| 111 Bicinia From The 15th Century For School And Liturgical Use EMB (Editio Musica Budapest)
Vocal (VOCAL) SKU: HL.50511772 For school and liturgical use. Comp...(+)
Vocal (VOCAL) SKU:
HL.50511772 For
school and liturgical
use. Composed by
Gilles Binchois.
Renaissance. EMB.
Classical. Book Only. 90
pages. Editio Musica
Budapest #Z14478.
Published by Editio
Musica Budapest
(HL.50511772). ISBN
9790080144787. UPC:
840126939699.
8.0x11.25x0.268 inches.
Hungarian, English,
German, French. Andras
Soos. This volume
contains short two-part
extracts from choral
church music of the 15th
century (masses and
motets), arranged in
ascending order of
difficulty. The principal
aim of this compilation
was pedagogical: to
provide students with
fairly easy etudes of the
period, through which
they can later gain
access to the
large-scale, four-part
compositions of
Renaissance vocal
polyphony, which at first
sight generally seem very
difficult and complex. At
the same time, many of
these pieces of varying
length, each of which
forms a complete unit in
itself, are very suitable
for public performance,
and for use in a
liturgical framework. $27.45 - Voir plus => Acheter | | |
| Mirabile misterium! Chorale SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Chris...(+)
Composed by David Barton.
Text: 15th century texts.
Medieval-flavor motet.
Christmas. Octavo.
Published by CanticaNOVA
Publications (C5.5054).
$1.85 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Make We Joy Now In This Fest Chorale SATB SATB A Cappella MorningStar Music Publishers
Composed by Matthew Culloton. Christmas, 21st Century. Published by MorningStar...(+)
Composed by Matthew
Culloton. Christmas,
21st Century. Published
by MorningStar Music
Publishers (MN.50-1151).
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 122 Bicinia from the 16th century EMB (Editio Musica Budapest)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós Andr...(+)
Voice a Cappella SKU:
BT.EMBZ14732
Compiled and edited by
Soós András.
Classical. Book Only.
Composed 2012. 80 pages.
Editio Musica Budapest
#EMBZ14732. Published by
Editio Musica Budapest
(BT.EMBZ14732).
Hungarian-English-Germ
an-French. This
collection, similarly to
the publication entitled
111 bicinia from the 15th
century (EMB 14478),
contains longer and
shorter two-part excerpts
from polyphonic
ecclesiastical choral
works, for pedagogical
and liturgical use. As
teaching material, on the
one hand it introduces
and notes in brief
textual definitions the
characteristics of each
given excerpt: on the
other hand, it provides
easily usable examples
for teaching music
history, solfege and
counterpoint (practice of
intervals, score-reading,
dictation, stylistic
exercises, etc.) At the
same time the movements,
which also function as
independent units, can be
quickly learnt, and may
on occasions add colour
to themusical palette of
the liturgy by
introducing material that
can be performed even by
a children's choir. The
volume consists mainly of
excerpts taken from Mass
movements and Magnificats
by Palestrina, Lassus,
Gombert, Clemens non Papa
and others. A separate
chapter is devoted to
chorale-based bicinia in
German, which were
already popular in the
initial period of
Evangelical church music.
Ähnlich der
Ausgabe 111 Bicinia aus
dem 15. Jahrhundert (EMB
14478) präsentiert
diese Sammlung für
theoretisch- und
praktisch-pädagogische
, bzw. liturgische Zwecke
mehr oder weniger lange
zweistimmige Ausschnitte
aus geistlichen
Chorwerken Sie stellt als
Lehrstoff einerseits die
musikalische
Charakteristika des
jeweiligen Ausschnittes
vor und registriert diese
in kurzen textlichen
Definitionen,
andererseits liefert sie
Beispiele für den
Unterricht der
Musikgeschichte, der
Solfege- und der
Kontrapunkt- Lehre
(Intervallübungen, des
Lesens vom Blatt, für
das Diktieren, für
Stilübung usw.), die
sich leicht erarbeiten
lassen. Gleichzeitig
können die auch als
eigenständige
Einheitfunktionierenden
Sätze schnell erlernt
werden. Sie bereichern
die musikalische Palette
der Liturgie (Messe und
Offizium) mit dem
fallweise auch vom
Kinderchor
aufführbaren
Stoff. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fifteenth-Century Liturgical Music: II - Four Anonymous Masses Stainer and Bell
Choir SKU: ST.EC22 Edited by Margaret Bent. Library Volumes. Edited by Ma...(+)
Choir SKU: ST.EC22
Edited by Margaret Bent.
Library Volumes. Edited
by Margaret Bent. First
published in 1979. Pages:
161. Format: Paperback.
Dimensions (mm): 254 x
177 x 14. Choral Score.
Stainer & Bell Ltd.
#EC22. Published by
Stainer & Bell Ltd.
(ST.EC22). ISBN
9790220206450. Engl
ish composers in the
first half of the
15th-century created the
unified mass cycle, and
even though most of the
repertoire is anonymous,
a distinctly 'national'
style can be recognised.
The four works in this
volume were probably
composed between 1420 and
1440, and each possesses
a long, troped Kyrie of a
kind not found in
continental sources. $125.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fifteenth-Century Liturgical Music: I - Antiphons and Music for Holy Week and Easter Stainer and Bell
Choir SKU: ST.EC8 Edited by Andrew Hughes. Library Volumes. Edited by And...(+)
Choir SKU: ST.EC8
Edited by Andrew Hughes.
Library Volumes. Edited
by Andrew Hughes. First
published in 1968. Pages:
208. Format: Paperback.
Dimensions (mm): 253 x
175 x 12. Choral Score.
Stainer & Bell Ltd. #EC8.
Published by Stainer &
Bell Ltd. (ST.EC8).
ISBN
9790220206443. The
majority of pieces in
this volume show a strong
melodic and rhythmic
independence of voice,
close in style to the
contemporary French
chanson; but there are
also examples of pieces
in the simpler,
homorhythmic idiom of
English descant. Votive
antiphon and votive mass,
or lady mass, were the
main forms employed in
the important early
15th-century repertoire
of devotional and
liturgical music for
household use. $121.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fifteenth-Century Liturgical Music: V Settings of the Sanctus & Agnus Dei Stainer and Bell
Choir SKU: ST.EC47 Composed by Various. Edited by Peter Wright. Library V...(+)
Choir SKU: ST.EC47
Composed by Various.
Edited by Peter Wright.
Library Volumes. Edited
by Peter Wright. First
published in 2006. Pages:
192. Format: Hardback.
Dimensions (mm): 325 x
246 x 21. Choral Score.
Stainer & Bell Ltd.
#EC47. Published by
Stainer & Bell Ltd.
(ST.EC47). ISBN
9790220221255. This
is a collection of over
thirty early 15th-century
Sanctus and Agnus dei
settings not otherwise
available in modern
critical editions. The
volume is complementary
to EC42, and part of an
ongoing subseries to
include settings of the
Gloria and Credo, and of
the Kyrie, 'squares' and
music from fragmentary
choirbooks. $117.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sueños de Flamenco Saxophone et Guitare Theodore Presser Co.
Chamber Music Guitar, alto Saxophone SKU: PR.114419970 Composed by Stacy ...(+)
Chamber Music Guitar,
alto Saxophone SKU:
PR.114419970 Composed
by Stacy Garrop. Sws. Set
of performance scores. 8
pages. Duration 5
minutes. Theodore Presser
Company #114-41997.
Published by Theodore
Presser Company
(PR.114419970). UPC:
680160684670. 9 x 12
inches. Flamenco is
an art form involving
highly dramatic music and
dance. The form is
strongly associated with
the Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries, Spain's
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusia's isolated
mountain regions to
survive. Not
surprisingly, the topics
of the gypsies' songs
frequently touch on
longing, despair, rage,
anguish, and
hope. Suenos de
Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
In 2020, I made new
editions of the piece for
clarinet and guitar, and
flute and
guitar. Flamenco is an
art form involving highly
dramatic music and dance.
The form is strongly
associated with the
Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries, Spain's
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusia's isolated
mountain regions to
survive. Not
surprisingly, the topics
of the gypsies' songs
frequently touch on
longing, despair, rage,
anguish, and hope. Suenos
de Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
In 2020, I made new
editions of the piece for
clarinet and guitar, and
flute and
guitar. Flamenco is an
art form involving highly
dramatic music and dance.
The form is strongly
associated with the
Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries,
Spainââ¬â¢s
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusiaââ¬â¢
s isolated mountain
regions to survive. Not
surprisingly, the topics
of the
gypsiesââ¬â¢
songs frequently touch on
longing, despair, rage,
anguish, and
hope.Sueños de
Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
In 2020, I made new
editions of the piece for
clarinet and guitar, and
flute and guitar. $27.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sueños de Flamenco Flûte et Guitare Theodore Presser Co.
Chamber Music flute, guitar SKU: PR.114422330 Composed by Stacy Garrop. S...(+)
Chamber Music flute,
guitar SKU:
PR.114422330 Composed
by Stacy Garrop. Sws. Set
of performance scores. 8
pages. Duration 5
minutes. Theodore Presser
Company #114-42233.
Published by Theodore
Presser Company
(PR.114422330). ISBN
9781491133781. UPC:
680160683253. 9 x 12
inches. Flamenco is
an art form involving
highly dramatic music and
dance. The form is
strongly associated with
the Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries, Spain's
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusia's isolated
mountain regions to
survive. Not
surprisingly, the topics
of the gypsies' songs
frequently touch on
longing, despair, rage,
anguish, and
hope.
Suenos de
Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
I made this edition of
the piece for flute and
guitar in
2020.
-S.G. Fla
menco is an art form
involving highly dramatic
music and dance. The form
is strongly associated
with the Andalusia region
of southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries, Spain's
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusia's isolated
mountain regions to
survive. Not
surprisingly, the topics
of the gypsies' songs
frequently touch on
longing, despair, rage,
anguish, and hope. Suenos
de Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
I made this edition of
the piece for flute and
guitar in 2020.
-S.G. Flamenco is an
art form involving highly
dramatic music and dance.
The form is strongly
associated with the
Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries,
Spainââ¬â¢s
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusiaââ¬â¢
s isolated mountain
regions to survive. Not
surprisingly, the topics
of the
gypsiesââ¬â¢
songs frequently touch on
longing, despair, rage,
anguish, and
hope.Sueños de
Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
I made this edition of
the piece for flute and
guitar in 2020.-S.G. $27.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There Stood in Heaven a Linden Tree Chorale SATB SATB, Piano - Facile Walton Music
SATB choir, piano reduction - Early intermediate SKU: GI.WW1659 Composed ...(+)
SATB choir, piano
reduction - Early
intermediate SKU:
GI.WW1659 Composed by
15th-century carol.
Arranged by Susan LaBarr.
Andrew Crane Choral
Series. Classical.
Octavo. 12 pages. Walton
Music #WW1659. Published
by Walton Music
(GI.WW1659). UPC:
785147007364. English.
Text Source: 15th-century
Carol. This carol
derives from a
15th-century German folk
ballad that compares Mary
to the unique and special
bloom of a linden tree.
Singable, with all of the
harmonies and
counterpoint coming out
of the melodic line. A
great option for both
school and church choirs.
Andrew Crane Choral
Series. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Seven Joys of Mary - TTBB Chorale TTBB TTBB, Piano Jackman Music Corporation
TTBB chorus and piano - Medium SKU: JK.00568 Composed by Traditional 15th...(+)
TTBB chorus and piano -
Medium SKU:
JK.00568 Composed by
Traditional 15th-century
carol. Arranged by Donald
Ripplinger. Choral TB,
Difficulty Medium, Piano
Choir, Seasonal Music
Christmas, Seasonal Music
Easter, Seasonal Music
Mothers Day, Special
Events Conference (Ward,
Atonement, Charity,
Christmas, Courage,
Easter, Enduring to the
End, Example, Gospel,
Humility, Jesus.
Christian, Inspirational.
Duration 3:40. Jackman
Music Corporation #00568.
Published by Jackman
Music Corporation
(JK.00568). Moses 4:2,
Luke 22:41-44, 2 Nephi
10:24. 15th
century carol arranged by
Donald Ripplinger for
men's chorus (TTBB) and
piano accompaniment.
Composer: Traditional
15th-century carol
Arranger: Donald
Ripplinger
Difficulty: Medium
Performance time:
3:40 Reference: Moses
4:2, Luke 22:41-44, 2
Nephi 10:24.
$1.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sueños de Flamenco Clarinette, Guitare (duo) Theodore Presser Co.
Chamber Music Clarinet, Guitar SKU: PR.114422350 Composed by Stacy Garrop...(+)
Chamber Music Clarinet,
Guitar SKU:
PR.114422350 Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8
pages. Duration 5
minutes. Theodore Presser
Company #114-42235.
Published by Theodore
Presser Company
(PR.114422350). UPC:
680160684687. 9 x 12
inches. Flamenco is
an art form involving
highly dramatic music and
dance. The form is
strongly associated with
the Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries, Spain's
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusia's isolated
mountain regions to
survive. Not
surprisingly, the topics
of the gypsies' songs
frequently touch on
longing, despair, rage,
anguish, and
hope.
Suenos de
Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
In 2020, I made new
editions of the piece for
clarinet and guitar, and
flute and
guitar. Flamenco is an
art form involving highly
dramatic music and dance.
The form is strongly
associated with the
Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries, Spain's
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusia's isolated
mountain regions to
survive. Not
surprisingly, the topics
of the gypsies' songs
frequently touch on
longing, despair, rage,
anguish, and hope. Suenos
de Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
In 2020, I made new
editions of the piece for
clarinet and guitar, and
flute and
guitar. Flamenco is an
art form involving highly
dramatic music and dance.
The form is strongly
associated with the
Andalusia region of
southern Spain. Its
actual origins are less
clear, though historians
theorize that gypsies
brought the predecessors
of flamenco to the region
as they migrated from
India prior to the 15th
century. The form took on
traits from cultures that
the gypsies encountered
in Andalusia, including
Spanish, Sephardic,
Islamic, and Moorish
musical traditions. Over
the centuries,
Spainââ¬â¢s
ruling classes undertook
systematic persecutions
of populations who did
not agree with their
religious ideals, forcing
gypsies to take refuge in
Andalusiaââ¬â¢
s isolated mountain
regions to survive. Not
surprisingly, the topics
of the
gypsiesââ¬â¢
songs frequently touch on
longing, despair, rage,
anguish, and
hope.Sueños de
Flamenco (Flamenco
Dreams) portrays a young
gypsy couple who dance
the flamenco with great
longing, passion, and
vigor. The piece was
commissioned by Duo
Montagnard (Joseph
Murphy, saxophone, and
Matthew Slotkin, guitar).
In 2020, I made new
editions of the piece for
clarinet and guitar, and
flute and guitar. $27.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Come, O Come, Emmanuel Carl Fischer
Choral TB chorus with Piano and optional Solos SKU: CF.CM9725 Composed by...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9725
Composed by Traditional.
Arranged by Noah Reese.
12 pages. Duration 2:40.
Carl Fischer Music
#CM9725. Published by
Carl Fischer Music
(CF.CM9725). ISBN
9781491161043. UPC:
680160919642. Key: G
minor. English.
Traditional
Carol. O Come, O
Come Emmanuel is a hymn
for Advent and Christmas
whose words and music
developed separately over
time. The Latin text was
first documented in 1710
and the tune's origins
date back to the 15th
century. In the 18th
century, John Mason Neal
discovered the hymn and
translated the text into
English. The melody was
first linked with the
hymn in 1851, when Thomas
Helmore paired it with
Neale's translation of
the text. This original
version of O Come, O
Come, Emmanuel was
included in Hymns Ancient
and Modern in 1861, which
was the official hymnal
of the Church of England.
The song's influence
spread over time and it
remains one of the most
popular and enduring
Christmas hymns. In this
arrangement of O Come, O
Come, Emmanuel, the piano
accompaniment is written
in 12/8 meter. The vocal
lines, however, can be
easily taught in 4/4
time. This will allow
developing students to
experience the feeling of
a new meter while being
able to apply skills they
already know.  . O
Come, O Come Emmanuel is
a hymn for Advent and
Christmas whose words and
music developed
separately over time. The
Latin text was first
documented in 1710 and
the tune's origins date
back to the 15th century.
In the 18th century, John
Mason Neal discovered the
hymn and translated the
text into English. The
melody was first linked
with the hymn in 1851,
when Thomas Helmore
paired it with Neale's
translation of the text.
This original version of
O Come, O Come, Emmanuel
was included in Hymns
Ancient and Modern in
1861, which was the
official hymnal of the
Church of England. The
song's influence spread
over time and it remains
one of the most popular
and enduring Christmas
hymns.In this arrangement
of O Come, O Come,
Emmanuel, the piano
accompaniment is written
in 12/8 meter. The vocal
lines, however, can be
easily taught in 4/4
time. This will allow
developing students to
experience the feeling of
a new meter while being
able to apply skills they
already know. . $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blessed Be That Maid Marie Chorale SATB SATB divisi - Intermédiaire Walton Music
SATB choir, divisi, piano reduction - Intermediate SKU: GI.WW1661 Compose...(+)
SATB choir, divisi, piano
reduction - Intermediate
SKU: GI.WW1661
Composed by 15th-century
carol. Arranged by Susan
LaBarr. Andrew Crane
Choral Series. Classical.
Octavo. 12 pages. Walton
Music #WW1661. Published
by Walton Music
(GI.WW1661). UPC:
785147007562. English.
Text Source: 15-century
Carol. From three
Marian carol arrangements
written for Seraphic
Fire. This carol first
appeared in a collection
of 15th-century tunes
compiled by G.R.
Woodward. The aeolian
tonality gives the tune
an earthiness and
other-worldliness.
Rhythmic and driving,
this will be a unique
work on your Christmas
program. Andrew Crane
Choral Series. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Cherry Tree Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.49504S Composed by 15th Century Ballad. ...(+)
Concert Band - Grade 1.5
SKU: AP.49504S
Composed by 15th Century
Ballad. Arranged by Brian
Beck (ASCAP). Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Form:
Ballade; Chorale. Folk.
Score. Alfred Music
#00-49504S. Published by
Alfred Music (AP.49504S).
ISBN 9781470649777.
UPC: 038081570556.
English. The Cherry
Tree is a beautiful and
lyrical folk song dating
back as early as the 15th
century in the English
Midlands. Having traveled
all around western
Europe, this folk tune
eventually found its way
to America, gaining
popularity in the South
in early 1900s and again
in the 1960s. This
setting, by composer
Brian Beck, captures the
beauty and simplicity of
the original ballad while
encouraging musical
expression and smooth
phrasing. (3:21)
Correlated to Sound
Innovations, Book 1,
Level 5. This title is
available in MakeMusic
Cloud. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Now the Green Blade Rises Chorale SATB Hinshaw Music Inc.
Composed by Brad Ellingboe. Hinshaw Music. Jazz, Sacred. Octavo. 12 pages. H...(+)
Composed by Brad
Ellingboe.
Hinshaw Music. Jazz,
Sacred.
Octavo. 12 pages. Hinshaw
Music Inc. #HMC2572.
Published by Hinshaw
Music
Inc.
$2.55 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Cherry Tree Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.49504 Composed by 15th Century Ballad. A...(+)
Concert Band - Grade 1.5
SKU: AP.49504
Composed by 15th Century
Ballad. Arranged by Brian
Beck (ASCAP). Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Form:
Ballade; Chorale. Folk.
Score and Part(s). Alfred
Music #00-49504.
Published by Alfred Music
(AP.49504). ISBN
9781470649760. UPC:
038081570549.
English. The Cherry
Tree is a beautiful and
lyrical folk song dating
back as early as the 15th
century in the English
Midlands. Having traveled
all around western
Europe, this folk tune
eventually found its way
to America, gaining
popularity in the South
in early 1900s and again
in the 1960s. This
setting, by composer
Brian Beck, captures the
beauty and simplicity of
the original ballad while
encouraging musical
expression and smooth
phrasing. (3:21)
Correlated to Sound
Innovations, Book 1,
Level 5. This title is
available in MakeMusic
Cloud. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adam Lay Ybounden Chorale SATB GIA Publications
Composed by Douglas Green. For SATB choir. Christmastide, Mary Mother of God, Qu...(+)
Composed by Douglas
Green. For SATB choir.
Christmastide, Mary
Mother of God, Queenship
of Mary, Assumption.
Sacred. Easy/Medium. Text
language: English. 4
pages. Published by GIA
Publications
$2.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blessed Be that Maid Mary Chorale SATB SATB divisi Walton Music
Composed by Stephen Main. For Choral (SATB Divisi). Walton Choral. 16 pages. Wal...(+)
Composed by Stephen Main.
For Choral (SATB Divisi).
Walton Choral. 16 pages.
Walton Music #WW1531.
Published by Walton Music
$2.35 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adam Lay Ybounden Chorale SSATBB SSATBB, Piano - Intermédiaire GIA Publications
SSATBB choir, piano reduction - Intermediate SKU: GI.G-8398 Composed by C...(+)
SSATBB choir, piano
reduction - Intermediate
SKU: GI.G-8398
Composed by Charles
Snider. Christmastide,
Christmas Vigil,
Christmas Night, Mary
Mother of God. Christmas.
Sacred. Octavo. 4 pages.
GIA Publications #8398.
Published by GIA
Publications (GI.G-8398).
English. Text Source:
Anonymous, English, 15th
c. Bring new life
to your Lessons and
Carols service through
the ancient beauty of
this 15th-century English
text, which reflects on
the mystery of the sin of
Adam that led to
Mary’s
queenship—thanks
be to God! A
pronunciation guide and
paraphrase are
provided. $2.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play in Band - Book 2 CD for all instruments GIA Publications
All instruments SKU: GI.G-M522 Composed by James Froseth. Band Method. Do...(+)
All instruments SKU:
GI.G-M522 Composed by
James Froseth. Band
Method. Do It! Music
Education. Book and CD.
GIA Publications #M522.
Published by GIA
Publications (GI.G-M522).
Now available
on SmartMusic! The CD for
Book 2 from the Do It!
Play in Band series by
James O. Froseth
includes: •
Modeling by all the
artists listed below.
• Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. • Music of
other times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. •
The repertoire and
recorded contexts are
motivating, informative,
and entirely musical.
• Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. • A
unique Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. • An
individualized format
allows students to
progress at different
rates with a theme and
variation format. •
Ear training and
improvisation are
integral parts of the
lesson format. •
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! •
Performers include:
Michael Henoch, Oboe
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra). This
CD is for all the
instruments for Book
2. $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play In Band - Teacher's Resource Edition for Book 2 Orchestre d'harmonie GIA Publications
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by Jame...(+)
Concert band SKU:
GI.G-M523 Full
Score with MP3s.
Composed by James
Froseth. This edition:
Teacher's Resource
edition for Book 2. Band
Method. Do It! Music
Education. Book. GIA
Publications #M523.
Published by GIA
Publications (GI.G-M523).
ISBN 9781579992378.
English. This major
band method by James O.
Froseth has it all:
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! Performers
include: Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times includes
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. A 550+
page Teacher's Resource
edition and musical score
provides options galore,
including a double CD
with listen and play
exercises for group
instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided (coordinates
with rhythm flashcards).
Book 2 features
innovative, but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton. Click
here to download the
audio recordings for the
Book 2 Teacher's
Edition. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Alto Clarinet - Book 1 and CD Clarinette [Partition + CD] GIA Publications
By James Froseth. For alto clarinet. Music Education - Band Method. Book and CD....(+)
By James Froseth. For
alto clarinet. Music
Education - Band Method.
Book and CD. Text
language: English.
Published by GIA
Publications . Sheet
music CD. Music
Education - Band Method.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Tuba - Book 2 with MP3s Tuba GIA Publications
Tuba SKU: GI.G-M518 Composed by James Froseth. Band Method. Do It! Music ...(+)
Tuba SKU:
GI.G-M518 Composed by
James Froseth. Band
Method. Do It! Music
Education. Book. 48
pages. GIA Publications
#M518. Published by GIA
Publications (GI.G-M518).
ISBN 9781579992354.
English. Now
available on SmartMusic!
The Tuba book and audio
recordings (see below)
from the Do It! Play in
Band series by James O.
Froseth includes:
Modeling by Fritz Kaenzig
(University of Michigan).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Bassoon - Book 2 with MP3s Basson GIA Publications
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Mus...(+)
Bassoon SKU:
GI.G-M502 Composed by
James Froseth. Band
Method. Do It! Music
Education. Book. 48
pages. GIA Publications
#M502. Published by GIA
Publications (GI.G-M502).
ISBN 9781579992279.
English. Now
available on SmartMusic!
The Bassoon book and
audio recordings (see
below) from the Do It!
Play in Band series by
James O. Froseth
includes: Modeling by
Richard Beene (Colburn
School Conservatory of
Music). Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. Music of other
times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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