By LMFAO. By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arranged by Paul Murtha and Will Rapp. For Marching Band (Score and Parts). Series One Marching Band. Grade 2. Published by Hal Leonard

By David Listenbee, LMFAO, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arranged by Michael Brown. Score and Parts. Contemporary Marching Band. Grade 3-4. Published by Hal Leonard

By LMFAO. By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arranged by Paul Murtha. For Concert Band (Score and Parts). Discovery Concert Band. Grade 1.5. Published by Hal Leonard

By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arranged by Paul Murtha. For Jazz Ensemble (Score and Parts). Easy Jazz Ensemble Series. Grade 2. Score and parts. Published by Hal Leonard

By LMFAO. By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arranged by Michael Brown. Score and Parts. Discovery Plus Concert Band. Grade 2. Published by Hal Leonard

(Backing Tracks and Improv Lessons). Composed by Loren Gold. For Keyboard; Piano. Book; DVD; Keyboard/Piano; Method/Instruction; Play- Along. Sitting In Series. Blues; Swing. Beginner. 80 pages. Published by Alfred Music

(B-Flat Tenor Saxophone). By Peter Boonshaft and Chris Bernotas. Concert Band. For B-Flat Tenor Saxophone. Band Method; Book; Method/Instruction. Sound Innovations Series for Band. 56 pages. Published by Alfred Music Publishing

(Conductor's Score). By Peter Boonshaft and Chris Bernotas. Concert Band. For Conductor's Score. Band Method; Method/Instruction; Score. Sound Innovations Series for Band. 568 pages. Published by Alfred Music Publishing

(E-Flat Alto Saxophone 2). By Peter Boonshaft and Chris Bernotas. Concert Band. For E-Flat Alto Saxophone 2. Band Method; Book; Method/Instruction. Sound Innovations Series for Band. 56 pages. Published by Alfred Music Publishing

Piano - Early Intermediate; Late Elementary

SKU: FJ.FJH1415

Composed by Judith R. Strickland. Piano Collection; Piano Supplemental. Composers In Focus. Contents include: Parade; Fife and Drum; March; Tuba Tune; Paint the Town Red, White, and Blue; Holiday Fanfare; Walking on Stilts; Riding a Float; Clowns; Big Brass Band; Cloud Nine; The Jaunty Jalopy. Traditional scale and chord patterns make these piec. Book. The FJH Music Company Inc #98-FJH1415. Published by The FJH Music Company Inc (FJ.FJH1415).

ISBN 9781569393529. UPC: 674398213962. English.

The sights and sounds of a festive parade come alive in this collection: Fife and Drum, Tuba Tune, Holiday Fanfare, Walking on Stilts, Riding a Float, Clowns and much more. Traditional scale and chord patterns make these pieces easy to learn (keys of C, F, and G), and provide a good supplement to any piano method.

About FJH Composers in Focus

Comp osers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

SSATTB chorus and piano - Medium

SKU: JK.01959

Composed by A.C. Smyth. Arranged by A. Laurence Lyon. Choral SATB, Difficulty Medium, Faith, God the Father, Prayer, Restoration. Christian, Inspirational. Jackman Music Corporation #01959. Published by Jackman Music Corporation (JK.01959).

This is a flowing setting of the long-loved Joseph Smith's First Prayer. Hand-in-hand with the accompaniment, the choral parts paint the picture of that tranquil morning when Joseph Smith saw the living God. It is set for SSATTB and piano or organ, and will be most effective when equal attention is given to both choir and accompaniment in preparation.
Arranger: A. Laurence Lyon
Text: George Manwaring
Music: A.C. Smyth
Difficulty: Medium

(Divertimento for Wind Quintet and Percussion (Study Score)). By William Schuman (1910-1992). Chamber ensemble. For Piccolo, Flute, Oboe, Clarinet, Bassoon, Horn, Glockenspiel, Tambourine, Snare Drum, Pedal Bass Drum, Tom-Tom, Cymbals, Hi-Hat, Wood Block. Full Score - Study. Standard notation. 39 pages. Duration 10:00

Composed by Carl F. Schalk. Sacred. Octavo. Published by Concordia Publishing House (CR.98-4257).

Composed by Andres Segovia. Classical Guitar Folio; Masterworks. Kalmus Edition. 20th Century; Masterwork. Book. 12 pages. Kalmus Classic Edition #00-K04163. Published by Kalmus Classic Edition

Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords; Worship Resources. Contemporary Christian; Sacred. 256 pages. Published by Alfred Music

Composed by Jacques Offenbach (1819-1880). Arranged by Richard Meyer. Orchestra. Masterworks; Part(s); Score; String Orchestra. Highland� String Explorer. Form: Transcription. Masterwork Arrangement; Romantic. Grade 1. 140 pages. Published by Highland/Etling

Orchestra

SKU: HL.141935

Composed by Yevhen Stankovych. LKM Music. Ballet, Classical, Concert. Softcover. 122 pages. Lauren Keiser Music Publishing #X077583. Published by Lauren Keiser Music Publishing (HL.141935).

ISBN 9781495010873. UPC: 888680046750. 9.0x14.0x0.535 inches.

Prior to 1991 Ukrainian master composer Yevhen Stankovych's works were regularly censored or banned by Soviet authorities. The ballet “The Agony: Rasputin” (originally titled “Prometheus”) was one such work. This suite from the ballet highlights Stankovych's uniquely pronounced affinity with the vernacular, blending folk motifs with orchestral colors in multilayered polyphony. “Rasputin” was first performed with its original music and libretto in 1989 in Skopje, Macedonia.

(Scores from the Original Parts) Performed by Miles Davis. For alto saxophone, baritone saxophone, trumpet, horn, trombone, tuba, piano, bass and drum set. Format: full score (multiple copies needed for performance). With full score notation and introductory text. Jazz. Series: Hal Leonard Transcribed Scores. 168 pages. 9x12 inches. Published by Hal Leonard.

The Real Christmas Book Play-Along, Vol. N-Y by Various. For Piano/Vocal/Guitar, C Instruments, BC Instruments, Bb Instruments, Eb Instruments. Real Book Play-Along. CD only. 4 pages. Published by Hal Leonard