Ave Maria Chorale SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text:...(+)
Composed by Tomas Luis de
Victoria (1548-1611).
Edited by Andrea
Angelini. Text: Hail
Mary. Renaissance
treasure. Marian. Octavo.
Published by CanticaNOVA
Publications (C5.7019).
Ave Maria Orchestre d'harmonie - Facile Hal Leonard
Concert Band (Score and Parts) - Grade 3 SKU: HL.4003124 Composed by Kevi...(+)
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4003124
Composed
by Kevin A. Memley.
Arranged by Preston
Hazzard. MusicWorks Grade
3. Classical, Sacred.
Softcover. Published by
Hal Leonard (HL.4003124).
UPC: 884088608767.
9x12
inches.
Originally
a composition for chorus
by Kevin A. Memley, this
adaptation by Preston
Hazzard makes expert use
of the various tone
colors available for
band. Cascading waterfall
effects are represented
in the mallet percussion
and woodwinds, while an
underlying rhythmic
texture provides a
flowing background for
the lyric melody. The
piece builds nicely to a
full band climax before
returning to a quiet and
delicate mood for the
close. Duration:
4:10.
Composed by Kevin A.
Memley. Arranged by
Preston Hazzard.
MusicWorks Grade 3.
Classical, General
Worship, Sacred. 16
pages. Published by Hal
Leonard (HL.4003125).
UPC: 884088608774.
9.0x12.0x0.07
inches.
Originally
a composition for chorus
by Kevin A. Memley, this
adaptation by Preston
Hazzard makes expert use
of the various tone
colors available for
band. Cascading waterfall
effects are represented
in the mallet percussion
and woodwinds, while an
underlying rhythmic
texture provides a
flowing background for
the lyric melody. The
piece builds nicely to a
full band climax before
returning to a quiet and
delicate mood for the
close. Dur: 4:10.
SSAA choir SKU: CA.964200 No. 1 from Three Marian Motets. Composed...(+)
SSAA choir
SKU:
CA.964200
No. 1
from Three Marian
Motets. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music,
Advent, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Carus Verlag #CV
09.642/00. Published by
Carus Verlag (CA.964200).
ISBN 9790007143510.
Text language:
Latin.
Matsushita's
composition draws on
elements of the Gregorian
antiphon. It begins in
unison Gregorian chant,
as was typical of
Renaissance motets, and
the beginning of new
lines of text are also
derived from Gregorian
material. Matsushita
juxtaposes a syllabic,
rhythmic declamation with
this melody, constantly
alternating bars with
even and odd numbers of
beats, the octave C' -
C'' constantly repeated
by the outer parts and
leading towards the
climax at the text nomen
Jesu. After ascending D
major arpeggios, the
central word Jesu
radiates into F sharp
major, the following
repetition in the compass
of an octave on C is more
tranquil, ending
peacefully with an F
major chord, ppp.
SATB choir with divisi and soprano voice soli, a cappella - Medium Difficult ...(+)
SATB choir with divisi
and soprano voice soli, a
cappella - Medium
Difficult
SKU:
PL.0017
Composed by
Roland E Martin.
Cathedral. Choral,
General. Octavo.
Paraclete Press #0017.
Published by Paraclete
Press (PL.0017).
This extended
work sets the Martin text
(Hail Mary, O Source of
Life) from Hildegard von
Bingen (12th cent.). Its
use of much divisi
creates a rich sound that
reflects the ecstatic
quality of the text. The
shape of the long phrases
is reminiscent of the
motets of Bruckner. There
is a lovely soprano duet
at the words O dulcissima
and the Gloria Patri is
set in a fugal style,
building to a dynamic
climax and followed by a
long decrescendo on the
final Amen. This moving
work is appropriate for
Marian feasts and for
concerts.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Gounod had
no qualms about arranging
well-known works by
earlier masters after his
own fashion. Thus in 1852
he added a melody with
its own operatic climax
to the famous arpeggios
of the C-major Prelude
BWV 846 from Bach's
Well-Tempered Clavier. He
first published
instrumental versions of
it under the title
�M�ditationï¿
½, then tried fitting
various texts to the
melody until in 1859 he
arrived at the definitive
vocal version using the
text of the Ave Maria.
Already by the 1890s it
was claimed that
�[we] have heard
this sweet melody
innumerable times from
the best lady
singers�, and its
popularity has continued
to the present day.
Reason enough, then, for
Henle Verlag to publish
an Urtext edition of this
worldwide hit, based on
the sources and with
appropriate critical
commentary. In 1859, at
the same time as the
original edition for high
voice, editions for
middle and low voice,
presumably commissioned
by the publishers, were
also issued. Following
this model, the Henle
Urtext edition of
�Ave Maria� is
also offered in two
transpositions for the
lower register.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Ave Maria Chorale SATB SATB divisi, A Cappella - Facile Oxford University Press
SATB choir, a cappella (SATB) - easy SKU: OU.9780193517752 Composed by Ho...(+)
SATB choir, a cappella
(SATB) - easy
SKU:
OU.9780193517752
Composed by Howard
Skempton. Sacred choral -
mixed voices. Vocal
score. 4 pages. Duration
4'. Oxford University
Press #9780193517752.
Published by Oxford
University Press
(OU.9780193517752).
ISBN 9780193517752. 12
x 8 inches.
For
SATB unaccompanied This
simple, well-crafted
motet is bright,
optimistic, and
compelling. Skempton
employs artful homophony
and sensitive
word-setting, and the
repetitions of the
opening refrain build
towards an effective
central climax.
Composed by Arvo Part (1935-). Marian antiphons. Dom Essen / Germany by J?rgen K...(+)
Composed by Arvo Part
(1935-). Marian
antiphons. Dom Essen /
Germany by J?rgen
Kursawa, Org. Choral
part(s). With Standard
notation. Composed
2001/2002. Universal
Edition #UE31988.
Published by Universal
Edition
La Forza Del Destino Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Ouverture/Overture). By Giuseppe Verdi (1813-1901). Arranged by P Stalmeier. Fo...(+)
(Ouverture/Overture). By
Giuseppe Verdi
(1813-1901). Arranged by
P Stalmeier. For Concert
Band. Arrangements of
Classical Opera and
Operetta Overtures /
Arrangements of Classical
Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
