By Franz Wullner. For Cello, Piano. 30 pages (score) / 9 pages (part). Solo part with score

By Franz Joseph Haydn. Arranged by Gregor Piatigorsky. For Violoncello, Piano. Published by Theodore Presser Company.

In a Minor, Op. Posth. D 821 - Version for Violoncello and Piano. By Franz Schubert. Edited by W.-D. Seiffert. Violoncello. Pages: Score = XI and 29 * Vc Part = 13. Edition for Violoncello-paper bound. Published by G. Henle.

For Oboe, Bassoon, Violin, Violoncello and Piano - Piano Reduction. By Franz Joseph Haydn. Edited by S. Gerlach. Arranged by Siegfried Petrenz. (Piano). This edition: HN154. Chamber Music with Winds. Henle Music Folios. Urtext edition (Paper-bound). 86 pages. Published by Henle URTEXT Edition.

Cello; Piano Accompaniment

SKU: HL.50512037

Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037).

ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.

The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.

Composed by Franz Josef Haydn, edited by Klaus Burmeister. Hob. VIIb: 1. For cello and piano. Includes set of performance parts (includes separate pull-out cello part) and accompaniment CD. With solo part, piano reduction and introductory text. Classical Period. Photoprint edition - publisher prints this title after order is received. C Major. 54 pages. 9x12 inches. Published by C.F. Peters.

Composed by Franz Liszt (1811- 1886). Edited by Daniel Morganstern. For cello and piano accompaniment. Score and part. Published by International Music Company

Composed by Franz Joseph Haydn (1732-1809). Trio book for violin, cello and piano. With standard notation. Published by International Music Co.

By Franz Joseph Haydn. For CD (Orchestral accompaniment, for Cello). Play Along. CD/DVD. Published by Edition Peters

By Franz Liszt (1811-1886). Edited by ́rpÌÁd Pejtsik and . For Cello, Piano Accompaniment (Score and Parts). EMB. 84 pages. Editio Musica Budapest #Z14768. Published by Editio Musica Budapest

Cello and Piano

SKU: M7.DOHR-21803

Composed by Franz Wullner. Sheet music. Op. 39. 39 pages. MDS (Music Distribution Services) #DOHR 21803. Published by MDS (Music Distribution Services) (M7.DOHR-21803).

ISBN 9790202008034.

Composed by Franz Schubert (1797-1828), edited by Bernhard Guenther. D.821. Set of performance parts and accompaniment CD for cello and piano. With bowings. A Minor. 34 pages. Published by C.F. Peters.

Cello and Piano

SKU: BT.EMBZ14768

Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768).

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

Violoncello and Piano - Grade 2

SKU: HL.50510633

Cello and Piano. By Arpad Pejtsik. By Franz Schubert. Arranged by Á, d Pejtsik, and rpá. Classic. EMB. Book Only. Op. 94, No. 3. Editio Musica Budapest #Z13586. Published by Editio Musica Budapest (HL.50510633).

ISBN 9790080135860. UPC: 073999132564. 9.0x12.0x0.038 inches. Franz Schubert; Georg Goltermann; Arpad Pejtsik.

Medium level.

Cello and piano

SKU: BR.EB-5566

Original and Arrangements. Composed by Othmar Schoeck. Edited by Franz Hindermann. Arranged by Franz Hindermann. Solo instruments; stapled. Edition Breitkopf. Arrangements for violoncello (EB 5566) and bassoon (EB 5567) are also available. Sonata; Romantic; Late-romantic. Score. 36 pages. Duration 15'. Breitkopf and Haertel #EB 5566. Published by Breitkopf and Haertel (BR.EB-5566).

ISBN 9790004164433. 9 x 12 inches.

It is considered a milestone in the repertoire for bass clarinet: Othmar Schoeck's Sonata op. 41, composed in 1927/28 for the Swiss music patron and amateur clarinetist Werner Reinhart. In the tension area between late Romanticism and currents of New Music of the 1920s, Schoeck created a work of fascinating colorfulness, which even has jazz elements flashing up in the finale. This classic work is one of the most exciting, boldest instrumental works by the important song and opera composer. CD: Renate Rusche (bass clarinet), Werner Hagen (piano) Sc 63072.

Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

Composed by Jean Brizard/Henri Classens. For cello and piano. Classical. Score. 33 16 pages. Published by Editions Combre

Cello and piano

SKU: M7.SAE-5-01

Composed by Franz Schubert. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 5-01. Published by SonArt Edition (M7.SAE-5-01).

ISBN 9790707665329.

This is a unique arrangement for cello and piano, a work that preserves the beauty of the original work, an master piece for sacred music, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

(C)(Hob.VIIb:1). By Franz Joseph Haydn. Edited by Burmeister(Urtext). For violoncello, piano. This edition: piano reduction. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.

Cello and piano

SKU: IM.3762

Arranged for Cello and Piano. Composed by Franz Schubert. Arranged by Patrick Jee. Score and part. International Music Co. #3762. Published by International Music Co. (IM.3762).

Schubert used this poignant song from his famous song-cycle as the basis for a brilliant, virtuosic set of variations. Originally for flute and piano, now arranged for cello by Patrick Jee.

Cello - difficult

SKU: HL.49003432

Cello and Piano. Composed by Franz Schubert. Edited by Gaspar Cassado. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 2001. 36 pages. Schott Music #ED1550. Published by Schott Music (HL.49003432).

UPC: 073999345537. 9.0x12.0x0.14 inches.

By Franz Schubert. Edited by Bernhard Gunther. For violoncello, piano. Includes music, plus CD recording of piano part. Published by C.F. Peters.

Cello, Piano SKU: HU.HN418 Composed by Franz Joseph Haydn. Edited by Sonja Gerlach. Strings, Repertoire, Solos. Concerto for Cello and Orchestra D major Hob. VIIb:2. Softcover Book. 59 pages. G. Henle #HN418. Published by G. Henle (HU.HN418). 12.2 x 9.2 x 0.2 inches. The Cello Concerto in D major is a technically demanding work written for Anton Kraf. It represents one of Haydns few contributions to the virtuoso concert repertoire of the mature Viennese classic period, post-dating his first cello concerto in C major by about twenty years.

(25 Transcriptions for Cello and Piano - Volume 1). Composed by Franz Schubert (1797-1828). Edited by Wolfgang Birtel. Arranged by Friedrich August Kummer. For Cello, Piano Accompaniment (Score and Solo Part). String. Softcover. 72 pages. Schott Music #CB254. Published by Schott Music

Cello and Piano - Grade 2

SKU: BT.EMBZ13885

By Arpad Pejtsik. By Franz Schubert. EMB Moments Musicaux for Violoncello. Book Only. Composed 1991. 6 pages. Editio Musica Budapest #EMBZ13885. Published by Editio Musica Budapest (BT.EMBZ13885).

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by Kevin Mayhew Publishers

(25 Transcriptions for Cello and Piano - Volume 2). Composed by Franz Schubert (1797-1828). Edited by Wolfgang Birtel. Arranged by Friedrich August Kummer. For Cello, Piano Accompaniment (Score and Solo Part). String. Softcover. 64 pages. Schott Music #CB255. Published by Schott Music