By John Dowland. Edited by Katherine K. Davis. Choral. For SSAA choir. Secular. Published by E.C. Schirmer Publishing.

By Daniel Bernard Roumain. For SSAA or children's chorus and instruments (Chorus (SSAA) or Children's Choir; 1 Electric Bass; 1 Drum Kit; Piano or Synthesizer). Set of Parts. Composed 2001. Duration 7'

SSAA, a cappella

SKU: SU.80300107

For SSAA, a cappella. Arranged by Marylou India Jackson. Vocal/Choral, Sacred Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300107. Published by Treble Clef Music Press (SU.80300107).

Your second altos will love this setting--they get the melody in the refrain, and lots of low f's during the verses. The strong rhythms of this setting will energize your chorus! SSAA and soprano solo a cappella. Easy/Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

Composed by Antonin Dvorak (1841-1904). Edited by Katerina Nová. This edition: urtext edition. Paperback. Choral score. Baerenreiter Verlag #BA10439. Published by Baerenreiter Verlag

Composed by Christopher Dotson, Perrie Edwards, Jade Thirlwall, Jesy Nelson, Leigh Anne Pinnock, Kyle Coleman, Thomas Barnes, Peter Kelleher, Ben Kohn, Mischke Butler, Erika Nuri, Iain James, Michelle Lewis, and Heidi Rojas. Arranged by Andy Beck. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Pop; Secular. 16 pages. Published by Alfred Music

By African-American Spiritual. Arranged by Ken Berg. SSAA WITH SOLO A CAPPELLA. Henry Leck Creating Artistry. 8 pages

SSAA, a cappella

SKU: SU.80300168

For SSAA, a cappella. Composed by Daniel E. Gawthrop. Vocal/Choral, Sacred Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300168. Published by Treble Clef Music Press (SU.80300168).

Excerpts of the Requiem text in Latin, and metric verses of Psalm 23 in English, make this moving elegy suitable for memorial services and All Saints’ observations, as well as for general sacred use. SSAA a cappella; duration: 4’25; range: a flat-a; difficulty: medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

Composed by Michael J. Barrett. Choral. Cameron LaBarr Series. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1438. Published by Santa Barbara Music Publishing (SB.SBMP-1438).

By Stephen Main and William Devereux. For Choral, Harp, Piano, Celesta (SSAA DIVISI). Walton Choral. 16 pages. Walton Music #WW1504. Published by Walton Music

By Ralph Vaughan Williams. For Baritone Solo, SSAA chorus and orchestra. Vocal Scores. Vocal Scores. Published by Stainer and Bell Ltd. (U.K. Import).

SSAA choir, piano

SKU: CA.966200

Hymn for Pentecost. Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Whitsun. Full score. 12 pages. Duration 5 minutes. Carus Verlag #CV 09.662/00. Published by Carus Verlag (CA.966200).

ISBN 9790007167677. Language: Latin.

Matsushita's setting of a hymn for Pentecost is a dialog between women's choir and piano: while the choir develops its melodies from the Gregorian hymn, the piano provides a counterpoint with the minimalistic sounds of fourth and fifths, together with short independent motives related to the text of the hymn. Corresponding to the chorale, the meter changes continually, as if floating. The choir is treated homophonically throughout and, in preparation for the climax of the piece it is briefly divided into six parts at the words pacemque dones protinus (true peace bring unto us). One again Matsushita proves himself a master of economy in his use of compositional means; thus his works of new church music are appealing, effective, and they express humility.

Composed by Carl Falk, Dhani Lennevald, Salem Al Fakir, Sandro Cavazza, Vincent Pontare, and Avicii. Edited by Hans Vainikainen. Arranged by Hans Vainikainen. Stapled. Choral score. 11 pages. Baerenreiter Verlag #BA11398. Published by Baerenreiter Verlag

By Alice Parker. For SSAA and piano. Folk Song. Level: Medium. Published by Treble Clef Music Press.

By Leos Janacek. Czech title: Hrad anske pisni ky (cyklus ~enskych sboro na slova Frantiaka Serafina Prochazky). Published by Praha (Czech import).

By Camille Saint-Saens. For SSAA Choir, Organ. French Sacred Music. Score. Language: Latin. 8 pages. Published by Carus Verlag (German import).

SSAA choir

SKU: BP.2149

Composed by Craig Courtney. Arranged by Craig Courtney. Sacred octavos. Sacred. Octavo. Beckenhorst Press #2149. Published by Beckenhorst Press (BP.2149).

Printed product.

The ethereal nature of the Samuel Francis Smith poem is perfectly paired with masterful text painting until the two become one in spirit and understanding. The move from earth to heaven is flawless. The music is deep; the text rich and profound. The melody line moves to harmony and back again until it finally finds a resting place in the sight and sound of eternity . . . making heaven a heaven. Glorious! Scored for SATB choir and piano with optional string quartet or orchestra parts available. Also available for SSAA and TTBB.

Composed by Alexander Gretchaninoff (1864-1956). Arranged by English text by Nancy McKibben. Russian Title: Dozhd'. With Language: Russian/English. Published by Musica Russica (MR.PS-007).

SSAATB choir

SKU: ST.M733

Composed by John Wilbye. Edited by Edmund H Fellowes. SSAATB. Choral. Octavo. Stainer & Bell Ltd. #M733. Published by Stainer & Bell Ltd. (ST.M733).

ISBN 9790220218514.

SSAA TB. Revised by Thurston Dart.

Composed by Michael Culloton. Advanced/Collegiate. Year B Advent2. Advent, 21st Century, Hope/Assurance. Octavo. Published by Galaxy Music Corporation (EC.1.3489).

By Felix Bartholdy Mendelssohn (1809-1847). For SSAA Choir (Vocal Score). Music Sales America. Romantic. 86 pages. Novello and Co Ltd. #NOV954888. Published by Novello and Co Ltd.

SSAA, a cappella

SKU: SU.80300188

For SSAA, a cappella. Composed by Anne Boyd. Vocal/Choral, Sacred Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300188. Published by Treble Clef Music Press (SU.80300188).

The carol text is by the same sixteenth-century poet--Robert Southwell--as the better-known This Little Babe. Like its sister text, it explores an unusual metaphor for the infant Jesus--in this case, a refining fire which purifies the believer. The strophic setting, with soprano solo, is dissonant and chromatic, with edgy rhythms: a fine selection to balance against sweeter Christmas settings. SSAA a cappella. Medium-Difficult. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA and Piano Choral; Piano Accompaniment (SSAA Choir) - easy

SKU: HL.49046248

Irish Folksong SSAA and Piano Schott Choral Music. Composed by Alwin Michael Schronen. This edition: Saddle stitching. Sheet music. Choral. Classical, Folk, Irish. Octavo. Composed 2017. 8 pages. Duration 210 seconds. Schott Music #C59530. Published by Schott Music (HL.49046248).

ISBN 9790001207218. UPC: 842819105169. 0.031 inches. English.

Composing soulful and expressive choral music has been the trademark of Alwin Michael Schronen for many years. A hauntingly beautiful testimony to that is his arrangement of Sally Gardens for upper voices (SSAA) and piano. This traditional Irish folk song is based on one of the first love poems by William Butler Yeats. Its melody is characterized by simplicity and catchiness which are maintained by Schronen in a clean and natural manner in an easy-to-play choral setting for four female or childrens voices singing in unison over long passages and are only seldom divided into four voices. The warm sounds of the easily playable piano accompaniment emphasize the melancholy and touching air of this wonderful Irish folk tune. A catchy tune - guaranteed!

SSAA chorus, piano (opt. guitar) - intermediate

SKU: BP.DF1023

Composed by Dan Forrest. Choral, School, Church, Community, Collegiate, Revoicing. Justice. Octavo. The Music of Dan Forrest #DF1023. Published by The Music of Dan Forrest (BP.DF1023).

6.88 x 10.5 inches.

From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people’s experiences instead of seeking to understand experiences that differ from our own; we’re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to—especially to my friends of color. This the text that resulted—words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.

By Bob Chilcott. For SSAA choir and piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

Female choir (SSAA) and instruments - level 4

SKU: M2.MOS-69449-01

Composed by Alfred Koerppen. Choral score. Möseler Verlag #MOS 69449-01. Published by Möseler Verlag (M2.MOS-69449-01).

ISBN 9790203755685.

1955 erschien aus der Hand der franzosischen Nonne Carmen Bernos de Gaszold ein Gedichtband unter dem Titel Prieres dans l'Arche - Gebete aus der Arche. Diese Gebete werden den Tieren in den Mund gelegt, die mit Noah, in der drangvollen Enge der Arche vereint, das Ende der Sintflut erwarten. Die Dichterin folgt einer Tradition - man denkt an Asop, La Fontaine und Goethe - wenn sie im Wesen der Kreaturen Spiegelungen menschlicher Schwachen, Fehler und Tugenden erkennt. Denn die in der Wasserwuste gefangenen Tiere reden so fromm, furchtsam, selbstgerecht und banal, wie es menschlich ware. Und auch das Allzumenschliche - Hoffart, Leichtsinn, Neid - kommt zu Wort. Nur dass die Ichbefangenheit der betenden Tiere ihrer Unschuld keinen Abbruch tut. Ihre bedingte und bedrangte Natur findet Gedanken, die uns ein sympathisierendes Lacheln abgewinnt. Der Zyklus schien mir zur Vertonung geeignet, weil er ein religioses Thema unpratentios und originell vortragt und ein Stuck ermoglicht, das die ubliche Trennung zwischen weltlich und geistlich uberschreitet und Konzertsaal und Kirche in Anspruch nehmen kann. Zur Besetzung: Der Frauenchor muss aus den vier ublichen Stimmlagen 1. und 2. Sopran, 1. und 2. Alt bestehen, wobei auch noch Stimmteilungen vorkommen. In Nr. 9 Gebet der Taube wird noch ein (aus dem Chor zu bildendes) Soloquartett gebraucht. Der Instrumentalpart besteht aus einer Oboe und einem Streicherquintett (1. und 2. Violine, Viola, Violoncello und Kontrabass). Die Besetzung soll solistisch sein, kann aber bei den Streichern (und wenn die Klangbalance zum Chor dies wunschenswert macht) zu einem kleinen Kammerorchester erweitert werden. Der Charakter der Instrumente, ihre Techniken und Farben, erlauben mir realistische Klangmetaphern und physiognomische Parallelen - so, wenn das Cello im Duett mit dem Alt die hochmutige Giraffe in grossintervalligen Sprungen deutet, die rasende Geschaftigkeit der Ameise sich in schnellen Violinbariolagen ausdruckt oder die Oboe ein naturalistisches Rabengekrachz horen lasst. Der Zyklus beginnt mit dem Gebet des Noah. Man stelle sich das Gedrange und Geschrei vor, dass die Arche erfullt, die hochgehenden Wogen, den prasselnden Regen, und mitten darin den Urvater Noah, dem sich der Ausruf entringt: Herr, was fur ein Zirkus! Seine Ausbruche korrespondieren mit dem auf- und niederwogenden Streichersatz, bis der Sturm sich legt, die Wogen sich glatten und Noah in der mehrmals gedehnten Phrase Es dauert lange seine Ergebung und Hoffnung ausdruckt. Nach dem pharisaischen Gebet der Giraffe ergreift die Schildkrote das Wort. Ihr Instrument ist die Bratsche. Ihre schnaufende Kurzatmigkeit hindert sie, ihr Gebet zusammenhangend zu sprechen. Der fleissigen Ameise - sie erbost sich sehr uber die Grille, deren Wirtshausmusik sie unterbricht - folgt der Hahn mit hellen und scharfen Tonen. Er ist es, der die Sonne aufgehen lasst; man kann es in dem sich auffaltenden Klang der Coda horen. Der vergessliche Schmetterling taumelt in immer neu variierten Oboenfiguren durch die glasernen Sommerklange von Streicherflageoletts, bis es ihm einfallt, was er sagen wollte: Amen. Das Schwein bekennt sich zu seiner schnuffelnden und grunzenden Natur, die, von den Streichern mit rauhem Bogendruck gezeichnet, in der Coda durch eine stille F-Dur-Kantilene eine sonderbare Verklarung erfahrt. Vor uns die Sintflut ruft der Rabe, und sein durchdringender Oboenschrei ubertont das Wogen und Schwanken der Streicher, die hier Motive aus dem Gebet des Noah wieder aufnehmen. In der darauf eintretenden Stille bieten die Instrumente verschiedene Themen an, die folgenlos verschwinden - um nach dem Altsolo Die Arche wartet sich in einem ruhig-feierlichen a-cappella-Satz mit alternierendem Soloquartett wieder zusammenzufinden und das Werk in reinem Es-Dur beschliessen. Alfred Koerppen.