Concert Pieces from the Clarinet Method - Clarinet and Piano. Composed by Ca...(+)
Concert Pieces from the
Clarinet Method -
Clarinet
and Piano. Composed by
Carl
Baermann (1810-1885).
Edited
by Robert Erdt. Woodwind
Solo. Softcover. 138
pages.
Schott Music #ED21764.
Published by Schott Music
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Heft 3:
Beethoven, Spontini,
Boieldieu, Auber, Weber,
Meyerbeer. Composed
by Seltmann. Edited by
Angerhofer and Seltmann.
Arranged by Angerhofer
and Seltmann. Sheet
music. Friedrich
Hofmeister Musikverlag
#FH 7067. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-7067).
ISBN 9790203470670.
8.3 x 11.7
inches.
Ludwig van
Beethoven: 1. Symphonie
Nr. 1, op. 21; 2.
Symphonie Nr. 2, op. 36;
3. Symphonie Nr. 3,op.
55; 4. Symphonie Nr. 4,
op. 60; 5. Symphonie nr.
5, op. 67; 6. Symphonie
Nr. 6, op. 68; 7.
Symphonie Nr. 7, op. 92;
8. Symphonie Nr. 8, op.
93; 9. Symphonie Nr. 9,
op. 125; 10.
Violinkonzert, op. 61;
11. Ouverture Coriolan,
op. 62; 12.
Klavierkonzert Nr. 5, op.
73; 13. Ouverture Weihe
des Hauses, op. 124; 14.
Ouverture Leonore Nr. 3,
op. 138; 15. Die
Geschopfe des Prometheus
(Ballett), op. 43; 16.
Fidelio, op. 72; 17.
Missa solemnis, op. 123;
Gaspare Spontini: 1. La
Vestale; Francois Adrien
Boieldieu: 1. Die weisse
Dame; Daniel Francois
Esprit Auber: 1. Die
Stumme von Portici; Carl
Maria von Weber: 1.
Aufforderung zum Tanz; 2.
Beherrscher der Geister;
3. Der Freischutz; 4.
Euryanthe; Giacomo
Meyerbeer: 1. Robert der
Teufel; 2. Die
Hugenotten; 3.
Dinorah.
2 pianos SKU: NR.86880 Auf zwei Pianoforte eingerichtet, op. 26. C...(+)
2 pianos
SKU:
NR.86880
Auf zwei
Pianoforte eingerichtet,
op. 26. Composed by
Robert Volkmann. Edited
by Carl Thern. Score.
Noten Roehr #86880.
Published by Noten Roehr
(NR.86880).
Volume 2, Nos. 34-52 - Revised Edition. Composed by Carl Baermann (1810-1885...(+)
Volume 2, Nos. 34-52 -
Revised Edition. Composed
by
Carl Baermann
(1810-1885).
Edited by Robert Erdt.
Woodwind Method.
Softcover.
Schott Music #ED21762.
Published by Schott Music
Horn SKU: HF.FH-7020 Klassik - Romantik Bd. 1. Composed by Frehse....(+)
Horn
SKU:
HF.FH-7020
Klassik
- Romantik Bd. 1.
Composed by Frehse.
Edited by Christoph
Schaffrath and Frehse.
Arranged by Christoph
Schaffrath and Frehse.
Sheet music. Friedrich
Hofmeister Musikverlag
#FH 7020. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-7020).
ISBN 9790203470205. 9
x 12 inches.
Joseph
Haydn:1. Symphonie Nr.2
(D-Dur), ,,Londoner
Symphonie, 2. Symphonie
Nr.18 (fis-Moll),
,,Abschiedssymphonie, 3.
Symphonie Nr.16 (G-Dur),
,,Oxford-Symphonie, 4.
Allegro vivace (D-Dur),
5. Jahreszeiten,
Oratorium, 6. Schopfung,
Oratorium, 7. Konzert fur
Violoncello (D-Dur);
Wolfgang Amadeus
Mozart:1. Cosi fan tutte,
Oper, 2. Idomeneo, Oper,
3. Die Hochzeit des
Figaro, Oper, 4. Die
Zauberflote, Oper, 5. Don
Giovanni, Oper, 6.
Klavierkonzert (c-Moll),
7. Symphonie (g-Moll);
Ludwig van Beethoven:1.
Violinkonzert (D-Dur), 2.
Klavierkonzert Nr.5
(Es-Dur), 3. Ouverture zu
,,Konig Stephan, 4.
Ouverture zu ,,Die Weihe
des Hauses, 5. Ouverture
zu ,,Egmont, 6. Fidelio,
Oper, 7. Ouverture
,,Leonore Nr.1, 8.
Ouverture ,,Leonore Nr.3,
9. ,,Die Ruinen von
Athen, 10. Symphonie Nr.1
(C-Dur), 11. Symphonie
Nr.2 (D-Dur), 12.
Symphonie Nr.3 (Es-Dur),
,,Eroica, 13. Symphonie
Nr.4 (B-Dur), 14.
Symphonie Nr.5 (c-Moll),
15. Symphonie Nr.6
(F-Dur), ,,Pastorale, 16.
Symphonie Nr.7 (A-Dur),
17. Symphonie Nr.8
(F-Dur), 18. Symphonie
Nr.9 (d-Moll); Franz
Schubert:1. Symphonie
Nr.4 (c-Moll),
,,Tragische, 2. Symphonie
Nr.5 (B-Dur), 3.
Symphonie Nr.7 (C-Dur),
4. Symphonie Nr.8
(h-Moll), ,,Unvollendete,
5. Stabat mater Nr.2
(f-Moll) 1 (C-Dur); Carl
Maria von Weber:1. Abu
Hassan, Singspiel, 2.
Klarinettenkonzert Nr.1
(f-Moll), 3. Der
Freischutz, Romantische
Oper, 4. Preziosa,
Schauspielmusik, 5.
Euryanthe, Romantische
Oper, 6. Oberon,
Romantische Oper; Felix
Mendelssohn Bartholdy:1.
Musik zum
Sommernachtstraum, 2.
Symphonie Nr.3 (a-Moll),
,,Schottische, 3.
Symphonie Nr.4 (A-Dur),
,,Italienische; Robert
Schumann:1. Symphonie
Nr.1 (B-Dur),
,,Fruhlingssymphonie, 2.
Genoveva, Oper, 3.
Symphonie Nr.3 (Es-Dur),
,,Rheinische; Johannes
Brahms:1. Klavierkonzert
Nr.1 (d-Moll), 2.
Variationen uber ein
Thema vom Joseph Haydn
(B-Dur), 3. Symphonie
Nr.1 (c-Moll), 4.
Symphonie Nr.2 (D-Dur),
5. Klavierkonzert Nr.2
(B-Dur), 6. Symphonie
Nr.3 (F-Dur), 7.
Symphonie Nr.4
(e-Moll).
(op. 35). By Carl Maria von Weber (1786-1826). Arranged by Robert Brunnlechner. ...(+)
(op. 35). By Carl Maria
von Weber (1786-1826).
Arranged by Robert
Brunnlechner. For Concert
Band. Oboe/Bassoon Solo
and Wind band. Solo and
Band Series. Grade 5.
Score. Duration 6 minutes
SKU: BA.BVK02312 February 1847 to November 1847. Composed by Felix...(+)
SKU: BA.BVK02312
February 1847 to
November 1847.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Helmut Loos,
Lucian Schiwietz, Stefan
Münnich, Uta Wald, and
Wilhelm Seidel. Linen.
Book. Baerenreiter Verlag
#BVK02312_00. Published
by Baerenreiter Verlag
(BA.BVK02312).
ISBN
9783761823125. 23.7 x
16.5 cm inches. Preface:
Seidel,
Wilhelm.
Felix
Mendelssohn Bartholdy as
letter-writer: at the
heart of 19th century
European
culture
As one of
the most important
letter-writers of the
19th century, Felix
Mendelssohn Bartholdy
maintained an extensive
correspondence. With
great style and eloquence
he wrote letters to
friends and family,
letters from his travels
and he also wrote to
leading composers,
musicians, artists as
well as publishers. He
corresponded with famous
contemporaries such as
Robert Schumann, Franz
Liszt and Richard Wagner
as well as Johann
Wolfgang von Goethe, Carl
Friedrich Zelter and
Alexander von
Humboldt.
The
correspondence begins in
1816 and ends in 1847
with the
composer’s death.
These letters are
invaluable documents
shedding light not only
on the genesis,
publication and revision
of his musical works, but
also on a period when
relations between
Christians and Jews still
had a chance to become
harmonious, as Moses
Mendelssohn, the imminent
scholar and grandfather
of the composer had
advocated.
This
edition will therefore be
of great interest far
beyond the circles of
musicologists and music
specialists. It will
appeal to those who are
interested in the history
of culture and ideas and
to those who perceive
Mendelssohn and his
family as representatives
of a unique, diverse
cultural epoch.
The complete
correspondence shows that
Mendelssohn not only went
on to become one of the
leading figures of German
musical culture in the
1840s, but that he also
maintained a network of
musical contacts
throughout
Europe.
The
edition of the complete
letters This
scholarly-critical
complete edition
comprises 5,855 letters
by Felix Mendelssohn
Bartholdy. Previously
only a small part of his
correspondence had been
published and made
accessible to the public.
The complete edition is
based on Mendelssohn
letters which have been
compiled over decades by
Rudolf Elvers as well as
on international research
carried out by an
academic workgroup in
Leipzig spearheaded by
chief editors Helmut Loos
and Wilhelm Seidel. They
determined 500 additional
letters hitherto
unknown.
Versions
of the letter texts have
been compiled from a
scholarly-critical
analysis of the sources,
their historical context
has been discussed and
comments on all points in
need of explanation have
been made.
This
edition of the complete
letters consists of 12
volumes and a CD-ROM.
Each volume contains
indices of mentioned
individuals and
institutions,
compositions by Felix
Mendelssohn Bartholdy and
Fanny Hensel as well as a
register of place names
and currencies. In this
way one obtains an
all-encompassing view of
this unique historical
cosmos.
The
Complete edition has been
produced to the highest
standards in terms of
layout, cover and
binding. It is an ideal
collector’s item
for bibliophiles,
providing an excellent
means for studying the
composer and the period
in which he
lived.
The CD-ROM
forms a valuable addition
to the printed volumes.
It offers the complete
printed edition in the
form of pdf. files,
thereby making its
approximately 9,500 pages
digitally accessible and
enabling letters and the
corresponding commentary
to be read in parallel.
All terms can be located
quickly and conveniently
via a full text
search. (The 12
volumes as well as the
CD-ROM can only be
purchased
complete).
-
German text
only
The
Editors Helmut Loos is
Professor of Musicology
at the University of
Leipzig. He specialises
in the music of the 19th
and 20th centuries, in
particular the reception
of Beethoven, sacred
music and links between
Germany and Central and
Eastern Europe.
Wilhelm Seidel was
professor at the
universities of
Heidelberg, Marburg and
Leipzig. His publications
are devoted to the
temporal structure of
music, music aesthetics
in the 18th and 19th
centuries and music of
the 16th to 20th
centuries, currently on
Mozart and
Mendelssohn.
By Ange Flegier; Eugene Cowles; Frederick Field Bullard; Gustav Hasse; Harvey B....(+)
By Ange Flegier; Eugene
Cowles; Frederick Field
Bullard; Gustav Hasse;
Harvey B. Gaul; Ludwig
Fischer; Robert Braine;
Wolfgang Amadeus Mozart.
Edited by Heinrich Kiehl;
Martin Mason. Text:
Alfred De Vigny; Alma M.
Coombs; Arthur Macy; Carl
Muchler; Eugene Cowles;
Maxwell Struthers Burt;
Monte Wellings; Richard
Hovey; Schikaneder;
Thomas Moore. For Bass.
Piano/Vocal Score. 94
pages. Published by
Theodore Presser Company.
Edited by Elisabeth Weinzierl; Edmund Wachter. For 2 Flutes. This edition: Stapl...(+)
Edited by Elisabeth
Weinzierl; Edmund
Wachter. For 2 Flutes.
This edition: Stapled
(2). Ready to Play. 2
Performance scores,
Anthology. Text Language:
German/English. 31/31
pages. Published by
Baerenreiter Verlag
What Makes You Beautiful Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Hal Leonard
By One Direction. By Carl Falk, Rami Yacoub, and Savan Kotecha. Arranged by Robe...(+)
By One Direction. By Carl
Falk, Rami Yacoub, and
Savan Kotecha. Arranged
by Robert Longfield. For
Concert Band (Score and
Parts). Discovery Concert
Band. Grade 1.5.
Published by Hal Leonard
Chorus a cappella SKU: BR.CHB-5234-02 Composed by Fanny Cecile Mendelssoh...(+)
Chorus a cappella
SKU:
BR.CHB-5234-02
Composed by Fanny Cecile
Mendelssohn. Edited by
Gottfried Heinz and J.
Draheim. Choir; stapled.
Chor-Bibliothek (Choral
Library). Fanny Hensel's
choral works not only
stand up to comparison
with any of the rich and
varied choral works of
the Romantic era - they
also rank among the best.
Very likely to become
hits! (Musica). Song;
Romantic. Choral score. 4
pages. Breitkopf and
Haertel #ChB 5234-02.
Published by Breitkopf
and Haertel
(BR.CHB-5234-02).
ISBN
9790004411537. 7.5 x 10.5
inches.
German.
Madame
Hensel, Mendelssohn's
sister, whose eyes speak
intelligence and
profundity''. This diary
entry made by Robert
Schumann in June 1843
succinctly but fittingly
characterizes Fanny
Hensel, without a doubt
the most significant
woman composer of the
19th century. Born in
Hamburg on 14 November
1805, she was the eldest
sister of Felix
Mendelssohn Bartholdy and
the granddaughter of the
philosopher Moses
Mendelssohn. In 1829 she
married the Prussian
court painter and
occasional poet Wilhelm
Hensel (1794-1861). After
her sudden death in
Berlin on 14 May 1847 as
a result of a stroke, the
music journalist Ludwig
Rellstab poignantly wrote
that she shared the
brotherhood ef talent
with her famous
sibling.Fanny Hensel was
given the same excellent
and comprehensive musical
training as her
precocious brother,
including composition
lessons with Goethe's
friend Carl Friedrich
Zelter. Felix and Fanny
not only loved each other
tenderly, but they also
maintained an intensive,
life-long exchange of
ideas which proved
musically profitable to
both of them. However, it
was only in 1846 that
Mendelssohn gave up his
resistance to Fanny's
publication plans. And
so, just shortly before
her death, she was able
to publish a carefully
selected sample of her
songs and piano
pieces.Not only these
pieces, but also a few
orchestral and
chamber-music works (e.g.
the String Quartet in E
flat major, KM 2255) and,
in particular, choral
music occupy an important
position in her oeuvre.
Most of her choral works
were written in 1846, and
she was able to rehearse
them with the chorus she
conducted at the famous
Sunday Concerts in the
Mendelssohn home. She had
six of these choral songs
published in a revised
version under the title
Gartenlieder Op. 3 by the
Berlin music publisher
Bote & Bock. The title of
the Gartenlieder brings
to mind Mendelssohn's
well-known Lieder im
Freien zu singen (Opera
41, 48, 59; ChB
4763-4780), published
before 1846. But, as far
as the quality of their
melodic writing, the
compositional technique,
and the choice of texts
are concerned, as well as
the perfect balance
between folk-like
simplicity and polished
design, they are as
outstanding as the works
of her
brother.
Fanny
Hensel's choral works not
only stand up to
comparison with any of
the rich and varied
choral works of the
Romantic era - they also
rank among the best. Very
likely to become hits!
(Musica).
Opera SKU: BT.DV-21849 Intermezzo in due parti, Libretto di Carlo Gold...(+)
Opera
SKU:
BT.DV-21849
Intermezzo in due
parti, Libretto di Carlo
Goldoni. By Roberto
Cascio. By Lorenzo
Gibelli. Opera or
Operetta. Libretto.
Composed 2021. 84 pages.
Da Vinci Publishing #DV
21849. Published by Da
Vinci Publishing
(BT.DV-21849).