For 2 Clarinets or Clarinet and Alto Sax. Composed by Matthias Petzold. Clar...(+)
For 2 Clarinets or
Clarinet
and Alto Sax. Composed by
Matthias Petzold.
Clarinet,
Saxophone, Music Styles
&
Regions, Classical, Solos
and
Duets. Book and Insert
with
CD. 52 pages. Published
by
Mel Bay Publications, Inc
11 Duets for Flute 2 Flûtes traversières (duo) [Partition + CD] - Intermédiaire Mel Bay
For 2 Flutes or Clarinet and Flute. Composed by Matthias Petzold. Clarinet, ...(+)
For 2 Flutes or Clarinet
and
Flute. Composed by
Matthias
Petzold. Clarinet, Flute,
Fife and Oboe, Music
Styles and
Regions, Classical, Jazz,
Solos and Duets. Book and
Insert with CD. 52 pages.
Published by Mel Bay
Publications, Inc
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Gypsy Fantasy Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Grand Mesa Music
Composed by David Bobrowitz. Edited by J. Cameron Law. For string orchestra....(+)
Composed by David
Bobrowitz.
Edited by J. Cameron Law.
For
string orchestra. Grade
3.
Score and set of parts.
Duration 4 minutes.
Published
by Grand Mesa Music
By Jay Ungar and Molly Mason. For Cello, Piano, Violin, Fiddle, Classical Guitar...(+)
By Jay Ungar and Molly
Mason. For Cello, Piano,
Violin, Fiddle, Classical
Guitar. Wire bound.
Multiple Levels. Book. 82
pages. Published by Mel
Bay Publications, Inc
German/French/English. Composed by Fritz Emonts. This edition: Paperback/Soft Co...(+)
German/French/English.
Composed by Fritz Emonts.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Following the
very successful piano
method published in two
volumes between 1958 and
1962, the three-volume
European Piano Method
represents a new textbook
which takes into account
the development of modern
piano pedagogy.
Educational,
Contemporary, Classical.
88 pages. Schott Music
#ED7931. Published by
Schott Music
Afro, Latin and Modern Grooves for Percussion Ensemble. Composed by Herwig ...(+)
Afro, Latin and Modern
Grooves for Percussion
Ensemble. Composed by
Herwig
Stieger. Music Styles
&
Regions, Latin American,
Percussion: Hand
Percussion
and Bodhran, Method.
Book/CD
Set. 140 pages. Published
by
Mel Bay Publications, Inc
Afro, Latin and Modern Grooves for Percussion Ensemble. Composed by Herwig St...(+)
Afro, Latin and Modern
Grooves for Percussion
Ensemble. Composed by
Herwig
Stieger. Music Styles and
Regions, Latin American,
Percussion: Hand
Percussion
and Bodhran, Method.
Book/CD
Set. 80 pages. Published
by
Mel Bay Publications, Inc
Oboe(s) solo SKU: BR.EB-9240 For Solo Oboe. Composed by Jorg Birke...(+)
Oboe(s) solo
SKU:
BR.EB-9240
For
Solo Oboe. Composed
by Jorg Birkenkotter.
Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Music post-1945; New
music (post-2000). Score.
Composed 2013/14. 16
pages. Duration 13'30.
Breitkopf and Haertel #EB
9240. Published by
Breitkopf and Haertel
(BR.EB-9240).
ISBN
9790004185407. 9 x 12
inches.
Belcanto is
a term for the Italian
art of singing which took
its development from the
richly ornamented solo
vocalism of the early
17th century (nobile
maniera di cantare) and
dominated European
operatic singing until
the first half of the
19th century. Complete
control over the voice
meant not only legato and
messa di voce, but also
appoggiatura and
portamento, as well as
virtuoso ornamentation by
means of coloratura
(canto fiorito). This
development towards
utmost virtuosity,
emulating instrumental
playing techniques, led
to a mannered, artificial
style on the one hand,
but on the other also
emphasized the physical
aspects of interpretation
(castrati were considered
the ideal belcanto
singers). And today? In
his essay The Grain of
the Voice, Roland Barthes
writes: The grain is the
body in the voice as it
sings, the hand as it
writes and the limb as it
performs. Initially, he
refers to the friction
between language and
voice in singing, but
then transfers his
thoughts to the
physicality of
instrumental music. In
this spirit, I went in
search of beautiful
singing, a beauty which
perhaps results in the
very place where the
grain, the roughness,
meaning also physical
resistance, are not
smoothed over. The oboe
seemed very suitable to
me for singing with such
a physical expressivity,
as a very unruly
instrument! The backbone
of my piece is one
single, quasi endless
melodic line, consisting
of intervals that are
constantly pulled apart
and contracted again
(breathing). Many
different actions attach
themselves to these
notes: coloratura,
trills, chords
(multiphonics), double
flageolets. However,
there are not only sound
types, but also impulses,
repetitions, rhythmic
figures and other
elements: composed
elements of belcanto. In
the opera tradition
described above, these
were improvised ornaments
or additions; here they
become composed figures
which originate with the
notes of the melody, but
also pull on them, bend
them, and charge them
with physicality. (Jorg
Birkenkotter).
Viola, piano (2 violas) (Viola, Piano (Violas (2))) - Level 2 SKU: BA.BA08991...(+)
Viola, piano (2 violas)
(Viola, Piano (Violas
(2))) - Level 2
SKU:
BA.BA08991
9
Recital Pieces in First
Position for Viola an
Piano or Two Violas.
Edited by Christoph
Sassmannshaus, Kurt
Sassmannshaus, and
Melissa Lusk. Stapled.
Barenreiter's
Sassmannshaus.
Performance score, Part.
12/14/9 pages.
Baerenreiter Verlag
#BA08991_00. Published by
Baerenreiter Verlag
(BA.BA08991).
ISBN
9790006565665. 30 x 23 cm
inches.
The nine
pieces in this second
volume of the
“Viola Recital
Album†augment
those appearing in volume
2 of the viola tutor.
There the pieces are
integrated in ascending
order of difficulty,
whereas the additional
pieces in the
“Recital
Album†can be
handled more freely and
inserted at any point for
the sake of
variety.
The
volume contains such
pieces as Carrie Williams
Krogmann's
“Rotkehlchens
Nachtgesangâ€
(“Robin's
nocturneâ€) or
Wilhelm Fitzenhagen's
“Russisches Lied
ohne Worteâ€
(“Russian song
without
wordsâ€).
Eac
h piece is accompanied by
duo version in which the
teacher or an advanced
learner can play the
second part. There is
also a piano part that
can be played by the
teacher or
parents.
All the
pieces in the four
“Viola Recital
Albums†represent
welcome additions to the
already varied repertoire
of Egon Sassmannhaus's
viola tutor “Early
Start on the
Violaâ€.
Kurt
Sassmannshaus is the
editor of many string
editions in the
Bärenreiter catalogue.
He continues in the
tradition of “Early
Start on String
Instrumentsâ€
founded by his father,
Egon Sassmannshaus. The
new editions mentioned
here were developed by
Kurt Sassmannshaus in
conjunction with his wife
Melissa Lusk and his son
Christoph
Sassmannshaus.
About
Baerenreiter's
Sassmannshaus
Children playfully
learn reliable technique
at the earliest age. For
more than three decades
the Sassmannshaus
Tradition has been the
household name for
excellence in beginner
methods in
German-speaking
countries. More than half
a million students have
successfully learned to
play using this
publication.
Thi
s tried and tested German
method is now available
in English! The
best-selling method that
gave generations of
European musicians their
foundation is now
available in English,
with content and songs
newly adapted for today's
English speaking
children.
What makes this method
so
special?
The child-friendly and
age-appropriate text
underlying the music
enables children to
perceive melodies as a
whole and to understand
their singable
qualities.
Songs
and scales in different
positions are easily
explained and mastered
within the first year.
This is an important
advantage over methods
that confine children to
the first position for
many years.
Note
reading is emphasized
from the first lesson -
children are brought up
to become proficient
sight-readers and play in
chamber music ensembles
as early as
possible.
In
contrast to other
beginner methods, The
Sassmannshaus Tradition
progresses swiftly by
introducing advanced
techniques in rudimentary
form, such as shifting
and varied bow
strokes.
Ensemble
playing is encouraged
from the very
beginning.
The
method is suitable for
single instruction as
well as for group and
class
lessons.
The
large print notes and
text as well as many
colorful illustrations
are particularly
child-friendly and very
attractive to pre-school
children and school
children
alike.
The
substantial volumes
contain comprehensive
material and carefully
calibrated learning
curves. They keep
children curious and
interested for many
months and
years.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Piano SKU: HL.50600972 (Spiele, Jatekok 9). Composed by Gyorgy Kur...(+)
Piano
SKU:
HL.50600972
(Spiele, Jatekok
9). Composed by
Gyorgy Kurtag. EMB. IX.
Instruction, Technique.
Softcover. Composed 2017.
44 pages. Editio Musica
Budapest #Z14784.
Published by Editio
Musica Budapest
(HL.50600972).
The piano
series entitled Games,
written from 1973
onwards, was conceived
originally as a piano
method. Its early volumes
introduced children to
the basic elements in
piano-playing and musical
thinking, and, more
importantly still, taught
them to play music
without inhibitions. As
the years went by, the
view of the series lost
its didactic character.
It came to be seen as a
document from Kurtág's
workshop, offering a key
to his grander symphonic,
chamber and vocal works
as well. This change is
exemplified in the
subtitle Diary entries,
personal messages added
from the fifth volume
onwards. The pieces in
the ninth volume date
from 1989-2009, except
the youthful Apple
blossom, written in 1947.
The movements, often
aphorismic in their
briefness, conceal
associations with various
aspects of European music
history. Many of them are
hommage or in memoriam
pieces, or subjective
personal messages to
friends, colleagues,
beloved family members or
students, and thereby to
all music-loving
people.
Piano SKU: BT.EMBZ14784 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14784
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 2017. 44
pages. Editio Musica
Budapest #EMBZ14784.
Published by Editio
Musica Budapest
(BT.EMBZ14784).
English-German-Hungari
an.
The piano
series entitled Games,
written from 1973
onwards, was conceived
originally as a piano
method. Its early volumes
introduced children to
the basic elements in
piano-playing and musical
thinking, and, more
importantly still, taught
them to play music
without inhibitions. As
the years went by, the
view of the series lost
its didactic character.
It came to be seen as a
document from Kurtág's
workshop, offering a key
to his grander symphonic,
chamber and vocal works
as well. This change is
exemplified in the
subtitle Diary entries,
personal messages added
from the fifth volume
onwards. The pieces in
the ninth volume date
from 1989-2009, except
the youthful
Appleblossom, written in
1947. The movements,
often aphorismic in their
briefness, conceal
associations with various
aspects of European music
history. Many of them are
hommage or in memoriam
pieces, or subjective
personal messages to
friends, colleagues,
beloved family members or
students, and thereby to
all music-loving
people.Tünde Szitha
Der ab 1973
für Klavier
entstandene Zyklus Spiele
war ursprünglich als
Klavierschule konzipiert,
in deren ersten Bänden
Kurtág den Kindern die
Grundelemente des
Klavierspiels und des
musikalischen Denkens,
und, was vielleicht noch
viel wichtiger ist, des
ungezwungenen Musizierens
nahebrachte. Im Zuge der
vergangenen Jahrzehnte
verlor der Zyklus jedoch
seinen didaktischen
Charakter und wurde eher
zu einem Dokument über
die Komponistenwerkstatt
Kurtágs, was uns auch
einen Schlüssel zu
seinen großformatigen
symphonischen, Kammer-
und Vokalwerken in die
Hand gibt. Diese
Veränderung wird
dadurch angezeigt, dass
der Zyklus Spiele ab dem
fünften Heft den
Untertitel
Tagebuchnotizen,persön
liche Botschaften
trägt.
Piano (Piano Solo) SKU: HL.50603819 Diary Entries, Personal Messages f...(+)
Piano (Piano Solo)
SKU: HL.50603819
Diary Entries,
Personal Messages for
Piano Solo. Composed
by Gyorgy Kurtag. EMB.
Classical. Softcover. 72
pages. Editio Musica
Budapest #Z15150.
Published by Editio
Musica Budapest
(HL.50603819).
ISBN
9781705148723. UPC:
196288023814.
9.0x12.0x0.236
inches.
The piano
series entitled Games,
written from 1973
onwards, was conceived as
a piano method. As the
years went by, the series
lost its didactic
character, and it came to
be seen as a document
from Kurtág's
workshop, offering a key
to his grander symphonic,
chamber and vocal works
as well. Tenth volume is
divided into two parts:
In the first half,
earlier, hitherto
unpublished pieces line
up from Suite, written in
1943, to the 1980s,
providing insight into
the development of
Kurtág's musical
language. The second half
includes pieces composed
between 2002 and 2011.
The movements, often
aphorismic in their
briefness, hide
associations with various
aspects of European music
history. Many of them are
hommage or in memoriam
pieces, or subjective
personal messages to
friends, colleagues, and
beloved family members -
and thereby to all
music-loving people.This
publication is printed on
high quality, durable
paper made from renewable
raw materials in an
environmentally friendly
way.
Composed by Herwig Stieger. Music Styles and Regions, Latin American, Percussion...(+)
Composed by Herwig
Stieger. Music Styles and
Regions, Latin American,
Percussion: Hand
Percussion and Bodhran,
Method. Book/CD Set. 143
pages. Published by Mel
Bay Publications, Inc
(MB.610477).
For a man who achieved so much in his own field, Bliss's wide-ranging, undogmati...(+)
For a man who achieved so
much in his own field,
Bliss's wide-ranging,
undogmatic appetite for
the whole arts scene was
extraordinary. While he
had a profound knowledge
and understanding of
American and European
writing, dance, graphics,
poetry, sculpture,
painting and design, both
contemporary and
classical, for theatre he
had a special sympathy
and rapport. Its
qualities of timing,
drama, economy and pace
are everywhere to be
found in his work, with
his own flair for colour
and the understanding
that theatre is a means
and medium of expression,
not the message itself,
that gesture, like logic,
is a tool, not a truth.
What gives his music
durability is the
appreciation of classical
values - proportion,
design, restraint,
integrity and growth.
Nowhere will you find a
better demonstration than
Things to Come of this
synthesis of vision,
intellect, technique and
panache
Includes Video Instruction and Audio Play-Alongs!. Guitar Educational. Instruc...(+)
Includes Video
Instruction and
Audio Play-Alongs!.
Guitar
Educational. Instruction,
Method. Softcover Media
Online. 104 pages.
Published
by Hal Leonard
Composed by John Mcgann. Perfect binding. European. Book and online audio. 1...(+)
Composed by John Mcgann.
Perfect binding.
European.
Book and online audio.
160
pages. Mel Bay
Publications,
Inc #99540M. Published by
Mel Bay Publications, Inc
Concert Band/Harmonie - beginner SKU: BT.DHP-1104922-013 A Festive Chr...(+)
Concert Band/Harmonie -
beginner
SKU:
BT.DHP-1104922-013
A Festive Christmas
Celebration. Composed
by Erasmus Widmann,
George Frideric Handel,
and Robert van Beringen.
Essential Elements
European Band Series. Set
(Score & Parts) with CD.
Composed 2010. De Haske
Publications #DHP
1104922-013. Published by
De Haske Publications
(BT.DHP-1104922-013).
9x12 inches.
English-German.
De
serie Essential
Elements European Band
Series bevat
muziekstukken voor
blaasmuziekleerlingen en
jeugdorkesten. Ze kunnen
deze serie parallel naast
(maar ook los van) de
lesmethode voor
blaasorkest Essential
Elementsspelen. Het
bijzondere en nieuwe aan
deze serie is dat het om
oorspronkelijk Europese
muziekstukken gaat. Uw
jonge muzikanten kennen
deze stukken en medleys
van liederen en songs
zeer zeker. Wat dat
betekent? Betere
motivatie enmeer
speelplezier! Alle sets
voor blaasorkest bevatten
een cd waarop een
blaasorkest de titels een
voor een voorspeelt.A
Festive Christmas
Celebration•
arr. Robert van
BeringenDeze goed
klinkende kerstmedley
begint met
eenWeihnachts-Fanfare<
/I> van Robert van
Beringen. Dan volgen de
liederen Macht hoch
die Tür, Kling
Glöckchen en
Tochter
Zion.
Diese
Sammlung festlicher
Arrangements für
BläserKlassen beginnt
mit einer
Weihnachts-Fanfare
von Robert van Beringen;
dann folgen die Lieder
Macht hoch die
Tür, Kling,
Glöckchen,
klingelingeling und
Tochter Zion.
Concert Band - beginner SKU: BT.DHP-1104922-143 A Festive Christmas Ce...(+)
Concert Band - beginner
SKU:
BT.DHP-1104922-143
A Festive Christmas
Celebration. Composed
by Erasmus Widmann,
George Frideric Handel,
and Robert van Beringen.
Essential Elements
European Band Series.
Score with CD. Composed
2010. 16 pages. De Haske
Publications #DHP
1104922-143. Published by
De Haske Publications
(BT.DHP-1104922-143).
9x12 inches.
English-German.
De
serie Essential
Elements European Band
Series bevat
muziekstukken voor
blaasmuziekleerlingen en
jeugdorkesten. Ze kunnen
deze serie parallel naast
(maar ook los van) de
lesmethode voor
blaasorkest Essential
Elementsspelen. Het
bijzondere en nieuwe aan
deze serie is dat het om
oorspronkelijk Europese
muziekstukken gaat. Uw
jonge muzikanten kennen
deze stukken en medleys
van liederen en songs
zeer zeker. Wat dat
betekent? Betere
motivatie enmeer
speelplezier! Alle sets
voor blaasorkest bevatten
een cd waarop een
blaasorkest de titels een
voor een voorspeelt.A
Festive Christmas
Celebration•
arr. Robert van
BeringenDeze goed
klinkende kerstmedley
begint met
eenWeihnachts-Fanfare<
/I> van Robert van
Beringen. Dan volgen de
liederen Macht hoch
die Tür, Kling
Glöckchen en
Tochter
Zion.
Diese
Sammlung festlicher
Arrangements für
BläserKlassen beginnt
mit einer
Weihnachts-Fanfare
von Robert van Beringen;
dann folgen die Lieder
Macht hoch die
Tür, Kling,
Glöckchen,
klingelingeling und
Tochter Zion.
European Journey Orchestre d'harmonie - Facile EMB (Editio Musica Budapest)
Concert Band - Grade 2 SKU: BT.EMBZ14769SET EMB Concert Band Series. Conc...(+)
Concert Band - Grade 2
SKU:
BT.EMBZ14769SET
EMB
Concert Band Series.
Concert Piece. Set (Score
& Parts). Composed 2012.
416 pages. Editio Musica
Budapest #EMBZ14769SET.
Published by Editio
Musica Budapest
(BT.EMBZ14769SET).
Goin' Home Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-5031-00 Largo from the New World Symphony. Com...(+)
Grade 3
SKU:
CL.012-5031-00
Largo from the New
World Symphony.
Composed by Antonin
Dvorak. Arranged by
Romeyn. Concert Band.
Score and set of parts.
Composed 2023. Opus III
Wind Orchestra
Publications
#012-5031-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-5031-00).
Antonin Dvorak
first premiered his New
World Symphony at
Carnegie Hall in December
of 1893 with the goal to
bring American musical
sensibility to European
classical music. The
second movement, labeled
Largo, contained the
melody that would later
be identified as
Goin’ Home. This
well-crafted adaptation
of that beautiful melody
for concert band contains
all the elements of the
original orchestral
version that has moved
orchestral concert
patrons for over a
century. Expert scoring
and careful orchestration
techniques will ensure
success with all
ensembles. We think this
outstanding arrangement
will become a concert
band classic for many
years to come. Our
highest
recommendation!