(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Master Text II. By Various. Piano Collection. 432 pages. Published by G. Schirmer, Inc.

Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Published by Mel Bay Publications, Inc

(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Hans-Günter Heumann. Piano Collection. Softcover. 184 pages. Schott Music #ED20764. Published by Schott Music

Composed by Various. Classical. Textbook. Trinity College London #TCL020598. Published by Trinity College London

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
Envoyer des commentaires

Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Brass Quintet - Advanced

SKU: CY.CC3053

Composed by Bach. J. S. Arranged by Matthew McCrady. Classical. Score and Parts. Cherry Classics #CC3053. Published by Cherry Classics (CY.CC3053).

ISBN 9790530110287. 8.5 x 11 in inches.

Prelude and Fugue in C BWV is taken from the Eight Short Preludes and Fugues, a collection of works for keyboard that were most likely used as teaching pieces for beginners. There has been back and forth about the attribution of these works, but most scholars agree that they are by Bach, just simplified for his students. Matthew McCrady has beautifully arranged this 4-5 minute work for Brass Quintet and included parts in C and B-flat for the Trumpets.

Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Christian Schaper, Ullrich Scheideler, and Marc-Andre Hamelin. Arranged by Feruccio Busoni. Henle Music Folios. Classical. Softcover. 28 pages. G. Henle #HN1479. Published by G. Henle

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Various. Arranged by Daniel Kelley. String Trio, Wind Trio, Mixed Trio, Clarinet Trio, Saxophone Trio, Piano Trio, Piano Quartet. For Flute or Oboe or Violin in C. Trios. Intermediate Music for Three. Classical. Intermediate. Partbook - Part 1. Published by Last Resort Music Publishing

(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Various. Arranged by Daniel Kelley. String Trio, Wind Trio, Mixed Trio, Clarinet Trio, Saxophone Trio, Piano Trio, Piano Quartet. For Flute or Oboe or Violin in C. Trios. Intermediate Music for Three. Classical. Intermediate. Partbook - Part 2. Published by Last Resort Music Publishing

The Well-Tempered Clavier: 48 Preludes and Fugues, Book II composed by Johann Sebastian Bach (1685-1750). Edited by Sir Donald Francis Tovey, fingerings by Harold Samuel. For Piano. Book; Masterworks; Piano Collection. Dover Edition. Baroque; Masterwork. Published by Alfred Music

“French organist and composer, Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. However, his prominence within the Organ repertoire remains absolute, with sublime works including his Prelude and Fugue in A flat major. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes for Piano, Organ and fugue, as well as the Grand Prix de Rome. He was a famous Organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré's Op. 36, No. 2, the Prelude and Fugue in A flat major for Organ was composed in 1938. The score begins with a helpful explanation of signs and abbreviations. The work displays contrast through tonality, rhythm, timbre and harmony, amongst other aspects. Dupré's compositions and didactic works remain important to organists today and his Prelude and Fugue in A flat major, suitable for advanced organists, is no exception. ”

Orchestra - Grade 3

SKU: AP.4323

Composed by William Selby. Arranged by Art Sheinberg. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Fugue. Baroque; Masterwork Arrangement. Score and Part(s). 136 pages. Highland/Etling #00-4323. Published by Highland/Etling (AP.4323).

UPC: 038081026213. English.

Art Sheinberg has discovered a gem from the late English Baroque keyboard literature and expertly scored it to sound as if it were originally for strings. The violin ll and viola parts are often doubled, as are the cello and bass parts; there are essentially three parts throughout. This gives a full and balanced sound which accommodates uneven instrumentation. Violin l parts are in third position much of the time, and alternate fingerings given for the other parts will keep other advanced players busy. The piece is in D major throughout, with the exception of brief excursions into A and B minor. Full of rhythmic drive and sparkling counterpoint, the piece is a sure winner with students and an excellent vehicle to teach detached style and ensemble independence. This title is available in MakeMusic Cloud.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 1. Published by Last Resort Music Publishing.

For Violin and Piano. By Giuseppe Tartini. Schott. Size 9x12 inches. 12 pages. Published by Schott.

(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), arranged by Meniker Zvi, edited by Andrew Manze, Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import).