Method, Procedures, Planning, and Core Vocal Exercises. Composed by James Jordan...(+)
Method, Procedures,
Planning, and Core Vocal
Exercises. Composed by
James Jordan. Evoking
Sound Series. Music
Education. Book. 326
pages. GIA Publications
#6397. Published by GIA
Publications
Chamber Music Violin SKU: CF.BF132 17 Medium-Level Arrangements for An...(+)
Chamber Music Violin
SKU: CF.BF132
17 Medium-Level
Arrangements for Any
Combination of String
Instruments. Composed
by Alexander Borodin,
Cecile Chaminade,
Chevalier de
Saint-Georges, Edvard
Grieg, Fanny Cecile
Mendelssohn, Franz Joseph
Haydn, Gabriel Faure,
George Frideric Handel,
Isabella Leonarda, Johann
Sebastian Bach, Ludwig
van Beethoven, Luigi
Boccherini, and etc.
Arranged by Todd Parrish.
Collection - Part. 42
pages. Carl Fischer Music
#BF132. Published by Carl
Fischer Music (CF.BF132).
ISBN 9781491158678.
UPC:
680160917310.
The
17 masterworks contained
in this collection have
been carefully arranged
for any combination of
string trio. The
selections span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. The 17
masterworks contained in
this collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.The
selections have been
arranged in chronological
order. They span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting.All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. Some repeats are
marked in the music, but
any selection may be
repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, while
fingerings have been left
to the individual
performers to decide.
Chamber Music Cello SKU: CF.BF134 17 Medium-Level Arrangements for Any...(+)
Chamber Music Cello
SKU: CF.BF134
17 Medium-Level
Arrangements for Any
Combination of String
Instruments. Composed
by Alexander Borodin,
Cecile Chaminade,
Chevalier de
Saint-Georges, Edvard
Grieg, Fanny Cecile
Mendelssohn, Franz Joseph
Haydn, Gabriel Faure,
George Frideric Handel,
Isabella Leonarda, Johann
Sebastian Bach, Ludwig
van Beethoven, Luigi
Boccherini, and etc.
Arranged by Todd Parrish.
Collection - Part. 42
pages. Carl Fischer Music
#BF134. Published by Carl
Fischer Music (CF.BF134).
ISBN 9781491158692.
UPC:
680160917334.
The
17 masterworks contained
in this collection have
been carefully arranged
for any combination of
string trio. The
selections span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. The 17
masterworks contained in
this collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.The
selections have been
arranged in chronological
order. They span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting.All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. Some repeats are
marked in the music, but
any selection may be
repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, while
fingerings have been left
to the individual
performers to decide.
Chamber Music solo viola SKU: CF.BF133 17 Medium-Level Arrangements fo...(+)
Chamber Music solo viola
SKU: CF.BF133
17 Medium-Level
Arrangements for Any
Combination of String
Instruments. Composed
by Alexander Borodin,
Cecile Chaminade,
Chevalier de
Saint-Georges, Edvard
Grieg, Fanny Cecile
Mendelssohn, Franz Joseph
Haydn, Gabriel Faure,
George Frideric Handel,
Isabella Leonarda, Johann
Sebastian Bach, Ludwig
van Beethoven, Luigi
Boccherini, and etc.
Arranged by Todd Parrish.
Collection - Part. 42
pages. Carl Fischer Music
#BF133. Published by Carl
Fischer Music (CF.BF133).
ISBN 9781491158685.
UPC:
680160917327.
The
17 masterworks contained
in this collection have
been carefully arranged
for any combination of
string trio. The
selections span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. The 17
masterworks contained in
this collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.The
selections have been
arranged in chronological
order. They span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting.All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. Some repeats are
marked in the music, but
any selection may be
repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, while
fingerings have been left
to the individual
performers to decide.
Chamber Music Double Bass SKU: CF.BF135 17 Medium-Level Arrangements f...(+)
Chamber Music Double Bass
SKU: CF.BF135
17 Medium-Level
Arrangements for Any
Combination of String
Instruments. Composed
by Alexander Borodin,
Cecile Chaminade,
Chevalier de
Saint-Georges, Edvard
Grieg, Fanny Cecile
Mendelssohn, Franz Joseph
Haydn, Gabriel Faure,
George Frideric Handel,
Isabella Leonarda, Johann
Sebastian Bach, Ludwig
van Beethoven, Luigi
Boccherini, and etc.
Arranged by Todd Parrish.
Collection - Part. 42
pages. Carl Fischer Music
#BF135. Published by Carl
Fischer Music (CF.BF135).
ISBN 9781491158708.
UPC:
680160917341.
The
17 masterworks contained
in this collection have
been carefully arranged
for any combination of
string trio. The
selections span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. The 17
masterworks contained in
this collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.The
selections have been
arranged in chronological
order. They span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting.All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. Some repeats are
marked in the music, but
any selection may be
repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, while
fingerings have been left
to the individual
performers to decide.
Instruments en Do [Fake Book] - Intermédiaire Sher Music Company
For C instrument. Format: fakebook (spiral bound). With melody, chord names, int...(+)
For C instrument. Format:
fakebook (spiral bound).
With melody, chord names,
introductory text and
black and white photos.
Jazz and Pop. 438 pages.
9x12 inches. Published by
Sher Music Company.
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble)
SKU:
HL.51481531
Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. 84 pages. G.
Henle #HN1531. Published
by G. Henle
(HL.51481531).
UPC:
840126989311.
9.25x12.25x0.361
inches.
Mendelssohn
is considered a
self-critical composer,
who repeatedly reworked a
number of his pieces
until he deemed them
worthy to be published.
The path to his first
Piano Trio was
particularly rocky: only
after several attempts
was he able to complete
it in the summer of 1839;
it appeared in 1840 after
further revisions. This
perfectionism paid off,
for Mendelssohn's D Minor
Trio was immediately
received with enthusiasm.
Robert Schumann wrote:
“It is the master
trio of the present day,
like those of Beethoven
in Bb and D and that of
Franz Schubert in Eb were
in their time; a very
beautiful composition
which after years will
still delight
grandchildren and
great-grandchildren.â€
Which was to prove
true: even today, it
numbers among the most
popular works in the trio
repertoire in general.
The trio, taken from the
volume Mendelssohn
• Piano Trios HN
957, is now available
from Henle for the first
time also as a practical
single edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Score & Parts High Voice; Vocal (Voice and Piano) SKU: HL.51481458 For...(+)
Score & Parts High Voice;
Vocal (Voice and Piano)
SKU: HL.51481458
For High Voice and
Piano. Composed by
Richard Strauss. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1458. Published by G.
Henle (HL.51481458).
UPC: 840126989601.
8.25x11.75x0.14
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard Strauss'
corpus of Lieder. For the
first time, he composed
an entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
Zueignung, Die Nacht, and
Allerseelen, are among
the most popular Strauss
songs of all time, but
the entire cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The
primary source for the
Henle Urtext edition is
the first edition from
1887, which Strauss
furnished with a
dedication to the Royal
Bavarian chamber singer
Heinrich Vogl - a serious
invitation to today's
male singers not to leave
these wonderful Strauss
songs solely to female
singers!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Medium Voice; Piano Accompaniment (Low Voice) SKU: HL.51481460 Low Voi...(+)
Medium Voice; Piano
Accompaniment (Low Voice)
SKU: HL.51481460
Low Voice and
Piano. Composed by
Richard Strauss. Edited
by Annette Oppermann.
Henle Music Folios.
Classical, Song Cycle.
Softcover. 40 pages. G.
Henle #HN1460. Published
by G. Henle
(HL.51481460).
UPC:
196288093046.
8.25x11.5x0.177
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard
StraussÂ’corpus of
Lieder. For the first
time, he composed an
entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
“Zueignung,â€
“Die Nacht,â€
and
“Allerseelen,â€
are among the most
popular Strauss songs of
all time, but the entire
cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The first
edition of op. 10,
published in 1887 for
high voice, was followed
during the composer's
lifetime by transposed
versions for middle and
low registers, something
that was then to become
the rule for all of
Strauss's songs. Henle
has returned to these
tried and tested
transpositions for its
own Urtext edition for
low voice, so as to offer
this wondrous song-cycle
to all voice ranges.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited...(+)
Arrangement for Piano.
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Christian Schaper,
Ullrich
Scheideler, and
Marc-Andre
Hamelin. Arranged by
Feruccio
Busoni. Henle Music
Folios.
Classical. Softcover. 28
pages. G. Henle #HN1479.
Published by G. Henle
Chamber Music Violin SKU: CF.BF142 22 Holiday Arrangements for Any Com...(+)
Chamber Music Violin
SKU: CF.BF142
22 Holiday
Arrangements for Any
Combination of String
Instruments. Composed
by Basque Carol, Bernard
de la Monnoye, Catalonian
Carol, English Carol,
Felix Bartholdy
Mendelssohn, Franz Xaver
Gruber, French carol,
James Pierpont, John
Henry Hopkins, John Wade,
Lewis Redner, Mykola
Leontovich, Richard
Storrs Willis, and Welsh
Carol. Arranged by Todd
Parrish. Collection -
Score. 48 pages. Carl
Fischer Music #BF142.
Published by Carl Fischer
Music (CF.BF142).
ISBN
9781491160145. UPC:
680160918744.
The
22 holiday classics
contained in this
collection have been
carefully arranged for
any combination of string
trio. The melodies,
both sacred and secular,
cover many centuries and
originate in Western
Europe and the United
States. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed in
a variety of venues from
church services to
holiday gatherings. This
Compatible String
Ensembles collection of
Christmas Trios will set
the mood in any
environment.This Series
is Available for:Violin
BF142Viola BF143Cello
BF144Bass BF145. The
22 Christmas tunes
contained in this
collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.
This three-part format
follows a standard order:
part 1 is melody, part 2
is harmony, and part 3 is
a traditional bass line.
Optional 8va markings are
sometimes given to help
the voicings sound
better.The selections
have been arranged in
alphabetic order. The
melodies, both sacred and
secular, cover many
centuries and originate
in Western Europe and the
United States. Each work
is in the public domain
and was selected for both
its quality and musical
interest.Arranged
specifically for a
chamber setting, the
trios may be performed in
a variety of venues from
church services to
holiday gatherings. Some
repeats are marked in the
music, but any selection
may be repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, and some
fingerings have been
added to show the
direction of shifts
beyond first
position.—Todd
ParrishOrchestra Editor,
Carl Fischer MusicJune
2021.
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061).
UPC:
840126932836.
6.75x9.5x0.22
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489071 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489071
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9071. Published by G.
Henle (HL.51489071).
UPC: 840126989397.
6.75x9.5x0.268
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
E-flat-major Symphony no.
103 was composed in 1795
as the penultimate of the
London Symphonies. It
owes its epithet to its
unique beginning; a solo
drumroll in the timpani
ushers in the slow
introduction. This
opening bar, marked with
Haydn's heading
“Intrada†and
a pause, even inspires
many a performer to
venture a short timpani
improvisation. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489070 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489070
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9070. Published by G.
Henle (HL.51489070).
UPC: 840126989410.
6.75x9.5x0.259
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
energetic, surging
B-flat-major Symphony no.
102 belongs to the group
of the last three
symphonies premiered in
early 1795.
Exceptionally, Haydn here
dispenses with the
clarinets that are
otherwise generally
featured in his late
symphonies. The
instrumentation of the
Adagio is also unusual,
in that Haydn includes
trumpets and timpani,
both muted. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: HL.51489062 Study Score. Composed by Franz Joseph H...(+)
Orchestra
SKU:
HL.51489062
Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Music Folios.
Classical. Softcover. 66
pages. G. Henle #HN9062.
Published by G. Henle
(HL.51489062).
UPC:
840126951950.
6.75x9.5x0.263
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. To
this day, the G-major
symphony, first performed
in March 1792, numbers
among Haydn's most
popular works. It owes
its English nickname
“Surprise†to
the striking tutti chords
in the Andante, which
apparently caught the
audience off guard. Haydn
had consciously
incorporated this effect
at a later stage - and
was thus subsequently
also perfectly willing to
authorize this nickname
that had been dreamt up
by a London musician.
This popular work also
spread rapidly through
German-speaking
countries, where it is
still firmly established
in the repertoire as the
“symphony with the
drumbeat.†This
study edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)