SABar choir, organ (piano) SKU: CA.2703000 Composed by Jozef Swider. Germ...(+)
SABar choir, organ
(piano)
SKU:
CA.2703000
Composed
by Jozef Swider. German
title: Missa Brevis Org,
Sam. Sacred vocal music,
Masses, Latin. Full
score. Composed 2003. 12
pages. Carus Verlag #CV
27.030/00. Published by
Carus Verlag
(CA.2703000).
Unison choir, piano, organ ad lib. SKU: FG.55011-565-1 Composed by Olli K...(+)
Unison choir, piano,
organ ad lib.
SKU:
FG.55011-565-1
Composed by Olli
Kortekangas. Score.
Fennica Gehrman
#55011-565-1. Published
by Fennica Gehrman
(FG.55011-565-1).
ISBN
9790550115651.
A
missa brevis for descant
choir and piano (organ ad
lib.) by Olli Kortekangas
(b. 1955) gets a Finnish
colour in Laudamus, of
which text Luotujen virsi
is a poem in Kalevala
meter by Pekka Kivekas.
The composer encourages
to find different ways to
perform the work: for
example the chorus parts
can be doubled or
replaced by an obligato
instrument.
By Franz Joseph Haydn. Edited by Schulze, Willi. For Soli SS, SATB Choir, 2 Viol...(+)
By Franz Joseph Haydn.
Edited by Schulze, Willi.
For Soli SS, SATB Choir,
2 Violins,
Cello/Contrabass, Organ.
Hob. XXII:1. Missa
brevis, Latin. Score.
Language: Latin. Composed
1749-50 (?) (dazwischen).
32 pages. Duration 13
min. Published by Carus
Verlag (German import).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-15.
Published by Breitkopf
and Haertel
(BR.OB-5329-15).
ISBN
9790004333532. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Amadeus Mozart. Arran...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Wolfgang
Amadeus Mozart. Arranged
by Georg Trexler, Karel
Torvik. For Soprano
voice, Alto voice, Tenor
voice, and Bass voice
(Soli), SATB Choir /
Piano (Chorus and piano).
New Issues. Classical;
Sacred/Hymns. Vocal
Score. Text Language:
Latin. Composed 1774. 44
pages. Duration 18
minutes. Published by
Serenissima
Sanctus Chorale SATB SATB, Piano [Octavo] Carl Fischer
(From Missa Brevis, K.192). By Wolfgang Amadeus Mozart (1756-1791). Arranged by ...(+)
(From Missa Brevis,
K.192). By Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Patrick M. Liebergen. For
Soprano, Alto, Tenor,
Bass, Keyboard. Octavo. 8
pages. Duration 1 minute,
25 seconds. Published by
Carl Fischer
Urtext der Haydn-Gesamtausgabe. By Franz Joseph Haydn. Edited by Landon, Howard ...(+)
Urtext der
Haydn-Gesamtausgabe. By
Franz Joseph Haydn.
Edited by Landon, Howard
Chandler Robbins;Fussl,
Karl Heinz;Landon,
Christa. For Soprano
solo, Mixed Choir-SATB,
Strings, Organ. Score;
Playing Score; Urtext
Edition. Hob.XXII:7.
Duration 19`. Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006452170.
Missa pastoralis in
G. Composed by
Wolfgang Amadeus Mozart.
Arranged by Willi
Schulze. This edition:
urtext. 1x 40.623/31
trombone 1, 1x 40.623/32
trombone 2, 1x 40.623/33
trombone 3. Stuttgart
Urtext Edition: Mozart.
Missa Pastoralis In G Kv
140 Rev.2001. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Missa brevis in
Latin. Set of Orchestra
Parts. Composed circa
1773. KV 140 (235d). 24
pages. Duration 17
minutes. Carus Verlag #CV
40.623/09. Published by
Carus Verlag
(CA.4062309).
ISBN
9790007084370. Key: G
major. Language:
Latin.
The G major
mass of Mozart followed a
very special type of mass
pattern, namely, that of
the Missa pastoralis. In
Mozart's time it was a
widespread type of mass,
especially in Bohemia and
Italy, in which melodies
and rhythms like those
familiar from pastoral
Christmas music were
frequently found. The
themes in this type of
mass are song-like and
often make use of
folksongs or references
to well-known tunes. This
work is now available in
carus music, the choir
app! Score and parts
available separately -
see item CA.4062300.
Missa pastoralis in
G. Composed by
Wolfgang Amadeus Mozart.
Arranged by Willi
Schulze. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Missa
Pastoralis In G Kv 140
Rev.2001. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Missa brevis in
Latin. Single Part,
Violin 1. Composed circa
1773. KV 140 (235d). 12
pages. Duration 17
minutes. Carus Verlag #CV
40.623/11. Published by
Carus Verlag
(CA.4062311).
ISBN
9790007084387. Key: G
major. Language:
Latin.
The G major
mass of Mozart followed a
very special type of mass
pattern, namely, that of
the Missa pastoralis. In
Mozart's time it was a
widespread type of mass,
especially in Bohemia and
Italy, in which melodies
and rhythms like those
familiar from pastoral
Christmas music were
frequently found. The
themes in this type of
mass are song-like and
often make use of
folksongs or references
to well-known tunes. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.4062300.
First violin (1. Violin) SKU: BA.BA05341-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA05341-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Walter Senn. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Messen, Klassik
(Masses, Classical).
Single part. K. 65 (61a).
7 pages. Baerenreiter
Verlag #BA05341_74.
Published by Baerenreiter
Verlag (BA.BA05341-74).
ISBN 9790006468232.
32.5 x 25.5 cm inches.
Key: D minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
SS vocal soli, SATB choir, 2 violins, cello/contrabass, organ - Level 2 SKU: ...(+)
SS vocal soli, SATB
choir, 2 violins,
cello/contrabass, organ -
Level 2
SKU:
CA.4060149
Composed
by Franz Joseph Haydn.
Edited by Willi Schulze.
This edition: urtext.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. Haydn: Missa
Brevis In F Xxii:1.
Innovative practice aids,
Sacred vocal music, Missa
brevis in Latin. Single
Part, Organ. Composed
1749-50 (?). Hob. XXII:1.
8 pages. Duration 14
minutes. Carus Verlag #CV
40.601/49. Published by
Carus Verlag
(CA.4060149).
ISBN
9790007219321. Key: F
major. Text language:
Latin.
Despite all
of its folk-line
simplicity of melody,
Haydn's first mass
contains a pious note
that, just like its
youthful verve, still was
to hold fascination for
him in his late years
when, in 1805, he
re-orchestrated his first
work. The first version
of the mass is considered
to have been composed in
1749 or 1750. It was
around the same time that
Pope Benedict XIV treated
questions concerning
church music in his
encyclical Annus qui in
which he condemned the
frequently operatic style
of church music and
demanded liturgical music
that revealed an
awareness of its
religious purpose and
that sought to fulfill it
with simple means of
musical expression. In
its liturgical attitude
Haydn's first mass is
anchorded in this point
of view (that to a great
extent corresponded to
the general standpoint of
the churches of the
eighteenth century).
Score and part available
separately - see item
CA.4060100.
SATB choir, organ [orchestra] SKU: CA.9187511 In honorem S. Aloisii Go...(+)
SATB choir, organ
[orchestra]
SKU:
CA.9187511
In
honorem S. Aloisii
Gonzagae. Composed by
Vincenz Goller.
Coppenrath Series. German
title: Missa Brevis
S.Aloisii Gonzagae
5000801. Sacred vocal
music, Missa brevis in
Latin. Single Part,
Violin 1. Op. 34. 4
pages. Carus Verlag #CV
91.875/11. Published by
Carus Verlag
(CA.9187511).
ISBN
9790007235369. Key: B
flat major. Language:
Latin.
(from Missa Brevis). By Jean Perry Dave Perry. For Soprano, Alto, Tenor, Bass, S...(+)
(from Missa Brevis). By
Jean Perry Dave Perry.
For Soprano, Alto, Tenor,
Bass, Soprano Solo, Alto
Solo, Keyboard, Optional
Harp 1, Optional Harp 2,
Optional Strings. Octavo.
12 pages. Duration 5
minutes, 15 seconds.
Published by Carl Fischer
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Viola 1. 8 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/13. Published by
Carus Verlag
(CA.4066113).
ISBN
9790007076290. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. 1x
40.661/21 flute, 1x
40.661/22 oboe 1, 1x
40.661/23 oboe 2, 1x
40.661/31 trumpet. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Set of Orchestra
Parts. 26 pages. Duration
32 minutes. Carus Verlag
#CV 40.661/09. Published
by Carus Verlag
(CA.4066109).
ISBN
9790007076269. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
parts available
separately - see item
CA.4066100.