Shorties #20 Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Everybody Talks / Ghostbusters / James Bond Theme / Rock and Roll Al...(+)
(Featuring: Everybody
Talks / Ghostbusters /
James Bond Theme / Rock
and Roll All Night).
Arranged by Victor
López. Marching Band.
Marching Band; Part(s);
Score. Mega Sounds for
Marching Band. Grade 2.5;
Grade 3. Published by
Alfred Music
Featuring: All About That Bass / Timber / Locked Out of Heaven / Still into Y...(+)
Featuring: All About
That Bass / Timber /
Locked Out of Heaven /
Still into You.
Arranged by Victor Lopez.
Marching Band; Part(s);
Score. Mega Sounds for
Marching Band. 220 pages.
Published by Alfred Music
(AP.43907).
Shorties #20 Fanfare [Conducteur] Alfred Publishing
Featuring: Everybody Talks / Ghostbusters / James Bond Theme / Rock and Roll ...(+)
Featuring: Everybody
Talks / Ghostbusters /
James Bond Theme / Rock
and Roll All Night.
Arranged by Victor Lopez.
Marching Band; Score.
Mega Sounds for Marching
Band. 12 pages. Published
by Alfred Music
(AP.42120S).
Marching Band - Grade 2 SKU: AP.36460S By Jonathan Cain, Journey, and Ste...(+)
Marching Band - Grade 2
SKU: AP.36460S
By
Jonathan Cain, Journey,
and Steve Perry. By
Jonathan Cain and Steve
Perry [Journey]. Arranged
by Doug Adams. Marching
Band; Performance Music
Ensemble; Single Titles.
Easy Pops for Marching
Band. Rock. Score. 8
pages. Alfred Music
#00-36460S. Published by
Alfred Music (AP.36460S).
ISBN 9781470665012.
UPC: 038081415178.
English.
The music
of Journey is once again
popular due in part to
the acclaimed TV series
Glee. Here is one of
their biggest hits in a
solid, driving
arrangement that any band
can handle. Another
winner from the pen of
Doug Adams!
Marching Band - Grade 3.5 SKU: AP.42117S The Music of Tower of Power, ...(+)
Marching Band - Grade 3.5
SKU: AP.42117S
The Music of Tower of
Power, Part 3. By
David Garibaldi, Emilio
Castillo, Stephen Kupka,
and Tower Of Power. By
David Garibaldi [Tower of
Power], Emilio Castillo,
and Stephen Kupka.
Arranged by Victor Lopez.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Funk; Jazz. Score.
16 pages. Duration 2:20.
Alfred Music #00-42117S.
Published by Alfred Music
(AP.42117S).
UPC:
038081473161.
English.
Victor
López concludes our
Tower of Power halftime
show with the funky Down
to the Nightclub, before
a reprise of What Is Hip?
After a steady buildup,
the show finishes with a
short final statement of
You're Still a Young Man.
Although conceived as
part of the complete
show, this chart would
make a great stands or
pep band tune by stopping
at the optional ending
for a shorter version.
Another winner from the
pen of Victor López!
(2:20).
Fireball Fanfare - Intermédiaire Alfred Publishing
Marching Band - Grade 3 SKU: AP.43897S As Recorded by Pitbull Featurin...(+)
Marching Band - Grade 3
SKU: AP.43897S
As Recorded by Pitbull
Featuring John Ryan.
By Andreas Schuller,
Armando Perez, Eric
Frederic, Ilsey Juber,
John Ryan, Joseph
Spargur, Pitbull, and Tom
Peyton. By Andreas
Schuller, Armando Perez,
Eric Frederic, Ilsey
Juber, John Ryan, Joseph
Spargur, and Tom Peyton
[Pitbull]. Arranged by
Victor Lopez. Marching
Band; Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Latin. Score. 8
pages. Duration 2:00.
Alfred Music #00-43897S.
Published by Alfred Music
(AP.43897S).
ISBN
9781470665005. UPC:
038081499451.
English.
This
sizzling Latin-style hit
from Pitbull and John
Ryan is a perfect choice
for marching and pep band
performance. Another
winner from the pen of
Victor López!
(2:00).
By Howard Shore. Edited by Michael Story. Arranged by Victor Lopez. Marching ba...(+)
By Howard Shore. Edited
by Michael Story.
Arranged by Victor Lopez.
Marching band. Published
by WarnaComposed by
Howard Shore. Arranged by
Ralph Ford. Marching
Band, Opener. Warner
Bros. Marching Band.
Movie. Part(s); Score.
Alfred Music
#00-MBM03051. Published
by Alfred Musicer
Brothers.
Marching Band - Grade 2 SKU: AP.42102S Composed by Mike Story. Marching B...(+)
Marching Band - Grade 2
SKU: AP.42102S
Composed by Mike Story.
Marching Band;
Performance Music
Ensemble; Single Titles.
Big and Easy. Jazz;
Latin. Score. 8 pages.
Alfred Music #00-42102S.
Published by Alfred Music
(AP.42102S).
UPC:
038081474496.
English.
When you
are looking for great
Latin-style openers that
don't need a lot of
rehearsal time, look no
further than the Big &
Easy series. Perfect for
the field or the stands,
this powerfully scored
chart will be a solid
addition to any band
library. Stellar!
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1115084-020
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Set (Score & Parts). De
Haske Publications #DHP
1115084-020. Published by
De Haske Publications
(BT.DHP-1115084-020).
9x12 inches.
English-German-French-Dut
ch.
It may be
surprising to see a
fanfare piece
commissioned by a
Japanese ensemble, since
fanfare orchestras are
typically found in
Belgium, Holland and
Luxembourg, and also
France and Switzerland.
Senzoku Gakuen is one of
the largest and
mostprestigious music
universities in Japan,
and home to a wide
variety of ensembles and
orchestras. Since 2006
they have had a fanfare
orchestra, which was
started by Sotaru
Fukaishi, a euphonium
teacher who felt further
performance opportunity
wasneeded for saxhorn
instruments. Fukaishi had
loved the sound of
fanfare orchestras ever
since visiting the World
Music Contest in Kerkrade
(Holland) several years
earlier. Jan Van der
Roost was involved with
this new initiative from
the beginning,and they
were also joined by Manu
Mellaerts for certain
projects. The Dean of the
music department,
Professor Kazuo Tomioka,
fully supports the
ensemble and commissioned
Ostinati. The
première took place on
June 11th at Maeda Hall
inMizonokuchi (Kawasaki)
where Senzoku Gakuen is
based. The piece opens
with an impressive
timpani solo, followed by
brass and saxophone. The
rhythmical pulse remains
constant and the music is
fiery and assertive in
character. A pentatonic
melodygradually emerges
and the music loses its
vehemency and softens.
The initial percussion
ostinati subsequently
recurs and the first
section of the piece
concludes in a similar
mood to the opening. The
second movement is sweet
and melodic, opening
witha long passage for
the saxophone family in a
minor key. The same theme
then appears in the major
and is developed upon;
the music builds to a
majestic orchestral
forte, reminiscent of a
pipe organ in its
sonority. The theme
returns in the
originalminor key with a
change in instrumentation
leading the movement to a
quiet and peaceful end on
a soft E minor chord. The
finale starts with
percussion: a four-bar
pattern is repeated
several times over which
the movement’s
melodic themes
areintroduced. These
melodic elements are
varied and used in
different versions and
the ostinato idea, which
characterizes the entire
piece, is highlighted.
The theme travels through
the orchestra, appearing
on various instruments
and in variousregisters.
It captures the
listener’s
attention and displays
the full range of sound
and colour within the
fanfare
orchestra.
Het is
misschien verrassend dat
dit fanfarewerk is
geschreven in opdracht
van een Japans ensemble,
aangezien fanfareorkesten
vooral te vinden zijn in
België, Nederland en
Luxemburg, en ook wel in
Frankrijk en Zwitserland.
SenzokuGakuen is een van
de grootste en meest
prestigieuze
muziekopleidingen van
Japan, en de thuisbasis
van een grote
verscheidenheid van
ensembles en orkesten. In
2006 is er een
fanfareorkest opgericht,
en wel door Sotaru
Fukaishi,
eeneuphoniumdocent die
vond dat er meer
mogelijkheden moesten
komen voor optredens met
saxhoorninstrumenten.
Fukaishi had enkele jaren
daarvoor genoten van de
fanfareklank toen hij het
Wereld Muziek Concours in
Kerkrade bezocht.
DeBelgische componist Jan
Van der Roost was van het
begin af aan betrokken
bij dit nieuwe
initiatief, en ook Manu
Mellaerts werd voor een
aantal projecten
aangetrokken. Het hoofd
van de muziekfaculteit,
professor Kazuo Tomioka,
staatgeheel achter het
ensemble en gaf de
opdracht tot het
schrijven van
Ostinati. De
première vond plaats
op 11 juni in de Maeda
Hall in Mizonokuchi
(Kawasaki), waar Senzoku
Gakuen is gevestigd. Het
werk begint met een
indrukwekkendepaukensolo,
gevolgd door koper en
saxofoon. De ritmische
puls blijft constant, en
de aard van de muziek is
vurig en krachtig.
Geleidelijk komt er een
pentatonische melodie
naar voren en wordt de
muziek minder heftig, ze
wordtzachter van
karakter. De
aanvankelijke ostinati in
het slagwerk verschijnen
dan opnieuw, waarna het
eerste deel van het werk
eindigt in dezelfde sfeer
als waarmee het begon.
Het tweede deel is
lieflijk en melodisch.
Het opentmet een lange
passage voor de saxofoons
in een mineurtoonsoort.
Dan klinkt hetzelfde
thema in majeur en daar
wordt op voortgeborduurd:
de muziek ontwikkelt zich
tot een majestueus
orkestraal forte, dat qua
sonoriteit doet
denken
Es mag
überraschen, dass
dieses
Fanfareorchesterwerk
ausgerechnet von einem
japanischen Ensemble in
Auftrag gegeben wurde, da
Fanfareorchester doch
eher in Belgien, den
Niederlanden oder
Luxemburg oder auch in
Frankreich oder Schweiz
zu finden sind. Senzoku
Gakuen ist eine der
größten und
renommiertesten
Musikschulen Japans und
Heimstätte einer
Vielfalt an Ensembles und
Orchestern. Im Jahr 2006
wurde ein
Fanfareorchester
gegründet. Den
Anstoß gab Sotaru
Fukaishi, ein
Euphoniumlehrer, der den
Instrumenten der
Saxhorn-Familie mehr
Spielmöglichkeiten
bieten wollte. Fukaishi
hatte sich einige Jahre
zuvor bei der
Weltmeisterschaft in
Kerkrade (Holland) in den
Klang
vonFanfareorchestern
verliebt. Jan Van der
Roost war von Beginn an
in die Entwicklung dieser
Idee involviert und,
einige Projekte
betreffend, ebenso Manu
Mellaerts. Der Dekan des
Musik-Colleges, Professor
Kazuo Tomioka, steht voll
und ganz hinter dem
Ensemble und gab
Ostinati in
Auftrag. Die Premiere
fand am 11. Juni 2011 in
der Maeda Hall in
Mizonokuchi statt, dem
Heimatort der Schule
Senzoku Gakuen. Das
Stück beginnt mit
einem eindrucksvollen
Paukensolo, bevor
Blechbläser und
Saxophon einsetzen. Der
rhythmische Puls bleibt
konstant unter einer
feurigen,
nachdrücklichen Musik.
Eine pentatonische
Melodie bildet sich nach
und nach heraus,
während die Musik an
Heftigkeit verliert und
sanfter wird. Die
anfänglichen Ostinati
im Schlagwerk kehren
zurück und so endet
der erste Satz des Werkes
in einer der Eröffnung
ähnlichen Stimmung.
Der zweite Satz ist
lieblich und melodiös.
Er beginnt mit einem
langen Abschnitt für
die Saxophone in Moll.
Dann erscheint das
gleiche Thema in Dur und
durchläuft eine
Entwicklung; die Musik
baut sich zu einem
majestätischen
orchestralen Forte auf,
das in seiner
Klangfülle an eine
Orgel erinnert. Dann
kehrt das Thema in seiner
ursprünglichen
Moll-Tonart und in
veränderter
Instrumentierung
zurück, um den Satz
ruhig und friedvoll in
einem e-Moll-Akkord enden
zu lassen.
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1115084-120
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Score Only. Composed
2012. 99 pages. De Haske
Publications #DHP
1115084-120. Published by
De Haske Publications
(BT.DHP-1115084-120).
9x12 inches.
English-German-French-Dut
ch.
It may be
surprising to see a
fanfare piece
commissioned by a
Japanese ensemble, since
fanfare orchestras are
typically found in
Belgium, Holland and
Luxembourg, and also
France and Switzerland.
Senzoku Gakuen is one of
the largest and
mostprestigious music
universities in Japan,
and home to a wide
variety of ensembles and
orchestras. Since 2006
they have had a fanfare
orchestra, which was
started by Sotaru
Fukaishi, a euphonium
teacher who felt further
performance opportunity
wasneeded for saxhorn
instruments. Fukaishi had
loved the sound of
fanfare orchestras ever
since visiting the World
Music Contest in Kerkrade
(Holland) several years
earlier. Jan Van der
Roost was involved with
this new initiative from
the beginning,and they
were also joined by Manu
Mellaerts for certain
projects. The Dean of the
music department,
Professor Kazuo Tomioka,
fully supports the
ensemble and commissioned
Ostinati. The
première took place on
June 11th at Maeda Hall
inMizonokuchi (Kawasaki)
where Senzoku Gakuen is
based. The piece opens
with an impressive
timpani solo, followed by
brass and saxophone. The
rhythmical pulse remains
constant and the music is
fiery and assertive in
character. A pentatonic
melodygradually emerges
and the music loses its
vehemency and softens.
The initial percussion
ostinati subsequently
recurs and the first
section of the piece
concludes in a similar
mood to the opening. The
second movement is sweet
and melodic, opening
witha long passage for
the saxophone family in a
minor key. The same theme
then appears in the major
and is developed upon;
the music builds to a
majestic orchestral
forte, reminiscent of a
pipe organ in its
sonority. The theme
returns in the
originalminor key with a
change in instrumentation
leading the movement to a
quiet and peaceful end on
a soft E minor chord. The
finale starts with
percussion: a four-bar
pattern is repeated
several times over which
the movement’s
melodic themes
areintroduced. These
melodic elements are
varied and used in
different versions and
the ostinato idea, which
characterizes the entire
piece, is highlighted.
The theme travels through
the orchestra, appearing
on various instruments
and in variousregisters.
It captures the
listener’s
attention and displays
the full range of sound
and colour within the
fanfare
orchestra.
Het is
misschien verrassend dat
dit fanfarewerk is
geschreven in opdracht
van een Japans ensemble,
aangezien fanfareorkesten
vooral te vinden zijn in
België, Nederland en
Luxemburg, en ook wel in
Frankrijk en Zwitserland.
SenzokuGakuen is een van
de grootste en meest
prestigieuze
muziekopleidingen van
Japan, en de thuisbasis
van een grote
verscheidenheid van
ensembles en orkesten. In
2006 is er een
fanfareorkest opgericht,
en wel door Sotaru
Fukaishi,
eeneuphoniumdocent die
vond dat er meer
mogelijkheden moesten
komen voor optredens met
saxhoorninstrumenten.
Fukaishi had enkele jaren
daarvoor genoten van de
fanfareklank toen hij het
Wereld Muziek Concours in
Kerkrade bezocht.
DeBelgische componist Jan
Van der Roost was van het
begin af aan betrokken
bij dit nieuwe
initiatief, en ook Manu
Mellaerts werd voor een
aantal projecten
aangetrokken. Het hoofd
van de muziekfaculteit,
professor Kazuo Tomioka,
staatgeheel achter het
ensemble en gaf de
opdracht tot het
schrijven van
Ostinati. De
première vond plaats
op 11 juni in de Maeda
Hall in Mizonokuchi
(Kawasaki), waar Senzoku
Gakuen is gevestigd. Het
werk begint met een
indrukwekkendepaukensolo,
gevolgd door koper en
saxofoon. De ritmische
puls blijft constant, en
de aard van de muziek is
vurig en krachtig.
Geleidelijk komt er een
pentatonische melodie
naar voren en wordt de
muziek minder heftig, ze
wordtzachter van
karakter. De
aanvankelijke ostinati in
het slagwerk verschijnen
dan opnieuw, waarna het
eerste deel van het werk
eindigt in dezelfde sfeer
als waarmee het begon.
Het tweede deel is
lieflijk en melodisch.
Het opentmet een lange
passage voor de saxofoons
in een mineurtoonsoort.
Dan klinkt hetzelfde
thema in majeur en daar
wordt op voortgeborduurd:
de muziek ontwikkelt zich
tot een majestueus
orkestraal forte, dat qua
sonoriteit doet
denken
Es mag
überraschen, dass
dieses
Fanfareorchesterwerk
ausgerechnet von einem
japanischen Ensemble in
Auftrag gegeben wurde, da
Fanfareorchester doch
eher in Belgien, den
Niederlanden oder
Luxemburg oder auch in
Frankreich oder Schweiz
zu finden sind. Senzoku
Gakuen ist eine der
größten und
renommiertesten
Musikschulen Japans und
Heimstätte einer
Vielfalt an Ensembles und
Orchestern. Im Jahr 2006
wurde ein
Fanfareorchester
gegründet. Den
Anstoß gab Sotaru
Fukaishi, ein
Euphoniumlehrer, der den
Instrumenten der
Saxhorn-Familie mehr
Spielmöglichkeiten
bieten wollte. Fukaishi
hatte sich einige Jahre
zuvor bei der
Weltmeisterschaft in
Kerkrade (Holland) in den
Klang
vonFanfareorchestern
verliebt. Jan Van der
Roost war von Beginn an
in die Entwicklung dieser
Idee involviert und,
einige Projekte
betreffend, ebenso Manu
Mellaerts. Der Dekan des
Musik-Colleges, Professor
Kazuo Tomioka, steht voll
und ganz hinter dem
Ensemble und gab
Ostinati in
Auftrag. Die Premiere
fand am 11. Juni 2011 in
der Maeda Hall in
Mizonokuchi statt, dem
Heimatort der Schule
Senzoku Gakuen. Das
Stück beginnt mit
einem eindrucksvollen
Paukensolo, bevor
Blechbläser und
Saxophon einsetzen. Der
rhythmische Puls bleibt
konstant unter einer
feurigen,
nachdrücklichen Musik.
Eine pentatonische
Melodie bildet sich nach
und nach heraus,
während die Musik an
Heftigkeit verliert und
sanfter wird. Die
anfänglichen Ostinati
im Schlagwerk kehren
zurück und so endet
der erste Satz des Werkes
in einer der Eröffnung
ähnlichen Stimmung.
Der zweite Satz ist
lieblich und melodiös.
Er beginnt mit einem
langen Abschnitt für
die Saxophone in Moll.
Dann erscheint das
gleiche Thema in Dur und
durchläuft eine
Entwicklung; die Musik
baut sich zu einem
majestätischen
orchestralen Forte auf,
das in seiner
Klangfülle an eine
Orgel erinnert. Dann
kehrt das Thema in seiner
ursprünglichen
Moll-Tonart und in
veränderter
Instrumentierung
zurück, um den Satz
ruhig und friedvoll in
einem e-Moll-Akkord enden
zu lassen.
Marching Band - Grade 3 SKU: AP.40226S The Music of James Bond, Part 1...(+)
Marching Band - Grade 3
SKU: AP.40226S
The Music of James
Bond, Part 1.
Composed by Monty Norman.
Arranged by Victor Lopez.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Jazz; Movie. Score.
12 pages. Duration 2:10.
Alfred Music #00-40226S.
Published by Alfred Music
(AP.40226S).
UPC:
038081456157.
English.
Alfred is
pleased to offer a
three-piece halftime show
featuring music from the
ever-popular James Bond
movie series. The iconic
James Bond Theme opens
the show. Victor López
pulls out all the stops
with this sizzling chart,
combining all the great
elements of the original
with some great new
twists! This arrangement
also works great as a
stands or pep band chart.
(2:10).
Marching Band - Grade 2 SKU: AP.43891 Composed by Alfred Newman. Arranged...(+)
Marching Band - Grade 2
SKU: AP.43891
Composed by Alfred
Newman. Arranged by Mike
Story. Marching Band;
Performance Music
Ensemble; Single Titles.
Big and Easy. Movie.
Score and Part(s). 116
pages. Duration 1:45.
Alfred Music #00-43891.
Published by Alfred Music
(AP.43891).
UPC:
038081502465.
English.
From the
classic movie Captain
from Castille comes this
unforgettable Alfred
Newman theme. It's
majestic, powerful, and
perfect for marching band
performance. This
terrific Mike Story
arrangement would be
ideal as an opener,
stands tune, or parade
chart! (1:45).
Marching Band - Grade 2 SKU: AP.42099S Featuring: Oil Rig / What Are Y...(+)
Marching Band - Grade 2
SKU: AP.42099S
Featuring: Oil Rig /
What Are You Going to Do
When You Are Not Saving
the World?. Composed
by Hans Zimmer. Arranged
by Mike Story. Marching
Band; Performance Music
Ensemble; Single Titles.
Big and Easy. Movie.
Score. 12 pages. Alfred
Music #00-42099S.
Published by Alfred Music
(AP.42099S).
UPC:
038081470276.
English.
To close
out our Man of Steel
halftime show, Mike Story
opens with a powerful and
driving percussion
feature based on the Oil
Rig action scene. The
music then returns to a
reprise of the main theme
before moving into the
heroic final section.
This show offers a wealth
of visual potential, and
the scoring is
rock-solid. This is
cutting-edge music that
will thrill both your
students and your
audience!
Marching Band - Grade 2 SKU: AP.40210S The Music of Chicago, Part 1(+)
Marching Band - Grade 2
SKU: AP.40210S
The Music of Chicago,
Part 1. By Chicago
and James Pankow. By
James Pankow. Arranged by
Michael Story and Mike
Story. Marching Band;
Performance Music
Ensemble; Single Titles.
Big and Easy. Rock.
Score. 12 pages. Duration
2:25. Alfred Music
#00-40210S. Published by
Alfred Music (AP.40210S).
UPC: 038081452463.
English.
We are
extremely proud to
present a three-piece
halftime show based on
the unforgettable music
from the jazz-rock group
Chicago. Here is a
driving arrangement of
Make Me Smile, one of the
band's biggest hits. In
addition to being the
opener to our show, this
chart would be great as a
stands or pep band tune
by taking the optional
cut for a shorter
version. Stellar!
(2:25).
Marching Band - Grade 3 SKU: AP.40227 The Music of James Bond, Part 2<...(+)
Marching Band - Grade 3
SKU: AP.40227
The Music of James
Bond, Part 2.
Arranged by Victor Lopez
and percussion arranged
by Anthony M. Falcone.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Form: Medley. Jazz;
Movie. Score and Part(s).
216 pages. Duration 2:35.
Alfred Music #00-40227.
Published by Alfred Music
(AP.40227).
UPC:
038081458632.
English.
Part 2 of
our James Bond Show
begins with the beautiful
ballad For Your Eyes
Only. A short trumpet
solo opens the piece,
building to a stirring
push before giving way to
the powerful Goldfinger
theme. This is an
exceptional chart by an
exceptional arranger!
(2:35).
Marching Band - Grade 3 SKU: AP.40227S The Music of James Bond, Part 2...(+)
Marching Band - Grade 3
SKU: AP.40227S
The Music of James
Bond, Part 2.
Arranged by Victor Lopez
and percussion arranged
by Anthony M. Falcone.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Form: Medley. Jazz;
Movie. Score. 12 pages.
Duration 2:35. Alfred
Music #00-40227S.
Published by Alfred Music
(AP.40227S).
UPC:
038081458649.
English.
Part 2 of
our James Bond Show
begins with the beautiful
ballad For Your Eyes
Only. A short trumpet
solo opens the piece,
building to a stirring
push before giving way to
the powerful Goldfinger
theme. This is an
exceptional chart by an
exceptional arranger!
(2:35).