25 traditional Christmas carols for flexible arrangements. Composed by Various. Arranged by John Alley Elisabeth Parry. Collection - Score and Parts. Aurea Capra Editions #494- 03220. Published by Aurea Capra Editions

Fanfare Band

SKU: BT.GOB-001115-120

Composed by Patrick Millstone. Score Only. 10 pages. Gobelin Music Publications #GOB 001115-120. Published by Gobelin Music Publications (BT.GOB-001115-120).

SATB Choir

SKU: BT.USH0005-250

Composed by Katherine K. Davis. Choral Score. Harmonia #USH0005-250. Published by Harmonia (BT.USH0005-250).

English.

SAB Choir

SKU: BT.USH0007-250

Composed by Katherine K. Davis. Choral Score. Harmonia #USH0007-250. Published by Harmonia (BT.USH0007-250).

English.

Fanfare Band

SKU: BT.GOB-001115-020

Composed by Patrick Millstone. Set (Score & Parts). 67 pages. Gobelin Music Publications #GOB 001115-020. Published by Gobelin Music Publications (BT.GOB-001115-020).

Concert band - Grade 3

SKU: MH.1-59913-050-5

Composed by traditional English carols. Arranged by William Ryden. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music (MH.1-59913-050-5).

ISBN 9781599130507.

Char les Dickens certainly would have known the three carols in A CHARLES DICKENS CHRISTMAS. They were among the best-known and best-loved carols of the Victorian Era, and were a staple of the repertoire of roving waits, or carollers, that appear in his novels. Today this music is as familiar as Santa Claus and Tiny Tim. THE FIRST NOWELL was first collected in Christmas Carols, Ancient and Modern by William Sandys in 1833. It is most probably 200 years older than that. The Oxford Book of Carols contains nine verses, which makes it an ideal processional for Christmas or Epiphany (the feast commemorating the coming of the Magi). COVENTRY CAROL, or Lully, Lullay, comes from the medieval tradition of mystery and miracle plays. In 1534 the Pageant of the Shearman and Tailors Guild included a scene in which the mothers of Jewish children sang this haunting lullaby after hearing the horrifying order: Herod the king, In his raging, All young children to slay. The music is anonymous; the text believed to be by Robert Croo. ANGELS WE HAVE HEARD ON HIGH is probably of French origin, but the English long ago adopted it as their own. Besides the French text, Les Anges dans nos compagnes, it is known in several versions and by several titles, including Angels from the Realms of Glory, When the Crimson Sun Had Set, and Westminster Carol. It belongs to a category known as macaronic carols, which mix vernacular verses with Latin refrains - in this instance, Gloria in Excelsis Deo (Glory be to God on High). Ensemble instrumentation: 1 Piccolo, 8 Flute, 2 Oboe, 1 Bassoon 1, 1 Bassoon 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (Bass Clef), 2 Euphonium (Treble Clef), 5 Tubas, 1 Timpani, 2 Bells & Chimes, 3 Percussion 1: small triangle, suspended cymbal, crash cymbal, snare drum, bass drum, 2 Percussion 2: large triangle, finger cymbals.

Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal and more. - Grade 2.5

SKU: CF.YPS223

Composed by Traditional Christmas Songs. Arranged by Russell Robinson Michael J. Miller. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+4+1+2+6+24 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #YPS223. Published by Carl Fischer Music (CF.YPS223).

ISBN 9781491156643. UPC: 680160915187. 9 x 12 inches.

Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation.   Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) mf f ff mp mf f   p mp mf     Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)mffffmpmff pmpmf   Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.

Composed by Carol Brittin Chambers. Score and part(s). 12 116 pages. Duration 2 minutes, 58 seconds. Carl Fischer #FPS0134. Published by Carl Fischer (CF.FPS134).

By John Gardner. For SATB choir accompanied and a cappella (A Gallery Carol: percussion (optional: timpani, xylophone, glockenspiel, triangle, tambourine, snare drum, cymbal), organ; (from vocal score) How bright the morning star does shine: flute (optional), oboe, clarinet (optional), bassoon, horn, trumpet (opti). Mixed Voices. Composer Carol Collections. Christmas, Choral Collection. Vocal score. 64 pages. Published by Oxford University Press

Choral

SKU: HL.49003005

Performance Score. Edited by Mervyn Horder. Arranged by Mervyn Horder. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Playing score. 46 pages. Schott Music #ED12072. Published by Schott Music (HL.49003005).

ISBN 9780901938787. UPC: 073999922370. 6.5x10.0x0.214 inches. English.

Alleluia (Mozart) * Alleluia (Boyce) * Cedit Hiems Eminus * Christ is Risen Again * Death and Darkness * Early Morning * Easter Eggs * Easter Morning * Good Christian Men * Good Joseph had a Garden * Hail, Easter Bright * Hilariter * I Danced in the Morning * Jesus Christ is Risen Today * Jesus, Life and Comfort Given * Let the Merry Church Bells Ring * Let the Song be Begun * Let us Sing this Easter Morning * Lord of the Dance * Now the Green Blade Riseth * O Sons and Daughters * Ring the Bell, Ring it Well * Slowly Winter Fades Away * The Angel rolles the Stone away * The Drums of Calvary * The Glory of our King * The Lamb's High Banquet * The Whole Bright World * They were Beating as he dragged himself * The World itself keeps Easter day * This joyful Eastertide * Tomorrow shall be my dancing day * While Christ lay dead * Ye choirs of New Jerusalem.

3-6 octave handbells - Grade 3

SKU: BP.HB568A

Composed by Jason W. Krug. Arranged by Jason W. Krug. Handbell choir music. Sacred. Handbell score. Beckenhorst Press #HB568A. Published by Beckenhorst Press (BP.HB568A).

Arranged for 3 to 6 octave handbell choir, optional 3 to 6 octaves of handchimes and optional flute, windchimes and bongo drum. Level 3. With a mysterious and evocative opening, this arrangement of a French carol is sure to add an element of the ethereal to your worship or concert setting. The theme becomes more insistent and energetic with each successive verse, before culminating in an almost-raucous final iteration. Optional percussion drives the piece along, and the optional flute provides interesting, bird-like ornamentation. A treat for listener and ringer alike!

Composed by Carol Brittin Chambers. Score and part(s). 16 130 pages. Duration 2 minutes, 23 seconds. Carl Fischer #YPS0179. Published by Carl Fischer (CF.YPS179).

By Mykola Leontovich. Arranged by Larry Clark. Text: Peter J. Wilhousky. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Treble Clef Baritone, Euphonium, Tuba, Bells, Chimes, Timpani, Snare Drum, Bass Drum, Suspended Cymbal, Tambourine, Triangle. Carl Fischer Young Performance Series. Classical. Level: Grade 2-2.5. Score and Set of Parts. 20 pages. Published by Carl Fischer.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3

SKU: CF.CPS226

Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+16+4+4+4+4+4+4+ 8+8+8+4+4+6+6+6+8+2+2+2+6 +12+24+4 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CPS226. Published by Carl Fischer Music (CF.CPS226).

ISBN 9781491152522. UPC: 680160910021.

Inspi red by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition.
To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it!

Concert Band - Grade 1

SKU: AP.BD9956C

Percussion Section Feature. Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Christmas; Winter. Score. 20 pages. Duration 2:01. Belwin Music #00-BD9956C. Published by Belwin Music (AP.BD9956C).

UPC: 029156998740. English.

Robert W. Smith takes one of the world's best-known and best-loved melodies and fashions a highly effective new work that features your percussion section in the concert spotlight. As we have all come to expect from this brilliant young composer's work, the energy level is extremely high, and the writing is most effective. It is one of those special works your players will enjoy rehearsing and your audiences will greet with great enthusiasm. Driving! (2:01).

By Hal H. Hopson. For SSA, Soloist, Flute, and Organ, with opt. Strings, Harp, and Medium Drum. Advent/Christmas. Level: Moderately Easy. Choral Score. Published by MorningStar Music Publishers.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani, Triangle and more. - Grade 2.5

SKU: CF.YPS259

Composed by Michael J. Miller. Set of Score and Parts. Carl Fischer Music #YPS259. Published by Carl Fischer Music (CF.YPS259).

ISBN 9781491163597. UPC: 680160922383.

Silen t Midwinter’s Noel is a fantasia on three traditional Christmas tunes. The introduction of the piece, an Adagietto, alternates between melodic statements of In The Bleak Midwinter and Silent Night. The second main section of the piece, an Allegro, primarily juxtaposes The First Noel and Silent Night.The tempo markings throughout the score are mostly suggestions. The conductor may choose to deviate within five to ten clicks in either direction on their metronome. During the Adagietto, the conductor may also choose to draw out harmonic cadences for increased tension and resolution.The piece is scored in Eb and F major to allow younger performers to achieve excellent intonation. Performers should strive to produce characteristic sounds, especially when playing melodic statements. The tunes within this piece are all carols, and should be played as such. The conductor may choose to teach the performers how to sing the carols for added educational value. Lyrics for the carols are included below:Silent NightSilent night! Holy night!All is calm, all is brightRound yon virgin mother and child!Holy infant, so tender and mild,Sleep in heavenly peace!Sleep in heavenly peace!In the Bleak MidwinterIn the bleak midwinterfrosty wind made moan,earth stood hard as iron,water like a stone:snow had fallen,snow on snow, snow on snow,in the bleak midwinter,long ago.The First NoelThe First Noel the angel did sayWas to certain poor shepherdsin fields as they lay;In fields as they lay, keeping their sheep,On a cold winter's night that was so deep.Noel, Noel, Noel, Noel,Born is the King of Israel.

Grade 2

SKU: CL.011-3074-00

Composed by J. Williams. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR195). Holiday. Score and set of parts. Composed 2000. Duration 2 minutes, 56 seconds. C.L. Barnhouse #011-3074-00. Published by C.L. Barnhouse (CL.011-3074-00).

You’ll certainly dazzle your audiences with this distinctive adaptation of the famous carol tune. Lots of fun for everyone in your mid-level band. The drum section parts are just a bit more challenging than the band parts, but everyone gets in on the action in this great holiday classic!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Fanfare Band - Grade 2.5

SKU: BT.GOB-000011-120

Composed by Patrick Millstone. Score Only. 8 pages. Gobelin Music Publications #GOB 000011-120. Published by Gobelin Music Publications (BT.GOB-000011-120).

Rondeau of the Shepherds, so ran the official title of the famous Dutch Christmas carol ‘Midden in de winternacht’.
In 1948 wrote Dutch poet and writer Harry Prenen this text. The melody is known by the 17th/18th- century organ composers of suites Daquin, Balbastre and Dandrieu.
Rondeau of the Shepherds was subtitled Catalan Christmas Carol.
The song itself is because its origins in a Spanish (Catalan probably) Christmas song from the late Middle Ages, El Desembre congelat. The motives of this song (shepherds, flutes, drums) demonstrate knowledge of the Bible and give a picture of the late medieval Christmas experience. .
Perfect as an uptempo intermezzoin a church service.

‘Rondeau der herders’, zo luidde de officiële titel van het bekende kerstlied ‘Midden in de winternacht’.
In 1948 schreef dichter en schrijver Harry Prenen de tekst hiervan. De melodie is vooral bekend door de 17e/18e-eeuwse orgelsuitesvan de componisten Daquin, Balbastre en Dandrieu.
Het ‘Rondeau der Herders’ kreeg de ondertitel ‘Catalaans Kerstlied’.
Het lied zelf vindt namelijk zijn oorsprong in een Spaans (waarschijnlijk Catalaans) kerstlieduit de late middeleeuwen: ‘El Desembre congelat’. De motieven van dit lied (herders, fluiten, trommels, spontaan bloeiende natuur) getuigen van bijbelkennis en geven een beeld van de laatmiddeleeuwse kerstbeleving. .
Ideaalals uptempo intermezzo in een kerkdienst.

Fanfare Band - Grade 2.5

SKU: BT.GOB-000011-020

Composed by Patrick Millstone. Set (Score & Parts). Gobelin Music Publications #GOB 000011-020. Published by Gobelin Music Publications (BT.GOB-000011-020).

Rondeau of the Shepherds, so ran the official title of the famous Dutch Christmas carol ‘Midden in de winternacht’.
In 1948 wrote Dutch poet and writer Harry Prenen this text. The melody is known by the 17th/18th- century organ composers of suites Daquin, Balbastre and Dandrieu.
Rondeau of the Shepherds was subtitled Catalan Christmas Carol.
The song itself is because its origins in a Spanish (Catalan probably) Christmas song from the late Middle Ages, El Desembre congelat. The motives of this song (shepherds, flutes, drums) demonstrate knowledge of the Bible and give a picture of the late medieval Christmas experience. .
Perfect as an uptempo intermezzoin a church service.

‘Rondeau der herders’, zo luidde de officiële titel van het bekende kerstlied ‘Midden in de winternacht’.
In 1948 schreef dichter en schrijver Harry Prenen de tekst hiervan. De melodie is vooral bekend door de 17e/18e-eeuwse orgelsuitesvan de componisten Daquin, Balbastre en Dandrieu.
Het ‘Rondeau der Herders’ kreeg de ondertitel ‘Catalaans Kerstlied’.
Het lied zelf vindt namelijk zijn oorsprong in een Spaans (waarschijnlijk Catalaans) kerstlieduit de late middeleeuwen: ‘El Desembre congelat’. De motieven van dit lied (herders, fluiten, trommels, spontaan bloeiende natuur) getuigen van bijbelkennis en geven een beeld van de laatmiddeleeuwse kerstbeleving. .
Ideaalals uptempo intermezzo in een kerkdienst.