(Shaping Bebop Lines). By Joe Riposo. Jazz, bebop, insructional. Instructional book. Published by Jamey Aebersold Jazz

Composed by Scottish Folk Song. Arranged by John O'Reilly. Performance Music Ensemble; Single Titles; SmartMusic; String Orchestra. Highland/Etling Strictly Strings. Folk. Score. 8 pages. Highland/Etling #00-26558S. Published by Highland/Etling (AP.26558S).

Organ

SKU: SU.80101205

For Organ. Composed by Emma Lou Diemer. Keyboard, Organ. Score. Zimbel Press #80101205. Published by Zimbel Press (SU.80101205).

A set of free-flowing variations on the hymn tune by S.S. Wesley. Four variations present the tune in a joyous manner. 20 pages Published by: Zimbel Press.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS159F

Composed by Charles Francois Gounod. Arranged by Caryn Wiegand Neidhold. Cas. Full score. Duration 2 minutes, 37 seconds. Carl Fischer Music #CAS159F. Published by Carl Fischer Music (CF.CAS159F).

ISBN 9781491165447. UPC: 680160924356. Key: D minor.

Charles Gounod (1818-1893) was a French composer who was well-known and well-regarded in his lifetime. His legacy included breaking from the grand opera tradition and influencing the next generation of Frenchcomposers. March of the Marionette was originally a piano solo titled Funeral March of a Marionette. Gounod wrote the piece to make fun of the music critic, Henry Chorley. The marionette dies in a duel, possibly a musical imitation of a public argument about the merits of Gounod’s compositions. The marionette’s friends have a funeral for him, creating a procession through the streets, with a brief stop for refreshments, illustrated in the D major section. This now-familiar theme has been used in frequently in advertisements, movies, and television shows. It was used as the theme music for Alfred Hitchcock Presents television show (1956-66) introducing dramas, mysteries, and thrillers.The prevailing bow strokes in this piece range from spiccato stroke to a light brush stroke for all eighth notes, regardless of articulation markings. Students should experiment with bow distribution to discover the appropriate placement for different dynamics. Students just learning the spiccato bow stroke will be more successful if they start this bow stroke close to their bow hand. Encourage students to discuss the character of the music and how to bring the storyline to life as an ensemble.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS159

Composed by Charles Francois Gounod. Arranged by Caryn Wiegand Neidhold. Cas. Set of Score and Parts. Duration 2 minutes, 37 seconds. Carl Fischer Music #CAS159. Published by Carl Fischer Music (CF.CAS159).

ISBN 9781491165041. UPC: 680160923953. Key: D minor.

Charles Gounod (1818–1893) was a French composer who was well-known and well-regarded in his lifetime. His legacy included breaking from the grand opera tradition and influencing the next generation of Frenchcomposers. March of the Marionette was originally a piano solo titled Funeral March of a Marionette. Gounod wrote the piece to make fun of the music critic, Henry Chorley. The marionette dies in a duel, possibly a musical imitation of a public argument about the merits of Gounod’s compositions. The marionette’s friends have a funeral for him, creating a procession through the streets, with a brief stop for refreshments, illustrated in the D major section. This now-familiar theme has been used frequently in advertisements, movies, and television shows. It was used as the theme music for Alfred Hitchcock Presents television show (1956–66) introducing dramas, mysteries, and thrillers.The prevailing bow strokes in this piece range from spiccato stroke to a light brush stroke for all eighth notes, regardless of articulation markings. Students should experiment with bow distribution to discover the appropriate placement for different dynamics. Students just learning the spiccato bow stroke will be more successful if they start this bow stroke close to their bow hand. Encourage students to discuss the character of the music and how to bring the storyline to life as an ensemble.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

For C instrument. Music Theory. All Styles. Difficulty: easy-medium. Fakebook. Standard notation and chord names. 48 pages. Published by Kevin Mayhew Publishers

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1084364-010

Composed by Hayato Hirose. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084364-010. Published by De Haske Publications (BT.DHP-1084364-010).

9x12 inches. English-German-French-Dut ch.

In de loop der jaren is Alice’s Adventures in Wonderland van de Engelse schrijver Lewis Carroll (1832-1898) een favoriet boek gebleken voor kinderen en volwassenen over de hele wereld. Voor dit werk is het verhaal over Aliceals uitgangspunt gebruikt, er hoort een voor te dragen vertelling bij en er is - optioneel - zelfs gelegenheid voor zang en acteerwerk. De muziek weerspiegelt de essentie van het verhaal en voegt er een extra dimensie aan toe.

Alice im Wunderland wird seit Generationen von Kindern und Erwachsenen auf der ganzen Welt gelesen und geliebt. Hayato Hirose schuf frei nach dem Buch, das wohl zu den fantasievollsten literarischen Werken aller Zeiten gezählt werden darf, ein ebenso fantasievolles Musikstück für Blasorchester mit optionalem Gesang, szenischem Spiel und einem Erzähler. Schaffen Sie mit Alice’s Adventures in Wonderland ein Bühnenereignis, das Ihr Publikum so schnell nicht vergessen wird!

Depuis des années, Alice au Pays des Merveilles de Lewis Caroll figure parmi les best-sellers internationaux de la littérature jeunesse et continue de séduire des générations d’adultes. La trame musicale de cette œuvre est très librement inspirée du récit original. Elle est accompagnée d’une narration et d’un jeu scénique optionnel (chant et expression scénique) qui imaginent une histoire aux contours modifiés.Pour qui ne sait plus ce qui se passe dans l’histoire originale, un résumé du livre s’impose :Tandis qu’Alice poursuit un lapin blanc, elle tombe dans un puits interminable et atterrit dans un monde absurde et bizarre peuplé d'insolites créatures. Après unesuite d’aventures rocambolesques, Alice rencontre la Reine de Cœur qui tente de la faire condamner pour un crime qu’elle n’a pas commis. Elle réussit s’échapper, puis enfin se réveille. Alice s’était endormie. Ce n’était qu’un rêve.La musique est un miroir qui réfléchit une vision de l’histoire. La musique illumine le récit.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1084364-140

Composed by Hayato Hirose. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2008. 48 pages. De Haske Publications #DHP 1084364-140. Published by De Haske Publications (BT.DHP-1084364-140).

9x12 inches. English-German-French-Dut ch.

In de loop der jaren is Alice’s Adventures in Wonderland van de Engelse schrijver Lewis Carroll (1832-1898) een favoriet boek gebleken voor kinderen en volwassenen over de hele wereld. Voor dit werk is het verhaal over Aliceals uitgangspunt gebruikt, er hoort een voor te dragen vertelling bij en er is - optioneel - zelfs gelegenheid voor zang en acteerwerk. De muziek weerspiegelt de essentie van het verhaal en voegt er een extra dimensie aan toe.

Alice im Wunderland wird seit Generationen von Kindern und Erwachsenen auf der ganzen Welt gelesen und geliebt. Hayato Hirose schuf frei nach dem Buch, das wohl zu den fantasievollsten literarischen Werken aller Zeiten gezählt werden darf, ein ebenso fantasievolles Musikstück für Blasorchester mit optionalem Gesang, szenischem Spiel und einem Erzähler. Schaffen Sie mit Alice’s Adventures in Wonderland ein Bühnenereignis, das Ihr Publikum so schnell nicht vergessen wird!

Depuis des années, Alice au Pays des Merveilles de Lewis Caroll figure parmi les best-sellers internationaux de la littérature jeunesse et continue de séduire des générations d’adultes. La trame musicale de cette œuvre est très librement inspirée du récit original. Elle est accompagnée d’une narration et d’un jeu scénique optionnel (chant et expression scénique) qui imaginent une histoire aux contours modifiés.Pour qui ne sait plus ce qui se passe dans l’histoire originale, un résumé du livre s’impose :Tandis qu’Alice poursuit un lapin blanc, elle tombe dans un puits interminable et atterrit dans un monde absurde et bizarre peuplé d'insolites créatures. Après unesuite d’aventures rocambolesques, Alice rencontre la Reine de Cœur qui tente de la faire condamner pour un crime qu’elle n’a pas commis. Elle réussit s’échapper, puis enfin se réveille. Alice s’était endormie. Ce n’était qu’un rêve.La musique est un miroir qui réfléchit une vision de l’histoire. La musique illumine le récit.

Solo voices, choir, orchestra (Tenor Voice Solo, TTBB choir, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, timpani, percussion, harp, Str)

SKU: BA.BA06844

Kantate für Männerchor und Orchester (tschechisch/deutsch/engl isch) mit Supplement: Erste Fassung 1911, (tschechisch). Composed by Leos Janacek. Edited by Jan Hanus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek B/3. Complete edition, Score. Composed 1920. Duration 7 minutes. Baerenreiter Verlag #BA06844_00. Published by Baerenreiter Verlag (BA.BA06844).

ISBN 9790006483266. 34.3 x 27 cm inches. Text Language: Czech, German, English. Translation: Kurt Honolka / Bernard Keeffe. Text: Martin (Pseudonym fur Maximilian Kunert) Kurt.

Kantate fur Mannerchor und Orchester (tschechisch/deutsch/engl isch) mit Supplement: Erste Fassung 1911, (tschechisch).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Viola

SKU: BA.BA10974-79

Composed by Franz Joseph Haydn. Edited by Carl-Gabriel Stellan Mörner. This edition: urtext edition. Stapled. Single part. Hob. I:46. 7 pages. Duration 19 minutes. Baerenreiter Verlag #BA10974_79. Published by Baerenreiter Verlag (BA.BA10974-79).

ISBN 9790006522804. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

First violin (1. Violin)

SKU: BA.BA10974-74

Composed by Franz Joseph Haydn. Edited by Carl-Gabriel Stellan Mörner. This edition: urtext edition. Stapled. Single part. Hob. I:46. 9 pages. Duration 19 minutes. Baerenreiter Verlag #BA10974_74. Published by Baerenreiter Verlag (BA.BA10974-74).

ISBN 9790006522781. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

Chamber orchestra (Orchestra)

SKU: BA.BA10974

Composed by Franz Joseph Haydn. Edited by Carl-Gabriel Stellan Mörner. This edition: urtext edition. Stapled. Score. Hob. I:46. Duration 19 minutes. Baerenreiter Verlag #BA10974_00. Published by Baerenreiter Verlag (BA.BA10974).

ISBN 9790006522767. 31 x 24.3 cm inches. Key: B-flat major. Language: German/English. Preface: Andreas Friesenhagen.

Haydn ’s “Sturm und Drang” symphonies along with the London and the Paris symphonies belong to his most popular works today. The “Sturm und Drang” works contain not only masterpieces such as the already published “Farewell-Symphony� �€ and the “Maria Theresia” symphony but also gems such as the recently published “La Passione” symphony (2013) and now the Symphony in B major No. 46.

The publication of this symphony represents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. The Symphony in B major is based on the Henle Complete Edition of the “Works of Joseph Haydn” and is published with a full score and large format performing material on sale.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Second violin (2. Violin)

SKU: BA.BA10974-75

Composed by Franz Joseph Haydn. Edited by Carl-Gabriel Stellan Mörner. This edition: urtext edition. Stapled. Single part. Hob. I:46. 8 pages. Duration 19 minutes. Baerenreiter Verlag #BA10974_75. Published by Baerenreiter Verlag (BA.BA10974-75).

ISBN 9790006522798. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc)

SKU: BR.ED-10296

Hail! Bright Cecilia. Composed by Henry Purcell. Edited by Christopher Hogwood. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 80 pages. Duration 60'. Breitkopf and Haertel #ED 10296. Published by Breitkopf and Haertel (BR.ED-10296).

ISBN 9790220101977. 7.5 x 11 inches.

The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause.
(The Gentlemen's Journal, 1692)

The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences.
(Christop her Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life.
My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets.
My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably.
(Martin Smolka).

SATB choir, organ, flute - Early Intermediate

SKU: AU.9781506495224

Composed by David M. Cherwien. General. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9781506495224. Published by Augsburg Fortress (AU.9781506495224).

ISBN 9781506495224. 7 x 10.25 inches.

This hymn is found in the collection Peace Be Still: Hymns of Susan Palo Cherwien, Vol. 3, which includes an original hymn tune by David Cherwien. Here, Cherwien has expanded on the original setting, creating a tender anthem for SATB choir, organ, and flute, ideal for communion and sacramental use. The comforting tune draws the listener in and reflects the need of Godâ??s presence in our lives. Opening stanzas are sung in unison, a middle stanza is beautifully set for full SATB choir, and the final stanza is in unison with a descant.