Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur] Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version ââ¬â
including
Brucknerââ¬â¢s
Te Deum. Unfortunately,
only a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für
die musizierende Jugend
in
Baden-Württemberg
Ochsenhausen to newly
arrange
Brucknerââ¬â¢s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is
Brucknerââ¬â¢s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur et Parties séparées] Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.
Lamentation from Invictus: A Passion Soli, choeur mixte et accompagnement [Conducteur et Parties séparées] - Débutant MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Beginning
SKU: MN.56-0106
Composed by Howard
Goodall. Lent, Holy Week,
Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 47
seconds. MorningStar
Music Publishers
#56-0106. Published by
MorningStar Music
Publishers (MN.56-0106).
UPC: 688670221231.
English,
Latin.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
movement, scored for
soprano solo, SATB choir
and piano, expresses the
unimaginable pain felt by
a mother seeing her child
torn away from her at a
slave auction. To this
harrowing account are
appended the words of
William Wilberforce,
spoken in the House of
Commons on 18th April
1791, “You may
choose to look the other
way but you can never say
again that you did not
know.†Duration
6:47.
Commedia in due atti
(comedy in two acts).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner. This
edition: Edition of
selected works, Urtext
edition. Linen. Works of
Gioachino Rossini, Volume
2. Edition of selected
works, Score.
Baerenreiter Verlag
#BA10506_01. Published by
Baerenreiter Verlag
(BA.BA10506-01).
ISBN
9790006552009. 33 x 26 cm
inches. Text Language:
Italian. Text: Sterbini,
Cesare.
Barenreiter
's publication of a new
volume of theWorks of
Gioachino Rossini, in
collaboration with the
Center for Italian Opera
Studies at the University
of Chicago, makes
available an edition of
the operaIl barbiere di
Sivigliawhich meets
modern demands. The
editors have recently
identified numerous
carelessly edited places
in the last critical
edition by referring to
additional sources. The
greatest changes relate
to the overture; for the
new edition, no fewer
than twenty different
autograph manuscripts
have been consulted.
A detailed appendix
containing alternative
vocal parts, advice on
ornamentation and
compositions by Rossini
significant in the
performance history of
the opera complete the
volume.
A
420-page Critical
Commentary is published
separately. With this, a
critical edition is now
available to
interpreters, enabling
them to perform Rossini's
,,Barber of Sevillewith
the greatest possible
confidence in the
accuracy of the musical
material. The performance
material is available on
hire, and a vocal score
will be published at the
end of 2009.
Through 1829 Rossini was
an extraordinarily
prolific composer of
operas, comic, serious,
and semiserious, in
Italian and French, as
well as of a great deal
of vocal and instrumental
music. He composed sacred
music, vocal treatises,
cantatas. Then, for many
different reasons, he
wrote very little music
for more than twentyfive
years, if we except some
songs and the ' Stabat
Mater' . Only after he
left Italy definitively
for Paris in 1855 did he
find his voice again.
Between 1857 and
1868 a fresh group of
masterpieces issued from
his pen, the so-called '
Peches de vieillesse'
(Sins of Old Age),
including chamber music,
songs, and the 'Petite
Messe Solennelle'.
Philip Gossett,
General Editor of Works
of Gioachino Rossini, is
the Robert W. Reneker
Distinguished Service
Professor at The
University of Chicago and
a professordi chiara
famaat the University of
RomeLa Sapienza. He is
also general editor of
The Works of Giuseppe
Verdi.
Barenreiter in
cooperation with the
Center for Italian Opera
Studies at The University
of Chicago will publish
ten volumes in the series
Works of Gioachino
Rossini, in critical
editions, during the
period 2007-2011. These
are all volumes that were
not issued in theEdizione
critica delle opere di
Gioachino Rossini.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Sergei
Rachmaninoff. Edited by
Leonardi. Set Type: D.
Set of parts. Lucks Music
Library #A5444. Published
by Lucks Music Library
(TM.11743SET).
Edited by
Fischer. Score:
Barenreiter; Set:
Barenreiter Reprint.
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...(+)
Erganzt von Robert D.
Levin. By Wolfgang
Amadeus Mozart. Arranged
by Robert D. Levin. For
Soli SATB, SATB Choir, 2
Bassethorn, 2 Bassoons, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. KV 626.
Requiem; Occasions:
Mourning, Death. Score.
Language: Latin. Composed
1791/1991. 256 pages.
Duration 50 min.
Published by Carus Verlag
(German import).
Mass in
time of war. Composed
by Franz Joseph Haydn.
CD-Reihen bei Carus:
Carus Choir Coach. Carus
Choir Coach (audio only).
Composed 1796. Hob.
XXII:9. Duration 38
minutes. Carus Verlag
#4060791. Published by
Carus Verlag
(CA.4060791).
Key: C
major. Latin.
One
of his later works,
Haydnâs Missa in
tempore belli, composed
in 1796, is also referred
to as the
âPaukenmesseâ
(Kettledrum Mass) through
the use of timpani in the
Agnus Dei. For the Vienna
premiere, Haydn added
flutes, clarinets and
horns to the score, so
that in terms of sound
the soloists and the
chorus have to hold their
own against a truly large
orchestral apparatus. In
this case, practicing
with the Carus Choir
Coach is of course
recommended for a good
vocal
presence.
The
Carus Choir Coach offers
choir singers the unique
opportunity to study and
learn their own,
individual choral parts
within the context of the
sound of the entire choir
and orchestra. For every
vocal range a download
containing each choir
part is available. The
Carus Choir Coach is
based on recorded
interpretations by
renowned artists who have
performed the work from
carefully prepared Carus
Urtext editions. Each
choir part is presented
in three different
versions:
Original
recording Coach: each
part is accompanied by
the piano, with the
original recording
sounding in the
background Coach in
slow mode: the tempo of
the coach slows down to
70% of the original
version â through
this reduction passages
can be learned more
effectively. Performer
s: Ann Hoyt (soprano),
Kirsten Sollek (alto),
Daniel Neer (tenore),
Richard Lippold (basso)
â Trinity Church
Choir, Rebel Baroque
Orchestra â J. Owen
Burdick. Score available
separately - see item
CA.4060700.
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...(+)
Erganzt von Robert D.
Levin. By Wolfgang
Amadeus Mozart. Arranged
by Robert D. Levin. For
Soli SATB, SATB Choir, 2
Bassethorn, 2 Bassoons, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. KV 626. Full
score available
separately - see item
CA.5162650. Requiem;
Occasions: Mourning,
Death. Piano/Vocal score.
Language: Latin. Composed
1791/1991. 88 pages.
Duration 50 min.
Published by Carus Verlag
(German import).
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90).
ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin.
This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)