Composed by Franz Liszt (1811-1886). Arranged by Tomer Yariv. Marimba and Vibraphone Duet. For marimba and vibraphone duet (marimba low c and vibraphone). Level 5. Score and set of parts. Published by Innovative Percussion

Chamber Music Violin, Viola, cello, Piano

SKU: PR.14440587S

Composed by Steven Stucky. Premiered by Opus One, Music from Angel Fire, NM. Contemporary. Score. With Standard notation. Composed 2012. 44 pages. Duration 12 minutes. Theodore Presser Company #144-40587S. Published by Theodore Presser Company (PR.14440587S).

UPC: 680160616497. 9x12 inches.

As composer-in-residence at the Music from Angel Fire festival in New Mexico, Stucky was commissioned for a new chamber work, Rain Shadow, written for Opus One. For inspiration, Stucky looked to the incredible works of Scottish sculptor Andy Goldsworthy. Much of the piece underscores contrasts between the piano and the violin, viola, and cello, with the strings working largely as a unit, frequently intoning their unpredictable harmonies in homophonic rhythms... Rain Shadow is big on clarity, easy to follow, and attractive to the ear, even letting loose (near the end) a big ol' Romantic theme that wouldn't be out of place in a cinematic epic set in outer space. (James M. Keller, Listen Up, Santa Fe New Mexican).

Jazz Ensemble Jazz Band - Grade 3

SKU: FJ.HX9014S

Score Only. Composed by Monika Herzig. Jazz Ensemble; Performance Music Ensemble; Single Titles. HXmusic. Jazz; Swing. Score. The FJH Music Company Inc #98-HX9014S. Published by The FJH Music Company Inc (FJ.HX9014S).

English.

Origina lly recorded by Monika Herzig and a cast of musical collaborators from around the globe on her 2016 album, The Whole World in Her Hands, Oh, Muddy Waters is a bluesy call-and-response between bass instruments and the whole ensemble. Monika has arranged the small group version for big band, with modest brass ranges, suggested piano voicings, and solo space for tenor sax and guitar (or piano). Solo transcriptions are provided that match the recording note-for-note. Laid-back, soft syncopations and a rich harmonic language bring to life a composition that builds on that initial bass riff. Top trumpet note: G5.

By Astor Piazzolla (1921-1992). Arranged by Fred Sturm. Jazz Ensemble / Jazz Band. Fred Sturm Series. Tango. Grade 4/5. Score and set of parts. Published by Sierra Music

Jazz Band Jazz Band - Grade 3

SKU: XC.VJE2204

Composed by Peter Sciaino. Festival. Jazz Voyage Series Grade 3. Set of parts. Excelcia Music Publishing #VJE2204. Published by Excelcia Music Publishing (XC.VJE2204).

12 x 9 inches.

Inspired by the crossover titles from the classic Blue Note era of the 1960s, composer and educator Peter Sciaino has come up with a unique latin-rock chart that has a great Bass groove and an infectious rhythmic drive. There is a lot of interplay between the wind sections and some interesting harmonic twists along the way. Solo space is for Alto Sax 1 and Trumpet 2. The shout chorus features several layers of sound that build to a dramatic conclusion.

Chamber Music String Quartet

SKU: PR.11440505S

Composed by John Downey. Full score. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505S. Published by Theodore Presser Company (PR.11440505S).

UPC: 680160008391. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique effect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water, disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorelines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluck the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in space. Here , the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement, two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue amont the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of psycho-rhythmics contributes to an on-rush seem of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

Composed by Jimmy Van Heusen and Sammy Cahn. Arranged by Billy Byers. For jazz ensemble. The Jazz Masters Series. Swing. Medium. Score and set of parts. Published by Sierra Music

By Melanie Smith. For Cello. Theory. All. Level: Beginning. Book. Size 8.5x11. 84 pages. Published by Mel Bay Publications, Inc.

Libretto for Opera in Two Parts. Composed by George Benjamin; text by Martin Crimp. Vocal; Vocal (Opera) Libretto. Faber Edition. 20th Century; Masterwork. Book. Faber Music #12-0571540554. Published by Faber Music

Edited by Gayle Kowalchyk and E. L. Lancaster. For Piano. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Premier Piano Course. Premier Piano Course. Children; Recital. 32 pages. Published by Alfred Music

Guitar (GUITAR SOLO)

SKU: HL.50487106

Expanded, revised edition. Composed by Erzsé, Mikló, bet Nagy, czi, and s Mosó. EMB. Volume 2. Children, Classical, Hungarian. Softcover. 64 pages. Editio Musica Budapest #Z12280. Published by Editio Musica Budapest (HL.50487106).

ISBN 9790080122808. Bach (23 x 30,2 cm) inches. Erzsebet Nagy; Miklos Mosoczi.

This publication is a completely revised edition of our five-volume guitar tutor. In the decades since the first edition, the musical interests of our students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor. We have increased the number of recital pieces at all levels of difficulty, so that our students can spend longer on a varied repertoire at their respective level. We have first of all selected works from the Viennese classics for this purpose but have also enriched the repertoire of the tutor with numerous pieces from the Renaissance and Baroque periods. In volumes I and II of the tutor we have given Hungarian folk songs and children's songs a significant amount of space. In the course of revision, we have expanded the material of these two volumes with simple arrangements of folk songs, nursery rhymes and flower songs, and we have provided very easy, but valuable material for instrumental study in particular for children aged between 6 and 10. We have also expanded the chamber music material to be found at the end of the volumes, because we believe that playing music together is the best way to make instrumental study a lasting experience for our students. The parts are relatively simple, sothe works provide a musical experience almost immediately.

Jazz Ensemble - Grade 3.5

SKU: KN.43362S

Composed by Antonio J. Garcia. Jazz Ensemble Series. Kendor Music Inc #43362S. Published by Kendor Music Inc (KN.43362S).

UPC: 822795433623.

This medium advanced chart was commissioned by the Jazz Division of the Illinois Music Educators Association for the 2018 Illinois All State Jazz Ensemble. Alternating between a straight 8th-note feel and a swing feel, the chart features much ensemble work and plenty of space for soloists, making it ideal for concerts and festivals. Duration 6:00.

SKU: HL.49046623

For Cello Solo. Composed by Christian Jost. String Solo. Softcover. Schott Music #CB297. Published by Schott Music (HL.49046623).

UPC: 842819104575.

My work lautlos II for solo cello further explores the idea of an inner dialogue between the performer and his or her instrument, in a manner similar to my previous work lautlos I. The instrumentalist should take great care in allowing the fragmentary elements to merge seamlessly with one another, creating a flowing 'conversation'. At the same time however, there should still be sufficient space for tonal and rhythmic sculptures to display the splendid beauty of this instrument, with its broad range of tonal colours and sound effects. -Christian Jost.

Jazz Ensemble standard jazz ensemble with opt. flute and vibes - Grade 3

SKU: KN.61500S

Composed by Bill Liston. Jazz Journey. Kendor Music Inc #61500S. Published by Kendor Music Inc (KN.61500S).

UPC: 822795615005.

This engaging swing original for advancing groups alternates between 2 and 4 feels while providing interesting ensemble passages for everyone. Ample articulations and dynamics are provided throughout, and solo space is reserved for alto sax and trombone. While this chart can be programmed anywhere in your set, it works exceptionally well as an opener or closer thanks to a powerful shout chorus and big ending. A guitar chord chart by Jim Greeson is included in each set. Duration 4:55. Available in SmartMusic.

Jazz Ensemble standard jazz ensemble - Grade 3.5

SKU: KN.43362

Composed by Antonio J. Garcia. Jazz Ensemble Series. ECM Straight 8th Feel. Kendor Music Inc #43362. Published by Kendor Music Inc (KN.43362).

UPC: 822795433623.

This medium advanced chart was commissioned by the Jazz Division of the Illinois Music Educators Association for the 2018 Illinois All State Jazz Ensemble. Alternating between a straight 8th-note feel and a swing feel, the chart features much ensemble work and plenty of space for soloists, making it ideal for concerts and festivals. Duration 6:00.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039409

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. 1x 10.394/21 flute 1, 1x 10.394/22 flute 2, 1x 10.394/23 oboe 1, 1x 10.394/24 oboe 2, 1x 10.394/25 clarinet 1, 1x 10.394/26 clarinet 2, 1x 10.394/27 bassoon 1, 1x 10.394/28 bassoon 2, 1x 10.394/31 horn 1, 1x 10.394/32 horn 2, 1x 10.394/33 trumpet 1, 1x 10. Harmony parts. Secular choral music. Set of Orchestra Parts. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/09. Published by Carus Verlag (CA.1039409).

ISBN M-007-25218-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and parts available separately - see item CA.1039400.

By Melanie Smith. For Viola. Theory / harmony. All. Level: Beginning. Book. Size 8.5x11. 88 pages. Published by Mel Bay Publications, Inc.

By Grace Vandendool. Theory. Preparatory Rudiments. Level: Preparatory Theory. Book. 96 pages. Published by The Frederick Harris Music Company.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039400

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Secular choral music. Full Score. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/00. Published by Carus Verlag (CA.1039400).

ISBN M-007-18767-5. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century.

Clarinet

SKU: HL.14046089

Composed by Pedro Rubio. CARISCH - MUSIC SALES. Tuition. General Merchandise. Real Musical #MK19064. Published by Real Musical (HL.14046089).

ISBN 9788438712689. Spanish.

The Clarinet First Steps collection is divided into four volumes, aimed at young clarinetists. This second book consists of three educational parts. The following sections appear throughout the parts to achieve the basic objectives of the art of Clarinet playing: Musical Language: Explanation of music contents in the exercises, melodies and duets. Technique And Repertoire: Includes technical contents, some exercises to practice and short melodic pieces containing the new concepts presented. Activities: A fun section where the student can answer quiz questions, review issues of musical language or practice breathing exercises. Cultural Space: In this section, there arehistorical curiosities about the Clarinet and composers, a discussion on the relationship between Mozart and the Clarinet and a review of Antonio Romero, the most important Spanish clarinetist in the century XIX. 15 Progressive Duos: Duos designed with the same level of difficulty in both voices to play with the teacher or another student. CD: The book is accompanied by a CD MP3 featuring recordings of the exercises, melodies with Piano accompaniment and duets. The author of this method, Pedro Rubio , performs his musical studies in Murcia, Malaga and Barcelona, Spain. In 1997 he won the Clarinet Performing Diploma from the Royal College of Music in London and in 2003 the Bass Clarinet Diploma at the Conservatory of Rotterdam. He has taught Clarinet since 1989.

Composed by Kevin A. Memley. Pavane Choral. Sacred. Octavo. 12 pages. John Rich Music Press #JR1129. Published by John Rich Music Press

SATB Choir, Piano

SKU: CA.926610

From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926610).

ISBN 9790007295578. German.

Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Was ist die Welt?A strict Allegro ben ritmato symbolises how inexorable the course of the world is. The choir chants the question about what Welt (the world) actually is. Hectic bustle is expressed through a pulsing basic motif. This is repeated constantly and moves through the parts. A lyrical B flat minor in the central section allows us to float like shadows on the way into a dream.The song text is a collage. The first verse, by the Baroque poet Christian Hoffmann von Hoffmannswaldau, is concerned with the vanitas motif: the world, and everything which seems beautiful to us, is ephemeral. The second and third verses were written in the 18th century by Johann Gottfried Herder. Here, the poet expounds the view that real life does not take place in the world and that people's mathematical abilities are insufficient to measure space and time.