SKU: AP.48319

UPC: 038081551425. English. Traditional English Carol.

Here's a wildly inventive reimagining of the traditional English carol that will be a highlight on holiday concerts. The dazzling piano introduction ushers in a rush of crystal-clear chords in bright contemporary harmony, while frequent shifts of meter and style conjure an assortment of moods, from celebratory to reflective. A stunning concert setting that is worth the extra rehearsal.

SKU: BT.MUSM570203048

English.

Five inventions for Piano. Published in 1988-97. (1) 'Impromptu' (2)'All systems go' (3)'For Miles' (4)'Sung without words' (5)'In accord' First performance of 'Impromptu': George Nicholson, Morley College, London, 17th June 1988, First performance of 'All Systems Go': George Nicholson, Darlington Arts Centre, 25th November 1989, First performance of 'For Miles': George Nicholson, Keele University, 27th February 1992, First performance of 'In accord': Peter Lawson, Firth Hall, Sheffield, 20th March 2001. Score.

SKU: AP.LG52562

UPC: 783556016663. English.

SKU: AP.LG51098

UPC: 783556003281. English.

SKU: GI.G-11121

SKU: AP.41581

UPC: 038081466613. English. Words by Mary Langford.

An eloquent lyric and a soaring vocal line are seamlessly combined in this tribute to the power of the sun. Expressive and dynamic, the warm harmonies are well suited to the beautiful text.

SKU: AP.LG51972

UPC: 783556010944. English.

Commission ed by St. Peter's United Church of Christ, Elmhurst, Illinois, celebrating its 100th anniversary. Easter Carol. Orchestral accompaniment available for rent. Go to presser.com/request-renta l.

SKU: HL.14042319

6.75x9.75x0.104 inches.

For 2 altos, tenor, 2 baritones and bass. Piano included for rehearsal only. This arrangement of Leon was commissioned by The King's Singers and Sean Curran Company as part of a collaborative project.

SKU: AP.48316

UPC: 038081551395. English.

Originally published in The Social Harp in 1855, this revivalist song has become deeply woven into the American folk music tradition. A powerful and insistent rhythmic foundation is laid by the low voices, as the agile melody darts over top. A slower middle section offers some warm homophonic harmony in a setting that is largely polyphonic. The dance returns and builds to a dazzling and multitextured finish. Exquisite!