Trombone SKU: SP.TS024 Composed by Jonathon Robbins and Tony Santorella. ...(+)
Trombone
SKU:
SP.TS024
Composed by
Jonathon Robbins and Tony
Santorella. Collection;
Classical. Book and CD.
Santorella Publications
#TS024. Published by
Santorella Publications
(SP.TS024).
ISBN
9781585603220. UPC:
649571100247.
Unlik
e many collections which
feature obscure titles,
Exceptional Classics for
Trombone, arranged by
Tony Santorella and
Jonathon Robbins features
a broad assortment of
well-known classics
originally written for
piano. This best selling
title contains works from
a variety of major
composers, which by its
nature, provides examples
of music written from
several different eras.
This eliminates the need
for multiple teaching
materials and is a great
resource for teaching
young horn players early,
easy, original classics.
Exceptional Classics for
Trombone published by
Santorella Publications
is a required text for
many state audition lists
and is suggested by music
educators associated with
the highly regarded
NYSSMA organization. The
accompanying CD is an
acoustic piano
accompaniment and
extremely helpful towards
learning these important
masterpiece themes.
Little Cradle Song,
Schumann - Russian Folk
Song, Beethoven - Tell
Me, Fair Ladies from The
Marriage of Figaro,
Mozart - The Organ
Grinder, Tchaikovsky -
Allegro, Mozart - Minuet,
Bach - Minuet, Haydn -
Russian Song, Tchaikovsky
- Serenade, Mozart -
Gavotte, Bach - German
Dances, Haydn - Andante
from The Surprise
Symphony No. 94, Haydn -
Waltz, Beethoven - German
Dance, Schubert -
Ecossaise, Beethoven -
Canon In D, Pachelbel -
Ode to Joy from Symphony
No. 9, Beethoven - Two
Minuets, Bach - Jesu, Joy
of Man's Desiring, Bach -
Andante, Mozart - Aria,
Bach - Serenade from Eine
Kleine Nachtmusik, Mozart
- Norse Song, Schumann -
Old French Song,
Tchaikovsky - Turkish
March from The Ruins of
Athens, Beethoven - The
Wild Horseman, Schumann -
Two Minuets from The
Notebook of Anna
Magdalena Bach, Bach.
Brass Band - Grade 2.5 SKU: BT.AMP-127-030 Composed by Stephen Foster. Ar...(+)
Brass Band - Grade 2.5
SKU:
BT.AMP-127-030
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2005.
Anglo Music Press #AMP
127-030. Published by
Anglo Music Press
(BT.AMP-127-030).
9x12
inches.
English-German-French-Dut
ch.
One of the most
beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging, are augmented
with exquisite solo
figures for cornet and
flugel horn. Once you
have played this you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah, My
Old Kentucky Home
en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezicht
te geven.Jeanie with
the Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van Philip
Sparkeprachtig naar
voren.
Jeanie
with the Light Brown
Hair stammt von
Stephen Foster, der im
19. Jahrhundert in
Amerika lebte und
zahlreiche heute noch
bekannte Lieder
komponierte. Viele seiner
Lieder handeln von der
Befreiung der Sklaven,
dieses Lied widmete er
jedoch seiner Frau
während einer langen,
unfreiwilligen Trennung
von Ihr. Mit Philip
Sparkes sensibler
Bearbeitung für Brass
Band springt der Funke
des romantischen Liedes
garantiert auf Musiker
und Publikum über!
There is a
popular misconception
that Stephen Collins
Foster (1826—1864)
found success as a
song-writer writing many
of his songs aiming to
‘humanise’
the black American
slaves. He was a
meticulous worker and
sometimes spent months
perfecting the lyrics of
a song. His first success
was Oh! Susanna
(1848) and as his
popularity grew he moved
with his young family to
New York to be near his
publishers. This was not
a success and Jane, his
wife and Marion, his
daughter, moved back to
Pittsburgh in 1854.
Foster wrote Jeanie
with the Light Brown
Hair as a result of
her continued absence.
Philip Sparke’s
arrangement of this
beautiful song will make
an excellent
slowinterlude in any
concert.
Concert band with batterie-fanfare instruments (natural horn brass band)) - easy...(+)
Concert band with
batterie-fanfare
instruments (natural horn
brass band)) - easy
(grade 2)
SKU:
RM.CARR00726-BA
Composed by Carriere.
Arranged by Laurent
Delbecq. French variety.
Orchestra. Full set.
Editions Robert Martin
#CARR00726-BA. Published
by Editions Robert Martin
(RM.CARR00726-BA).
By Willard A. Palmer, Morton Manus, Amanda Vick Lethco. For Piano. Piano - Alfre...(+)
By Willard A. Palmer,
Morton Manus, Amanda Vick
Lethco. For Piano. Piano
- Alfred's Basic Piano
Course. Alfred's Basic
Piano Library. Book. 32
pages. Published by
Alfred Publishing.
By Marc-Antoine Charpentier. Edited by Fiaschi, Annick. Arranged by Paul Horn. F...(+)
By Marc-Antoine
Charpentier. Edited by
Fiaschi, Annick. Arranged
by Paul Horn. For Soli
SATB, SATB Choir,
Cello/Contrabass, Organ.
Magnificat, Motets;
French Sacred Music; Use
during church year:
Christmas. Score.
Language: Latin. 24
pages. Duration 9 min.
Published by Carus Verlag
(German import).
Bassoon and Piano SKU: ST.C130 Composed by Mark Tanner. Wind & brass musi...(+)
Bassoon and Piano
SKU:
ST.C130
Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C130. Published by
Clifton Edition
(ST.C130).
ISBN
9790570811304.
As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1219.
With a Guide Book for the Artist Percussionist -- Covering All of the Instrument...(+)
With a Guide Book for the
Artist Percussionist --
Covering All of the
Instruments of the
Percussion Family.
Composed by Morris
Goldenberg. Edited by
musical interpretations
and editing by Anthony J.
Cirone.
Method/Instruction;
Percussion - Snare Drum
Method. Morris Goldenberg
Classics. Book. 184
pages. Alfred Music
#00-0714B. Published by
Alfred Music
Flute and Piano. Composed by Camille Saint-Saens (1835- 1921). Edited by Pete...(+)
Flute and Piano. Composed
by
Camille Saint-Saens
(1835-
1921). Edited by Peter
Jost.
Henle Music Folios.
Classical. Softcover. 6
pages. G. Henle #HN1354.
Published by G. Henle
Trombone and Piano - intermediate SKU: CY.CC2521 Composed by Francis Poul...(+)
Trombone and Piano -
intermediate
SKU:
CY.CC2521
Composed by
Francis Poulenc. Arranged
by Ralph Sauer. 20th
Century French. Solo part
and piano score.
Published by Cherry
Classics (CY.CC2521).
* The Bestiary
or The Procession of
Orpheus was written by
Poulenc in 1919. *
Originally for voice and
piano, with poems by
Guillaume Apollinaire,
the six short movements
(about 5 minutes in
length) are about the
following animals:
Dromedary, Goat,
Grasshopper, Dolphin,
Crayfish, Carp * This
music is very suitable
for young performers at
the intermediate level
and is a great way to
introduce them to a major
20th century composer
whose only other music
for brass is the famous
Trio for Trumpet, Horn
and Trombone.
English Horn; Piano SKU: HL.49018735 Piano Reduction with Solo Part(+)
English Horn; Piano
SKU: HL.49018735
Piano Reduction with
Solo Part. Composed
by Wolfgang-Andreas
Schultz. Edition Schott.
Contemporary. Softcover.
Composed 2011. 62 pages.
Schott Music #AST9287.
Published by Schott Music
(HL.49018735).
UPC:
884088657062.
9.0x12.0x0.192
inches.
The
composition
'Abendlandisches Lied' by
Wolfgang-Andreas Schutz
follows Georg Trakl's
poem of the same title.
The two-part piece for
cor anglais and orchestra
begins with a fantasia.
In the following fugue,
the cor anglais presents
three themes which
musically represent the
three epochs of the
Occident. A twelve-note
chord symbol of the
decline and fall forms
the climax. Afterwards
the melody of an Old
French love song from
around 1190 can be heard
as a symbol of
resurrection.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 2. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 2. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/12. Published
by Carus Verlag
(CA.2706012).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.