Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass setting! Liturgy. Published by CanticaNOVA Publications (C5.3136-2).

By James Chepponis. For Voices: SATB. Instruments: C instrument (flute or oboe), brass quartet, timpani (2 trumpets in B or C, 2 trombones), suspended cymbal, 11-23 handbells (instruments optional). Keyboard accompaniment. -EP includes settings for prefaces Advent 1, Christmas 1, Epiphany, Baptism of the Lord, Lent 1, Passion/Palm Sunday, Easter 1, Ascension 2, Pentecost, Sunday in Ordinary Time 4, Holy Eucharist 1, Blessed Virgin Mary 1, Holy Men and Women 2, Marriage 3, Christian Death 1. Mass; Lit Sacred. Published by GIA Publications.

SATB choir, cantor, priest, assembly, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, percussion 1, percussion 2, timpani, guitar, keyboard - Early intermediate

SKU: GI.G-7853

Revised Order of Mass 2010. Composed by Ronald Krisman. This edition: Choral edition. Mass. Mass. Sacred. Choir part. With guitar chord names. 48 pages. GIA Publications #7853. Published by GIA Publications (GI.G-7853).

UPC: 785147785309. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

  Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.   This is the choral edition and as such contains only parts for the choir. No keyboard accompaniment is included in this edition. For the keyboard accompaniment see G-7853A. Brass Quartet, Timpani, Flute, Oboe and Percussion parts are optional. Horn in F can be substituted for Trombone I. Percussion part includes claves and bongos or congas.

SATB choir, cantor, priest, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, percussion 1, percussion 2, timpani, guitar, keyboard - Early intermediate

SKU: GI.G-7853FS

Revised Order of Mass 2010. Composed by Ronald Krisman. Mass. Sacred. Full score. With guitar chord names. 80 pages. GIA Publications #7853FS. Published by GIA Publications (GI.G-7853FS).

UPC: 785147785392. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.   This is the full score. Keyboard accompaniment and guitar chords are printed in full score.

SATB choir, cantor, priest, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, percussion 1, percussion 2, timpani, guitar

SKU: GI.G-7853K

Revised Order of Mass 2010. Composed by Ronald Krisman. This edition: Keyboard edition. Mass. Sacred. Octavo. With guitar chord names. 60 pages. GIA Publications #7853K. Published by GIA Publications (GI.G-7853K).

UPC: 785147785361. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

  Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.   This is the keyboard edition.

Guitar

SKU: GI.G-7853G

Revised Order of Mass 2010. Composed by Ronald Krisman. This edition: Guitar edition. Mass. Sacred. Guitar part. With guitar chord names. 52 pages. GIA Publications #7853G. Published by GIA Publications (GI.G-7853G).

UPC: 785147785378. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.   This is the guitar edition. .

Unison voices, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, percussion 1, percussion 2, timpani, guitar, keyboard - Early intermediate

SKU: GI.G-7853A

Revised Order of Mass 2010. Composed by Ronald Krisman. This edition: Assembly edition. Mass. Sacred. Assembly edition. 12 pages. GIA Publications #7853A. Published by GIA Publications (GI.G-7853A).

UPC: 785147785377. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.   This is the assembly edition and as such does not include any choral or keyboard parts. .

Priest, assembly, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, percussion 1, percussion 2, timpani, guitar, keyboard

SKU: GI.G-7853P

Revised Order of Mass 2010. Composed by Ronald Krisman. This edition: Presider edition. Mass. Sacred. Presider edition. 20 pages. GIA Publications #7853P. Published by GIA Publications (GI.G-7853P).

UPC: 785147785354. English, Spanish. Text Source: Revised Order of Mass 2010.

Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.   This is the presider's edition.

Trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, percussion 1, percussion 2, timpani, guitar, keyboard, flute, oboe

SKU: GI.G-7853WW

Revised Order of Mass 2010. Composed by Ronald Krisman. This edition: Woodwind edition. Mass. Sacred. Woodwind part(s). GIA Publications #7853WW. Published by GIA Publications (GI.G-7853WW).

Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting. Flute and Oboe parts are optional.   .

SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, cello, guitar - Early intermediate

SKU: GI.G-9730

Composed by Marty Haugen. Mass. Sacred. With guitar chord names. 40 pages. GIA Publications #9730. Published by GIA Publications (GI.G-9730).

UPC: 785147973003. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Over the past few years, as I have experienced the radical cultural transformation of Roman Catholic communities in the United States, I decided that I wanted to create something in response and support. Mass of Creation went through multiple revisions—into a Protestant version, a revised (2010) text version and a bilingual version. At each transition, the music struggled (I believe) to make the text “sing” as it had with the original version. With the Mass of Reconciliation / Misa de Reconciliación, I began with the premise that the text would be created to be sung throughout either in English or Spanish. My hope was that faith communities that had Masses in both languages might learn the mass setting in their own language and, when they came together for major feast days (Christmas Eve/Day, Easter Vigil/Day, and other celebrations) they could each sing with confidence and passion a setting in their own language.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061619

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. Duration 27 minutes. Carus Verlag #CV 40.616/19. Published by Carus Verlag (CA.4061619).

ISBN 9790007133313. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061609

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. 1x 40.616/21 oboe 1, 1x 40.616/22 oboe 2, 1x 40.616/31 clarino 1, 1x 40.616/32 clarino 2, 1x 40.616/33 trombone 1, 1x 40.616/34 trombone 2, 1x 40.616/35 trombone 3, 1x 40.616/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. 52 pages. Duration 27 minutes. Carus Verlag #CV 40.616/09. Published by Carus Verlag (CA.4061609).

ISBN 9790007073640. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061611

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/11. Published by Carus Verlag (CA.4061611).

ISBN 9790007073657. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061607

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Study score. Composed 1775-1777. KV 257. 76 pages. Duration 27 minutes. Carus Verlag #CV 40.616/07. Published by Carus Verlag (CA.4061607).

ISBN 9790007073862. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061649

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/49. Published by Carus Verlag (CA.4061649).

ISBN 9790007073688. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061605

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Choral Score. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/05. Published by Carus Verlag (CA.4061605).

ISBN 9790007073633. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061612

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/12. Published by Carus Verlag (CA.4061612).

ISBN 9790007073664. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

Choral (Orchestra Accompaniment)

SKU: HL.35027809

Composed by Joseph M. Martin. Shawnee Sacred. Call to Worship, General Worship. Score and Parts. Published by Shawnee Press (HL.35027809).

UPC: 884088546915. 4.75x5 inches.

Uses: General, Call To Worship

Scriptu re: Philippians 4:4

This anthem scored for SAB voices sounds extremely rich and full. The optional cued notes open the piece up to larger ensembles while the use of the well-known hymn, Rejoice, Ye Pure in Heart, gives directors an option to incorporate congregational participation. Ideal as a worship opener, this anthem could also be easily used for mass choirs and festival use.

By Michael Joncas. For Voices: SATB. Instruments: 2 C instruments (woodwinds), brass quintet, timpani (instruments optional). Organ. Latin/Greek text often interspersed or used as refrain with English texts. Chamber Music Sacred. Level: easy/medium. 25 pages. Published by GIA Publications.

Composed by Antonio Vivaldi (1678-1741). This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Mass Sections. Complete orchestral parts. RV 591. Duration 10 minutes. Published by Carus Verlag (CA.4000419).

By Antonio Vivaldi (1678-1741). For SATB Choir, 2 Violins, Viola, Basso continuo. This edition: Paperbound. Stuttgart Urtext editions. Score available separately - see item CA.4000400. Mass sections. Level 3. Vocal score. Language: Latin/English. RV 591. 24 pages. Duration 10 min. Published by Carus Verlag