Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

Par GRIFFIN MICHAEL. When it comes to musical skill, why is it that some people achieve so much more than others? We are frequently led to believe this is because of a talent hardwired into their DNA. Now, music educator Michael Griffin dismisses that age-old notion in favour of another known factor: practice. His new book, Learning Strategies for Musical Success illustrates how the quantity and quality of practice is the greatest predictor of musical success so that aspiring musicians of all ages and abilities can best bring about expert performance. This inspiring, accessible guide will equip students, teachers, adult learners, and parents with the methods and mindset to improve the likelihood of learning music successfully. 'Deeply impressive - the breadth of research is fascinating!' - Victorian Music Teachers Association 'Terrific...eminently practical...excellent discussion...I came away inspired and excited.' - The Music Trust, Australia 'This book really does deliver' - American Music Teacher 'I can't think of any other book that draws on so many resources to create a new understanding of learning music. Every serious music student, music teacher, and parent of a music student will find important information in this book. Griffin gives clear examples of how concepts are applied that make for enjoyable reading. This book has a potential for making lifelong differences in the lives of music students, parents and teachers.” - Roy Ernst, PhD, LLD Professor Emeritus, Eastman School of Music of The University of Rochester 'A must buy for every music teacher and music student. Bravo on a most stimulating read. This draws together old wisdom and the latest research. I am re-reading this excellent book for the third time, highlighter pen in hand.' 5 stars (Amazon Rank) - William Bruce, Guildhall UK. 'A most stimulating read that has given me a great deal to think about.' - Nicholas Carpenter, Prebendal, UK. 'Fantastic book...simply brilliant!' - Ian Cooper, Norfolk Music Service, UK. 'A must read for all music educators. Michael Griffin has collected lessons from his own experience - which is extensive, and pertinent, recent research to provide a detailed overview of how we learn, and how students can be empowered and trained to become effective, efficient and independent learners. The book is well documented, making it convenient to go on to further reading about the topics of each chapter. The language is concise and easily understood, yet deeply practical and useful.' - 5 stars Robert Adams, Music Educator, New Haven, USA. 'Don't miss this opportunity!' - 5 stars Mary George, USA./ Méthode / Tout Instrument

Par HARRIS PAUL. This series from Paul Harris builds on his Improve your Scales and Improve your Sightreading courses. Improve your Practice Grade 4 begins by encouraging students to plan their practice sessions, starting with warm-ups and then giving tips on how to 'explore a piece'. This book will help children to think about different aspects of their music as they play giving them a better musical understanding of their pieces and also encourages independent thought and exploration. / Niveau : Facile / Répertoire / Tout Instrument

Jazz Play-Along Vol.61. Par HUBBARD FREDDIE. Only for the brave! Find out how good you really are when tempos reach 340 beats per minute! Songs are typically played at 'break neck' speed on popular jazz recordings, club dates, and jam sessions. A much requested set that is sure to fill a void in this series. You've heard stories of jazz masters who used to play 'Cherokee' in all 12 keys. . . now see what it's like for yourself. If you cut it at this tempo, you're ready for anything! / Rép International / Recueil / Tout Instrument

Par ADOLFO ANTONIO. Phrasing is the way the elements of music (melody, harmony and rhythm) are interpreted by different cultures (or different musicians, including vocalists). In Phrasing In Brazilian Music, Antonio Adolfo demonstrates through written and recorded musical examples on the piano, how the different elements of music play an important role when musicians are performing Brazilian Music. The book covers Phrasing in different Brazilian styles in two beat and is enhanced by a very didactic text. Despite almost all examples have been played on the piano (many times accompanied by shaker), the book will be of much interest for any musician of any instrument. / Méthode / Méthode / Tout Instrument

500 Jazz Licks aims to assist you on your journey to play jazz fluently. These short phrases and ideas we call 'licks? will help you understand how to navigate the common chords and chord progressions you will encounter. Adding this vocabulary to your arsenal will send you down the right path and improve your jazz playing, regardless of your instrument. / Tout Instrument

Pour utilisation avec tous les Bb, Eb, Bass Clef, et instruments C, le Hal Leonard Blues Play-Along Series est l'outil de jamming ultime pour tous les musiciens de blues. Avec facile-to-lue feuilles de plomb, et d'autres choix split-piste sur le CD inlcuded, ces packages première-of-a-aimables seront apporter votre confiture de blues locale à droite dans votre maison! Chaque chanson sur le CD inclut deux pistes: un mélange plein de stéréo, et d'un mix de la piste split avec guitare amovible, bass, piano, et les pièces du Groenland. / Instruments En C, Bb Et Bb

Outils pédagogique pour tous les jazzmen. Séléction de 10 classiques arrangés pour les instruments en Bb, Eb et C. Les parties piano et basse sont détachables. Sur le CD vous trouverez deux versions de chaque thème : une avec tous les instruments et une autre sans la partie solo. / Tout Instrument / Partition + Cd

Stitched manuscript paper in A4 format. Idea for use in the classroom or for your own creations! Get all those burning ideas down on paper for all to see. / Tout Instrument

Jazz Play-Along Vol.118. Par DEFRANCESCO JOEY. 13 morceaux du Joey Defrancesco Trio arrangés pour tous instruments (clés de sol et fa - instruments en Bb et Eb). CDs inclus un enregistrements de chaque morceaux par Joey Defrancesco (Hammond Organ), Jake Langley (Guitare) et Carmen Intorre (Batterie) / Rép International / Recueil / Tout Instrument