El Choclo Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile Verlag Dohr
(Tango (Bearbeitung fur Streichquartett)). By Angel G. Villoldo. For String quar...(+)
(Tango (Bearbeitung fur
Streichquartett)). By
Angel G. Villoldo. For
String quartet, Double
bass ad lib.. Der
Musikalische Salon Vol.
2. Grade 3 (Medium).
Score and Parts.
Published by Verlag Dohr
Fire walk Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS9 Full Score and P...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS9
Full Score and
Parts. Composed by
Sean O'Loughlin. Carl
Fischer Young String
Orchestra Series. Score
and Parts. With Standard
notation.
8+8+5+2+5+5+2+12 pages.
Carl Fischer Music #YAS9.
Published by Carl Fischer
Music (CF.YAS9).
ISBN
9780825844867. UPC:
798408044862. 8.5 X 11
inches. Key: A
minor.
Firewalk
is a piece for
young string orchestra
designed to teach
pizzicato playing to the
developing string player.
All too often, pizzicato
is treated simply as an
effect or percussive
accent to a passage. With
this piece, pizzicato
becomes the melody,
harmony and rhythm. It
calls for the player to
use dynamics and phrasing
while playing pizzicato.
This work is adapted from
incidental music I
composed for a production
of The Birth of
Merlin, a play by
William Shakespeare. The
piece is dedicated to
Helen Borgers, who
directed this production
by the Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material for
Firewalk comes
from a section in the
play where the characters
are dancing a devilish
tango with ethereal
spirits. The music
features jaunty rhythms,
dynamic contrasts, and a
dramatic climax.
Firewalk is a
diverse addition to any
concert
program. Firewalk<
/em> is a piece for young
string orchestra designed
to teach pizzicato
playing to the developing
string player. All too
often, pizzicato is
treated simply as an
effect or percussive
accent to a passage. With
this piece, pizzicato
becomes the melody,
harmony and rhythm. It
calls for the player to
use dynamics and phrasing
while playing pizzicato.
This work is adapted from
incidental music I
composed for a production
ofA The Birth of
Merlin, a play by
William Shakespeare. The
piece is dedicated to
Helen Borgers, who
directed this production
by the Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material forA
Firewalk comes
from a section in the
play where the characters
are dancing a devilish
tango with ethereal
spirits. The music
features jaunty rhythms,
dynamic contrasts, and a
dramatic climax.A
Firewalk is a
diverse addition to any
concert
program. Firewalk is a
piece for young string
orchestra designed to
teach pizzicato playing
to the developing string
player. All too often,
pizzicato is treated
simply as an effect or
percussive accent to a
passage. With this piece,
pizzicato becomes the
melody, harmony and
rhythm. It calls for the
player to use dynamics
and phrasing while
playing pizzicato. This
work is adapted from
incidental music I
composed for a production
of The Birth of Merlin, a
play by William
Shakespeare. The piece is
dedicated to Helen
Borgers, who directed
this production by the
Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material for Firewalk
comes from a section in
the play where the
characters are dancing a
devilish tango with
ethereal spirits. The
music features jaunty
rhythms, dynamic
contrasts, and a dramatic
climax. Firewalk is a
diverse addition to any
concert
program. Firewalk is a
piece for young string
orchestra designed to
teach pizzicato playing
to the developing string
player. All too often,
pizzicato is treated
simply as an effect or
percussive accent to a
passage. With this piece,
pizzicato becomes the
melody, harmony and
rhythm. It calls for the
player to use dynamics
and phrasing while
playing pizzicato.This
work is adapted from
incidental music I
composed for a production
of The Birth of
Merlin, a play by William
Shakespeare. The piece is
dedicated to Helen
Borgers, who directed
this production by the
Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material for Firewalk
comes from a section in
the play where the
characters are dancing a
devilish tango with
ethereal spirits. The
music features jaunty
rhythms, dynamic
contrasts, and a dramatic
climax. Firewalk is a
diverse addition to any
concert program.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Nicolás
Humberto Repetto. Sws.
Cas. Full score. 8 pages.
Carl Fischer Music
#CAS132F. Published by
Carl Fischer Music
(CF.CAS132F).
ISBN
9781491157503. UPC:
680160916085. 9 x 12
inches.
Chicharra
was born out of a love
for syncopated music that
makes one move and dance.
A rhythmic motive
initiated by the viola
and cello sections starts
the diabolical journey of
dance and lyricism. The
syncopated, driving
rhythms initiated by the
low strings are
contrasted by lyrical
lines played in the
violin and viola
sections. A contrasting,
lyrical B section, in
6/8, almost waltz-like,
shows a softer side of
this dance journey.
Various tango elements
are also found in this
piece such as special
effects like the
glissandi in the cello
section, and the
chicharra played by the
violins. The chicharra
should be played behind
the bridge on the D
string with extra finger
weight, very close to the
tailpiece - this sound
imitates the chicharra or
cricket!. Chicharra
was born out of a love
for syncopated music that
makes one move and dance.
A rhythmic motive
initiated by the viola
and cello sections starts
the diabolical journey of
dance and lyricism. The
syncopated, driving
rhythms initiated by the
low strings are
contrasted by lyrical
lines played in the
violin and viola
sections. A contrasting,
lyrical B section, in
6/8, almost waltz-like,
shows a softer side of
this dance
journey.Various tango
elements are also found
in this piece such as
special effects like the
glissandi in the cello
section, and the
chicharra played by the
violins. The chicharra
should be played behind
the bridge on the D
string with extra finger
weight, very close to the
tailpiece - this sound
imitates the chicharra or
cricket!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Nicolás
Humberto Repetto. Folio.
Cas. Set of Score and
Parts. 8+8+8+5+5+5 pages.
Duration 3 minutes, 7
seconds. Carl Fischer
Music #CAS132. Published
by Carl Fischer Music
(CF.CAS132).
ISBN
9781491157688. UPC:
680160916269. 9 x 12
inches.
Chicharra
was born out of a love
for syncopated music that
makes one move and dance.
A rhythmic motive
initiated by the viola
and cello sections starts
the diabolical journey of
dance and lyricism. The
syncopated, driving
rhythms initiated by the
low strings are
contrasted by lyrical
lines played in the
violin and viola
sections. A contrasting,
lyrical B section, in
6/8, almost waltz-like,
shows a softer side of
this dance journey.
Various tango elements
are also found in this
piece such as special
effects like the
glissandi in the cello
section, and the
chicharra played by the
violins. The chicharra
should be played behind
the bridge on the D
string with extra finger
weight, very close to the
tailpiece - this sound
imitates the chicharra or
cricket!. Chicharra
was born out of a love
for syncopated music that
makes one move and dance.
A rhythmic motive
initiated by the viola
and cello sections starts
the diabolical journey of
dance and lyricism. The
syncopated, driving
rhythms initiated by the
low strings are
contrasted by lyrical
lines played in the
violin and viola
sections. A contrasting,
lyrical B section, in
6/8, almost waltz-like,
shows a softer side of
this dance
journey.Various tango
elements are also found
in this piece such as
special effects like the
glissandi in the cello
section, and the
chicharra played by the
violins. The chicharra
should be played behind
the bridge on the D
string with extra finger
weight, very close to the
tailpiece - this sound
imitates the chicharra or
cricket!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Astor
Piazzolla. Arranged by
Jim Palmer. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Light Concert.
Score and Part(s). 124
pages. Duration 4:45.
Belwin Music #00-47441.
Published by Belwin Music
(AP.47441).
UPC:
038081547879.
English.
This
lyrical arrangement of an
Argentinian tango is a
wonderful introduction to
the music of Astor
Piazzolla. The melody is
first introduced by the
violas and then passed
smoothly to the first
violins. Your students
will love the beautiful
harmonies, interesting
rhythms, and the variety
of dynamics, and the
piece includes many
opportunities to teach
shifting, glissando,
balance, and phrasing.
This piece is a perfect
choice for a festival or
any concert performance.
(4:45).
Composed by Astor
Piazzolla. Arranged by
Jim Palmer. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Light Concert.
Score. 16 pages. Belwin
Music #00-47441S.
Published by Belwin Music
(AP.47441S).
UPC:
038081547886.
English.
This
lyrical arrangement of an
Argentinian tango is a
wonderful introduction to
the music of Astor
Piazzolla. The melody is
first introduced by the
violas and then passed
smoothly to the first
violins. Your students
will love the beautiful
harmonies, interesting
rhythms, and the variety
of dynamics, and the
piece includes many
opportunities to teach
shifting, glissando,
balance, and phrasing.
This piece is a perfect
choice for a festival or
any concert
performance.