42 best-loved classical pieces for solo piano. Composed by Various. Edited by He...(+)
42 best-loved classical
pieces for solo piano.
Composed by Various.
Edited by Heather Ramage.
Music Sales America.
Classical. Softcover with
CD. 136 pages. Music
Sales #AM990847.
Published by Music Sales
SKU: GI.G-9684 Selected Papers from the Sixth International Symposium ...(+)
SKU: GI.G-9684
Selected Papers from
the Sixth International
Symposium on Assessment
in Music Education.
Composed by Martin
Fautley and Timothy S.
Brophy. Assessment. Music
Education. 550 pages. GIA
Publications #9684.
Published by GIA
Publications (GI.G-9684).
ISBN
9781622773350.
Cont
ributions by:Â Michael
L. Alexander •
William I. Bauer •
Rhoda Bernard •
Nikki Booth •
Leonardo Borne •
Frederick Burrack •
Richard M. Cangro •
Kyle Chandler •
Samantha Clements •
Obadias de Oliveira Cunha
• Sally E. Daunt
• Kirsty J. Devaney
• Paul Doerksen
• Martin Fautley
• Keith Griffioen
• Alice Hammel
• Marshall Haning
• Demaris Hansen
• Michele L. Henry
• John Holmes
• Daniel C. Johnson
• Joo Hyun Kang
• Gail Kuppan
• Andreas
Lehmann-Wermser •
Sharon Lierse •
Jason Longtin •
Jeffrey Marlatt •
Melissa C. McCabe •
Karabo Lucy Mogane
• Helena
Muciño-Guerra •
Dorothy J. Musselwhite
• Flávia
Motoyama Narita •
Emma Nenadic •
Glenn E. Nierman •
Helena de Souza Nunes
• Kelly A. Parkes
• Phillip D. Payne
• Laura Navarro
Ramón • Patricia
Riley • Shelley
Sanderson • Megan
M. Sheridan •
Stephanie L. Standerfer
• David A.
Stringham • Dennis
Ping-Cheng Wang •
Jeffrey Ward •
Brian C. Wesolowski
• Benjamin Weyel
The Sixth International
Symposium on Assessment
in Music Education was
hosted by the University
of Florida and Birmingham
City University. The
symposium brought
together 110 participants
from 23 nations and six
continents to learn of
each other’s work,
establish collaborations
and professional
networks, and shape new
directions for research
in this important area of
music education in
Birmingham, England, from
April 18-21, 2017.Â
The two keynote addresses
and 35 papers published
in this volume document
music assessment practice
and the measurement and
evaluation of music
learning across the world
in local, state, and
national contexts at all
levels. The attendees
also attended special
work sessions to discuss
the International
Principles for Assessment
in Music Education
(developed and introduced
by the co-chairs at this
symposium), and their
discussions are
summarized in this
collection. As music
educators across the
world come to terms with
increased expectations
for accountability of
learning in music, the
scholars and
practitioners who have
contributed to this
volume provide insight to
guide their work. Timothy
S. Brophy is Professor of
Music Education and
Director of Institutional
Assessment at the
University of Florida in
Gainesville, Florida.
Martin Fautley is
Professor of Education
and Director of Research
in Education at
Birmingham City
University in Birmingham,
England.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Set of
Orchestra Parts. Composed
1796. Hob. XX:2. Duration
65 minutes. Carus Verlag
#5199200. Published by
Carus Verlag
(CA.5199219).
ISBN
9790007293147. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Vocal score.
Composed 1796. Hob. XX:2.
104 pages. Duration 65
minutes. Carus Verlag
#5199200. Published by
Carus Verlag
(CA.5199203).
ISBN
9790007186661. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Choral Score.
Composed 1796. Hob. XX:2.
40 pages. Duration 65
minutes. Carus Verlag
#5199200. Published by
Carus Verlag
(CA.5199205).
ISBN
9790007186654. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Carus digital:
Extra digital products.
Full Score. Composed
1796. Hob. XX:2. 212
pages. Duration 65
minutes. Published by
Carus Verlag
(CA.5199200).
ISBN
9790007186647. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
Sunscapes Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4571-75 Composed by Wilson. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4571-75
Composed by Wilson.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Oversized,
spiral-bound score.
Composed 2017. Duration 4
minutes, 49 seconds. Opus
III Wind Orchestra
Publications
#012-4571-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4571-75).
This exciting
work depicts the lively
and sunny nature of the
state of Florida. Opening
with a brilliant and
majestic section
highlighting the state's
bright and vibrant
culture, a flowing melody
follows, representing the
calming winds and
consistent breeze of the
state. Dance is a large
part of Florida's
culture, especially in
its southern region, and
the 7/8 rhythm captures
an Afro-Latin style dance
movement. The
chorale/hymn section is
based on the Florida
Song, which is a
traditional school song
of many schools,
including Florida A&M in
Tallahassee. The work
then recapitulates and
moves toward a driving
and joyful conclusion. An
excellent
contest/festival
work!
Sunscapes Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4571-01 Composed by Wilson. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4571-01
Composed by Wilson.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Extra full
score. Composed 2017.
Duration 4 minutes, 49
seconds. Opus III Wind
Orchestra Publications
#012-4571-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4571-01).
This exciting
work depicts the lively
and sunny nature of the
state of Florida. Opening
with a brilliant and
majestic section
highlighting the
state’s bright and
vibrant culture, a
flowing melody follows,
representing the calming
winds and consistent
breeze of the state.
Dance is a large part of
Florida’s culture,
especially in its
southern region, and the
7/8 rhythm captures an
Afro-Latin style dance
movement. The
chorale/hymn section is
based on the Florida
Song, which is a
traditional school song
of many schools,
including Florida A&M in
Tallahassee. The work
then recapitulates and
moves toward a driving
and joyful conclusion. An
excellent
contest/festival
work!
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediat...(+)
73 Selections from the
All-Time Greatest Music.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x12
inches. 272 pages.
Published by Hal Leonard.
compiled by Neil Griffin. For Banjo (5-String). solos. Complete. Bluegrass. Leve...(+)
compiled by Neil Griffin.
For Banjo (5-String).
solos. Complete.
Bluegrass. Level:
Intermediate-Advanced.
Book. Size 8.75x11.75.
184 pages. Published by
Mel Bay Publications,
Inc.