SKU: HL.49044757

ISBN 9790001202961. UPC: 841886024885. 9.0x12.0x0.066 inches.

Everybody knows it, and for many a player it was perhaps the first tentative attempt to coax sounds out of the piano: Chopsticks. The origin of this popular piano piece, like that of most folksongs, cannot be ultimately settled today. Legend has it that it was written by Ferdinand Loh and that the designation of the work 'F. Loh: Walzer' eventually turned into 'Flohwalzer'. But no matter who actually wrote the waltz: It is, without doubt, one of the most famous piano pieces and known all over the world. In France, it is called 'Cotelettes' [Chops], in Great Britain 'Chopsticks', and in Mexico 'Los Changuitos' (Little Monkeys). Technically speaking, however, it is not even a waltz. It is composed in 2/4 time and, with regard to style, rather is a polka or a galop. Eric Mayr transcribed the 16-bar original into a concert version for piano duet.

SKU: HL.49003841

ISBN 9790001038461. UPC: 884088925642. 9.0x12.0x0.177 inches.

SKU: HL.51481648

UPC: 196288308423. 12.25x9.25x0.11 inches.

Johannes Brahms twice chose a theme by his friend and mentor Robert Schumann as the basis for piano variations. While the Variations op. 9 were composed for piano solo, as an exception he wrote Opus 23 for a four-hand scoring. Its tender, chorale-like theme is particularly touching and was carefully chosen by Brahms: It was among Robert Schumann's last musical thoughts, which the composer, already tormented by severe delusions, believed he heard from the voices of angels. The Variations, composed in 1861, end with a kind of funeral march and can be understood as a wistful farewell to his deceased friend. The musical text is based on the New Brahms Complete Edition, thus ensuring the highest accuracy and reflecting the most current state of research. Furnished with fingerings by Andreas Groethuysen, a proven specialist for the four-hand repertoire, this Urtext edition leaves nothing to be desired.

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