50 Hits of the '60s, '70s and '80s. Composed by various artists and composer...(+)
50 Hits of the '60s, '70s
and
'80s. Composed by various
artists and composers.
This
edition: Easy Hits Piano.
Book; P/V/C Mixed Folio;
Piano/Vocal/Chords.
Alfred's
Easy. Rock. 192 pages.
Published by Alfred Music
SKU: HL.160580 10 Setups That Will Make Your Instrument Louder, Better...(+)
SKU: HL.160580
10 Setups That Will
Make Your Instrument
Louder, Better, and
Easier to Play. Music
Pro Guides. Guitar
Set-Ups & Maintenance,
String Reference.
Softcover. 114 pages.
Published by Hal Leonard
(HL.160580).
ISBN
9781495064999. UPC:
888680623746.
6.0x9.0x0.314 inches.
Chuck Traeger Music Pro
Guides.
String
musicians, know only
this: everything is
vibrating. The movement
of the spheres? A guru's
cryptic musing?
Hypersensitivity to plate
tectonics? Not quite.
This is the briefest
possible distillation of
Trager's Principle, which
states, “When a
string instrument is
being played, everything
is vibrating, from the
top of the scroll to the
tip of the endpin.â€
This simple formula, the
purest distillation of
master luthier Chuck
Traeger's lifetime of
learning, holds the key
to configuring your
instrument to your
specifications. It also
forms the crux of his
third and final book:
String Instrument Setups:
10 Setups That Will Make
Your Instrument Louder,
Better, and Easier to
Play. At the height of
the Big Band era,
Traeger, a double
bassist, performed
alongside a veritable
who's who of New York
jazz musicians including
the likes of Louie
Armstrong and Sidney
Bechet. In was in this
capacity – as
Charlie Traeger, one hip
cat and a regularly
frustrated client of
NYC's instrument repair
shops –that he
began his pursuit of
sonic perfection. In
1969, satisfied with his
abilities but devoted to
constant
self-improvement, he
opened his first repair
shop. Before he knew it,
his reputation was
preceding him, and he
found himself handling
the instruments of school
band novices and the New
York Philharmonic alike.
On his seventieth
birthday, Traeger retired
from musicianship and
devoted himself to
comprehensively
documenting all he had
learned about his craft.
Two decades later,
shortly after he put the
finishing touches on
String Instrument Setups,
Chuck Traeger passed away
on November 9, 2016.
Scarcely a month had
elapsed since the death
of his beloved wife,
June, to whom he was
married for over sixty
blissful years. Albeit
with a heavy heart, we at
Hal Leonard Books are
proud to present this
remarkable man's parting
gift to generations of
current and future
musicians. String
Instrument Setups is the
culmination of forty-five
years of acoustic
research involving
Trager's old standby, the
double bass, and, in
turn, any string
instrument with a
moveable bridge and a
moveable tailpiece, or
one that can be made
moveable. Armed with this
book, we're confident
that the average musician
can enter almost any
string instrument maker
or repair shop in the
world (the exception
being a shop that has
already read String
Instrument Setups), ask
for their best repair or
restoration, then make
that instrument sound
louder, better, and
easier to play, every
time. This is neither
braggadocio nor
hyperbole; rather, it's
the confidence instilled
by one man's extensive
research, wholehearted
devotion, and firm belief
in the sacred bond
between instrument and
musician. After reading
String Instrument Setups,
we're sure you'll feel
the same.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 36 pages. Duration
65'. Breitkopf and
Haertel #OB 14619-15.
Published by Breitkopf
and Haertel
(BR.OB-14619-15).
ISBN
9790004344774. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical. Set
of parts. 342 pages.
Duration 65'. Breitkopf
and Haertel #OB 14619-30.
Published by Breitkopf
and Haertel
(BR.OB-14619-30).
ISBN
9790004344828. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 32 pages. Duration
65'. Breitkopf and
Haertel #OB 14619-23.
Published by Breitkopf
and Haertel
(BR.OB-14619-23).
ISBN
9790004344804. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Symphony;
Classical. Choral score.
20 pages. Duration 65'.
Breitkopf and Haertel
#ChB 14677-02. Published
by Breitkopf and Haertel
(BR.CHB-14677-02).
ISBN 9790004413067.
7.5 x 10.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 32 pages. Duration
65'. Breitkopf and
Haertel #OB 14619-16.
Published by Breitkopf
and Haertel
(BR.OB-14619-16).
ISBN
9790004344781. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 36 pages. Duration
65'. Breitkopf and
Haertel #OB 14619-19.
Published by Breitkopf
and Haertel
(BR.OB-14619-19).
ISBN
9790004344798. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Chorus (with soloists) and piano (solos: SATB - choir: SATB - picc.2.2.2.2.dble ...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB -
picc.2.2.2.2.dble bsn -
4.2.3.0 - timp.perc -
str)
SKU:
BR.EB-9356
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Beate Angelika
Kraus. Choir; stapled.
Edition Breitkopf.
Symphony; Classical.
Piano vocal score. 60
pages. Duration 65'.
Breitkopf and Haertel #EB
9356. Published by
Breitkopf and Haertel
(BR.EB-9356).
ISBN
9790004188262. 7.5 x 10.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 28 pages. Duration
65'. Breitkopf and
Haertel #OB 14619-27.
Published by Breitkopf
and Haertel
(BR.OB-14619-27).
ISBN
9790004344811. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Beate Angelika
Kraus. Choir; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Classical. Full
score. 256 pages.
Duration 65'. Breitkopf
and Haertel #PB 14619.
Published by Breitkopf
and Haertel
(BR.PB-14619).
ISBN
9790004214947. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Like a Child Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000912-030 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000912-030
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). Gobelin
Music Publications #GOB
000912-030. Published by
Gobelin Music
Publications
(BT.GOB-000912-030).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
(Descant Teacher 2A). By Brian Bonsor. For Recorder. Schott. Teacher's edition. ...(+)
(Descant Teacher 2A). By
Brian Bonsor. For
Recorder. Schott.
Teacher's edition. 175
pages. Schott Music
#ED11467. Published by
Schott Music . teacher's
edition.
Like a Child Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000912-130 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000912-130
Composed by Andreas
Ludwig Schulte. Score
Only. 20 pages. Gobelin
Music Publications #GOB
000912-130. Published by
Gobelin Music
Publications
(BT.GOB-000912-130).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
Like a Child Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000809-120 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000809-120
Composed by Andreas
Ludwig Schulte. Score
Only. 20 pages. Gobelin
Music Publications #GOB
000809-120. Published by
Gobelin Music
Publications
(BT.GOB-000809-120).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
Take Hold of Me Vibraphone et Marimba [Conducteur et Parties séparées] - Avancé Tapspace Publications
(duet for marimba and vibraphone). By Olin Johannessen. Mallet duet. For 1 vibra...(+)
(duet for marimba and
vibraphone). By Olin
Johannessen. Mallet duet.
For 1 vibraphone, 1
marimba (note: 5 octave
is preferable, however a
low-A marimba will also
work) (2 players).
Percussion Duets.
Advanced. Score and parts
on CD-ROM. 8 pages.
Duration 4
Czech Suite Ensemble d'Accordéons [Conducteur et Parties séparées] - Facile De Haske Publications
Accordion Orchestra - Grade 2.5 SKU: BT.DHP-1043708-060 Composed by Tradi...(+)
Accordion Orchestra -
Grade 2.5
SKU:
BT.DHP-1043708-060
Composed by Traditional.
Arranged by Hotze Jelsma.
Accordion. Set (Score &
Parts). Composed 2004. 16
pages. De Haske
Publications #DHP
1043708-060. Published by
De Haske Publications
(BT.DHP-1043708-060).
ISBN 9789043120944.
International.
The
melodies for Czech Suite,
a work for accordion
ensemble in three
movements, originate from
the rich folk culture of
the Czech Republic. These
strong melodies have
survived the test of time
and are still sung and
played in the Czech
Republic today.
De melodieën
voor Czech Suite
(Tsjechische suite), een
werk voor
accordeonensemble in drie
delen, zijn afkomstig uit
de rijke volkscultuur van
Tsjechië. Het zijn
sterke melodieën die
de tand des tijds hebben
overleefd en ookvandaag
de dag nog in Tsjechië
worden gezongen en
gespeeld.
Die
Melodien für die
Czech Suite, einem
Werk für
Akkordeonorchester in
drei Sätzen, stammen
aus dem Volksliedgut der
Tschechischen Republik.
Diese kraftvollen
Melodien widerstanden dem
Zahn der Zeit und werden
in Tschechien heute noch
gesungen und gespielt.
Hotze Jelsma fasste drei
davon in seiner
überzeugenden
Tschechischen
Suite für
Akkordeonorchester
zusammen.
Like a Child Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000752-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000752-140
Composed by Andreas
Ludwig Schulte. Score
Only. Gobelin Music
Publications #GOB
000752-140. Published by
Gobelin Music
Publications
(BT.GOB-000752-140).
The young have
the future. This is the
statement made at the
beginning of ‘Like
a Child’ by
Andreas Ludwig
Schulte. The opening
radiates strength and
ambition, but one is also
made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
Like a Child Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000809-020 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000809-020
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 8 pages.
Gobelin Music
Publications #GOB
000809-020. Published by
Gobelin Music
Publications
(BT.GOB-000809-020).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
By Franz Joseph Haydn. Edited by Schulze, Willi. For Soli SS, SATB Choir, 2 Viol...(+)
By Franz Joseph Haydn.
Edited by Schulze, Willi.
For Soli SS, SATB Choir,
2 Violins,
Cello/Contrabass, Organ.
Hob. XXII:1. Missa
brevis, Latin. Score.
Language: Latin. Composed
1749-50 (?) (dazwischen).
32 pages. Duration 13
min. Published by Carus
Verlag (German import).
Composed by Jean Sibelius (1865-1957). Edited by Ulrich Mahlert. This edition: u...(+)
Composed by Jean Sibelius
(1865-1957). Edited by
Ulrich Mahlert. This
edition: urtext.
Partitur-Bibliothek
(Score Library). Study
score. 116 pages.
Published by Breitkopf
and Haertel
(BR.PB-5564-07).
SS vocal soli, SATB choir, 2 violins, cello/contrabass, organ - Level 2 SKU: ...(+)
SS vocal soli, SATB
choir, 2 violins,
cello/contrabass, organ -
Level 2
SKU:
CA.4060149
Composed
by Franz Joseph Haydn.
Edited by Willi Schulze.
This edition: urtext.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. Haydn: Missa
Brevis In F Xxii:1.
Innovative practice aids,
Sacred vocal music, Missa
brevis in Latin. Single
Part, Organ. Composed
1749-50 (?). Hob. XXII:1.
8 pages. Duration 14
minutes. Carus Verlag #CV
40.601/49. Published by
Carus Verlag
(CA.4060149).
ISBN
9790007219321. Key: F
major. Text language:
Latin.
Despite all
of its folk-line
simplicity of melody,
Haydn's first mass
contains a pious note
that, just like its
youthful verve, still was
to hold fascination for
him in his late years
when, in 1805, he
re-orchestrated his first
work. The first version
of the mass is considered
to have been composed in
1749 or 1750. It was
around the same time that
Pope Benedict XIV treated
questions concerning
church music in his
encyclical Annus qui in
which he condemned the
frequently operatic style
of church music and
demanded liturgical music
that revealed an
awareness of its
religious purpose and
that sought to fulfill it
with simple means of
musical expression. In
its liturgical attitude
Haydn's first mass is
anchorded in this point
of view (that to a great
extent corresponded to
the general standpoint of
the churches of the
eighteenth century).
Score and part available
separately - see item
CA.4060100.
Like a Child Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000752-010 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000752-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 160
pages. Gobelin Music
Publications #GOB
000752-010. Published by
Gobelin Music
Publications
(BT.GOB-000752-010).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!