| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - L...(+)
ATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3110814
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Cello/Double Bass.
Composed 1725. BWV 108. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.108/14. Published by
Carus Verlag
(CA.3110814). ISBN
9790007047986. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - L...(+)
ATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3110813
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Viola. Composed 1725. BWV
108. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.108/13. Published by
Carus Verlag
(CA.3110813). ISBN
9790007047979. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - L...(+)
ATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3110805
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Choral Score.
Composed 1725. BWV 108.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.108/05. Published by
Carus Verlag
(CA.3110805). ISBN
9790007047924. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB - Intermédiaire Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso co...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboe
d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3110807 Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Study score.
Composed 1725. BWV 108.
68 pages. Duration 20
minutes. Carus Verlag #CV
31.108/07. Published by
Carus Verlag
(CA.3110807). ISBN
9790007047931. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - L...(+)
ATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3110812
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 2. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/12. Published by
Carus Verlag
(CA.3110812). ISBN
9790007047962. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - L...(+)
ATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3110819
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut, dass ich hingehe.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
108. Duration 20 minutes.
Carus Verlag #CV
31.108/19. Published by
Carus Verlag
(CA.3110819). ISBN
9790007136581. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800. $105.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB - Intermédiaire Carus Verlag
Soli ATB, SATB Choir, 2 Obda, Vl solo, 2 Vl, Va, Bc - Level 3 SKU: CA.3110849...(+)
Soli ATB, SATB Choir, 2
Obda, Vl solo, 2 Vl, Va,
Bc - Level 3 SKU:
CA.3110849 Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide, Whitsun.
Single Part, Organ.
Composed 1725. BWV 108.
20 pages. Duration 20
minutes. Carus Verlag #CV
31.108/49. Published by
Carus Verlag
(CA.3110849). Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane
Mariane. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - L...(+)
ATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3110811
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 1. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/11. Published by
Carus Verlag
(CA.3110811). ISBN
9790007047955. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now it is good, that I am leaving (Es ist euch gut, dass ich hingehe) Chorale SATB [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - L...(+)
ATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3110809
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.108/21 oboe d'amore 1,
1x 31.108/22 oboe d'amore
2. German title: Es ist
euch gut 2. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide, Whitsun. Set
of Orchestra Parts.
Composed 1725. BWV 108. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.108/09. Published by
Carus Verlag
(CA.3110809). ISBN
9790007047948. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hits & Rarities für Klavier - Liszt Piano seul - Facile EMB (Editio Musica Budapest)
Piano - Grade 3 SKU: BT.EMBZ14622 By Judit Peteri. By Franz Liszt. Book O...(+)
Piano - Grade 3 SKU:
BT.EMBZ14622 By Judit
Peteri. By Franz Liszt.
Book Only. Composed 2008.
36 pages. Editio Musica
Budapest #EMBZ14622.
Published by Editio
Musica Budapest
(BT.EMBZ14622).
Hungarian-English-Germ
an-French. Liszt
was one of the greatest
piano virtuosos of the
19th century and a very
influential teacher who
played an enormous part
in the development of
modern piano technique.
For this reason the
majority of his works
make the highest
technical demands of the
performer - this
selection, however,
contains only pieces at
an intermediate
difficulty level. In
addition to the hits (D
flat major Consolation,
Liebestraum No. 3) the
moderately advanced
student or amateur player
will discover real finds
such as the three pieces
in the Bunte Reihe (
Colourful Series ), the
earlier version of the
Valse impromptu and the
Romance oubliée (
Forgotten Romance ) and
the later, simplified
versionthe composer made
of the i>Grand galop
chromatique. This
publication was based on
the EMB New Liszt
Edition, but bearing
practical considerations
in mind. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence.
Franz Liszt war
einer der größten
Klaviervirtuosen des 19.
Jahrhunderts und als
Lehrer von großem
Einfluss, in der
Entwicklung der modernen
Klaviertechnik spielte er
eine herausragende Rolle.
Gerade deswegen
konfrontiert ein
Großteil seiner Werke
die Vortragenden mit
höchsten technischen
Anforderungen - diese
Auswahl beinhaltet aber
nur Stücke, die auch
schon auf einer mittleren
Stufe spielbar sind.
Neben den
Schlagern“
(Consolation in Des-Dur,
Liebesträume Nr. 3)
können die drei
Stücke aus dem Zyklus
Bunte Reihe“, die
frühere Version des
Valse impromptu und der
Vergessenen Romanze, bzw.
die von dem Komponisten
im nachhinein gefertigte,
vereinfachte Version des
Grandgalop chromatique
für die mäßig
fortgeschrittenen
Schüler oder
Musikamateure eine wahre
Entdeckung bedeuten. Die
Ausgabe wurde aufgrund
der Neuen
Liszt-Gesamtausgabe des
Verlags Editio Musica
Budapest, aber unter
Berücksichtigung
praktischer Aspekte,
angelegt. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Musik fur Gottesdienst, Spiel und Fest Carus Verlag
SKU: CA.1290100 Composed by Various. Edited by Gunther Kretzschmar. This ...(+)
SKU: CA.1290100
Composed by Various.
Edited by Gunther
Kretzschmar. This
edition: Paperbound.
Choral collections for
children's choir; Hymns
by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. Musik fur
Gottesdienst, Spiel und
Fest. Psalms, German,
Songs for children,
Secular choral music,
Special days, Ascension,
New year, Easter and
Eastertide, Whitsun,
Reformation day, Praise
and thanks, Morning,
midday, evening.
Collection. Composed
1992-96. 160 pages. Carus
Verlag #CV 12.901/00.
Published by Carus Verlag
(CA.1290100). ISBN
9790007088194. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Desired ray of light (Erwunschtes Freudenlicht) Chorale SATB - Intermédiaire Carus Verlag
Soli SAT, SATB Choir, 2 Fl, 2 Vl, Va, Bc - Level 3 SKU: CA.3118449 Can...(+)
Soli SAT, SATB Choir, 2
Fl, 2 Vl, Va, Bc - Level
3 SKU: CA.3118449
Cantata for the 3rd
Sunday of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Organ. Composed
1724. BWV 184. 24 pages.
Duration 25 minutes.
Carus Verlag #CV
31.184/49. Published by
Carus Verlag
(CA.3118449). ISBN
9790007240608. Key: G
major / e minor.
Language:
German/English. The
Pentecost cantata Desired
ray of light BWV 184 is
based on a Kothen
composition, probably a
congratulatory cantata,
whose instrumental parts
(only these have
survived) Bach reused in
the Leipzig Pentecost
cantata. Only the chorale
setting was evidently
newly composed. Despite
the narrow leeway that
the already finished
composition left for the
librettist, he
nevertheless succeeded in
crafting a coherent
Pentecost text. The fact
that the cantata begins
with a long tenor
accompagnato with two
flutes followed by a
pastoral duet is
surprising. The placing
of the chorale not at the
end of the work but
before the concluding
chorus is unusual. Bach
was evidently aware of
the effect that the
ending of this lively
movement would have and
wanted to retain this in
its sacred form as well.
The sacred version was
first performed on the
third day of Pentecost in
1724, probably after a
parody version of another
Kothen cantata (BWV 173)
had already been
performed on the second
day of Pentecost. Score
and part available
separately - see item
CA.3118400. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Desired ray of light (Erwunschtes Freudenlicht) Chorale SATB [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
SAT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo - Level 3...(+)
SAT vocal soli, SATB
choir, 2 flutes, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3118419
Cantata for the 3rd
Sunday of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Erwunschtes
Freudenlicht. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1724. BWV
184. Duration 25 minutes.
Carus Verlag #CV
31.184/19. Published by
Carus Verlag
(CA.3118419). ISBN
9790007134235. Key: G
major / e minor.
Language:
German/English. The
Pentecost cantata Desired
ray of light BWV 184 is
based on a Kothen
composition, probably a
congratulatory cantata,
whose instrumental parts
(only these have
survived) Bach reused in
the Leipzig Pentecost
cantata. Only the chorale
setting was evidently
newly composed. Despite
the narrow leeway that
the already finished
composition left for the
librettist, he
nevertheless succeeded in
crafting a coherent
Pentecost text. The fact
that the cantata begins
with a long tenor
accompagnato with two
flutes followed by a
pastoral duet is
surprising. The placing
of the chorale not at the
end of the work but
before the concluding
chorus is unusual. Bach
was evidently aware of
the effect that the
ending of this lively
movement would have and
wanted to retain this in
its sacred form as well.
The sacred version was
first performed on the
third day of Pentecost in
1724, probably after a
parody version of another
Kothen cantata (BWV 173)
had already been
performed on the second
day of Pentecost. Score
and parts available
separately - see item
CA.3118400. $100.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Desired ray of light (Erwunschtes Freudenlicht) Chorale SATB - Intermédiaire Carus Verlag
Orchestra SAT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo...(+)
Orchestra SAT vocal soli,
SATB choir, 2 flutes, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3118407
Cantata for the 3rd
Sunday of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
German title: Erwunschtes
Freudenlicht. Sacred
vocal music, Cantatas,
Whitsun. Study score.
Composed 1724. BWV 184.
68 pages. Duration 25
minutes. Carus Verlag #CV
31.184/07. Published by
Carus Verlag
(CA.3118407). ISBN
9790007050481. Key: G
major / e minor.
Language:
German/English. The
Pentecost cantata Desired
ray of light BWV 184 is
based on a Kothen
composition, probably a
congratulatory cantata,
whose instrumental parts
(only these have
survived) Bach reused in
the Leipzig Pentecost
cantata. Only the chorale
setting was evidently
newly composed. Despite
the narrow leeway that
the already finished
composition left for the
librettist, he
nevertheless succeeded in
crafting a coherent
Pentecost text. The fact
that the cantata begins
with a long tenor
accompagnato with two
flutes followed by a
pastoral duet is
surprising. The placing
of the chorale not at the
end of the work but
before the concluding
chorus is unusual. Bach
was evidently aware of
the effect that the
ending of this lively
movement would have and
wanted to retain this in
its sacred form as well.
The sacred version was
first performed on the
third day of Pentecost in
1724, probably after a
parody version of another
Kothen cantata (BWV 173)
had already been
performed on the second
day of Pentecost. Score
available separately -
see item CA.3118400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise ye, Almighty God, King and our ruler exalted (Lobe den Herren, den machtigen Konig der Ehren) Chorale SATB - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, v...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, 3
trumpets, timpani, 2
violins, viola, basso
continuo - Grade 3
SKU: CA.3113749
Cantata for the 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Lobe den
Herren, den machtigen.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Organ. Composed
1725. BWV 137. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.137/49. Published by
Carus Verlag
(CA.3113749). ISBN
9790007049096. Key: C
major. Language:
German/English. Text:
Neander, Joachim. Text:
Joachim
Neander. Bach's
chorale cantata Lobe den
Herren, den machtigen
Konig der Ehren BWV 137,
has long been, thanks to
its popular chorale text,
one of the most
frequently-performed
works by the Kantor of
St. Thomas's. Unlike the
cantatas in the cycle of
chorale cantatas, the
text of the hymn is not
only used in the opening
and final chorales, but
Bach uses it in all the
movements. The new
edition reflects the
current state of research
and presents this work in
Carus's clear-to-read
music setting. Score and
part available separately
- see item
CA.3113700. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Erschallet, ihr Lieder, BWV 172 Soli, choeur mixte et accompagnement Barenreiter
Soloists, Choir, Orchestra (Mixed choir (SATB)) SKU: BA.BA10172-91 Can...(+)
Soloists, Choir,
Orchestra (Mixed choir
(SATB)) SKU:
BA.BA10172-91
Cantata for
Whitsunday. Composed
by Johann Sebastian Bach.
Edited by Dietrich
Kilian. This edition:
urtext edition. Stapled.
Barenreiter Urtext. C
major version. Choral
score. BWV 172. 8 pages.
Baerenreiter Verlag
#BA10172_91. Published by
Baerenreiter Verlag
(BA.BA10172-91). ISBN
9790006491513. 27 x 19 cm
inches. Key: C
major. Erschallet,
ihr Lieder (BWV 172) is
one of those early Bach
cantatas which were often
revived at Leipzig. The
first performance of this
work was given in Weimar
1714. Although only a few
instrumental parts from
this performance are
extant, it may be assumed
that at that time the
cantata already had the
form familiar to us from
its first Leipzig
revival. It was given in
C major (church pitch,
corresponding to D major
in chamber pitch), and
the first number was
intended to be repeated
at the end of the
work.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Higher Ground (Split-Channel Accompaniment CD) Chorale SATB Lillenas Publishing Co.
Unison & SATB choir SKU: LP.765762104129 Inspirational Gospel Songs of...(+)
Unison & SATB choir
SKU:
LP.765762104129
Inspirational Gospel
Songs of Hope, Assurance
and Celebration.
Arranged by Michael
Lawrence. Choral. Excel
Series. Southern Gospel
and Sacred. Split-channel
accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762104129).
UPC:
765762104129. In
his first major work for
Lillenas Publishing
Company, arranger Mike
Lawrence brings us a
power-packed collection
of inspirational and
gospel arrangements
specifically suited for
the smaller choir. Higher
Ground features a stellar
song selection including
hits from the Singing
News charts, classic
inspiration songs, and
gospel hymns we all love.
A generous amount of
unison, 2-part and easy
4-part writing places
this collection firmly
within the Easy 2 Excel
parameters you
appreciate. Since these
arrangements are both
musically interesting and
technically achievable
(not to mention loads of
fun!), the whole book
will find usefulness for
revival choirs, summer
choirs, or in those
instances when something
quick, easy and great is
needed. Split-channel
accompaniment CD can be
used for both rehearsal
and performance. Each
contains the instrumental
accompaniment on one
channel, vocals on the
other. For performance
purposes, only the
accompaniment channel is
normally used. Includes
multiple r. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Unter des Laubdachs Hut Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5234-02 Composed by Fanny Cecile Mendelssoh...(+)
Chorus a cappella SKU:
BR.CHB-5234-02
Composed by Fanny Cecile
Mendelssohn. Edited by
Gottfried Heinz and J.
Draheim. Choir; stapled.
Chor-Bibliothek (Choral
Library). Fanny Hensel's
choral works not only
stand up to comparison
with any of the rich and
varied choral works of
the Romantic era - they
also rank among the best.
Very likely to become
hits! (Musica). Song;
Romantic. Choral score. 4
pages. Breitkopf and
Haertel #ChB 5234-02.
Published by Breitkopf
and Haertel
(BR.CHB-5234-02). ISBN
9790004411537. 7.5 x 10.5
inches.
German. Madame
Hensel, Mendelssohn's
sister, whose eyes speak
intelligence and
profundity''. This diary
entry made by Robert
Schumann in June 1843
succinctly but fittingly
characterizes Fanny
Hensel, without a doubt
the most significant
woman composer of the
19th century. Born in
Hamburg on 14 November
1805, she was the eldest
sister of Felix
Mendelssohn Bartholdy and
the granddaughter of the
philosopher Moses
Mendelssohn. In 1829 she
married the Prussian
court painter and
occasional poet Wilhelm
Hensel (1794-1861). After
her sudden death in
Berlin on 14 May 1847 as
a result of a stroke, the
music journalist Ludwig
Rellstab poignantly wrote
that she shared the
brotherhood ef talent
with her famous
sibling.Fanny Hensel was
given the same excellent
and comprehensive musical
training as her
precocious brother,
including composition
lessons with Goethe's
friend Carl Friedrich
Zelter. Felix and Fanny
not only loved each other
tenderly, but they also
maintained an intensive,
life-long exchange of
ideas which proved
musically profitable to
both of them. However, it
was only in 1846 that
Mendelssohn gave up his
resistance to Fanny's
publication plans. And
so, just shortly before
her death, she was able
to publish a carefully
selected sample of her
songs and piano
pieces.Not only these
pieces, but also a few
orchestral and
chamber-music works (e.g.
the String Quartet in E
flat major, KM 2255) and,
in particular, choral
music occupy an important
position in her oeuvre.
Most of her choral works
were written in 1846, and
she was able to rehearse
them with the chorus she
conducted at the famous
Sunday Concerts in the
Mendelssohn home. She had
six of these choral songs
published in a revised
version under the title
Gartenlieder Op. 3 by the
Berlin music publisher
Bote & Bock. The title of
the Gartenlieder brings
to mind Mendelssohn's
well-known Lieder im
Freien zu singen (Opera
41, 48, 59; ChB
4763-4780), published
before 1846. But, as far
as the quality of their
melodic writing, the
compositional technique,
and the choice of texts
are concerned, as well as
the perfect balance
between folk-like
simplicity and polished
design, they are as
outstanding as the works
of her
brother.
Fanny
Hensel's choral works not
only stand up to
comparison with any of
the rich and varied
choral works of the
Romantic era - they also
rank among the best. Very
likely to become hits!
(Musica). $3.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Bread and Games Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-120
Composed by William Vean.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000803-120. Published by
Gobelin Music
Publications
(BT.GOB-000803-120).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bread and Games Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by Willia...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000756-140
Composed by William Vean.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000756-140. Published by
Gobelin Music
Publications
(BT.GOB-000756-140).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bread and Games Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000804-130
Composed by William Vean.
Score Only. 32 pages.
Gobelin Music
Publications #GOB
000804-130. Published by
Gobelin Music
Publications
(BT.GOB-000804-130).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Love Will Find a Way Piano seul [Conducteur] Theodore Presser Co.
Chamber Music Piano SKU: PR.140401320 Composed by Eubie Blake. Edited by ...(+)
Chamber Music Piano
SKU: PR.140401320
Composed by Eubie Blake.
Edited by Lara Downes.
Arranged by Jeremy
Siskind. Sws. Score. 8
pages. Duration 3:45.
Theodore Presser Company
#140-40132. Published by
Theodore Presser Company
(PR.140401320). ISBN
9781491134177. UPC:
680160684274. 9 x 12
inches. Key: F
major. LOVE WILL
FIND A WAY is one of the
great hits of the 1920s
– an era of
remarkable cultural
growth giving rise to
“The Roaring
'20s,†“The
Harlem
Renaissance,†and a
fun-loving society known
for the Charleston dance
craze and the surge of
jazz into the mainstream
of American music. A song
from Shuffle Along, the
first all-Black Broadway
musical, LOVE WILL FIND A
WAY has been arranged by
pianist Jeremy Siskind
especially for Lara
Downes’ recording
that launches the Rising
Sun series. According
to Langston Hughes, Eubie
Blake’s 1921
Shuffle Along was the
real start of the Harlem
Renaissance. In
Hughes’ words:
“Everybody was in
the audience, including
me. It gave just the
proper push, a
pre-Charleston kick, to
that Negro vogue of the
'20s that spread to
books, African sculpture,
music, and
dancing.â€As
Broadway’s first
all-Black hit musical,
with an all-star cast
including Paul Robeson
and a young Josephine
Baker, Shuffle Along ran
for an unprecedented 504
performances in New York,
then toured nationally
for three years as the
first Black musical to
play in white theaters
across the United States.
The show’s appeal
to a multi-racial
audience, and its
integration of the jazz
and Broadway communities,
not only changed the
history of the American
musical theater, but made
important strides forward
in American race
relations.Love Will Find
a Way is one of the
show’s most
popular tunes. This
intimate, pensive
arrangement by Jeremy
Siskind celebrates the
song’s centenary
by making it a love song
for our own time as much
as its own – a
reminder that no matter
how dark the path or how
gray the skies, love will
always find a way. $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Orchestral Suite (Overture) D major BWV 1068 Orchestre [Conducteur] Barenreiter
By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Hans Gruss. F...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Heinrich Besseler; Hans
Gruss. For orchestra (3
trumpets/timpani/2
oboes/2
violins/viola/basso
continuo (cello/double
bass/harpsichord)). This
edition: Stapled, Urtext
edition. Score. Text
Language: German/English.
BWV 1068. 50 pages.
Duration 24'. Published
by Baerenreiter Verlag
$25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Die ersten 50 Popsongs für Klavier Piano seul - Facile Bosworth
Piano - early intermediate SKU: BT.BOE8006 Leicht arrangierte Songs, d...(+)
Piano - early
intermediate SKU:
BT.BOE8006 Leicht
arrangierte Songs, die in
keinem Repertoire fehlen
sollen. Pop & Rock.
Book Only. Composed 2021.
200 pages. Bosworth & Co.
#BOE8006. Published by
Bosworth & Co.
(BT.BOE8006). ISBN
9783954562770.
German. Der neue
Spielband Die ersten 50
Popsongs“
enthält 50 Toptitel
der Popmusik, die in
keinem Pianorepertoire
fehlen sollten.
Die Sammlung ist
speziell für
Anfänger/innen
konzipiert und kann
sowohl von Autodidakten
wie auch im
Klavierunterricht
verwendet werden.
Komplizierte Rhythmen und
Akkorde werden in diesem
Buch vermieden,
rhythmisch schwer zu
spielende Melodien wurden
so vereinfacht, dass sie
leicht zu spielen sind,
sich aber dennoch nicht
zu weit vom Original
entfernen. Die Songs
wurden nach
Schwierigkeitsgrad
sortiert, von sehr leicht
bis mittelschwer. Alle
Spielstücke sind mit
Tempoangaben,
Akkordsymbolen,
Fingersatz und dem Text
versehen. Bereits ab dem
ersten oder zweiten
Unterrichtsjahr können
problemlos Klassiker wie
Wind Of Change“,
Strangers In The
Night“ aber auch
aktuellere Hits wie die
Titelmusik zu Game Of
Thrones“ und No
Time To Die“
gespielt werden. Ein
unkompliziertes
Spielvergnügen für
Unterricht, Vorspiel und
Freizeit! $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sinfonia in D major (Sinfonia D-Dur) Carus Verlag
2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo SKU: CA...(+)
2 flutes, 2 oboes,
bassoon, 2 horns, 2
violins, viola, basso
continuo SKU:
CA.3230413 Composed
by Wilhelm Friedemann
Bach. Edited by Peter
Wollny. Stuttgart Urtext
edition. Sinfonia In D
(Fk 64.C8). Single Part,
Viola. BR-WFB C 8. 4
pages. Carus Verlag #CV
32.304/13. Published by
Carus Verlag
(CA.3230413). ISBN
9790007211844. Key: D
major. Language: all
languages. The
Sinfonia in D major
(BR-WFB C 8) was probably
composed in the mid-1750s
during Bach's tenure as
organist and Director
Musices in Halle.
Evidence shows that it
was used as the
instrumental introduction
to the Whitsun cantata
Dies ist der Tag (BR-WFB
F 13 / Fk 85). However,
this is not a piece
characterized by the
church style, hence a
separate performance in a
secular context is not
only possible, but was
probably intended by the
composer. Score and part
available separately -
see item CA.3230400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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