Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 1. 12 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/11. Published by
Carus Verlag
(CA.4066111).
ISBN
9790007076276. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
First violin (1. Violin) SKU: BA.BA04769-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04769-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Walter Senn. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Messen, Klassik
(Masses, Classical).
Single part. K. 49 (47d).
8 pages. Baerenreiter
Verlag #BA04769_74.
Published by Baerenreiter
Verlag (BA.BA04769-74).
ISBN 9790006456055.
32.5 x 25.5 cm inches.
Key: G major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Choir and orchestra (Score) SKU: HL.51485562 Haydn Complete Edition, S...(+)
Choir and orchestra
(Score)
SKU:
HL.51485562
Haydn
Complete Edition, Series
XXIII, Vol. 1a Clothbound
Score. Composed by
Franz Joseph Haydn.
Edited by Georg Feder and
James Dack. Complete
Edition. Clothbound.
Henle Complete Edition.
Classical. Score
(clothbound). 282 pages.
G. Henle #HN5562.
Published by G. Henle
(HL.51485562).
ISBN
9790201855622. UPC:
884088182397. 10x13
inches.
By Franz Joseph Haydn. Edited by Schulze, Willi. For Soli SS, SATB Choir, 2 Viol...(+)
By Franz Joseph Haydn.
Edited by Schulze, Willi.
For Soli SS, SATB Choir,
2 Violins,
Cello/Contrabass, Organ.
Hob. XXII:1. Full score
available separately -
see item CA.4060100.
Missa brevis, Latin.
Piano/Vocal score.
Language: Latin. Composed
1749-50 (?) (dazwischen).
24 pages. Duration 13
min. Published by Carus
Verlag (German import).
Kyrie-Gloria-Messe
(Lutherische Messe).
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Missa In G /Bwv 235
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 1. Composed the
period at Leipzig. BWV
235. 12 pages. Duration
30 minutes. Carus Verlag
#CV 31.235/11. Published
by Carus Verlag
(CA.3123511).
ISBN
9790007085926. Key: G
minor. Language:
Latin.
As well as
the Mass in B minor,
there are four further,
shorter mass compositions
by Bach, the so-called
Lutheran or Kyrie-Gloria
masses. Despite their
high musical qualities,
they are often
overshadowed by other
church works by Bach.
With their six-movement
structure (up to the Cum
sancto spiritu) they had
their specific liturgical
position in church
services of the time of
Bach. The masses largely
comprise parodies, with
the original music mainly
taken from cantatas which
Bach sometimes
considerably reworked in
his well-known style
according to the new
context of the work.
Ulrich Leisinger has
edited the four works for
Carus in new critical
editions. Score and part
available separately -
see item CA.3123500.
Kyrie-Gloria-Messe
(Lutherische Messe).
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. This
edition: urtext. 1x
31.235/21 oboe 1, 1x
31.235/22 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. German title:
Missa In G /Bwv 235
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Mass settings,
incomplete (also Missa
brevis). Set of Orchestra
Parts. Composed the
period at Leipzig. BWV
235. 20 pages. Duration
30 minutes. Carus Verlag
#CV 31.235/09. Published
by Carus Verlag
(CA.3123509).
ISBN
9790007211080. Key: G
minor. Language:
Latin.
As well as
the Mass in B minor,
there are four further,
shorter mass compositions
by Bach, the so-called
Lutheran or Kyrie-Gloria
masses. Despite their
high musical qualities,
they are often
overshadowed by other
church works by Bach.
With their six-movement
structure (up to the Cum
sancto spiritu) they had
their specific liturgical
position in church
services of the time of
Bach. The masses largely
comprise parodies, with
the original music mainly
taken from cantatas which
Bach sometimes
considerably reworked in
his well-known style
according to the new
context of the work.
Ulrich Leisinger has
edited the four works for
Carus in new critical
editions. Score and parts
available separately -
see item CA.3123500.
Kleine Orgelmesse. By Franz Joseph Haydn. Edited by Schulze, Willi. For Solo Sop...(+)
Kleine Orgelmesse. By
Franz Joseph Haydn.
Edited by Schulze, Willi.
For Solo Soprano, SATB
Choir, 2 Violins,
Cello/Contrabass, Organ.
Hob. XXII:7. Full score
available separately -
see item CA.4060000.
Missa brevis, Latin.
Part: Violin 1. Language:
Latin. Composed 1778 (?)
(terminus ante quem). 8
pages. Duration 17 min.
Published by Carus Verlag
(German import).
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180111 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180111
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Violin 1. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 1. KV. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/11. Published by
Carus Verlag
(CA.5180111).
ISBN
9790007225346. Language:
Latin.
When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100.
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180109 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180109
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. 1x
51.801/21 oboe 1, 1x
51.801/22 oboe 2, 2x
51.801/31 trumpets 1 and
2, 1x 51.801/41 timpani.
Stuttgart Urtext Edition:
Mozart. Harmony parts.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Set of Orchestra
Parts. KV. Duration 15
minutes. Carus Verlag #CV
51.801/09. Published by
Carus Verlag
(CA.5180109).
ISBN
9790007225339. Language:
Latin.
When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and parts available
separately - see item
CA.5180100.
Waisenhaus-Messe.
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part. 16
pages. Duration 30'.
Breitkopf and Haertel #OB
5067-15. Published by
Breitkopf and Haertel
(BR.OB-5067-15).
ISBN
9790004328309. 9 x 12
inches.
Wolfgang
Amadeus Mozart wrote the
present Missa solemnis in
C minor K. 139 (47a) in
the fall of 1768 in
Vienna, where the
Waisenhaus church on the
Rennweg was consecrated
on 7 December 1768.
Together with the Missa
brevis in G K. 49 (47d)
written at about the same
time the work is one of
the first Mass settings
of the then 12-year-old
composer.The first
editions of both Masses
were published by
Breitkopf & Hartel in
1877 within the Complete
Edition Wolfgang Amadeus
Mozarts Werke.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Burghard Schloemann.
Stapled.
Orchester-Bibliothek
(Orchestral Library). If
serveral music lovers and
music directors consider
this Mass authentic and
truly Mozartian (the
words of Sir Ludwig von
Kochel), then we are also
willing to accept it as
such. Mass; Classical.
Part. 10 pages. Duration
15'. Breitkopf and
Haertel #OB 5178-15.
Published by Breitkopf
and Haertel
(BR.OB-5178-15).
ISBN
9790004329986. 9 x 12
inches.
If serveral
music lovers and music
directors consider this
Mass authentic and truly
Mozartian (the words of
Sir Ludwig von Kochel),
then we are also willing
to accept it as such.
With the publication of
the charming Pastoral
Mass K. 140, all of
Wolfgang Amadeus Mozart's
masses were now
completely available from
Breitkopf & Hartel. In
addition to the standard
features (piano
reduction, organ part,
choral score, completely
purchasable orchestral
material), this Mass has
a special extra, namely a
supplementary organ part,
prepared from the
sources, with which one
can reconstruct the
original performance
circumstances in Salzburg
(with two organs!).
SATB choir, divisi &
organ/chamber ensemble
(tpt, timp., perc (2
player), org.) (tpt,
timp., perc (1 or 2
players), org)
SKU:
OU.9780193530492
Composed by Oliver
Tarney. New Horizons. Set
of parts. 44 pages.
Duration 10'. Oxford
University Press
#9780193530492. Published
by Oxford University
Press (OU.9780193530492).
ISBN 9780193530492. 12
x 8 inches.
For
SATB (with divisions) and
organ or chamber ensemble
This is an uplifting
setting of the Latin
Missa brevis. The choir
may be accompanied by
organ, chamber ensemble,
or a selection of the
ensemble instruments in
combination with organ,
opening up several
compelling performance
options.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SAT...(+)
By John Rutter (1945-).
For Soprano and Baritone
solo voices, children's
and SATB choirs,
orchestra/chamber
ensemble (Orchestra:
[2.2.2.2-2.2.0.0],
timpani, percussion (2
players).hp-str Chamber
ensemble: fl, ob, cl,
bsn, hn, timp, perc (1 or
2 players), hp
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Burghard Schloemann.
Folder.
Orchester-Bibliothek
(Orchestral Library). If
serveral music lovers and
music directors consider
this Mass authentic and
truly Mozartian (the
words of Sir Ludwig von
Kochel), then we are also
willing to accept it as
such. Mass; Classical.
Set of parts. 24 pages.
Duration 15'. Breitkopf
and Haertel #OB 5178-30.
Published by Breitkopf
and Haertel
(BR.OB-5178-30).
ISBN
9790004330012. 9 x 12
inches.
If serveral
music lovers and music
directors consider this
Mass authentic and truly
Mozartian (the words of
Sir Ludwig von Kochel),
then we are also willing
to accept it as such.
With the publication of
the charming Pastoral
Mass K. 140, all of
Wolfgang Amadeus Mozart's
masses were now
completely available from
Breitkopf & Hartel. In
addition to the standard
features (piano
reduction, organ part,
choral score, completely
purchasable orchestral
material), this Mass has
a special extra, namely a
supplementary organ part,
prepared from the
sources, with which one
can reconstruct the
original performance
circumstances in Salzburg
(with two organs!).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Burghard Schloemann.
Stapled.
Orchester-Bibliothek
(Orchestral Library). If
serveral music lovers and
music directors consider
this Mass authentic and
truly Mozartian (the
words of Sir Ludwig von
Kochel), then we are also
willing to accept it as
such. Mass; Classical.
Part. 12 pages. Duration
15'. Breitkopf and
Haertel #OB 5178-16.
Published by Breitkopf
and Haertel
(BR.OB-5178-16).
ISBN
9790004329993. 9 x 12
inches.
If serveral
music lovers and music
directors consider this
Mass authentic and truly
Mozartian (the words of
Sir Ludwig von Kochel),
then we are also willing
to accept it as such.
With the publication of
the charming Pastoral
Mass K. 140, all of
Wolfgang Amadeus Mozart's
masses were now
completely available from
Breitkopf & Hartel. In
addition to the standard
features (piano
reduction, organ part,
choral score, completely
purchasable orchestral
material), this Mass has
a special extra, namely a
supplementary organ part,
prepared from the
sources, with which one
can reconstruct the
original performance
circumstances in Salzburg
(with two organs!).
Organ (solos: SATB - choir: SATB - 0.0.0.0. - 0.0.3.0. - org(2nd org ad lib) - s...(+)
Organ (solos: SATB -
choir: SATB - 0.0.0.0. -
0.0.3.0. - org(2nd org ad
lib) - str(without va))
SKU: BR.OB-5178-11
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Burghard Schloemann.
Stapled.
Orchester-Bibliothek
(Orchestral Library). If
serveral music lovers and
music directors consider
this Mass authentic and
truly Mozartian (the
words of Sir Ludwig von
Kochel), then we are also
willing to accept it as
such. Mass; Classical.
Part. 16 pages. Duration
15'. Breitkopf and
Haertel #OB 5178-11.
Published by Breitkopf
and Haertel
(BR.OB-5178-11).
ISBN
9790004329979. 9 x 12
inches.
If serveral
music lovers and music
directors consider this
Mass authentic and truly
Mozartian (the words of
Sir Ludwig von Kochel),
then we are also willing
to accept it as such.
With the publication of
the charming Pastoral
Mass K. 140, all of
Wolfgang Amadeus Mozart's
masses were now
completely available from
Breitkopf & Hartel. In
addition to the standard
features (piano
reduction, organ part,
choral score, completely
purchasable orchestral
material), this Mass has
a special extra, namely a
supplementary organ part,
prepared from the
sources, with which one
can reconstruct the
original performance
circumstances in Salzburg
(with two organs!).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Burghard Schloemann.
Stapled.
Orchester-Bibliothek
(Orchestral Library). If
serveral music lovers and
music directors consider
this Mass authentic and
truly Mozartian (the
words of Sir Ludwig von
Kochel), then we are also
willing to accept it as
such. Mass; Classical.
Part. 8 pages. Duration
15'. Breitkopf and
Haertel #OB 5178-26.
Published by Breitkopf
and Haertel
(BR.OB-5178-26).
ISBN
9790004330005. 9 x 12
inches.
If serveral
music lovers and music
directors consider this
Mass authentic and truly
Mozartian (the words of
Sir Ludwig von Kochel),
then we are also willing
to accept it as such.
With the publication of
the charming Pastoral
Mass K. 140, all of
Wolfgang Amadeus Mozart's
masses were now
completely available from
Breitkopf & Hartel. In
addition to the standard
features (piano
reduction, organ part,
choral score, completely
purchasable orchestral
material), this Mass has
a special extra, namely a
supplementary organ part,
prepared from the
sources, with which one
can reconstruct the
original performance
circumstances in Salzburg
(with two organs!).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Burghard Schloemann.
Choir; stapled.
Partitur-Bibliothek
(Score Library). If
serveral music lovers and
music directors consider
this Mass authentic and
truly Mozartian (the
words of Sir Ludwig von
Kochel), then we are also
willing to accept it as
such. Mass; Classical.
Full score. 56 pages.
Duration 15'. Breitkopf
and Haertel #PB 5178.
Published by Breitkopf
and Haertel (BR.PB-5178).
ISBN 9790004209189. 9
x 12 inches.
If
serveral music lovers and
music directors consider
this Mass authentic and
truly Mozartian (the
words of Sir Ludwig von
Kochel), then we are also
willing to accept it as
such. With the
publication of the
charming Pastoral Mass K.
140, all of Wolfgang
Amadeus Mozart's masses
were now completely
available from Breitkopf
& Hartel. In addition to
the standard features
(piano reduction, organ
part, choral score,
completely purchasable
orchestral material),
this Mass has a special
extra, namely a
supplementary organ part,
prepared from the
sources, with which one
can reconstruct the
original performance
circumstances in Salzburg
(with two organs!).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Stapled.
Chor-Bibliothek (Choral
Library). If serveral
music lovers and music
directors consider this
Mass authentic and truly
Mozartian (the words of
Sir Ludwig von Kochel),
then we are also willing
to accept it as such.
Mass; Classical. Choral
score. 28 pages. Duration
15'. Breitkopf and
Haertel #ChB 5198-02.
Published by Breitkopf
and Haertel
(BR.CHB-5198-02).
ISBN
9790004411209. 7.5 x 10.5
inches.
If serveral
music lovers and music
directors consider this
Mass authentic and truly
Mozartian (the words of
Sir Ludwig von Kochel),
then we are also willing
to accept it as such.
With the publication of
the charming Pastoral
Mass K. 140, all of
Wolfgang Amadeus Mozart's
masses were now
completely available from
Breitkopf & Hartel. In
addition to the standard
features (piano
reduction, organ part,
choral score, completely
purchasable orchestral
material), this Mass has
a special extra, namely a
supplementary organ part,
prepared from the
sources, with which one
can reconstruct the
original performance
circumstances in Salzburg
(with two organs!).
Early version only for strings and later version with woodwinds, brass and timpa...(+)
Early version only for
strings and later version
with woodwinds, brass and
timpani. Urtext of the
Haydn Complete Edition.
By Franz Joseph Haydn.
Edited by Dack,
James;Feder, Georg.
Arranged by K!Hs,
Andreas. For Soprano Solo
(2), Mixed Choir-SATB,
Flute, Clarinet (B Flat)
(2), Bassoon (2), Trumpet
(2), Kettledrum, Violin
(2), Basso Continuo.
Piano Reduction/Vocal
Score; Urtext Edition
(paperbound). Hob.
XXII:1. Published by
Baerenreiter-Ausgaben
(German import). (BA4644
90)
Early version only for strings and later version with woodwinds, brass and timpa...(+)
Early version only for
strings and later version
with woodwinds, brass and
timpani. Urtext of the
Haydn Complete Edition.
By Franz Joseph Haydn.
Edited by Dack, James;
Feder, Georg. For Soprano
Solo (2), Mixed
Choir-SATB, Flute,
Clarinet (B Flat) (2), Fg
(2), Trumpet (2),
Kettledrum, Violin (2),
Basso Continuo. Score;
Urtext Edition
(paperbound). Hob.
XXII:1. Published by
Baerenreiter-Ausgaben
(German import).
Composed by Bob Chilcott. For SATB/SSAA choir, piano, and optional saxophone, ba...(+)
Composed by Bob Chilcott.
For SATB/SSAA choir,
piano, and optional
saxophone, bass and drum
kit. Oratorios. Level B
(easy). Backing CD. 1
page. Duration 15
minutes. Published by
Oxford University Press
Chorus (with soloists) and piano (solos: SATB - choir: SATB - org - 0.0.0.1. - 0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - org -
0.0.0.1. - 0.0.3.0. -
str(without va))
SKU:
BR.EB-8607
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Arranged by Franz
Beyer. Choir; stapled.
Edition Breitkopf. Mass;
Classical. Piano/Vocal
Score. 44 pages. Duration
20'. Breitkopf and
Haertel #EB 8607.
Published by Breitkopf
and Haertel (BR.EB-8607).
ISBN 9790004178836.
7.5 x 10.5
inches.
A worthwile
addition to a choral
director's library.
(Henry Howell, Australian
Music Teacher).
(S.A.T.B., A Cappella (with Latin and English Text)). By Andrea Gabrieli (1533-1...(+)
(S.A.T.B., A Cappella
(with Latin and English
Text)). By Andrea
Gabrieli (1533-1585).
Edited by Walter Ehret.
SATB chorus. For SATB,
Piano Rehearsal. Choir
Loft Choral Series.
Choral. Piano/Vocal
Score. Standard notation.
5 pages. Duration 1:30
Choral Harp 1, Harp 2, Piano, string quintet, SATB chorus SKU: CF.CM9220 ...(+)
Choral Harp 1, Harp 2,
Piano, string quintet,
SATB chorus
SKU:
CF.CM9220
From
Missa Brevis.
Composed by Jean Perry
David Perry. SWS.
Performance Score. With
Standard notation. 16
pages. Duration 3:30.
Carl Fischer Music
#CM9220. Published by
Carl Fischer Music
(CF.CM9220).
ISBN
9780825883385. UPC:
798408083380. 6.875 x
10.5 inches. Key: A
major. Text: Traditional
Latin Text. Traditional
Latin Text.
This
octavo is the Gloria from
Dave and Jean Perry's
Missa brevis. The
traditional Latin text is
coupled with an inspired
new and joyous
arrangement for our
times. Choral directors
looking for a grander
performance, can also use
an optional arrangement
for 2 harps and strings
(vln 1, vln 2 , vla,
cello, bass). If you do
not have 2 harps, a piano
part (different from the
piano part in the octavo)
is included to cover the
harps. The full score and
the parts for the 2
harps, the optional
substituting piano and
strings are available as
a free download at
www.carlfischer.com.
Duration: 3:30.
Composed by Anton
Diabelli. 1x 23.007/21
flute, 1x 23.007/22
clarinet 1, 1x 23.007/23
clarinet 2, 1x 23.007/31
trumpet 1, 1x 23.007/32
trumpet 2, 1x 23.007/33
horn 1, 1x 23.007/34 horn
2, 1x 23.007/41 timpani.
German title: Messe in Es
8. Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 107.
44 pages. Duration 25
minutes. Carus Verlag #CV
23.007/09. Published by
Carus Verlag
(CA.2300709).
ISBN
9790007037673. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and
parts available
separately - see item
CA.2300700.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Violin 1.
Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/11. Published by
Carus Verlag
(CA.2300711).
ISBN
9790007037680. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.