(or The Lass That Loved a Sailor ) Lyrics by W.S. Gilbert, music by Arthur Sulli...(+)
(or The Lass That Loved a
Sailor ) Lyrics by W.S.
Gilbert, music by Arthur
Sullivan (1842-1900). For
mixed voice and piano.
Format: piano/vocal
score. With vocal score
and piano accompaniment.
Broadway and vocal
standards. 167 pages.
7.5x10.7 inches.
Published by G. Schirmer,
Inc..
Piano; Vocal; Voice (Voice and Piano) SKU: HL.48000909 Solo Songs....(+)
Piano; Vocal; Voice
(Voice and Piano)
SKU:
HL.48000909
Solo
Songs. Composed by
Einojuhani Rautavaara.
Boosey & Hawkes Voice.
Classical, Contemporary,
Finnish. 87 pages. Boosey
& Hawkes #M550095052.
Published by Boosey &
Hawkes (HL.48000909).
UPC: 073999257076.
8.25x11.75x0.2
inches.
Contents: I
Took That Trip towards an
Early Daybreak * What Is
There Arising from behind
Your Eyelids * I am
Walking over Tiny Spots
of Snow * Deep is the
Night * In the Great Wild
Woodlands * In Between
Grey Stones * Lucky Cat *
To You I Would Make a
Gift of Sunflowers * I am
Not Speaking, I am
Singing * Vocalise *
Melancholy * The Squirrel
* O Wonderful World *
Song of My Heart * Like a
Pale Mask, the Hour of
Parting * Spring Song *
Summer Night * Herbsttag
* Winter.
Piano; Voice SKU: HL.48011603 Voice and Piano. Composed by Camilla...(+)
Piano; Voice
SKU:
HL.48011603
Voice
and Piano. Composed
by Camilla During. This
edition: M060097683.
Boosey & Hawkes Voice.
Children, Classical,
Contemporary,
Educational. 44 pages.
Boosey & Hawkes
#M060097683. Published by
Boosey & Hawkes
(HL.48011603).
UPC:
073999988673.
9.0x9.0x0.122
inches.
20 great
songs by Camilla During
which young children will
love to sing. Book
includes lyris, guitar
chords, and simple ideas
for immediate classroom
use. Quitable for ages
5-8. Contents: If You
Ever Meet a Dinosaur *
Wrinkly Fingers * In the
Band * Autumn Leaves *
You'll Never Guess * In
My Garden * Clap, Clap *
The Insect Dance * Who's
That? * Flying * Rosie *
Get Out! * We Can Hear
You * Let's Make Noises *
My Place * Can You Eat
Your Teddy Bear * You Can
Jump * What Can You Do? *
Jake * Summer
Lullaby.
Piano; Voice SKU: HL.49014475 For High Voice and Piano. Composed b...(+)
Piano; Voice
SKU:
HL.49014475
For
High Voice and Piano.
Composed by William
Lawes. Edited by Edward
Huws Jones. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 14 pages.
Schott Music #ED11143.
Published by Schott Music
(HL.49014475).
ISBN
9790220130052. UPC:
073999317923.
8.5x11.5x0.064 inches.
English.
To Pansies
Ah, cruel love! *
Persuasions not to Love
He that will not love *
On the Lilies White
though ye be * To the
Virgins, to make much of
Time Gather ye rosebuds
while ye may * To
Sycamores I'm sick of
love * To the Dews I
burn, I burn.
Vocal and Piano SKU: HL.14034354 Composed by David Turnbull. Music Sales ...(+)
Vocal and Piano
SKU:
HL.14034354
Composed
by David Turnbull. Music
Sales America. Tuition.
Book [Softcover]. 48
pages. Music Sales
#BOE005169. Published by
Music Sales
(HL.14034354).
ISBN
9781844494170.
9.0x12.0x0.152
inches.
This book
contains everything you
need to progress to
intermediate singing
level, including over 20
songs which can be used
in your ABRSM Grade 4
exam, with plenty of help
and theory information
throughout. There are
also sections on
warming-up and sight
singing. Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
Piano Accompaniment; Vocal (Voice and Piano) SKU: HL.287859 Voice/Pian...(+)
Piano Accompaniment;
Vocal (Voice and Piano)
SKU: HL.287859
Voice/Piano.
Composed by Isabelle
Aboulker. Music Sales
America. Classical.
Softcover Audio Online.
176 pages. Alphonse Leduc
#AL30758. Published by
Alphonse Leduc
(HL.287859).
9.0x12.0x0.636
inches.
Sonatas and
quartets aren't my thing.
Armed with this
self-knowledge, composer
Isabelle Aboulker placed
singing at the heart of
her creative activity and
garnered huge success in
a variety of genres such
as oratorio (The Man who
Staggered Through War,
1997), comic opera
(Monsieur de Balzac fait
son theatre, 1999),
childrens tales (Douce et
Barbe Bleue, 2002) and
the theatrical
adaptationof narrative
works (Une fille quon
appelle Boule de suif,
2014). Isabelle Aboulker
also devotes much
attention to melody, as
can be seen in this
collection presenting a
few of her most
enchanting successes. Her
prosodic clarity and
focus on the power of
words crystallises a
musical legacy that
stretches from Rameau to
Poulenc.This anthology of
melodies for voice and
piano - most of which are
written for all voices -
is delightfully eclectic:
the melancholyperfume of
the Lettre damour sits
beside the unnerving
eeriness of the merchant
of souls (Au marche de
Saint-Paul), while the
limpid music of the La
Fontaines Fables
contrasts with the fever
that animates Je taime, a
passionate vocalise
dedicated to Patritica
Petibon. A subtle,
sensitive art that
enchants all who lend an
ear.
Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1....(+)
Voice and piano (Soli:
SBar(T) -
1(picc.A-fl).1(cor
ang).1(Ebclar.Bclar).0. -
1.1.2.0. - perc - hp -
pno - str: 1.1.1.1.1.)
SKU: BR.DV-6140
Scenes for 2 Singers
and 15
Instrumentalists.
Composed by Udo
Zimmermann. Voice;
Softbound. Deutscher
Verlag. World premiere:
Hamburg, February 27,
1986DV 1140 awarded the
German Music Edition
Prize. Opera; Music
theatre; Music post-1945;
New music (post-2000).
Piano/Vocal Score.
Composed 1984/85. 140
pages. Duration 75'.
Deutscher Verlag fur
Musik #DV 6140. Published
by Deutscher Verlag fur
Musik (BR.DV-6140).
ISBN 9790200460230.
13.5 x 10.5
inches.
Translation
: Engl. (S. Wadsworth)
(1988) / (Norbert
Rubesaat) (1993); French
(Jean-Pierre Wurtz)
(1997) Place and time:
Jail Munchen-Stadelheim,
in the hour before the
execution on 22nd
February 1943 Characters:
Sophie Scholl (soprano) /
Hans Scholl (baritone or
tenor) >>Weisse Rose<<
(White Rose) was the name
of the resistance group
to which Hans and Sophie
Scholl belonged. Udo
Zimmermann's composition
is characterized by the
varying structure of its
scenes: dramatic,
visionary scenes, e.g.
the remembered wartime
experiences on the front,
Sophie's anxiety about
the removal of the
children and the wish to
see her parents one last
time, contrast with
contemplative monologues
that are intended to
provide insights into the
individual's particular
situation. The composer
interweaves into the
structure of the piece
dream sequences with
sudden bursts of anxiety
that are not triggered by
the execution that is
about to take place but
by the consequences of
one's own actions. The
result is a deliberate
fusion of the various
parts into one another.
More than 100 different
productions prove that
the topic is as important
as ever and that the work
is both artistically
rewarding and
practicable. Udo
Zimmermann About the
piece Two young people,
the siblings Sophie and
Hans Scholl, are in a
prison cell, one hour
before they are to be put
to death by their fascist
executioners. Their
christian convictions and
sense of responsibility
gave them the courage to
put up resistance,
resistance against the
lies, the contempt for
humanity and all human
values. Sophie and Hans
Scholl took their stand
in the full knowledge
that they were taking a
deadly risk. They would
simply not have been able
to live with their
feelings of shame had
they not grasped the
chance of fighting for
what they believed in,
even though it was a
dangerous thing to do.
Memories of past events,
doubts, hopes and fears,
justification of deeds
and an acceptance of
death, all these things
happen and move in, and
between, these two people
during this
representation of the
hour before death. The
orchestra provides a
psycho-physical shorthand
of their inner mental
state. Musical effects
and gestures search for
their identity in human
behaviour. The moments of
stillness and silence
provide moments of
musical tension, which
are just as powerful as
the eruptions of fear and
desperation. CDs:
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor),
Instrumentalensemble,
cond. Udo Zimmermann CD
Orfeo C 162 871 Grazyna
Szklarecka (soprano),
Frank Schiller (tenor),
musica viva-ensemble
dresden, cond. Udo
Zimmermann CD Berlin
Classics Eterna BC 0120
060-2 CD (excerpts):
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor), Ein
Instrumentalensemble,
cond. Udo Zimmermann CD
BMG 74321 73628 2
Bibliography : Kornel ,
Attila: ,,Tief unter uns
nur Schweigen - Die
Asthetik der Stille in
Udo Zimmermanns
Kammeroper ,,Weisse Rose,
in: Die Tonkunst 11
(2017), pp. 368-377.
Rheinlander , Matthias:
Im Osten nichts Neues?
Ostalgie ohne Kitsch am
Beispiel von Udo
Zimmermanns Oper Die
weisse Rose, in: Musik
und Unterricht, Heft 73
(2003), pp.
34-40.
World
premiere: Hamburg,
February 27, 1986DV 1140
Awarded the German Music
Edition Prize.
Vocal
Selections. Composed
by Shaina Taub. Vocal
Selections. Broadway.
Softcover. Published by
Hal Leonard (HL.1737924).
UPC:
196288288701.
Suffs
is the Tony
Award®-winning musical
that's making history on
Broadway! Crafted by the
supremely talented Shaina
Taub, she's shattered
ceilings by becoming the
first woman to
single-handedly snag Tony
Awards for both Best Book
and Best Score in the
same year. Beyond its
Tony Award® glory,
Suffs has clinched the
title of Best Musical
from the Outer Critics
Circle, bagged a pair of
Drama Desk Awards
including one for Best
Score, and it's been
hailed as the season's
most heart-stirring
musical by the Chicago
Tribune. This musical
dives into the lives of
the suffragist women,
affectionately known as
âSuffs.â These
women weren't just
intellectual giants in
their pursuit for the
voteâthey were
complex beings, marked by
their persistence, humor,
and the fiery passion
driving their cause.
Suffs unfolds the
tapestry of their
camaraderie, the setbacks
that tested them, and
showcases the push-pull
dynamics that either
united or divided them.
Venturing boldly into an
equality struggle that
echoes into today, Suffs
stands as a theatrical
behemoth, lauded by
Forbes as a
âmust-see,â and
a stirring nudge
reminding us that while
progress is within reach,
it's never a sure thing.
Make your voice heard
with our matching
songbook, featuring 15
songs from the exhuberant
score arranged for vocal
line with piano
accompaniment. Songs
include: Finish the Fight
⢠Great American
B**** ⢠How Long
⢠If We Were Married
⢠Keep Marching
⢠Let Mother Vote
⢠Lucy's Song â¢
The March (We Demand
Equality) ⢠Show
Them Who You Are â¢
Wait My Turn ⢠Worth
It ⢠and more.
50 Classics from the Great American Songbook. Composed by various artists an...(+)
50 Classics from the
Great
American Songbook.
Composed
by various artists and
composers and various
artists and composers.
This
edition: Easy Hits Piano.
Book; P/V/C Mixed Folio;
Piano/Vocal/Chords.
Alfred's
Easy. Jazz; Standard. 144
pages. Published by
Alfred
Music
Vocal and Piano (Voice and Piano) SKU: HL.50487684 Composed by N. Bretan....(+)
Vocal and Piano (Voice
and Piano)
SKU:
HL.50487684
Composed
by N. Bretan. 20th
Century. EMB. Classical.
Book [Softcover]. Editio
Musica Budapest #Z13636.
Published by Editio
Musica Budapest
(HL.50487684).
ISBN
9790080136362. Bach (23 x
30,2 cm) inches.
Hungarian, English.
Nicolae
Bretan.
Nicolae
Bretan (1887-1968) was a
great singer and composer
who had the keys to
create great lieder. He
understood that the
imagery of poetry deeply
stirs the subconscious,
that verbal images must
be weighed and translated
with precise yet
unmeasurab le artistry
into rhythm and harmony.
Given songs that
penetrate the listener's
psyche, that arouse the
listener's humanity, that
increase the listener's
sense of beauty, the
singer has munch of his
work already done for
him. And the singer who
sings Bretan is far ahead
on the pathways to his
audience's mind and
heart. The listeners
sense new doors onto
vistas of order and
beauty, torment and calm.
This release of energy
withinthe audience is the
secret of art. Art is
eternity's dialogue in
whic h the listener
participates, which the
listener fills in with
his own emotion, his own
experience... Frederica
von Stade
Nicolae
Bretan (1887-1968) war
ein Sanger und Komponist
der das Geheimnis der
grossen Liedschopfung
kannte. Erwusste, dass
das poetische Bild das
Unterbewusste zutiefst
aufwuhlt, dass das
poetische Wort mit
praziser und vollendeter
kunstlerischer
Meisterschaft in Rhythmen
und Harmonien verwandelt
werden muss. Dadurch,
dass diese Lieder in die
Seele des Horers dringen,
das Humane, in ihm
erwecken, seinen Sinn fur
Schonheit steigern, wird
dem Sanger seine Arbeit
erleichtert. Und der
Interpret, der Bretan
singt, befindet sich in
jenen hohen Gefilden und
auf Wegen die zum Herz
und Verstand des
Publikums fuhren. Seine
Horer erahnen Pfade zu
neuen Ordnungen
undSchonheiten, zu
Erregung und Stille.
Dieser Ausbruch von
Energien im Inneren des
Zuhorers ist das
Geheimnis der Kunst. Die
Kunst ist der Dialog der
Ewigkeit, an dem das
Publikum teilnimmt, den
es mit seinen eigenen
Emotionen und Erfahrungen
erganzt... Frederica von
Stade.
Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for voice and piano.
Over 180 hits and
showstoppers by the
master songwriters of
yesteryear. 399 pages.
Published by Music Sales.