| Three Pieces for Euphonium and Piano Euphonium, Piano (duo) [Partie seule] - Intermédiaire/avancé Cherry Classics
By Edward Elgar (1857-1934). Arranged by Ralph Sauer. For Euphonium and Piano. R...(+)
By Edward Elgar
(1857-1934). Arranged by
Ralph Sauer. For
Euphonium and Piano.
Romantic, British.
Advanced. Solo part and
piano accompaniment.
Published by Cherry
Classics
$22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| American Music for Euphonium Euphonium [CD d'écoute] Mark Custom Music
| | |
| Lyric Piece for Euphonium Tuba-Euphonium Press
By Daniel Bachelder. Solo. For euphonium solo, unaccompanied. Published by Tuba-...(+)
By Daniel Bachelder.
Solo. For euphonium solo,
unaccompanied. Published
by Tuba-Euphonium Press
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy for Euphonium (piano red) Euphonium, Piano (duo) [Reduction] G and M Brand Music Publishers
By Philip Sparke. Euphonium and Piano. Chamber Music. Solo part and piano reduct...(+)
By Philip Sparke.
Euphonium and Piano.
Chamber Music. Solo part
and piano reduction.
Published by G and M
Brand Music Publishers.
$25.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Three Pieces for Euphonium and Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium and Piano - advanced SKU: CY.CC2727 Composed by Vincent d'Indy....(+)
Euphonium and Piano -
advanced SKU:
CY.CC2727 Composed by
Vincent d'Indy. Arranged
by Ralph Sauer. French
Impressionist. Solo part
and piano accompaniment.
Published by Cherry
Classics (CY.CC2727).
Paul Marie
Theodore Vincent d'Indy
was born in Paris into an
aristocratic family of
royalist and Catholic
persuasion. He had piano
lessons from an early age
from his paternal
grandmother, who passed
him on to Antoine
François Marmontel
and Louis Diemer. His
main influence was Cesar
Franck. These three
pieces were some of his
many works for Piano.
Opus 33 was inspired by a
trip to Bayreuth, the
musical home of Wagner
and the Black Forest
region. Opus 33 no. 1
from 1889 is titled ?
with no explanation of
itself. Opus 33 no. 10 is
titled Lermoos, which is
a delightful skiing
village in Austria right
on the border with
Germany. Germany's
largest mountain is in
perfect view, possibly
giving the movement its
spirit. Opus 28 is a
Serenade for Violin and
Piano published in 1900.
It is lithe, subtle and
lyrical. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Pieces for Euphonium & Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium & Piano - advanced SKU: CY.CC2697 Composed by Reinhold Moritzov...(+)
Euphonium & Piano -
advanced SKU:
CY.CC2697 Composed by
Reinhold Moritzovich
Gliere. Arranged by Ralph
Sauer. Russian 19th
Century. Solo part and
Piano accompaniment.
Published by Cherry
Classics (CY.CC2697).
Gliere's Two
Pieces, Op. 9 is an early
work, originally written
for double bass with the
two movements having been
beautifully arranged for
Euphonium and Piano by
Ralph Sauer.
The
Intermezzo is lyrical,
sensual and Eastern
sounding.
The
Tarantella is a sprightly
folk dance of southern
Italy. The curious name
comes from the wolf
spider or Tarantula whose
bite is highly poisonous
and in earlier times was
believed to cause the
victims to engage in a
frenzied dance.
The two
movements are about 9.5
minutes in length and are
appropriate for
advanced
performers.
The
mp3 clip is of Ralph
Sauer on Trombone and Mac
Booke on Piano. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Pieces for Euphonium & Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium & piano - advanced SKU: CY.CC2608 Composed by Edouard Lalo. Arr...(+)
Euphonium & piano -
advanced SKU:
CY.CC2608 Composed by
Edouard Lalo. Arranged by
Ralph Sauer. French 20th
century. Solo part and
piano accompaniment.
Published by Cherry
Classics (CY.CC2608).
Lalo was born
in Lille (Nord), in
northernmost France. He
attended that city's
music conservatory in his
youth. Then, beginning at
age 16, Lalo studied at
the Paris Conservatoire
under Berlioz's old enemy
François Antoine
Habeneck. For several
years, he worked as a
string player and teacher
in Paris. In 1848, he
joined with friends to
found the Armingaud
Quartet, playing viola
and second violin. Lalo's
earliest surviving
compositions are songs
and chamber works. He
dedicated most of his
career to the composition
of chamber music, which
was in vogue, and to
writing works for
orchestra. These two
works beautifully
arranged by Mr. Sauder
show the core of Lalo's
chamber music; personal,
subtle at times and
filled with a French
lyricism. For
advanced performers. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 15 Easy Classical Solos Euphonium [Partition + CD] - Facile Anglo Music
Bb/C Euphonium TC/BC - easy SKU: BT.AMP-305-400 Arranged by Philip Sparke...(+)
Bb/C Euphonium TC/BC -
easy SKU:
BT.AMP-305-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 40 pages.
Anglo Music Press #AMP
305-400. Published by
Anglo Music Press
(BT.AMP-305-400). ISBN
9789043138123. 9x12
inches.
English-German-French-Dut
ch. Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
<
I>15 Easy Classical
Solos, de Philip
Sparke, est un ouvrage
qui sâ??adresse aux
jeunes musiciens,
maîtrisant un peu plus
dâ??une octave. 15
Easy Classical Solos
a été conçu pour
être joué en
corrélation avec les
séries Artist et/ou
Master Level de la
collection Essential
Elements ®,
publiée par les
éditions Hal
Leonard. Mais il peut
également être
utilisé
indépendamment.Spéc
ifiquement adapté
chaque instrument, ce
volume rassemble quinze
mélodies écrites
par des compositeurs
aussi variés que Bach,
Purcell, Grieg et
Satie.Comprenant les
parties
dâ??accompagnement de
piano et une version
dâ??accompagnement sur
compact disc, ces
ouvrages représentent
une
sourcecomplémentaire
inestimable toute
méthode
pédagogique.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Pieces from Opus 11 for Euphonium & Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium & Piano - advanced SKU: CY.CC2974 Composed by Jules Massenet. A...(+)
Euphonium & Piano -
advanced SKU:
CY.CC2974 Composed by
Jules Massenet. Arranged
by Ralph Sauer. French
Romantic. Solo part and
Piano accompaniment. 12
pages. Cherry Classics
#2974. Published by
Cherry Classics
(CY.CC2974). ISBN
9790530057933. Mass
enet's Three Pieces for
Piano, Four Hands Opus 11
was published in 1867.
Two of the pieces were
adapted for Cello in
1877. Mr. Sauer has
arranged these two pieces
for Euphonium bass clef
and Piano: 1. Andante
sostenuto 2.
Allegretto vivo
scherzando The
Andante is flowing and
lyrical with the
Allegretto being a lively
6/8 dance in A-B-A
form. The two
movements total about 5
minutes and are
appropriate for advanced
performers. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 15 Easy Classical Solos Tuba ou Euphonium ou Saxhorn [Partition + CD] - Facile Anglo Music
Tenor Horn [Eb] and Piano - easy SKU: BT.AMP-363-400 Eb Tenor Horn...(+)
Tenor Horn [Eb] and Piano
- easy SKU:
BT.AMP-363-400 Eb
Tenor Horn. Arranged
by Philip Sparke. Anglo
Music Play-Along Series.
Book with CD. Composed
2013. 40 pages. Anglo
Music Press #AMP 363-400.
Published by Anglo Music
Press (BT.AMP-363-400).
ISBN 9789043138161.
9x12 inches.
English-German-French-Dut
ch. Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte toonsoorten
aan bij het Artist Level
van Hal Leonards
Essential Elements
®, maar kan ook
los daarvan worden
gebruikt.De zorgvuldig
geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
<
I>15 Easy Classical
Solos, de Philip
Sparke, est un ouvrage
qui sâ??adresse aux
jeunes musiciens,
maîtrisant un peu plus
dâ??une octave. 15
Easy Classical Solos
a été conçu pour
être joué en
corrélation avec les
séries Artist et/ou
Master Level de la
collection Essential
Elements ®,
publiée par les
éditions Hal
Leonard. Mais il peut
également être
utilisé
indépendamment.Spéc
ifiquement adapté
chaque instrument, ce
volume rassemble quinze
mélodies écrites
par des compositeurs
aussi variés que Bach,
Purcell, Grieg et
Satie.Comprenant les
parties
dâ??accompagnement de
piano et une version
dâ??accompagnement sur
compact disc, ces
ouvrages représentent
une
sourcecomplémentaire
inestimable toute
méthode
pédagogique.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Il chiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitata delle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allieviche
padroneggiano
lâ??estensione superiore
a unâ??ottava di
cimentarsi nei â??primi
concertiâ? con brani
di Haendel, Clementi,
Rameau, Glueck, Beethoven
e altri. Il CD propone
una traccia con
lâ??incisione completa e
una con il solo
accompagnamento. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Four Pieces, Op. 70 for Euphonium and Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium and Piano - advanced SKU: CY.CC2763 Composed by Max Bruch. Arra...(+)
Euphonium and Piano -
advanced SKU:
CY.CC2763 Composed by
Max Bruch. Arranged by
Ralph Sauer. German
Romantic. Solo part and
Piano accompaniment.
Published by Cherry
Classics (CY.CC2763).
The Four
Pieces, Op. 70 were
written for Cello and
Piano in Berlin, 1896.
The four movements are
titled:
Aria,
Finnish, Scottish and
Swedish
1. Aria
is an Adagio in A minor
reminiscent of the Kol
Nidre 2. Finnish is a
brooding lyrical Andante
in G Minor 3.
Scottish is a proud song
in B major with dotted
rhythms 4. Swedish,
an unruly Allegro dance
in A-B-A form in A
minor
For
advanced performers, this
work of about 12 minutes
in length has been
superbly arranged by
Ralph Sauer. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Exit the Foundry Euphonium [Partition + CD] Potenza Music
By Ben Hase. For Euphonium and CD. Solo music, 20th century. Published by Potenz...(+)
By Ben Hase. For
Euphonium and CD. Solo
music, 20th century.
Published by Potenza
Music
$21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Romances for Euphonium and Piano, op. 94 Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium and piano - Advanced SKU: CY.CC2883 Composed by Robert Schumann...(+)
Euphonium and piano -
Advanced SKU:
CY.CC2883 Composed by
Robert Schumann. Arranged
by Ralph Sauer. Romantic.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2883).
Schumann's
Three Romances for
Euphonium & Piano, Opus
94, are an example of the
highest level of poetic
lyricism in the Romantic
style. Originally for
Oboe, Ralph Sauer has
done a superb job in
transcribing these three
movements of about 12
minutes in length total.
For moderately advanced
performers, this work can
be a major piece on your
recital or
concert.
Parts
are supplied for bass and
treble clef readers. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Six Songs Without Words for Euphonium & Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium & piano - advanced SKU: CY.CC2613 Composed by Felix Bartholdy M...(+)
Euphonium & piano -
advanced SKU:
CY.CC2613 Composed by
Felix Bartholdy
Mendelssohn. Arranged by
Ralph Sauer. Romantic.
Solo part & piano
accompaniment. Published
by Cherry Classics
(CY.CC2613).
Ralph Sauer has
transcribed six of
Mendelssohn's many Songs
Without Words for
Euphonium. Mendelssohn
wrote eight volumes of
songs for the Piano
throughout his life.
These pieces became
popular immediately
because of their beauty
and accessibility
technically . The Songs
are mostly lyrical and of
utmost beauty. Mr. Sauer
has found a previously
unmined resource and
added immeasurably to the
Euphonium
repertoire. For
advanced performers in
Bass Clef. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Four Pieces Op. 40 for Euphonium and Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium & piano - advanced SKU: CY.CC2586 Composed by P. I. Tchaikovsky...(+)
Euphonium & piano -
advanced SKU:
CY.CC2586 Composed by
P. I. Tchaikovsky.
Arranged by Ralph Sauer.
Russian Romantic. Solo
part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2586).
Ralph Sauer has
beautifully arranged four
movements from Opus 40
for Euphonium and
Piano: 1. Chanson
Triste 2.
Valse 3. Rêverie
interrompue 4. Danse
russe These four
movements totalling 14
minutes of music offer
the artist a great deal
of musical contrasts,
ranging from lyrical,
dramatic, dance-like,
etc. An excellent
collection of the Russian
master's music for the
Euphonium.
$27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lyric Essay Ensemble de cuivres Eighth Note Publications
By Donald Coakley. Arranged by David Marlatt. For Brass Choir (5.4.3.1.1.perc). ...(+)
By Donald Coakley.
Arranged by David
Marlatt. For Brass Choir
(5.4.3.1.1.perc). Brass -
Brass Choir. Eighth Note
Publications.
Contemporary. Duration
00:03:10. Published by
Eighth Note Publications
$30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F). ISBN
9781491152928. UPC:
680160910427. Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Avalon Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204). ISBN
9781491152249. UPC:
680160909742. Key: D
minor. Avalonâ€
Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tartan Tapestries Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225 Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225). ISBN
9781491152515. UPC:
680160910014. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tartan Tapestries Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225F Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F). ISBN
9781491153192. UPC:
680160910694. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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