Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150).
ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches.
Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.003/21 oboe
1, 1x 31.003/22 oboe 2,
1x 31.003/31 horn, 1x
31.003/32 trombone.
German title: Ach Gott,
wie manches Herzeleid 4.
Sacred vocal music,
Cantatas, Epiphany. Set
of Orchestra Parts.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/09. Published by
Carus Verlag
(CA.3100309).
ISBN
9790007041434. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
By George Frideric Handel (1685-1759). Arranged by Robert Madeson. For trombone/...(+)
By George Frideric Handel
(1685-1759). Arranged by
Robert Madeson. For
trombone/euphonium duet
with piano. Duet music.
Grade 3. Published by
Cimarron Music Press .
Vocal Duet (2 Med. Voices) SKU: HP.9141 Composed by Ken Medema. Arranged ...(+)
Vocal Duet (2 Med.
Voices)
SKU:
HP.9141
Composed by
Ken Medema. Arranged by
Arr. By Jack Schrader.
Piano Accompaniment with
Optional Orchestra. Vocal
Score. 12 pages. Hope
Publishing Company #9141.
Published by Hope
Publishing Company
(HP.9141).
UPC:
763628191412.
Origi
nal anthem Jack
Schrader's blues-gospel
setting of this ever
popular Ken Medema song
continues to be one of
the top-selling choral
pieces in our catalog.
Available in multiple
voicings. The
Orchestration by Don Hart
contains a Conductor's
Score and parts for:
Flute, Oboe, Clarinet,
Horn 1 & 2, Trumpets 1, 2
& 3, Trombone 1 & 2,
Trombone 3 & Tuba,
Percussion 1 & 2, Harp,
Rhythm, Violin 1 & 2,
Viola, Cello, and
Bass.
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Victor LÌ_pez. For Trombone/Bari...(+)
(Trombone/Baritone/Bassoo
n/Tuba). Arranged by
Victor LÌ_pez. For
Trombone/Baritone/Bassoon
/Tuba. A & D Partbook;
Mixed Instruments -
Flexible Instrumentation.
U.Play.Plus. Solo--A,
Duet--B/C/D, Trio--C,
Quartet--D. Pop/Rock.
Grade 2.5; Grade 3. 24
pages. Published by
Alfred Music Publishing
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1725. BWV
3. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.003/13. Published by
Carus Verlag
(CA.3100313).
ISBN
9790007041465. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1725.
BWV 3. 4 pages. Duration
27 minutes. Carus Verlag
#CV 31.003/12. Published
by Carus Verlag
(CA.3100312).
ISBN
9790007041458. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Swing. Composed by
Louis Yule Brown and
Maynard Ferguson.
Arranged by Willie
Maiden. Sheet music.
Score and parts.
Handelsware #SMP 1187.
Published by Handelsware
(M7.SMP-1187).
As recorded by
the Maynard Ferguson
Orchestra on New Sounds
of Maynard Ferguson, This
Willie Maiden arrangement
takes a great tune and
puts it in an up-tempo
swing setting. The chart
has a bop-like melody
performed as a duet by
the alto saxophone and
trumpet at the beginning,
and then moves into the
ensemble. There is a solo
for alto saxophone,
followed by a roaring
shout chorus. There is
some high trumpet work (a
la Maynard), with
optional lower notes
included. As always,
Willie gives us another
incredible arrangement
sure to be loved by all
audiences! 5-4-4-3.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 3. Duration 27
minutes. Carus Verlag #CV
31.003/19. Published by
Carus Verlag
(CA.3100319).
ISBN
9790007135911. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Composed by Phil Mehrens.
Arranged by Dave
Williamson. Anthems.
Contemporary and Sacred.
CD-ROM Anthem
Orchestration. Published
by Lillenas Publishing
Company
(LP.765762182707).
UPC:
765762182707.
Solo
and duet opportunities
with accessible choral
harmonies along with an
exciting orchestral score
from Dave Williamson make
Sovereign Lord a richly
satisfying celebration of
praise.
(Cornet/Trombone). By Georges Bizet (1838-1875). Arranged by Ph. Jordaans. For F...(+)
(Cornet/Trombone). By
Georges Bizet
(1838-1875). Arranged by
Ph. Jordaans. For
Flexible Duet (Trombone /
Trumpet/Cornet/Flugelhorn
/Baritone / Euphonium)
and Piano. Arrangements
of Classical Opera and
Operetta Overtures. Solo
Pieces. Grade 4
Trumpet/Trombone/Clarinet Bb Or C. By Franz Schubert. Arranged by P. De Rooij. F...(+)
Trumpet/Trombone/Clarinet
Bb Or C. By Franz
Schubert. Arranged by P.
De Rooij. For Flexible
Duet (Euphonium /
Trombone /
Trumpet/Cornet/Flugelhorn
/Baritone / Clarinet) and
Piano. Solo Pieces.
Level: Grade 2. Published
by Molenaar Edition
(Dutch import).
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/05. Published by
Carus Verlag
(CA.3100305).
ISBN
9790007041410. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score
available separately -
see item CA.3100300.