Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Symphony;
Classical. Choral score.
20 pages. Duration 65'.
Breitkopf and Haertel
#ChB 14677-02. Published
by Breitkopf and Haertel
(BR.CHB-14677-02).
ISBN 9790004413067.
7.5 x 10.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
Score Only Concert Band (Score) - Grade 2 SKU: HL.4002868 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4002868
Composed
by Richard L. Saucedo.
MusicWorks Grade 2.
Overture. Softcover. 28
pages. Duration 250
seconds. Published by Hal
Leonard (HL.4002868).
UPC: 884088353018.
9.0x12.0x0.096
inches.
Described
by the composer as
“bombastic, but with a
groove” this work for
young players opens with
striking percussion
statements. The band
enters gradually, first
with unison figures along
with the percussion, and
then additional layers. A
contrasting slow section
with flowing lines and
minor harmonies sets the
stage for the dramatic
final section. A great
way to showcase your
percussion section. Dur:
4:10 (Grade 2).
Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, ...(+)
Orchestra Solo soprano
voice, solo tenor voice,
SATB chorus (div.), 2 Fl,
2 Ob, 2 Clt, 2 Fg, 4 Cor,
2 Tr, 3 Trb, Oficleide
(Tb), Timp, Arpa, 2 Vl,
Va, Vc, Cb - Grade 3
SKU: CA.2718713
Composed by Georges
Bizet. Edited by Marc
Rigaudière. Single
Part, viola. Composed
1858. 8 pages. Duration
20 minutes. Carus Verlag
#2718713. Published by
Carus Verlag
(CA.2718713).
ISBN
9790007303556.
Latin.
As an
acclaimed opera composer,
Georges Bizet admitted
that he had no real
sensibility for sacred
music. His Te Deum is
nonetheless a truly
fascinating and highly
expressive work. From the
majestic “Te Deum
laudamusâ€, to the
skillful choral fugue of
“Fiat misericordia
tuaâ€, and the
opening's powerful
recapitulation, the
composition shows no
trace of the difficulties
that beset the young
Bizet by his own
admission before he
finally completed the
work in 1858.
In
the extensive trilingual
preface to this Urtext
edition, editor Marc
Rigaudière illuminates
the circumstances
surrounding the
composition of the Te
Deum, a work which
occupies a singular
position in
Bizet’s œuvre.
The edition is based on
the composer’s
autograph score —
the work's only surviving
source. For the first
time, this work is
available with all
performance parts.
Violin 1 (solo: hps - str - bc) SKU: BR.OB-4315-15 Composed by Johann Seb...(+)
Violin 1 (solo: hps - str
- bc)
SKU:
BR.OB-4315-15
Composed by Johann
Sebastian Bach.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Baroque.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 4315-15.
Published by Breitkopf
and Haertel
(BR.OB-4315-15).
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
You will find the
original cadenzas under
Mozart, 36 Cadenzas for
his own Piano Concertos.
EB 4067 is printed in
score form; two copies
are needed for
performance. Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 4438-15.
Published by Breitkopf
and Haertel
(BR.OB-4438-15).
Macarena Orchestre d'harmonie - Intermédiaire De Haske Publications
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.44013142 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.44013142
Concert Band Score and
Parts. By Los Del
Rio. Arranged by Masato
Myokoin. De Haske Concert
Band. Dance, Pop,
Spanish. Softcover.
Duration 250 seconds. De
Haske Publications
#0971083010. Published by
De Haske Publications
(HL.44013142).
Here is your
chance for some audience
participation within your
concert program. The big
Summer 'hit' of 1995 was
the Bayside Boys with
their version of a modern
Spanish song. Can you
remember the moves? If
so, why not demonstrate
them and invite your
audience tojoin in with
this scintillating
arrangement. Guaranteed
to bring the house
down!
Overture to the
Singspiel. Composed
by Wolfgang Amadeus
Mozart. Arranged by
Johann Andre. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Concert Ending by Johann
Andre. Overture;
Classical. Part. 4 pages.
Duration 5'. Breitkopf
and Haertel #OB 4419-15.
Published by Breitkopf
and Haertel
(BR.OB-4419-15).
Pavane Chorale SATB SATB, Piano [Conducteur] - Facile Carus Verlag
SATB chorus, Piano 4 hands - Grade 2 SKU: CA.1040210 Arrangement for c...(+)
SATB chorus, Piano 4
hands - Grade 2
SKU:
CA.1040210
Arrangement for choir
and piano four hands.
Composed by Gabriel
Faure. Edited by Denis
Rouger. Arranged by
Pierre Albert Kopff.
Gattungen vokal: Secular
choral music. Full Score.
Composed 1887-1901. Op.
50. 12 pages. Duration 5
minutes. Carus Verlag
#1040210. Published by
Carus Verlag
(CA.1040210).
ISBN
9790007301866. Key: F
sharp minor. French.
Text: Montesquiou, Robert
de.
Solo violin (V) - difficult SKU: HL.49042422 Composed by Hans Werner Henz...(+)
Solo violin (V) -
difficult
SKU:
HL.49042422
Composed
by Hans Werner Henze.
Sheet music.
Violin-Bibliothek (Violin
Library). Composed 1986.
4 pages. Duration 2'.
Schott Music #VLB74.
Published by Schott Music
(HL.49042422).
ISBN
9790001103305. UPC:
840126939026.
9.0x12.0x0.042
inches.
(in Nativitate Domini in nocte). By Jakub Jan Ryba (1765-1815). Edited by Osterm...(+)
(in Nativitate Domini in
nocte). By Jakub Jan Ryba
(1765-1815). Edited by
Ostermann, Karlheinz.
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, Bassoon,
Clarino/Trumpet, 2
Violins, Basso continuo.
This edition: paperbound.
Full score available
separately - see item
CA.4068300. Masses,
Latin. Level 4.
Piano/Vocal score.
Language: Latin. Composed
1808. 24 pages. Duration
16 min
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
You will find the
original cadenzas under
Mozart, 36 Cadenzas for
his own Piano Concertos.
EB 4067 is printed in
score form; two copies
are needed for
performance. Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 4438-26.
Published by Breitkopf
and Haertel
(BR.OB-4438-26).
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Sancta Maria Mater
Dei Rev.2000. Sacred,
Motets; Stuttgart Urtext
editions; Occasions:
Prayer, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1777.
KV 273. 4 pages. Duration
7 minutes. Carus Verlag
#CV 40.053/12. Published
by Carus Verlag
(CA.4005312).
ISBN
9790007059248. Key: F
major. Language:
Latin/English.
Scor
e available separately -
see item CA.4005300.
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-16. Published by
Breitkopf and Haertel
(BR.OB-3210-16).
ISBN
9790004300701. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
By Franz Schubert (1797-1828). Edited by Werner Bodendorff. For SATB choir, 2 ob...(+)
By Franz Schubert
(1797-1828). Edited by
Werner Bodendorff. For
SATB choir, 2 oboes, 2
clarinets, 2 bassoons, 3
trombones, 2 violins,
viola, basso continuo.
G-Moll (G minor).
Stuttgart Urtext Edition.
Score available
separately - see item
CA.7004300. Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Part: violin
2. Language: Latin.
Composed 1815. D 175. 4
pages. Duration 7
minutes. Published by
Carus Verlag
By Franz Schubert (1797-1828). Edited by Reinhold Kubik. For Soli SATB, SATB Cho...(+)
By Franz Schubert
(1797-1828). Edited by
Reinhold Kubik. For Soli
SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, [3
Trombones, Organ]. D 49.
Full score available
separately - see item
CA.2300900. Mass
Sections. Part: Violin 1.
Language: Latin. Composed
1813. 4 pages. Duration 6
min
Violin 2 (2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-4418-16 Titus -...(+)
Violin 2 (2.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.OB-4418-16
Titus - Overture.
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 4418-16. Published by
Breitkopf and Haertel
(BR.OB-4418-16).
By Franz Schubert. Edited by Bodendorff, Werner. For SATB Choir, 2 Oboes, 2 Clar...(+)
By Franz Schubert. Edited
by Bodendorff, Werner.
For SATB Choir, 2 Oboes,
2 Clarinets, 2 Bassoons,
3 Trombones, 2 Violins,
Viola, Cello/Contrabass,
Organ. D 175. Full score
available separately -
see item CA.7004300.
Stuttgart Urtext
editions; Occasions:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral score.
Language: Latin. Composed
1815. 4 pages. Duration 7
min. Published by Carus
Verlag (German import).
Sacred concert.
Composed by Heinrich
Schutz. Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Uppsala-Magnificat
(Lat./Dt.). Sacred
concertos, Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Violin 2. Composed circa
1665 (terminus ante
quem). SWV 468. 4 pages.
Duration 13 minutes.
Carus Verlag #CV
20.468/12. Published by
Carus Verlag
(CA.2046812).
ISBN
9790007196530. Key: G
mixolydian. Language:
Latin/German.
Marinarella Orchestre d'harmonie - Intermédiaire De Haske Publications
Score and Parts Concert Band (Score & Parts) SKU: HL.4007740 Concert B...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.4007740
Concert Band - Grade 4
Score and Parts.
Composed by Julius Fucik.
Arranged by Wil van der
Beek. De Haske Concert
Band. Classical, Concert
Band. Softcover. Duration
690 seconds. De Haske
Publications #1053913040.
Published by De Haske
Publications
(HL.4007740).
ISBN
9781705172353. UPC:
196288089216.
Juliu
s Fucik (1872-1916) was
born in Prague, Czech
Republic. He studied
under Antonin Dvorak and
at a young age played in
military bands and later
became bandmaster, a
profession he practiced
in various cities with
many bands. In 1913 he
settled in Berlin where
he started his own music
publishing house. As a
composer Fucik is known
for his light
entertaining music
however he also wrote
chamber music, songs,
choral works, a mass, a
requiem and an unfinished
opera. Many of his works
have fallen into oblivion
but many of his marches
such as Einzug der
Gladiatoren,
Regimentskinder and
Florentiner Marsch are
still often played. With
the concert overture
Marinarella, Fucik takes
us toan imaginary seaside
resort on a beautiful
spring day. Marinarella,
a girl of the sea,
accompanies us on our
stroll. Leisurely walking
couples on the boulevard,
the murmur of the sea,
fragments of a waltz
melody from a cafe and a
concert band performing a
promenade concert pass
you by. A fantastic
opening work for any
concert.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext. 1x
38.109/21 flute 1, 1x
38.109/22 flute 2, 1x
38.109/23 oboe 1, 1x
38.109/24 oboe 2, 1x
38.109/25 bassoon, 1x
38.109/31 horn 1, 1x
38.109/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Set of
Orchestra Parts. Warb CW
E 4. 88 pages. Duration
55 minutes. Carus Verlag
#CV 38.109/09. Published
by Carus Verlag
(CA.3810909).
ISBN
9790007054304. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and parts
available separately -
see item CA.3810900.