Book Only Banjo - Difficulty: easy-medium SKU: HL.699516 For 5-String ...(+)
Book Only Banjo -
Difficulty: easy-medium
SKU: HL.699516
For 5-String
Banjo. Arranged by
Mac Robertson. Banjo.
Bluegrass and Country.
Banjo solo songbook
(softcover). With vocal
melody (in banjo
tablature only), lyrics,
banjo tablature and chord
names. 24 pages.
Published by Hal Leonard
(HL.699516).
ISBN
9780793526888. UPC:
073999995169. 9x12
inches.
A
bluegrass/country
supplement to the Hal
Leonard Banjo Method Book
2. 16 songs, including:
Abilene * I'm So Lonesome
I Could Cry * Jambalaya
(On The Bayou) * and
more.
Composed
by Johann Friedrich
Reichardt. Sacred vocal
music, Christmas. Choral
Score. Composed 1784.
Duration 25 minutes.
Carus Verlag #CV
23.016/05. Published by
Carus Verlag
(CA.2301605).
ISBN
9790007100056. Language:
German. Text: Claudius,
Matthias. Text: Matthias
Claudius.
If he is
known at all, then
generally Reichardt is
known primarily as a Lied
composer. This first
edition of the full score
of the
Weihnachtskantilene makes
this work for large
ensemble once again
accessible. This simple,
homophonic setting in 16
movements is scored in
some sections for double
choir, whereby the higher
choir can be performed
effectively by a
children's choir. Not
least in importance is
the moving poetry by
Matthias Claudius, which
helps to make Reichardt's
work a rewarding and
attractive enrichment to
the traditional Christmas
repertoire. Score
available separately -
see item CA.2301600.
Composed by
Yvon Rivoal. Method,
studies. Score. Editions
Henry Lemoine #24684.
Published by Editions
Henry Lemoine (LM.24684).
ISBN
9790230946841.
Air
ancien - RIVOAL Y. :
Melodie lointaine -
Chanson - Cantilene -
Bagatelle - Petit Arpege
en forme de Blues -
DELHOMMEAU Guy : Melodie
- AGUADO D. : Valse -
Etude en La mineur -
CARCASSI M. : Andantino -
Allegretto - Menuet -
CARULLI F. : Andante -
Allegretto - Andante -
Allegretto - Valse -
GIULIANI M. :
Allegro.
Choral SSAA choir SKU: CF.CM9570 Composed by John Ratledge. Psalms 47 fro...(+)
Choral SSAA choir
SKU:
CF.CM9570
Composed by
John Ratledge. Psalms 47
from the Bible. Jbc.
Performance Score. With
Standard notation. 8
pages. Duration 1 minute,
44 seconds. Carl Fischer
Music #CM9570. Published
by Carl Fischer Music
(CF.CM9570).
ISBN
9781491153581. UPC:
680160911080. 6.75 x 10.5
inches. Key: Bb major.
Latin. Psalms 47 from the
Bible.
Psalm 47
was commissioned by
the Sigma Alpha Iota
Chapter of Hardin Simmons
University (Abilene,
Texas), Suzanne Watts,
conductor, back in 1978.
I was a graduate student
at the time, and the
premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47A
was commissioned by
the Sigma Alpha Iota
Chapter of Hardin Simmons
University (Abilene,
Texas), Suzanne Watts,
conductor, back in 1978.
I was a graduate student
at the time, and the
premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:A
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47 was
commissioned by the Sigma
Alpha Iota Chapter of
Hardin Simmons University
(Abilene, Texas), Suzanne
Watts, conductor, back in
1978. I was a graduate
student at the time, and
the premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47Â was
commissioned by the Sigma
Alpha Iota Chapter of
Hardin Simmons University
(Abilene, Texas), Suzanne
Watts, conductor, back in
1978. I was a graduate
student at the time, and
the premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now.In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the
people:Â (you clap),
(you shout), (you sing)
to exemplify that praise
and joy should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world.Rise up and
claim the power of
JOY!
Weihnachtskantilene. Composed by Johann
Georg Zechner. Edited by
Leonhard Riedel. Arranged
by Paul Horn.
Weihnachtskantilene Was
Seh Ich. Sacred vocal
music, Cantatas,
Christmas. Choral Score.
Composed 1762. 4 pages.
Duration 10 minutes.
Carus Verlag #CV
10.375/05. Published by
Carus Verlag
(CA.1037505).
ISBN
9790007108595. Key: D
major. Language:
Latin/German.
This
pastoral composition of
Austrian origin depicts
the announcement to a
shepherd of the birth of
Christ. In addition, the
song of praise of an
angel Gloria in excelsis
Deo is sung. This is a
short, easily performed
work which is best suited
to music for the
Christmas Gospel or for
the offertory at
Christmas. Score
available separately -
see item CA.1037500.
Weihnachtskantilene. Composed by Johann
Georg Zechner. Edited by
Leonhard Riedel. Arranged
by Paul Horn.
Weihnachtskantilene Was
Seh Ich. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Cello/Double Bass.
Composed 1762. 2 pages.
Duration 10 minutes.
Carus Verlag #CV
10.375/13. Published by
Carus Verlag
(CA.1037513).
ISBN
9790007190767. Key: D
major. Language:
Latin/German.
This
pastoral composition of
Austrian origin depicts
the announcement to a
shepherd of the birth of
Christ. In addition, the
song of praise of an
angel Gloria in excelsis
Deo is sung. This is a
short, easily performed
work which is best suited
to music for the
Christmas Gospel or for
the offertory at
Christmas. Score and part
available separately -
see item CA.1037500.
