands is a perfect fit
for your next Halloween
concert. With plenty of
opportunity for sonorous
tutti playing and low
brass independence,
Jason’s unique
harmonic style is great
for teaching common
accidentals. We know your
students will ask to play
Zombie Attack again and
again.
Passacaglia and Fuge Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Baton Music
(BWV 582). By Johann Sebastian Bach / Ottorino Respighi. Arranged by Douglas McL...(+)
(BWV 582). By Johann
Sebastian Bach / Ottorino
Respighi. Arranged by
Douglas McLain. For
concert band. Grade 5.
Full score. Duration
14:00. Published by Baton
Music
Stand by Me Orchestre d'harmonie De Haske Publications
Concert Band (Score) SKU: HL.4006285 Concert Band Score. Arranged ...(+)
Concert Band (Score)
SKU: HL.4006285
Concert Band
Score. Arranged by
Roland Kernen. De Haske
Concert Band. Classical,
Pop, R&B. Softcover. 12
pages. Duration 240
seconds. De Haske
Publications #1115114215.
Published by De Haske
Publications
(HL.4006285).
UPC:
888680978662.
Stand
By Me, perhaps Ben E.
Kings greatest hit ever,
was first released in
1961 as the b-side of a
single, but as it soon
went to number one on the
R&B charts and to
number one of the pop
charts, the single was
released again with Stand
By Me as the a-side. In
1986 it was rereleased
again, on the release of
the movie by the same
name, and it is also
well-known through
countless cover versions
by famous singers. Now,
Stand By Me is available
for a flexible five part
instrumentation.
By Peter Ilyich Tchaikovsky. Arranged by Mike Hannickel. (Score). Curnow Concer...(+)
By Peter Ilyich
Tchaikovsky. Arranged by
Mike Hannickel. (Score).
Curnow Concert Band Full
Set. Size 9x12 inches. 40
pages. Published by
Curnow Music
Publications.
Wind Band - Grade 3 SKU: YM.GTW01094238 Composed by Keisuke Asami, Toru M...(+)
Wind Band - Grade 3
SKU:
YM.GTW01094238
Composed by Keisuke
Asami, Toru Minakuchi,
and Yo Goto. Arranged by
Keisuke Asami, Toru
Minakuchi, and Yo Goto.
Concert Band. Score &
Parts. Yamaha Music Media
#GTW01094238. Published
by Yamaha Music Media
(YM.GTW01094238).
ISBN
9784636942385.
Suit
able for both primary
school brass band and
wind band. Composed and
Arranged by Yo Goto, Toru
Minakuchi, and Keisuke
Asami. Model
performances and
parts(PDF) are included
in attached CD-ROM.
Gua He Xiao Xue Guan
Le Tuan Yan Zou . Zuo Qu
/Bian Qu : Hou Teng Yang
, Shui Kou Tou , A Zuo
Mei Gui You . Suo Fu
CDZhong Bao Han Shi Fan
Yan Zou Ji Fen Pu PDFWen
Jian .
1. Pappy
March(Grade : 2); 2.
Japanese Folksong
Rhapsody(Grade 2.5)
Wadaiko(Japanese drum)
are featured.; 3.
Marching Dream
Again(Grade : 3) 1.
Pappy March(Grade : 2);
2.Ri Ben Min Yao Kuang
Xiang Qu (Grade 2.5)Pei
Qi Bao Han Ri Ben Da Gu
.; 3. Marching Dream
Again(Grade : 3).