(2.2.2.2/4.2.3.0,timp,per c,str)

SKU: TM.14116SC

Composed by Jacques Offenbach. Score. Lucks Music Library #A8977. Published by Lucks Music Library (TM.14116SC).

Choeur in D, Recit (Vous aimez le danger) in F, Rondeau (Ah que j'aime les militaires) in A. See ALF0244 Grand Duchess of Gerolstein for version with Recit in Db and Rondeau in F.

(2.2.2.2/4.2.3.0,timp,per c,str)

SKU: TM.14116SET

Composed by Jacques Offenbach. Set Type: D. Set of parts. Lucks Music Library #A8977. Published by Lucks Music Library (TM.14116SET).

Choeur in D, Recit (Vous aimez le danger) in F, Rondeau (Ah que j'aime les militaires) in A. See ALF0244 Grand Duchess of Gerolstein for version with Recit in Db and Rondeau in F.

(after the copy from J. S. Bach). By George Frideric Handel (1685-1759). Edited by Andreas Traub. For STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext editions. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. HWV 48. 176 pages. Duration 150 min. Published by Carus Verlag

Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4

SKU: CA.4066050

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Franz Schubert. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. D 950. 216 pages. Duration 50 minutes. Carus Verlag #4066050. Published by Carus Verlag (CA.4066050).

ISBN 9790007294533. Key: E flat major. Latin.

Schubertâ?? s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Voca l scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.

(piano reduction). By Johann Sebastian Bach (1685-1750). Edited by J. Rifkin / A. Durr. For Soli, Choir and Orchestra. This edition: piano reduction/vocal score. Edition Breitkopf. Piano reduction, Urtext. 228 pages

By Haydn F. J. Edited by Schenk(Urtext). For SATB soli, SATB, 1222 2200 timpani, strings, organ. Hob.XXII:14(B|)(Lat). Sacred Choral Works. Duration ca.50. Published by C.F. Peters.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, 4BarSolo, Mixed choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp, 3trombone, timpani, harp, Org, Str)

SKU: BA.BA04918

Romantic opera in three acts. Composed by Franz Berwald. Edited by Folke Lindberg. This edition: complete edition, urtext edition. Linen. Franz Berwald. Complete Works, Volume 18a. Complete edition, Score. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA04918_00. Published by Baerenreiter Verlag (BA.BA04918).

ISBN 9790006460526. 33 x 25.7 cm inches. Text Language: Swedish. Preface: Lindberg, Folke. Text: Vial, J. B. C. / Favières, E. G. F. de.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700312

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/12. Published by Carus Verlag (CA.9700312).

ISBN 9790007238766. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700313

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/13. Published by Carus Verlag (CA.9700313).

ISBN 9790007238773. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700349

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1736/1800/1843. 28 pages. Duration 35 minutes. Carus Verlag #CV 97.003/49. Published by Carus Verlag (CA.9700349).

ISBN 9790007238797. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700305

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/05. Published by Carus Verlag (CA.9700305).

ISBN 9790007131777. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700314

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/14. Published by Carus Verlag (CA.9700314).

ISBN 9790007238780. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700300

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. This edition: Paperbound. German title: Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Composed 1736/1800/1843. 128 pages. Duration 35 minutes. Carus Verlag #CV 97.003/00. Published by Carus Verlag (CA.9700300).

ISBN 9790007113124. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700311

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/11. Published by Carus Verlag (CA.9700311).

ISBN 9790007238759. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700319

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1736/1800/1843. Duration 35 minutes. Carus Verlag #CV 97.003/19. Published by Carus Verlag (CA.9700319).

ISBN 9790007133757. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and parts available separately - see item CA.9700300.

(1+1.2.2.2/4.2.3.0,timp,p erc,str,S solo)

SKU: TM.04663SC

Composed by Jacques Offenbach. Score. Lucks Music Library #A4310. Published by Lucks Music Library (TM.04663SC).

Soprano version. Contains: Choeur in D, Recit (Vous aimez le danger) in F, Rondeau (Ah que j'aime les militaires) in A. See ALF0244 Grand Duchess of Gerolstein for version with Recit in Db and Rondeau in F.

(1+1.2.2.2/4.2.3.0,timp,p erc,str,S solo)

SKU: TM.04663SET

Composed by Jacques Offenbach. Set Type: A. Set of parts. Lucks Music Library #A4310. Published by Lucks Music Library (TM.04663SET).

Soprano version. Contains: Choeur in D, Recit (Vous aimez le danger) in F, Rondeau (Ah que j'aime les militaires) in A. See ALF0244 Grand Duchess of Gerolstein for version with Recit in Db and Rondeau in F.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012919

Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Paulus. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/19. Published by Carus Verlag (CA.4012919).

ISBN 9790007097158. Language: German/English.

Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and parts available separately - see item CA.4012900.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012905

Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/05. Published by Carus Verlag (CA.4012905).

ISBN 9790007186524. Text language: German/English.

Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012904

Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Paulus nur deutsch. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/04. Published by Carus Verlag (CA.4012904).

ISBN 9790007092122. Language: German/English.

Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinet, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpente, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012991

Oratorio. Composed by Felix Bartholdy Mendelssohn. Carus Choir Coach. Paulus.Ccc. Compact Disc. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/91. Published by Carus Verlag (CA.4012991).

ISBN 9790007171834. Language: German.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012901

Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Paulus - St. Paul. Innovative practice aids, Sacred vocal music, Oratorios. Full score. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/01. Published by Carus Verlag (CA.4012901).

ISBN 9790007103866. Language: German/English.

Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Mixed choir (SATB), soloists (SATB), speakers and orchestra (Bass) - intermediate

SKU: HL.49031524

Ein Volkslieder-Oratorium nach alten deutschen Weisen. Composed by Haas. Sheet music. Edition Schott. Choir part. Op. 103. 28 pages. Duration 120'. Schott Music #ED 4340-04. Published by Schott Music (HL.49031524).

ISBN 9790001051187. German.

(2ob,org,str=4.4.0.2.2,ST B soli,SATB chorus)

SKU: TM.10314SET

Composed by Gregor J. Werner. Set Type: M. Set of parts. Lucks Music Library #A7071. Published by Lucks Music Library (TM.10314SET).

Chs and org in sc. Sc in set. Must perform with chorus.