Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str)
SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Hannover, March
13, 1972
Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07).
ISBN
9790004206591. 7 x 9.5
inches.
Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46.
(In-Depth Lessons for Players of All Levels). For Guitar. String Letter Publishi...(+)
(In-Depth Lessons for
Players of All Levels).
For Guitar. String Letter
Publishing. Softcover
with CD. Guitar
tablature. 72 pages.
Published by String
Letter Publishing
Orchestra Score (ORCH SCORE) SKU: HL.103024 Composed by Rosephanye Powell...(+)
Orchestra Score (ORCH
SCORE)
SKU:
HL.103024
Composed by
Rosephanye Powell. Gentry
Publications. Concert,
General Worship, Sacred.
62 pages. Gentry
Publications #JG0728.
Published by Gentry
Publications (HL.103024).
UPC: 884088678784.
8.75x11.0x0.495
inches.
Commissione
d by the American Guild
of Organists for their
2012 convention, here is
the first major work from
the pen of Rosephanye
Powell. With text from
the Book of Jeremiah, the
four movements follow the
prophet's feelings of
abandonment and
redemption by God. Powell
combines this ancient
text with music that
draws simultaneously from
the African American
musical heritage, as well
as the classical music
traditions.
String quartet SKU: HL.49009770 Prussian No. 3. Composed by Wolfga...(+)
String quartet
SKU:
HL.49009770
Prussian No. 3.
Composed by Wolfgang
Amadeus Mozart. Edited by
Stanley Sadie. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1790. 36 pages.
Eulenburg Edition #ETP
27. Published by
Eulenburg Edition
(HL.49009770).
ISBN
9783795769635. UPC:
841886002616.
5.25x7.5x0.11
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Oboe(s) solo SKU: BR.EB-9240 For Solo Oboe. Composed by Jorg Birke...(+)
Oboe(s) solo
SKU:
BR.EB-9240
For
Solo Oboe. Composed
by Jorg Birkenkotter.
Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Music post-1945; New
music (post-2000). Score.
Composed 2013/14. 16
pages. Duration 13'30.
Breitkopf and Haertel #EB
9240. Published by
Breitkopf and Haertel
(BR.EB-9240).
ISBN
9790004185407. 9 x 12
inches.
Belcanto is
a term for the Italian
art of singing which took
its development from the
richly ornamented solo
vocalism of the early
17th century (nobile
maniera di cantare) and
dominated European
operatic singing until
the first half of the
19th century. Complete
control over the voice
meant not only legato and
messa di voce, but also
appoggiatura and
portamento, as well as
virtuoso ornamentation by
means of coloratura
(canto fiorito). This
development towards
utmost virtuosity,
emulating instrumental
playing techniques, led
to a mannered, artificial
style on the one hand,
but on the other also
emphasized the physical
aspects of interpretation
(castrati were considered
the ideal belcanto
singers). And today? In
his essay The Grain of
the Voice, Roland Barthes
writes: The grain is the
body in the voice as it
sings, the hand as it
writes and the limb as it
performs. Initially, he
refers to the friction
between language and
voice in singing, but
then transfers his
thoughts to the
physicality of
instrumental music. In
this spirit, I went in
search of beautiful
singing, a beauty which
perhaps results in the
very place where the
grain, the roughness,
meaning also physical
resistance, are not
smoothed over. The oboe
seemed very suitable to
me for singing with such
a physical expressivity,
as a very unruly
instrument! The backbone
of my piece is one
single, quasi endless
melodic line, consisting
of intervals that are
constantly pulled apart
and contracted again
(breathing). Many
different actions attach
themselves to these
notes: coloratura,
trills, chords
(multiphonics), double
flageolets. However,
there are not only sound
types, but also impulses,
repetitions, rhythmic
figures and other
elements: composed
elements of belcanto. In
the opera tradition
described above, these
were improvised ornaments
or additions; here they
become composed figures
which originate with the
notes of the melody, but
also pull on them, bend
them, and charge them
with physicality. (Jorg
Birkenkotter).
Wind band SKU: FG.55011-580-4 Score & parts. Composed by Armas Jar...(+)
Wind band
SKU:
FG.55011-580-4
Score & parts.
Composed by Armas
Jarnefelt. Arranged by
Robert J. Ambrose.
Classical. Score and
parts. Fennica Gehrman
#55011-580-4. Published
by Fennica Gehrman
(FG.55011-580-4).
The strong
voice of Finnish national
romanticism Armas
Jarnefelt (1869-1958)
composed his jubilant
Festouverture (Festive
Overture) for the
official opening of the
Finnish National Theatre
on 9 April 1902 Robert J.
Ambrose's transcription
follows the tradition and
makes this excellent work
available for band
platform. The work is
well suited as a concert
opener. The overture is a
grade 4 work.
Hot Java Jump Ensemble Jazz [Conducteur] - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.031-2907-01 Composed by Neeck. Jazz Ensemble. Extra ful...(+)
Grade 2.5
SKU:
CL.031-2907-01
Composed by Neeck. Jazz
Ensemble. Extra full
score. Composed 1998.
C.L. Barnhouse
#031-2907-01. Published
by C.L. Barnhouse
(CL.031-2907-01).
An up-tempo
swinger in the big-band
tradition that really
cooks! Playable with
ranges that are quite
modest, it’s an
excellent choice for
concert or contest
performances by mid-level
bands. Guaranteed
Winner!
(With Flute 2 Part Carol Wincenc 21st Century Series for Flute). Composed by Kar...(+)
(With Flute 2 Part Carol
Wincenc 21st Century
Series for Flute).
Composed by Karl Joachim
Andersen (1847-1909).
Edited by Carol Wincenc.
For Flute. LKM Music.
Softcover. 28 pages.
Lauren Keiser Music
Publishing #S112005.
Published by Lauren
Keiser Music Publishing
Overture. Composed
by Daniel Franç and
ois Esprit Auber. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Opera,
Romantic. Study Score. 64
pages. Eulenburg Edition
#ETP 689. Published by
Eulenburg Edition
(HL.49010138).
ISBN
9790200205947. UPC:
073999845044.
5.25x7.5x0.154
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Charles
Francois Gounod. Edited
by Barbara Grossmann.
Organ. Sacred vocal
music, Mass sections.
Single Part, Organ. CG
74. 28 pages. Duration 35
minutes. Carus Verlag #CV
27.096/49. Published by
Carus Verlag
(CA.2709649).
ISBN
9790007239879. Language:
Latin.
Gounod's
Messe a la memoire de
Jeanne d'Arc was composed
in 1887 for a festive
mass in Reims to
commemorate the arrival
of the national heroine
in the city on the
occasion of the
coronation of Charles VII
in 1429. Performed a
cappella or only
accompanied by an organ,
vast stretches of the
work are in an archaic
style in the tradition of
Palestrina. The royal
procession into the
cathedral is conveyed in
the splendid Prelude at
the beginning, which was
performed at the premiere
by eight trumpets, three
trombones, and organ. In
the performance material,
the present edition also
offers a version of the
movement for piano and
organ. For the
Offertoire, Gounod
composed a cantilena for
violin and organ (or
piano), which is also
included in the edition,
as a Vision of Jeanne
d'Arc. Score and part
available separately -
see item CA.2709600.
Composed by Marc-Antoine
Charpentier. Edited by
Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Renaissance/early
Baroque; Baroque. Part.
16 pages. Duration 20'.
Breitkopf and Haertel
#EOS 8041-15. Published
by Breitkopf and Haertel
(BR.EOS-8041-15).
ISBN
9790004789612. 8.5 x 11.5
inches.
Of the 11
surviving settings of the
Mass by Charpentier, the
present work, ,Messe de
Minuit', ist without
doubt one of the most
popular. The work belongs
to the tradition of the
parody-Mass: the composer
adapted 10 noels - whose
titles are given in the
autograph - to the text
of the Ordinary. The
resulting music is fresh,
charming and
jubilant. The single
extant source is book 66
of the 25th volume of
Charpentier's autograph
,Meslanges' which was
sold to the Bibliotheque
Royale (now Bibliotheque
Nationale) Paris. The
manuscript is extremely
clear. All editorial
additions are placed in
square
brackets. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung.
For God has Loved the World so Well, BWV 68. By Johann Sebastian Bach. Arranged ...(+)
For God has Loved the
World so Well, BWV 68. By
Johann Sebastian Bach.
Arranged by Hans
Grischkat. (Study
Score). Schott. 38 pages.
Published by Eulenburg.
SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi SKU: CA.5408713 C...(+)
SATB Choir [2 Ob], 2 Ctr,
2 Tr, Timp, 2 Vl, Org e
Bassi
SKU:
CA.5408713
Composed
by Michael Haydn. Edited
by Armin Kircher.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Bass instrument. Sacred
vocal music, Masses,
Latin. Single Part, Bass
instrument. MH 87. 12
pages. Duration 17
minutes. Carus Verlag #CV
54.087/13. Published by
Carus Verlag
(CA.5408713).
Language:
Latin.
Michael
Haydn composed three of
his masses in honor of
the holy archangels - St
Michael, St Gabriel, and
the Raphaelismesse in
honor of St Raphael now
published. By avoiding
the use of vocal
soloists, it is one of
the genre of Missa in
pieno. Four trumpets and
two ad lib oboe parts
added later by the
composer give the work a
festive sound in the
baroque tradition. At the
same time, elements of
the 'sensitive style'
feature too. The Gloria
and Credo exist in two
settings, a short version
with polytextual passages
and a longer version
arranged by Haydn
himself. The Carus
edition, based on
authentic performance
material in St. Peter's
Monastery in Salzburg,
contains both versions,
with the longer version
published here for the
first time. Score and
part available separately
- see item
CA.5408700.
Orchestra (Study Score) SKU: HL.49010257 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.49010257
Study Score.
Composed by Edward
William Elgar. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical, Contemporary.
Study Score. Op. 63. 192
pages. Eulenburg Edition
#ETP8006. Published by
Eulenburg Edition
(HL.49010257).
ISBN
9783795772079. UPC:
841886015593.
7.5x10.5x0.447
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For
Choir. (TTBB, a
cappella). Choral Octavo.
Choral Designs.
Spiritual, Christmas.
Choral Octavo. 12 pages.
Published by Alfred
Publishing. Level:
Level 3 (grade L3).
Little Brown Jug Quatuor de Saxophones: 4 saxophones Advance Music
4 Saxophones ATTBar/AATBar/SATBar/STTB ar SKU: AP.1-ADV7643 For Saxoph...(+)
4 Saxophones
ATTBar/AATBar/SATBar/STTB
ar
SKU:
AP.1-ADV7643
For
Saxophone Quartet
ATTBar/AATBar/SATBar/STTB
ar. Composed by
Joseph E. Winner.
Arranged by Frank
Reinshagen. Quartet; Solo
Small Ensembles; Woodwind
- Saxophone Quartet.
Advance Music. Swing.
Score and Part(s).
Advance Music
#01-ADV7643. Published by
Advance Music
(AP.1-ADV7643).
UPC:
805095076431.
English.
Little
Brown Jug has been
arranged by Frank
Reinshagen in the
tradition of the great
saxophone sections of the
Swing era, for saxophone
quartet
(AATBar/AATBar/SATBar/STT
Bar).
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.
Viola and Piano SKU: BT.EMBZ627 Composed by Gyula David. Book Only. Compo...(+)
Viola and Piano
SKU:
BT.EMBZ627
Composed
by Gyula David. Book
Only. Composed 1952. 52
pages. Editio Musica
Budapest #EMBZ627.
Published by Editio
Musica Budapest
(BT.EMBZ627).
Gyula Dávid
(1913-1977) was one of
the most important
members of the generation
of Hungarian composers
who followed Bartók
and Kodály. His ?uvre
includes stage,
orchestral, oratorial,
chamber, and solo
instrumental works.
Although he rarely quoted
folk material directly in
his music, folksong,
popular music and the
spirit of the Hungarian
musical tradition
permeates his works. In
the last two decades of
his life he wrote atonal
and twelve-tone
compositions. With his
Wind Quintet (composed
1949) he created a genre
which plays an important
role in the new Hungarian
music. Gyula Dávid
studied composition with
Albert Siklós and
Zoltán Kodály at
the Academy of Music in
Budapest,graduating in
1938. Between 1938 and
1945 he worked in several
orchestras as viola
player. From 1945 to 1949
he was conductor at
Hungarian National
Theatre, than he became
leader of the Ensemble of
the Hungarian Army. From
1961 to his retirement he
was professor at the
Teacher Training Faculty
of the Academy of Music
in Budapest. Between 1951
and 1960 he taught wind
chamber music, music
theory and wind
orchestration at the
Academy of Music. He was
one of the founders of
the Hungarian Artists'
Union. He was awarded the
Erkel Prize (1952, 1955)
and the Kossuth Prize
(1957).
Piano Accompaniment; Trumpet (TRUMPET/PNO) SKU: HL.48025299 Trumpet an...(+)
Piano Accompaniment;
Trumpet (TRUMPET/PNO)
SKU: HL.48025299
Trumpet and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical, Tango.
Softcover. 6 pages.
Duration 120 seconds.
Bote & Bock #M202536391.
Published by Bote & Bock
(HL.48025299).
ISBN
9783793143369. UPC:
196288174356.
9.0x12.0x0.055
inches.
Tangos,
like ragtimes and
waltzes, are an integral
part of Elena
Kats-Chernin's music,
always in a new and
varied form. In it, the
composer allusively
combines her present time
with the classical
tradition and high art
with light music. Slicked
Back Tango was originally
composed in 1995 for
piano four hands and has
since been written for
numerous other
instrumentations. The
music “harks back
to the time of silent
movies. I was thinking of
the 1920s and film star
Rudolph Valentino. The
title refers to his
hairstyleâ€, says
Kats-Chernin.