Orchestra - Grade 2.5 SKU: AP.38483 Composed by Almon C. Bock II. Perform...(+)
Orchestra - Grade 2.5
SKU: AP.38483
Composed by Almon C. Bock
II. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score and Part(s). 130
pages. Highland/Etling
#00-38483. Published by
Highland/Etling
(AP.38483).
UPC:
038081432397.
English.
A sprite
is a small or elusive
supernatural being such
as an elf or pixie. This
piece is evocative of
just such beings. It is
playful in character,
portraying images of
these beings as they
dance about and frolic in
their own spaces---be
that wood, water, fields,
or even in our
imagination. These
sprites invite you to
play with them as you
listen to the music.
Sprites Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2.5 SKU: AP.38483S Composed by Almon C. Bock II. Perfor...(+)
Orchestra - Grade 2.5
SKU: AP.38483S
Composed by Almon C. Bock
II. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 12 pages.
Highland/Etling
#00-38483S. Published by
Highland/Etling
(AP.38483S).
UPC:
038081432403.
English.
A sprite
is a small or elusive
supernatural being such
as an elf or pixie. This
piece is evocative of
just such beings. It is
playful in character,
portraying images of
these beings as they
dance about and frolic in
their own spaces---be
that wood, water, fields,
or even in our
imagination. These
sprites invite you to
play with them as you
listen to the music.
For Concert Band(S. Onesy Twosy). By PDQ Bach. Edited by Professor Peter Schicke...(+)
For Concert Band(S. Onesy
Twosy). By PDQ Bach.
Edited by Professor Peter
Schickele. Concert
band/stage band. This
edition: complete set.
Classical. Score and
parts. S Onesy Twosy. 22
pages. Duration 4:00.
Published by Theodore
Presser Company.
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Stapled. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Part. 10
pages. Duration 13'.
Breitkopf and Haertel
#EOS 20472-19. Published
by Breitkopf and Haertel
(BR.EOS-20472-19).
ISBN 9790004184974. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Stapled. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Part. 8
pages. Duration 13'.
Breitkopf and Haertel
#EOS 20472-23. Published
by Breitkopf and Haertel
(BR.EOS-20472-23).
ISBN 9790004184981. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Stapled. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Part. 4
pages. Duration 13'.
Breitkopf and Haertel
#EOS 20472-27. Published
by Breitkopf and Haertel
(BR.EOS-20472-27).
ISBN 9790004184998. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Softbound. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Full
score. 84 pages. Duration
13'. Breitkopf and
Haertel #EOS 20472-00.
Published by Breitkopf
and Haertel
(BR.EOS-20472-00).
ISBN 9790004780008. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
Wood Magic Piano seul - Débutant Forsyth Publications
Piano Solo - Easy-Intermediate SKU: FP.FLJ14 Composed by Joan Last. Sheet...(+)
Piano Solo -
Easy-Intermediate
SKU:
FP.FLJ14
Composed by
Joan Last. Sheet Music
and Books. Evocative
woodland themed easy
pieces by Joan Last, the
renowned composer of
classic piano music for
children and learners.
Suggested grade 1-2.
Classical. Collection.
Forsyths Publications
#FLJ14. Published by
Forsyths Publications
(FP.FLJ14).
ISBN
9790570503810.
For
many years a professor at
the Royal Academy of
Music, Joan Last was
widely admired for her
skill and vast experience
in the teaching of young
beginners and adults
alike. This album of
superb pieces will appeal
to all imaginative young
pupils with its musical
depictions of the scenes
and spirits of the
woodland.
(A Violin Technique Book for Group Classes and Private Instruction). By Kathryn ...(+)
(A Violin Technique Book
for Group Classes and
Private Instruction). By
Kathryn Bird Kinnard. For
Violin. String - Violin
Studies or Collection.
Book. 44 pages. Published
by Alfred Publishing.
(For Concert Band). By PDQ Bach (1935-). Edited by Peter Schickele. Concert Band...(+)
(For Concert Band). By
PDQ Bach (1935-). Edited
by Peter Schickele.
Concert Band. For Piccolo
I, Piccolo II, Flute I,
Flute II, Oboe I, Oboe
II, Clarinet I, Clarinet
II, Clarinet III, Alto
Clarinet (in Eb), Bass
Clarinet (in Bb), Bb
Contrabass Clarinet,
Bassoon I, Bassoon II,
Contra Bassoon, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxop. This edition: full
score. Classical. Full
Score. Standard notation.
Onesy Twosy. 22 pages.
Duration 4:00
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2218.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Edited by Diana Traietta.
Solo
and Ensemble Music. Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #SB2223.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Edited by Diana Traietta.
Solo
and Ensemble Music. Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #SB2226.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2222.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2221.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2220.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2217.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2225.
Published by
Wingert-Jones
Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2223.
Published by
Wingert-Jones
Publications