By John Williams. Arranged by Dan Coates. For Piano. Piano Solo - Popular Sheet. Movie. Sheet. 8 pages. Published by Alfred Publishing.

By John Williams. Arranged by Carol Matz. For Piano. Piano Solo - Popular Sheet. Movie. Sheet. 8 pages. Published by Alfred Publishing.

By John Williams. For Piano. Piano - Intermediate / Advanced Collection. Movie. Book. 28 pages. Published by Alfred Publishing.

By John Williams. Arranged by Tom Gerou. For Piano. Piano Solo - Popular Sheet. 5 Finger. Movie. Level: Elementary. Sheet. 8 pages. Published by Alfred Publishing.

(Essential Songs Series). Piano/Vocal/Guitar Songbook. Softcover. 360 pages. Published by Hal Leonard

Piano - difficult

SKU: HL.49019301

Revised Version 2002. Composed by Emile Naoumoff. This edition: Saddle stitching. Sheet music. Piano. Softcover. Composed 1980/2002. 56 pages. Duration 30'. Schott Music #ED20411. Published by Schott Music (HL.49019301).

ISBN 9790001152716. UPC: 840126941913. 9.0x12.0x0.2 inches.

Naoumoff was born in Sofia in 1962. His career as a pianist and composer began at the age of eight; for ten years he was a pupil of Nadia Boulanger until her death. At the age of ten Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. The following years saw him receiving numerous prizes and awards and making appearances as a celebrated pianist. Today, Naoumoff lives and works as an associate professor at the School of Music at the University of Indiana in Bloomington. He holds master classes in the USA, Europe and Japan and is director of a music academy.

Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarinet 2, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 1.5

SKU: CF.FPS151

Composed by Tyler Arcari. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3 +1+1+3+6+12+2 pages. Duration 1 minute, 36 seconds. Carl Fischer Music #FPS151. Published by Carl Fischer Music (CF.FPS151).

ISBN 9781491152119. UPC: 680160909612.

Every one remembers the first time that they saw a snake. Though fascinating to some and terrifying to others, few animals are as universally mesmerizing. Composer Tyler Arcari has crafted a very fun piece making use of auxiliary percussion instruments to emulate a snake's hiss or ominous rattle. With very strong and interesting melodic material, and scored to make a developing band sound great, this piece is sure to be a favorite among students.
Everyone remembers the first time that they saw a snake. The majority of people have a base fear of them, while others have a “heebie-jeebiesâ� � experience. We all know how the great explorer Dr. Indiana Jones felt about snakes, especially when he famously fell into a snake pit during Raiders of the Lost Ark. However you feel about snakes, a pit of them certainly sounds like an adventure.About the work:Snake Pit uses a lot of auxiliary percussion instruments. Some of these sounds are intended to subtly mimic the sounds that snakes make. The maraca in m. 4, of course, is a rattler’s call! The Chinese cymbal is intended to sound like the “hiss” of a not-so-friendly serpent. The eighth-note pattern at m. 9 is used throughout as a “creepy” effect using dynamic contrast so take care to emphasize this when present.I enjoy the gong as a “color” instrument in the band. I try to balance it with the low brass. Take care that at m. 42 the gong is not “front-and center” but more of a support for the nice accented chords in the low brass. Also, the trumpets can become spaced too much here. The accents are more for emphasis and less space.

SSAATB choir, piano reduction - Intermediate

SKU: GI.G-8360

Composed by Giovanni Gabrieli. Edited by Dennis Shrock. GIA Historical Music. Music Education. Octavo. 8 pages. GIA Publications #8360. Published by GIA Publications (GI.G-8360).

UPC: 785147836001. Italian.

Giovanni Gabrieli's Se cantano gl'augelli comes from a collection of madrigals entitled Il trionfo di Dori. Each madrigal is scored for six voices and each ends with the text Viva la bella Dori (Long live fair Dori). This late sixteenth-century collection of madrigals enjoyed great success and was the model of the famous English collection of madrigals entitled, The Triumphes of Oriana. The GIA Historical Music Series edited by Dennis Shrock, presents repertoire suitable for performance by public school, college and university, church, and community ensembles, with the purpose of making available to today’s conductors lesser-known and previously difficult-to-procure historical masterpieces. The music, drawn from the Renaissance through the Romantic eras, is in performance editions based on the most current and rigorous scholarly research. The musical scores reflect original intent of notation, with all editorial markings and emendations clearly identified as such. In addition, preface material accompanying the music contains literal translations of foreign language texts and information regarding the lives of the composers, genres, and relevant performance practices. Dennis Shrock is Director of Choral Activities at Texas Christian University. He has been called one of the top choral scholars in the United States and has received a number of awards for his work. He received a bachelor's degree in music education from Westminster Choir College and both master's and doctoral degrees in choral conducting from Indiana University. .

Orchestra full orchestra - Grade 5

SKU: KJ.JO2002C

Composed by Jack Stamp. Score and parts. Neil A. Kjos Music Company #JO2002C. Published by Neil A. Kjos Music Company (KJ.JO2002C).

It was with great pleasure that received a commission from my good friends at the Johnstown (Pennsylvania) Symphony Orchestra, Istvan Jaray, music director and conductor, to write a work for the opening of their 1996-1997 season. My intention was to write a lively work which highlighted the strengths of this musical organization while being accessible and appealing to their loyal audience members. In trying to tie something unique about Johnstown to the work, came up with the title, Iridium, which is a term that deals with the production of metal. During the writing of the work, my friend, colleague, and former teacher, Hugh Johnson passed away. Dr. Johnson, faculty emeritus at Indiana University of Pennsylvania, was a terrific musician who was always enthusiastic about orchestral music! It is this enthusiasm and energy that have tried to capture in this new work, which is dedicated to Dr. Johnson's memory. Finally, would like to thank Maestro Jaray and Tony Blackner for their interest in my work. With Iridium comes my best wishes to Maestro Jaray and the orchestra for a fantastic new season of music-making. -Jack Stamp (August, 1996).

Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarinet 2, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 1.5

SKU: CF.FPS151F

Composed by Tyler Arcari. First Plus Band (FPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #FPS151F. Published by Carl Fischer Music (CF.FPS151F).

ISBN 9781491152799. UPC: 680160910298.

Every one remembers the first time that they saw a snake. Though fascinating to some and terrifying to others, few animals are as universally mesmerizing. Composer Tyler Arcari has crafted a very fun piece making use of auxiliary percussion instruments to emulate a snake's hiss or ominous rattle. With very strong and interesting melodic material, and scored to make a developing band sound great, this piece is sure to be a favorite among students.
Everyone remembers the first time that they saw a snake. The majority of people have a base fear of them, while others have a “heebie-jeebiesâ� � experience. We all know how the great explorer Dr. Indiana Jones felt about snakes, especially when he famously fell into a snake pit during Raiders of the Lost Ark. However you feel about snakes, a pit of them certainly sounds like an adventure.About the work:Snake Pit uses a lot of auxiliary percussion instruments. Some of these sounds are intended to subtly mimic the sounds that snakes make. The maraca in m. 4, of course, is a rattler’s call! The Chinese cymbal is intended to sound like the “hiss” of a not-so-friendly serpent. The eighth-note pattern at m. 9 is used throughout as a “creepy” effect using dynamic contrast so take care to emphasize this when present.I enjoy the gong as a “color” instrument in the band. I try to balance it with the low brass. Take care that at m. 42 the gong is not “front-and center” but more of a support for the nice accented chords in the low brass. Also, the trumpets can become spaced too much here. The accents are more for emphasis and less space.

For solo marimba. Composed by Brian Mueller. Solos: Marimba and Xylophone. Printed Folio. Tapspace Publications #TSPCS19-013. Published by Tapspace Publications

10 Great Studies in the Style and Language of Bebop. Composed by Jim Snidero. Improvisation; Method/Instruction; Play- Along; Technique Musicianship; Woodwind - Alto Saxophone Method or Collection. Advance Music. Jazz. Book; Digital Download. Advance Music #01- ADV14740. Published by Advance Music

Choral (AUDSAMPLER)

SKU: HL.1229991

Audio Sampler. Recorded Promo - Stockable. Broadway. General Merchandise. Published by MTI (Music Theatre International) (HL.1229991).

UPC: 196288146063. 9.0x12.0x0.373 inches.

Evan Goldman is plucked from fast-paced, preteen New York City life and plopped into a sleepy Indiana town following his parents' divorce. Surrounded by an array of simpleminded middle school students, he needs to establish his place in the popularity pecking order. Can he situate himself on a comfortable link of the food chain, or will he dangle at the end with the outcasts?