| Hymnal Companion For Woodwinds, Brass And Percussion [Partition] Concordia Publishing House
By Rose. For keyboard/instruments. Lent; Easter. Level: Easy-Moderately Easy. Pu...(+)
By Rose. For
keyboard/instruments.
Lent; Easter. Level:
Easy-Moderately Easy.
Published by Concordia
Publishing House.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Twenty-six (26) Hymn Descants for One, Two, or Three Bb Trumpets Trompette GIA Publications
By Various. Arranged by Harold Owen. For Instruments: 1, 2, or 3 B trumpets (var...(+)
By Various. Arranged by
Harold Owen. For
Instruments: 1, 2, or 3 B
trumpets (varies). Inst;
Coll; Org Ens; Brass Ens
Sacred. 30 pages.
Published by GIA
Publications.
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let's Have Some Music Chorale Durand
Piano/Vocal Score Choral SKU: HL.50564949 Composed by Darius Milhaud. Edi...(+)
Piano/Vocal Score Choral
SKU: HL.50564949
Composed by Darius
Milhaud. Editions Durand.
Classical. 34 pages.
Editions Durand
#DF1564400. Published by
Editions Durand
(HL.50564949). ISBN
9781423478249. UPC:
884088398286. 7.25x10.5
inches. Darius Milhaud,
with English Text by
Jeremy
Drake. Composed by
French master Darius
Milhaud in 1932, this
collection of humorous
children's songs is now
available for the first
time with English lyrics.
At the time they were
composed, radio and
phonograph technology
were causing the primary
musical leisure activity
to shift from actual
music making to
listening. Milhaud
believed that if amateurs
were provided with
accessible music, they
would be encouraged to
continue playing music
for recreation, thus
reversing the trend.
These delightful songs
are excellent for young
treble choirs in school
and community and
include: A Little
Test, Skipping Song,
Reading Lesson, The Luck
of the Draw, Miss
Spectacles, Mea Culpa,
The Monitor Alexander,
Deserved Praise, The
Argument, The Orchestra
of the Obedient Students,
The Orchestra of the
Mischievous Students,
Final Chorus: In Praise
of Computers. $16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Let's Have Some Music Chorale Durand
(Game Songs for Children). By Darius Milhaud (1892-1974). For Choral. Editions D...(+)
(Game Songs for
Children). By Darius
Milhaud (1892-1974). For
Choral. Editions Durand.
12 pages. Editions Durand
#DF1579200. Published by
Editions Durand .
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Franz Joseph Haydn: Creation (satb)(e) Chorale SATB SATB [Partition] Alfred Publishing
SATB (English Language Edition). Composed by Franz Joseph Haydn (1732-1809). Edi...(+)
SATB (English Language
Edition). Composed by
Franz Joseph Haydn
(1732-1809). Edited by
Robert Shaw and Alice
Parker. Choral (Sacred);
Choral Worship Cantata;
Larger Works;
Masterworks; Performance
Music Ensemble; Worship
Resources. Lawson-Gould.
Classical; Masterwork;
Sacred. Book. 160 pages.
Alfred Music #00-LG51595.
Published by Alfred Music
(2)$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525914 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525914 Composed
by George Frideric
Handel. Edited by Alon
Schab. Single Part, basso
continuo. Composed 1727.
HWV 259. Duration 8
minutes. Carus Verlag
#5525914. Published by
Carus Verlag
(CA.5525914). ISBN
9790007311100.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Great Big Praise for a Great Big God, Book 1 - CD/Book Combo Voix d'Enfants [Accompaniment Cassette|Book and Cassette|CD] Lillenas Publishing Co.
117 Fun, Exciting, Singable Songs for Younger Children. Edited by Thomas Fettke,...(+)
117 Fun, Exciting,
Singable Songs for
Younger Children. Edited
by Thomas Fettke, Ken
Bible. Arranged by Thomas
Fettke, Ken Bible.
(unison). This edition:
MD492. Suggested Use: For
children pre-school to
third grade. Use at
Sunday school, children's
choir, children's church,
VBS, camps, Christian
schools, and home.
Lillenas Publications.
Great resource for
working with younger
kids. Sacred.
Book/Split-Channel
Accompaniment Cassette
Combo. 144 pages.
Published by Lillenas.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Open the Gates CD Chorale Hope Publishing Company
Choir; French horn; flute; guitar; handbell; percussion SKU: HP.C5631C Co...(+)
Choir; French horn;
flute; guitar; handbell;
percussion SKU:
HP.C5631C Composed by
Joel Raney. Piano
Accompaniment with
Optional Unison Choir (or
Soloist). Lent, Palm
Sunday, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5631C.
Published by Hope
Publishing Company
(HP.C5631C). UPC:
763628956318. Matthew
21:1-11, Mark 11:1-33,
Luke 19:1-47, John
12:1-50. Original
Anthem This dynamic Palm
Sunday anthem from Joel
Raney is brimming over
with excitement. The
adult voices begin the
musical journey building
to . . . Jesus, Redeemer,
King, rides in triumphant
majesty. Let all creation
sing loud hosannas to the
King of Glory! At this
highpoint, the optional
children's choir enters
singing, Blessed is he
who comes in the name of
the Lord, echoed by the
adult voices in a very
effective exchange. From
there the anthem builds
to a thrilling
hosanna-filled
conclusion. The
instrument packet
contains a Conductor's
Score and parts for
Flute, French Horn,
Percussion (tambourine,
triangle, conga or
djembe), Bass Guitar & 4
Handbells. $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Dances and Songs to Play and Sing for Hammered Dulcimer Dulcimer - Intermédiaire Mel Bay
Composed by Peggy Carter. Squareback saddle stitch, Scottish. Celtic / Irish...(+)
Composed by Peggy Carter.
Squareback saddle stitch,
Scottish. Celtic / Irish.
Book. Mel Bay
Publications,
Inc #30807. Published by
Mel
Bay Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children Sing! Chorale Unison Unison/2-parties, Piano [Vocal Score] Triune Music Inc.
By Philip Gabriel. For unison/2-part choir. Sacred. Sacred Choral Collection. Pu...(+)
By Philip Gabriel. For
unison/2-part choir.
Sacred. Sacred Choral
Collection. Published by
Triune Music Inc.
(45/1103K)
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto - Piano And Orchestra - Solo Part Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra -
difficult SKU:
HL.49046544 For
piano and orchestra.
Composed by Gyorgy
Ligeti. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed
1985-1988. Duration 24'.
Schott Music #ED23178.
Published by Schott Music
(HL.49046544). ISBN
9781705122655. UPC:
842819108726.
9.0x12.0x0.224
inches. I composed
the Piano Concerto in two
stages: the first three
movements during the
years 1985-86, the next
two in 1987, the final
autograph of the last
movement was ready by
January, 1988. The
concerto is dedicated to
the American conductor
Mario di Bonaventura. The
markings of the movements
are the following: 1.
Vivace molto ritmico e
preciso 2. Lento e
deserto 3. Vivace
cantabile 4. Allegro
risoluto 5. Presto
luminoso.The first
performance of the
three-movement Concerto
was on October 23rd, 1986
in Graz. Mario di
Bonaventura conducted
while his brother,
Anthony di Bonaventura,
was the soloist. Two days
later the performance was
repeated in the Vienna
Konzerthaus. After
hearing the work twice, I
came to the conclusion
that the third movement
is not an adequate
finale; my feeling of
form demanded
continuation, a
supplement. That led to
the composing of the next
two movements. The
premiere of the whole
cycle took place on
February 29th, 1988, in
the Vienna Konzerthaus
with the same conductor
and the same pianist. The
orchestra consisted of
the following: flute,
oboe, clarinet, bassoon,
horn, trumpet, tenor
trombone, percussion and
strings. The flautist
also plays the piccoIo,
the clarinetist, the alto
ocarina. The percussion
is made up of diverse
instruments, which one
musician-virtuoso can
play. It is more
practical, however, if
two or three musicians
share the instruments.
Besides traditional
instruments the
percussion part calls
also for two simple wind
instruments: the swanee
whistle and the
harmonica. The string
instrument parts (two
violins, viola, cello and
doubles bass) can be
performed soloistic since
they do not contain
divisi. For balance,
however, the ensemble
playing is recommended,
for example 6-8 first
violins, 6-8 second, 4-6
violas, 4-6 cellos, 3-4
double basses. In the
Piano Concerto I realized
new concepts of harmony
and rhythm. The first
movement is entirely
written in bimetry:
simultaneously 12/8 and
4/4 (8/8). This relates
to the known triplet on a
doule relation and in
itself is nothing new.
Because, however, I
articulate 12 triola and
8 duola pulses, an
entangled, up till now
unheard kind of polymetry
is created. The rhythm is
additionally complicated
because of asymmetric
groupings inside two
speed layers, which means
accents are
asymmetrically
distributed. These
groups, as in the talea
technique, have a fixed,
continuously repeating
rhythmic structures of
varying lengths in speed
layers of 12/8 and 4/4.
This means that the
repeating pattern in the
12/8 level and the
pattern in the 4/4 level
do not coincide and
continuously give a
kaleidoscope of renewing
combinations. In our
perception we quickly
resign from following
particular rhythmical
successions and that what
is going on in time
appears for us as
something static,
resting. This music, if
it is played properly, in
the right tempo and with
the right accents inside
particular layers, after
a certain time 'rises, as
it were, as a plane after
taking off: the rhythmic
action, too complex to be
able to follow in detail,
begins flying. This
diffusion of individual
structures into a
different global
structure is one of my
basic compositional
concepts: from the end of
the fifties, from the
orchestral works
Apparitions and
Atmospheres I
continuously have been
looking for new ways of
resolving this basic
question. The harmony of
the first movement is
based on mixtures, hence
on the parallel leading
of voices. This technique
is used here in a rather
simple form; later in the
fourth movement it will
be considerably
developed. The second
movement (the only slow
one amongst five
movements) also has a
talea type of structure,
it is however much
simpler rhythmically,
because it contains only
one speed layer. The
melody is consisted in
the development of a
rigorous interval mode in
which two minor seconds
and one major second
alternate therefore nine
notes inside an octave.
This mode is transposed
into different degrees
and it also determines
the harmony of the
movement; however, in
closing episode in the
piano part there is a
combination of diatonics
(white keys) and
pentatonics (black keys)
led in brilliant,
sparkling quasimixtures,
while the orchestra
continues to play in the
nine tone mode. In this
movement I used isolated
sounds and extreme
registers (piccolo in a
very low register,
bassoon in a very high
register, canons played
by the swanee whistle,
the alto ocarina and
brass with a harmon-mute'
damper, cutting sound
combinations of the
piccolo, clarinet and
oboe in an extremely high
register, also
alternating of a
whistle-siren and
xylophone). The third
movement also has one
speed layer and because
of this it appears as
simpler than the first,
but actually the rhythm
is very complicated in a
different way here. Above
the uninterrupted, fast
and regular basic pulse,
thanks to the asymmetric
distribution of accents,
different types of
hemiolas and inherent
melodical patterns appear
(the term was coined by
Gerhard Kubik in relation
to central African
music). If this movement
is played with the
adequate speed and with
very clear accentuation,
illusory
rhythmic-melodical
figures appear. These
figures are not played
directly; they do not
appear in the score, but
exist only in our
perception as a result of
co-operation of different
voices. Already earlier I
had experimented with
illusory rhythmics,
namely in Poeme
symphonique for 100
metronomes (1962), in
Continuum for harpsichord
(1968), in Monument for
two pianos (1976), and
especially in the first
and sixth piano etude
Desordre and Automne a
Varsovie (1985). The
third movement of the
Piano Concerto is up to
now the clearest example
of illusory rhythmics and
illusory melody. In
intervallic and chordal
structure this movement
is based on alternation,
and also inter-relation
of various modal and
quasi-equidistant harmony
spaces. The tempered
twelve-part division of
the octave allows for
diatonical and other
modal interval
successions, which are
not equidistant, but are
based on the alternation
of major and minor
seconds in different
groups. The tempered
system also allows for
the use of the
anhemitonic pentatonic
scale (the black keys of
the piano). From
equidistant scales,
therefore interval
formations which are
based on the division of
an octave in equal
distances, the
twelve-tone tempered
system allows only
chromatics (only minor
seconds) and the six-tone
scale (the whole-tone:
only major seconds).
Moreover, the division of
the octave into four
parts only minor thirds)
and three parts (three
major thirds) is
possible. In several
music cultures different
equidistant divisions of
an octave are accepted,
for example, in the
Javanese slendro into
five parts, in Melanesia
into seven parts, popular
also in southeastern
Asia, and apart from
this, in southern Africa.
This does not mean an
exact equidistance: there
is a certain tolerance
for the inaccurateness of
the interval tuning.
These exotic for us,
Europeans, harmony and
melody have attracted me
for several years.
However I did not want to
re-tune the piano
(microtone deviations
appear in the concerto
only in a few places in
the horn and trombone
parts led in natural
tones). After the period
of experimenting, I got
to pseudo- or
quasiequidistant
intervals, which is
neither whole-tone nor
chromatic: in the
twelve-tone system, two
whole-tone scales are
possible, shifted a minor
second apart from each
other. Therefore, I
connect these two scales
(or sound resources), and
for example, places occur
where the melodies and
figurations in the piano
part are created from
both whole tone scales;
in one band one six-tone
sound resource is
utilized, and in the
other hand, the
complementary. In this
way whole-tonality and
chromaticism mutually
reduce themselves: a type
of deformed
equidistancism is formed,
strangely brilliant and
at the same time
slanting; illusory
harmony, indeed being
created inside the
tempered twelve-tone
system, but in sound
quality not belonging to
it anymore. The
appearance of such
slantedequidistant
harmony fields
alternating with modal
fields and based on
chords built on fifths
(mainly in the piano
part), complemented with
mixtures built on fifths
in the orchestra, gives
this movement an
individual, soft-metallic
colour (a metallic sound
resulting from
harmonics). The fourth
movement was meant to be
the central movement of
the Concerto. Its
melodc-rhythmic elements
(embryos or fragments of
motives) in themselves
are simple. The movement
also begins simply, with
a succession of
overlapping of these
elements in the mixture
type structures. Also
here a kaleidoscope is
created, due to a limited
number of these elements
- of these pebbles in the
kaleidoscope - which
continuously return in
augmentations and
diminutions. Step by
step, however, so that in
the beginning we cannot
hear it, a compiled
rhythmic organization of
the talea type gradually
comes into daylight,
based on the simultaneity
of two mutually shifted
to each other speed
layers (also triplet and
duoles, however, with
different asymmetric
structures than in the
first movement). While
longer rests are
gradually filled in with
motive fragments, we
slowly come to the
conclusion that we have
found ourselves inside a
rhythmic-melodical whirl:
without change in tempo,
only through increasing
the density of the
musical events, a
rotation is created in
the stream of successive
and compiled, augmented
and diminished motive
fragments, and increasing
the density suggests
acceleration. Thanks to
the periodical structure
of the composition,
always new but however of
the same (all the motivic
cells are similar to
earlier ones but none of
them are exactly
repeated; the general
structure is therefore
self-similar), an
impression is created of
a gigantic, indissoluble
network. Also, rhythmic
structures at first
hidden gradually begin to
emerge, two independent
speed layers with their
various internal
accentuations. This
great, self-similar whirl
in a very indirect way
relates to musical
associations, which came
to my mind while watching
the graphic projection of
the mathematical sets of
Julia and of Mandelbrot
made with the help of a
computer. I saw these
wonderful pictures of
fractal creations, made
by scientists from Brema,
Peitgen and Richter, for
the first time in 1984.
From that time they have
played a great role in my
musical concepts. This
does not mean, however,
that composing the fourth
movement I used
mathematical methods or
iterative calculus;
indeed, I did use
constructions which,
however, are not based on
mathematical thinking,
but are rather craftman's
constructions (in this
respect, my attitude
towards mathematics is
similar to that of the
graphic artist Maurits
Escher). I am concerned
rather with intuitional,
poetic, synesthetic
correspondence, not on
the scientific, but on
the poetic level of
thinking. The fifth, very
short Presto movement is
harmonically very simple,
but all the more
complicated in its
rhythmic structure: it is
based on the further
development of ''inherent
patterns of the third
movement. The
quasi-equidistance system
dominates harmonically
and melodically in this
movement, as in the
third, alternating with
harmonic fields, which
are based on the division
of the chromatic whole
into diatonics and
anhemitonic pentatonics.
Polyrhythms and harmonic
mixtures reach their
greatest density, and at
the same time this
movement is strikingly
light, enlightened with
very bright colours: at
first it seems chaotic,
but after listening to it
for a few times it is
easy to grasp its
content: many autonomous
but self-similar figures
which crossing
themselves. I present my
artistic credo in the
Piano Concerto: I
demonstrate my
independence from
criteria of the
traditional avantgarde,
as well as the
fashionable
postmodernism. Musical
illusions which I
consider to be also so
important are not a goal
in itself for me, but a
foundation for my
aesthetical attitude. I
prefer musical forms
which have a more
object-like than
processual character.
Music as frozen time, as
an object in imaginary
space evoked by music in
our imagination, as a
creation which really
develops in time, but in
imagination it exists
simultaneously in all its
moments. The spell of
time, the enduring its
passing by, closing it in
a moment of the present
is my main intention as a
composer. (Gyorgy
Ligeti). $34.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| All Creatures of Our God and King Cloches [Conducteur] - Débutant Hope Publishing Company
Arranged by Linda Lamb. For 2 octave handbells. LASST UNS ERFREUEN, Hymntune, Ad...(+)
Arranged by Linda Lamb.
For 2 octave handbells.
LASST UNS ERFREUEN,
Hymntune, Adoration,
Creation, Evening, God -
Creator, Holy Spirit,
Morning, Music and
Singing, Nature, Praise
of God, Trinity,
Worshiping, General,
Sacred. Grade 1 .
Handbell score. 8 pages.
Published by Hope
Publishing Company
$6.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| New Psalms and Hymns and Spiritual Songs Chorale Unison Hope Publishing Company
Choir SKU: HP.1755 Composed by Carl P. Daw, Jr. This edition: Complete. A...(+)
Choir SKU: HP.1755
Composed by Carl P. Daw,
Jr. This edition:
Complete. Author
Collections. General
Worship, Sacred. Hymn
Collection. 128 pages.
Hope Publishing Company
#1755. Published by Hope
Publishing Company
(HP.1755). UPC:
763628117559. As
the title indicates,
there are 13 new hymn
texts based on Psalms, 12
as hymns and 24 as new
spiritual songs. All are
set to tunes ancient and
modern, and all have been
written since the
publication of A Year of
Grace (1990) and To Sing
God's Praise (1992). $13.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525911 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525911 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525911.
Published by Carus Verlag
(CA.5525911). ISBN
9790007311070.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II [Conducteur] Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525900 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525900 Composed
by George Frideric
Handel. Edited by Alon
Schab. Carus digital:
Extra digital products.
Full Score. Composed
1727. HWV 259. Duration 8
minutes. Carus Verlag
#5525900. Published by
Carus Verlag
(CA.5525900). ISBN
9790007252014.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525912 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525912 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525912.
Published by Carus Verlag
(CA.5525912). ISBN
9790007311087.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525903 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525903 Composed
by George Frideric
Handel. Edited by Alon
Schab. Vocal score.
Composed 1727. HWV 259.
Duration 8 minutes. Carus
Verlag #5525903.
Published by Carus Verlag
(CA.5525903). ISBN
9790007252021.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525919 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525919 Composed
by George Frideric
Handel. Edited by Alon
Schab. Set of Orchestra
Parts. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525919.
Published by Carus Verlag
(CA.5525919). ISBN
9790007311063.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$90.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525949 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525949 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525949.
Published by Carus Verlag
(CA.5525949). ISBN
9790007252045.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525913 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525913 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525913.
Published by Carus Verlag
(CA.5525913). ISBN
9790007311094.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525905 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525905 Composed
by George Frideric
Handel. Edited by Alon
Schab. Choral Score.
Composed 1727. HWV 259.
Duration 8 minutes. Carus
Verlag #5525905.
Published by Carus Verlag
(CA.5525905). ISBN
9790007252038.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525909 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525909 Composed
by George Frideric
Handel. Edited by Alon
Schab. Set of Orchestra
Parts. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525909.
Published by Carus Verlag
(CA.5525909). ISBN
9790007310905.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Church Pianist's Library, Vol. 10 Piano seul [Partition] Lorenz Publishing Company
For piano. Sacred. Intermediate. Collection. Published by Lorenz Publishing Comp...(+)
For piano. Sacred.
Intermediate. Collection.
Published by Lorenz
Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gloria, Sing Out His Praise Chorale SATB Fred Bock Music Company
Choral (SATB) SKU: HL.1436084 Composed by Patricia Mock. Arranged by Faye...(+)
Choral (SATB) SKU:
HL.1436084 Composed
by Patricia Mock.
Arranged by Faye Ló and
Johann Christoph Pez.
Fred Bock Publications.
Octavo. 12 pages. Fred
Bock Music Company
#BG2702. Published by
Fred Bock Music Company
(HL.1436084). UPC:
196288203858.
6.75x10.5x0.029
inches. “Let
every breath on earth be
raised, and every
creature join in
praise!” This anthem
begins with an energetic
and engaging invitation
to join the sounds of
celebration in response
to the goodness and
greatness of God from all
His creation! The
syncopated rhythms in the
opening accompaniment
quickly set the tone for
an uplifting time of
worship and lead to an
interlude of praise to
the familiar tune,
“Praise Him, Praise
Him.”. $3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Fruit of All Creation Chorale SATB Hope Publishing Company
Choir SKU: HP.C6166C Arranged by Mark Hayes. Piano Accompaniment. General...(+)
Choir SKU:
HP.C6166C Arranged by
Mark Hayes. Piano
Accompaniment. General
Worship, Thanksgiving &
Gratitude, Thanksgiving,
Sacred, Stewardship.
Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6166C.
Published by Hope
Publishing Company
(HP.C6166C). UPC:
763628961664. Fred Pratt
Green. Hymn anthem
Opening with a flourish,
this hymn anthem launches
into the dynamic
statement 'Give thanks to
God! Let every voice give
thanks to God!'For SATB
choir with piano
accompaniment, this is
especially useful for
services of thanksgiving
and praise. A
reproducible part for the
congregation to sing on
stanza three is included.
If you have yet to
introduce this glorious
hymn to your
congregation, here is a
festive way to do so. $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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