Composed by Gabriel Faure (1845-1924), Wolfgang Amadeus Mozart (1756-1791), and ...(+)
Composed by Gabriel Faure
(1845-1924), Wolfgang
Amadeus Mozart
(1756-1791), and Georg
Philipp Telemann
(1681-1767). Arranged by
Diane Bish. For Organ, C
Instruments. Fred Bock
Publications. Softcover.
16 pages. Fred Bock Music
Company #BGK1048.
Published by Fred Bock
Music Company
By Johann Sebastian Bach. Edited by Griepenkerl, Roitzsch. For Organ. Fantasy an...(+)
By Johann Sebastian Bach.
Edited by Griepenkerl,
Roitzsch. For Organ.
Fantasy and
Fugue(g)(Great); 9
Preludes and
Fugues:C(Weimar);
G(Great); A; f; c(Great);
C(Leipzig); a(Great);
e(Wedge or Scissors);
b(Great)(Urtext).
Published by C.F. Peters.
By Johann Sebastian Bach. Edited by Keller. For Organ. Fantasy and Fugue(c); 6 P...(+)
By Johann Sebastian Bach.
Edited by Keller. For
Organ. Fantasy and
Fugue(c); 6 Preludes and
Fugues:E|(St. Anne or
Trinity); d(Violin
Fugue); g; C; a;
e(Cathedral,Little or
Night Watchman); 3
Toccatas and Fugues:F;
d(Dorian); C. Published
by C.F. Peters.
By Johann Sebastian Bach. Edited by Griepenkerl, Roitzsch. For Organ. Passacagli...(+)
By Johann Sebastian Bach.
Edited by Griepenkerl,
Roitzsch. For Organ.
Passacaglia and Fugue(c);
Pastorale(F); 6 Trio
Sonatas(E|,c,d,e,C,G)(Urt
ext). Published by C.F.
Peters.
Organ SKU: SU.80101396 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101396
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101396.
Published by Zimbel Press
(SU.80101396).
Trilogy on
B-A-C-H (2017) uses as
its musical material a
familiar four-note theme:
the letters B-A-C-H (the
last name of Johann
Sebastian Bach) treated
as a musical motive:
B-flat, A, C, B-natural
(H in German note
naming). Starting with
Bach himself, this theme
has been used by a truly
enormous number of
composers over the
centuries. Most B-A-C-H
themed works (at least
those for organ), tend to
be extremely
contrapuntal, likely
taking their cue from
much of Bach's own organ
music. This piece
explicitly goes in the
other direction and use
the theme primarily
motivically/melodically
and as a generating force
for the kind of mixed
modality that is typical
of Cooman's music. The
first movement is an
energetic march. The
second movement is a
lyric meditation
containing both an arioso
and a short
quasi-passacaglia, in
which the B-A-C-H motive
repeats slowly in the
pedals. The last movement
is a free fantasia: the
motive appears both in
chorale-like long notes
and as a fast, turning
figure. Instrumentation:
Organ Duration: 12'
Composed: 2017 Published
by: Zimbel Press.
By Dietrich Buxtehude. Edited by Keller. For Organ. 14 Compostions:Canzonetta(G)...(+)
By Dietrich Buxtehude.
Edited by Keller. For
Organ. 14
Compostions:Canzonetta(G)
; Chaconne(e); Fugue(C);
Passacaglia(d); 8
Preludes and
Fugues(D,d,E,e,F,f#,g,a);
Prelude,Fugue and
Chaconne(C); Toccata and
Fugue(F). Published by
C.F. Peters.
Vocal soli, SATB choir, 2 trumpets, timpani, 2 violins, contrabass and organ ...(+)
Vocal soli, SATB choir, 2
trumpets, timpani, 2
violins, contrabass and
organ
SKU:
CA.9101505
Composed
by Johann Ernst Eberlin.
Edited by Wolfgang
Furlinger. South German
church music of the
Baroque. German title:
Missa In C 1100201.
Sacred vocal music.
Choral Score. 8 pages.
Duration 29 minutes.
Carus Verlag #CV
91.015/05. Published by
Carus Verlag
(CA.9101505).
ISBN
9790007113865. Key: C
major. Language:
Latin.
Among the 56
masses by Eberlin known
at present this Missa in
C is the shortest. Marked
by its skilful
construction and its ease
in performance, this work
can very well prove a
valuable rediscovery for
use at church services.
Its many alternative
details of scoring also
make it suitable for
concert performances.
Score available
separately - see item
CA.9101500.
Organ SKU: HL.14011002 Composed by Franz Liszt. Music Sales America. 20th...(+)
Organ
SKU:
HL.14011002
Composed
by Franz Liszt. Music
Sales America. 20th
Century. Book
[Softcover]. 17 pages.
Music Sales #NOV590180.
Published by Music Sales
(HL.14011002).
UPC:
884088433741.
8.5x11.0x0.079 inches. C.
H. Trevor -
Author.
The
B.A.C.H. motif
has been known and used
for centuries, but
enjoyed a great revival
in the late 19th century
as composers paid homage
to the composer J.S.
Bach. It derives from the
German nomenclature, and
is expressed in standard
notation as
Bb-A-C-B.
The
Fantasia And
Fugue On
B.A.C.H. is one
of the most famous Organ
works of Franz
Liszt (1811-1886).
The piece was intended
for the inauguration of
the famous Ladegast Organ
at Merseburg Cathedral,
but sadly, it wasn't
finished in time.
Liszt then
revised the work in 1870
and produced the version
that survives today. A
well-loved piece, no
organist's library
iscomplete without it.
ATB choir, 2 violins, cello, organ SKU: CA.9188213 Studentenmesse....(+)
ATB choir, 2 violins,
cello, organ
SKU:
CA.9188213
Studentenmesse.
Composed by Antonio
Lotti. Edited by Ernst
Tittel. Coppenrath
Series. German title:
Missa In C 5001501.
Sacred vocal music,
Masses, Latin. Single
Part, Cello. 4 pages.
Carus Verlag #CV
91.882/13. Published by
Carus Verlag
(CA.9188213).
ISBN
9790007235529. Key: C
major. Language:
Latin.
ATB choir, 2 violins, cello, organ SKU: CA.9188253 Studentenmesse....(+)
ATB choir, 2 violins,
cello, organ
SKU:
CA.9188253
Studentenmesse.
Composed by Antonio
Lotti. Edited by Ernst
Tittel. Coppenrath
Series. German title:
Missa In C 5001501.
Sacred vocal music,
Masses, Latin. Choir
part. 8 pages. Carus
Verlag #CV 91.882/53.
Published by Carus Verlag
(CA.9188253).
ISBN
9790007235550. Key: C
major. Language:
Latin.
ATB choir, 2 violins, cello, organ SKU: CA.9188252 Studentenmesse....(+)
ATB choir, 2 violins,
cello, organ
SKU:
CA.9188252
Studentenmesse.
Composed by Antonio
Lotti. Edited by Ernst
Tittel. Coppenrath
Series. German title:
Missa In C 5001501.
Sacred vocal music,
Masses, Latin. Choir
part. 8 pages. Carus
Verlag #CV 91.882/52.
Published by Carus Verlag
(CA.9188252).
ISBN
9790007235543. Key: C
major. Language:
Latin.
ATB choir, 2 violins, cello, organ SKU: CA.9188211 Studentenmesse....(+)
ATB choir, 2 violins,
cello, organ
SKU:
CA.9188211
Studentenmesse.
Composed by Antonio
Lotti. Edited by Ernst
Tittel. Coppenrath
Series. German title:
Missa In C 5001501.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 4 pages.
Carus Verlag #CV
91.882/11. Published by
Carus Verlag
(CA.9188211).
ISBN
9790007235505. Key: C
major. Language:
Latin.
ATB choir, 2 violins, cello, organ SKU: CA.9188212 Studentenmesse....(+)
ATB choir, 2 violins,
cello, organ
SKU:
CA.9188212
Studentenmesse.
Composed by Antonio
Lotti. Edited by Ernst
Tittel. Coppenrath
Series. German title:
Missa In C 5001501.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 4 pages.
Carus Verlag #CV
91.882/12. Published by
Carus Verlag
(CA.9188212).
ISBN
9790007235512. Key: C
major. Language:
Latin.
ATB choir, 2 violins, cello, organ SKU: CA.9188200 Studentenmesse....(+)
ATB choir, 2 violins,
cello, organ
SKU:
CA.9188200
Studentenmesse.
Composed by Antonio
Lotti. Edited by Ernst
Tittel. This edition:
Paperbound. Sacred vocal
music, Mass, latin.
German title: Missa In C
5001501. Sacred vocal
music, Masses, Latin.
Full score. 28 pages.
Carus Verlag #CV
91.882/00. Published by
Carus Verlag
(CA.9188200).
ISBN
9790007126452. Key: C
major. Language:
Latin.
(Grades 4-5). Composed by Johann Sebastian Bach (1685-1750). Edited by Anne Mars...(+)
(Grades 4-5). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Anne Marsden Thomas. For
organ. Oxford Bach Books
for Organ. Pieces and
Studies. Level C
(moderately difficult).
64 pages. Published by
Oxford University Press
Organ SKU: BA.BA04735-67 Sonata in C major for two Violins, two Trumpe...(+)
Organ
SKU:
BA.BA04735-67
Sonata in C major for
two Violins, two
Trumpets, Organ,
Violoncello and Bass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Minos E. Dounias. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Part, anthology.
K. 263. Baerenreiter
Verlag #BA04735_67.
Published by Baerenreiter
Verlag (BA.BA04735-67).
ISBN 9790006530496.
32.5 x 25.5 cm inches.
Key: C major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060419
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/19. Published by
Carus Verlag
(CA.4060419).
ISBN
9790007133214. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060403
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Vocal score.
Composed 1766. Hob.
XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/03. Published by
Carus Verlag
(CA.4060403).
ISBN
9790007092078. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score available
separately - see item
CA.4060400.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060409
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. 1x 40.604/21 oboe
1, 1x 40.604/22 oboe 2,
2x 40.604/23 2 bassoons,
1x 40.604/31 horn 1, 1x
40.604/32 horn 2, 1x
40.604/33 clarino 1, 1x
40.604/34 clarino 2, 1x
40.604/41 timpani.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE MARIAZELLER-MESSE
IN C XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. 72 pages.
Duration 68 minutes.
Carus Verlag #CV
40.604/09. Published by
Carus Verlag
(CA.4060409).
ISBN
9790007219383. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.