Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
12 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-19. Published
by Breitkopf and Haertel
(BR.EOS-8047-19).
ISBN
9790004789742. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
16 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-26. Published
by Breitkopf and Haertel
(BR.EOS-8047-26).
ISBN
9790004789766. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Promoting positive body image in the lyric, with a catchy melody and an infec...(+)
Promoting positive body
image in the lyric, with
a
catchy melody and an
infectious grove, this
pop
tune definitely has a bit
of
a '50s and '60s doo-wop
feel
that makes it refreshing.
With its throwback soul
beat, its body-positive
message couched in a cute
musical metaphor, and its
dance-filled,
candy-colored
video, it's become a
straight-up pop
phenomenon
loved by today's pop
culture. A very playable
arrangement with a fresh
touch! (1:45).
Choral (ChoirTrax CD) SKU: HL.284826 Composed by Richard Storrs Willis. A...(+)
Choral (ChoirTrax CD)
SKU: HL.284826
Composed by Richard
Storrs Willis. Arranged
by John Leavitt. Sacred
Choral. Christmas,
General Worship, Sacred.
CD. Duration 220 seconds.
Published by Hal Leonard
(HL.284826).
UPC:
888680867423.
5.0x5.0x0.19 inches. John
14:27, Luke 2:14, Luke
2:9.
An immortal
carol shines with fresh
luster in this elegant
new arrangement. Perfect
for both concert and
worship settings, the
part writing is masterful
and filled with deeply
satisfying harmonies.
Whether presented with
chamber orchestra or the
Chopin-esque piano
accompaniment, this
setting will become a
favorite of both singers
and listeners. Splendid!
Score and Parts (fl 1-2,
ob, cl 1-2, bn, perc 1-2,
hp, vn 1-2, va, vc, db)
available as a digital
download.
By Jerry Silverman. For Guitar (Flatpicking and Fingerpicking). Songbook. Folk. ...(+)
By Jerry Silverman. For
Guitar (Flatpicking and
Fingerpicking). Songbook.
Folk. Level:
Beginning-Intermediate.
Book. Size 5.5x8. 128
pages. Published by Mel
Bay Publications, Inc.
(60 Easily Prepared Piano Arrangements for Services Throughout the Year). Arrang...(+)
(60 Easily Prepared Piano
Arrangements for Services
Throughout the Year).
Arranged by Cindy Berry.
For Piano. Book; Piano
Collection; Piano
Supplemental. Sacred
Performer Collections.
Sacred. Late
Intermediate. 232 pages.
Published by Alfred Music
By James Morton. For Drum Set. method. You Can Teach Yourself. All Styles. Level...(+)
By James Morton. For Drum
Set. method. You Can
Teach Yourself. All
Styles. Level: Beginning.
Book DVD. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Publications, Inc.
Percussion (NOTEN+CD) - very easy to intermediate SKU: HL.49032917 Sna...(+)
Percussion (NOTEN+CD) -
very easy to intermediate
SKU: HL.49032917
Snaredrum - Drumset -
Specials. Composed by
Haelbig. This edition:
Paperback/Soft Cover.
Sheet music with CD.
Edition Schott. Edition
with CD. 88 pages. Schott
Music #ED 9138. Published
by Schott Music
(HL.49032917).
ISBN
9783795754600.
German.
Kaum ein
anderes Instrument ist in
den letzten Jahrzehnten
so popular geworden wie
das Schlagzeug. Ob Rock,
Jazz, Bigband, Latin-
oder Tanzmusik - immer
wird das Gesamtbild einer
Band entscheidend durch
den Drummer und seine
Spielweise gepragt.
Holger Halbig -
vielbeschaftigter Live-
und Studiomusiker - hat
als Drummer und
Perkussionist mit vielen
bekannten Bands und
internationalen Solisten
gespielt. Seine Workshops
in STICKS - dem Magazin
fur Schlagzeug und
Perkussion - und die
erfolgreiche Entwicklung
seiner Percussion & Drum
School in den letzten 15
Jahren weisen Halbig auch
als kompetenten Lehrer
aus. Die von ihm
entwickelte ganzheitliche
Methode fur Schlagzeug
verbindet bewahrte
Grundlagen der
traditionellen Ausbildung
mit dem direkten Umsetzen
in lebendige Grooves auf
dem kompletten Drumset.
Dabei steht der
praxisbezogene Umgang mit
dem Erlernten immer im
Vordergrund - der Schuler
macht von Anfang an Musik
und wird auf spielerische
Weise zum guten Drummer.
Die beiliegende CD, mit
vielen Beispielen fur das
Spiel in der Band und
Anregungen fur die ersten
eigenen Drum-Soli, dient
als zusatzliche Lern- und
Motivationshilfe. Sie
enthalt uber zweieinhalb
Stunden Musik mit live
eingespielten Playbacks
in Form von 35
Audio-Tracks und 99
MP3-Tracks. So macht
Lernen Spass!
God's Promise
Fulfilled. Composed
by Dave Clark & Don Koch
Cliff Duren. Arranged by
Cliff Duren. Musical.
Sacred. Visual media data
disc. Published by
Lillenas Publishing
Company
(LP.765762012233).
UPC:
765762012233.
Usher
your congregation into
God s throne room of
grace with this stirring
Easter musical created by
songwriting dynamos Dave
Clark Don Koch and Cliff
Duren! The title cut
Mercy Came Running made
popular by trio Phillips
Craig and Dean in the
1990s takes on new
significance in the
context of Easter as we
visualize God running to
save us through Christ s
death and resurrection.
With performance options
for a 47-minute
full-length musical an
abbreviated 30-minute
piece and even a
20-minute option Mercy
Came Running is adaptable
for any Easter service.
And each powerful song
can also stand alone to
impact your congregation
throughout the year!
Accompaniment DVD
available.
Piano, Vocal and Guitar SKU: BT.UPF-00012900 Sea Shanty. Book Only. Unive...(+)
Piano, Vocal and Guitar
SKU:
BT.UPF-00012900
Sea
Shanty. Book Only.
Universal Music
Publishing Group #UPF
00012900. Published by
Universal Music
Publishing Group
(BT.UPF-00012900).
French.
The
vocal ensemble Les
Marins d´Iroise
was founded in 1992 on
the occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties and well-known
maritimetunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
The
vocal ensemble Les
Marins d'Iroise was
founded in 1992 on the
occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties andwell-known
maritime tunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
Das
Vokalensemble Les
Marins d´Iroise
(die Seeleute von Iroise)
wurden 1992
anläßlich des
ersten internationalen
Fests des Meeres und der
Seeleute in Brest (Les
Tonnerres de Brest)
gegründet. Inzwischen
berühmt und
unverzichtbar
geworden,präsentiert
das vielstimmige
Männerensemble
mitreißend und voller
Begeisterung nicht nur
alte bretonische
Seemannsweisen und
Shanties. Die
vorliegende Ausgabe
enthält die
Chorstimmen (1. und 2.
Tenor, Bariton und Bass)
und die Klavierbegleitung
sowie Akkordsymbole und
viele farbige
Abbildungen.
By Jack Hatfield. For Banjo (5-String). method. First Lessons. Acoustic Music. L...(+)
By Jack Hatfield. For
Banjo (5-String). method.
First Lessons. Acoustic
Music. Level: Beginning.
Book CD DVD. Size
8.75x11.75. 32 pages.
Published by Mel Bay
Publications, Inc.
Recorder SKU: HL.48183547 Composed by Rose-Marie Janzen. Leduc. Classical...(+)
Recorder
SKU:
HL.48183547
Composed
by Rose-Marie Janzen.
Leduc. Classical.
Softcover. 17 pages.
Alphonse Leduc #AL25696.
Published by Alphonse
Leduc (HL.48183547).
UPC: 888680870232.
6.0x9.5x0.126
inches.
Favorite
Classical Themes - Book 1
is the first book of a
series for Soprano
Recorder. It features
twenty famous themes,
regrouped and arranged
for the instrument by
Rose-Marie Janzen. Using
a range not too high,
this book can be used by
any young player or
teacher and features
tunes more or less
difficult that correspond
to different level of
difficulty. It includes:
1. Te Deum, extract, by
Marc-Antoine Charpentier
2. Les Saisons,
?Printemps? (Spring), by
Antonio Vivaldi 3.
Tambourin, extract, by
Jean-Philippe Rameau 4.
L?harmonieux forgeron,
theme and variation, by
George-Frederic Handel 5.
Passion selon Saint
Matthieu, choral, by J.
S. Bach 6. ?Jesus que ma
joie demeure?,
ritournelle, by J. S.
Bach 7. Quatuor
?L?empereur?, theme of
the 2nd movement, by
Joseph Haydn 8. Une
petite musique de nuit,
minuet theme, by Mozart
9. La chasse du jeune
Henri, extract, by E. N.
Mehul 10. Concerto de
Violon, Rondo theme, by
Beethoven 11. Neuvieme
Symphonie, Hymne a la
joie, by Beethoven 12. La
truite by Schubert 13.
Marche Nuptiale, extract,
by Felix
Mendelssohn-Bartholdy 14.
Le gai laboureur by
Schumann 15. Faust,
?Paresseuse fille??, by
Charles Gounod 16.
Berceuse by Johannes
Brahms 17. L?Arlesienne,
?Marche des Rois?, by
Georges Bizet 18. Carmen,
?Avec la garde montante?,
by Georges Bizet 19.
Symphonie ?du nouveau
monde?, Largo theme, by
Antonin Dvorak 20. Le lac
des cygnes, Lake theme,
by Tchaikovsky .
Keyboard, lyrics - easy SKU: M7.ART-42160 Die 20 beliebtesten Weihnach...(+)
Keyboard, lyrics - easy
SKU: M7.ART-42160
Die 20 beliebtesten
Weihnachtslieder in
einfachen
Bearbeitungen.
Arranged by Jens Rupp.
Score with online audio
files. 32 pages. MDS
(Music Distribution
Services) #ART 42160.
Published by MDS (Music
Distribution Services)
(M7.ART-42160).
ISBN
9783866421608.
'Mei
ne schönsten
Weihnachtslieder für
Keyboard' ist eine
Sammlung der 20
beliebtesten
Weihnachtslieder in
schön klingenden und
einfachen Bearbeitungen,
speziell für das
Keyboard arrangiert. Die
Stücke, mit
dazugehörigen
Liedtexten, eignen sich
hervorragend zum
Vorspielen, Begleiten und
Mitsingen und sind ein
festlicher Begleiter
für die
Weihnachtszeit. Die
vorhandenen Hilfsangaben
zu Rhythmus, Sounds,
Intros, Auto-Fills und
Endings ermöglichen
ein abwechslungsreiches
und unterhaltsames
Spielen. Die Tonarten
beschränken sich auf
die 'leichten' (und gut
zu singenden) Tonarten
C-Dur, F-Dur und G-Dur.
Die Melodien umfassen
zumeist den Tonumfang
einer Oktave (8 Töne)
bis zu einer Dezime (10
Töne). Spieltechniken
der rechten Hand, wie das
Spreizen der Finger, der
Fingerwechsel auf
gleicher Taste sowie das
Unter- und Ãœbersetzen
sollten daher bereits
bekannt sein. Als
Anfänger sollte man
sich innerhalb des ersten
Unterrichtsjahres
zunächst auf das
Spielen der Melodie in
der rechten Hand
beschränken. Im
Folgejahr ist das Spielen
der Weihnachtslieder mit
beiden Händen mit
Sicherheit möglich.
'Meine schönsten
Weihnachtslieder für
Keyboard' - ein
motivierendes
Ergänzungsrepertoire
zu Jens Rupps Bestseller
'Meine erste
Keyboardschule' und das
perfekte Geschenk für
alle Keyboarder.