Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo...(+)
By Antonio Vivaldi.
Edited by Hoffmann,
Bettina. For Violoncello,
Basso continuo. Score;
Set of Parts
(paperbound). RV 39-47.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006520596.
Sonata for Violoncello and Piano. By Claude Debussy. Edited by Regina Back. For ...(+)
Sonata for Violoncello
and Piano. By Claude
Debussy. Edited by Regina
Back. For Cello, Piano.
Urtext Edition. Playing
score with critical
commentary. Published by
Baerenreiter Verlag
(German import).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Piano quartet, Piano quintet (Instrument, Piano) SKU: BA.BA04913 Quart...(+)
Piano quartet, Piano
quintet (Instrument,
Piano)
SKU:
BA.BA04913
Quartet
in E-flat major op. 1 for
clarinet, horn, bassoon
and piano - Quintet in C
minor op. 5 and in A
major op. 6 for two
violins, viola,
violoncello and piano -
appendix. Composed by
Franz Berwald. Edited by
Bonnie Hammar and Ingmar
Bengtsson. This edition:
complete edition, urtext
edition. Linen. Franz
Berwald. Complete Works,
Volume 13. Complete
edition, Performance
score, anthology. Opus 6,
5, 1. Baerenreiter Verlag
#BA04913_00. Published by
Baerenreiter Verlag
(BA.BA04913).
ISBN
9790006460441. 33 x 26 cm
inches. Key: A major,
e-flat major, c
minor.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-16.
Published by Breitkopf
and Haertel
(BR.OB-16104-16).
ISBN
9790004339428. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-23.
Published by Breitkopf
and Haertel
(BR.OB-16104-23).
ISBN
9790004339442. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Violoncello and Piano (Violin An Cello) SKU: HL.50511950 Composed by Anto...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511950
Composed
by Antonio Caldara.
Baroque. EMB. Editio
Musica Budapest #Z12043.
Published by Editio
Musica Budapest
(HL.50511950).
ISBN
9790080120439. K/4
(23,5x31) inches. Antonio
Caldara; Laszlo Mezo;
Gyorgy Orban.
The
two manuscripts in oblong
size (by the same hand)
entitled Sinfonia a
Violoncello Solo which
served as the basis for
the present edition are
being kept in the
Osterreichische
Nationalbibliothek in
Vienna under shelf mark
E.M.29. Apart from the
continuo realization and
modifications in the
sense of present-day
notation carried out
tacitly all other changes
are listed in the
footnotes, editorial
additions have been put
in square brackets. The
bass part was supported
in contemporary practice
by a melody instrument.
If performing with piano
accompaniment, the
supporting of the bass is
not necessary. In case of
harpsichord
accompaniment, however,
it is recommended to play
the bass on bassoon
instead of violoncello.
Territorial restrictions
may apply. Please ask
before ordering.
Cello and piano (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-9426(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.2.0.0 -
timp - str)
SKU:
BR.EB-9426
Urtext. Composed
by Joachim Raff. Edited
by Andrea Wiesli and
Jonas Kreienbuhl. Solo
instruments; stapled.
Edition Breitkopf. Solo
concerto; Romantic. Piano
reduction. 88 pages.
Duration 25'. Breitkopf
and Haertel #EB 9426.
Published by Breitkopf
and Haertel (BR.EB-9426).
ISBN 9790004189030. 9
x 12
inches.
Joachim
Raff's celebrated first
cello concerto is only
gradually being
rediscovered today. This
is astounding, taking
into account both the
quality of the
composition as well as
its enthusiastic
reception in the past.
All renowned cellists of
the time performed the
work, but the history of
op. 193 is still more
closely linked to
Friedrich Grutzmacher,
its commissioner,
co-editor, and soloist in
its world premiere, than
to any other musician.
Grutzmachers wish for a
concerto to free us poor
cellists from our
situation that is
becoming truly unbearable
and driving us to the
utmost discontent was
certainly fulfilled by
Raff.The extensive
preface of this first
Urtext-Edition documents
the close collaboration
between composer and
interpreter, as well as
performance practice of
the time. The
corresponding piano
reduction includes not
only an Urtext-solo part,
but also a part with the
markings by the Zurich
cellist Jonas Kreienbuhl.
In collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
14 Easy Pieces. Composed by Daniel Kemminer. Edited by Katharina Deserno. This...(+)
14 Easy Pieces. Composed
by
Daniel Kemminer. Edited
by
Katharina Deserno. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. 1035. 56
pages.
Schott Music #SE 1035.
Published by Schott Music
(
Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Est...(+)
Cello and Piano. Composed
by
Cesar Antonovich Cui
(1835-
1918). Edited by Estelle
Revaz. This edition:
Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
50/9. 14 pages. Schott
Music
#SE 1038. Published by
Schott Music
Adagietto Violoncelle, Piano - Intermédiaire Schott
Cello - intermediate SKU: HL.49018923 Cello and Piano. Composed by...(+)
Cello - intermediate
SKU: HL.49018923
Cello and Piano.
Composed by Eduard Puetz.
Edited by Julius Berger.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1990. 12 pages.
Duration 4' 30''. Schott
Music #CB233. Published
by Schott Music
(HL.49018923).
ISBN
9790001176545.
9.0x12.0x0.078
inches.
Eduard Putz
(1911-2000) studied with
Heinrich Lemacher and
Hermann Schroeder at the
Cologne Musikhochschule
and later worked as a
music teacher at the
grammar school in
Rheinbach near Bonn as
well as a composition
teacher at the Rhenish
Music School in Cologne.
Overcoming the boundaries
between serious and
entertaining music was
what mattered to him
which is why he wrote
many works which tried to
combine jazz and new
music. His 'Adagietto'
for violoncello and piano
(1990) was discovered
within the composer's
estate and published for
the first time. Prof.
Julius Berger arranged
the piece for practical
playing, adding
appropriate fingerings. A
short performance piece
with interesting
harmonies and arpeggios
in the piano part and
expressive cantilenas in
the cello part.