Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Viola. Composed 1724. BWV
62. 12 pages. Duration 23
minutes. Carus Verlag #CV
31.062/13. Published by
Carus Verlag
(CA.3106213).
ISBN
9790007043636. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Harmoniemesse in B Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB ...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Andreas Traub. For SATB
Soli, SATB Choir, Flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
clarinos/trumpets,
timpani, 2 Violin, viola,
basso continuo. This
edition: Paperbound.
B-Dur (B-flat major).
Stuttgart Urtext Edition.
German title:
Harmoniemesse in B
XXII:14. Masses, Latin.
Full score. Language:
Latin. Hob. XXII:14. 216
pages. Duration 45
minutes. Published by
Carus Verlag
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann
and Martin Luther. Edited
by Gunter Graulich.
Arranged by Paul Horn.
This edition: urtext.
Hymns by Martin Luther:
Nun komm, der Heiden
Heiland; Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Nun komm,
der Heiden Heiland.
Sacred vocal music,
Cantatas, Advent. Single
Part, Viola. TVWV 1:1178.
2 pages. Duration 7
minutes. Carus Verlag #CV
39.493/13. Published by
Carus Verlag
(CA.3949313).
ISBN
9790007056391. Language:
German/English.
The
cantata text by Erdmann
Neumeister known from
Bach's work of the same
name (BWV 61), appears
here in a much shorter
composition by Telemann.
Definitely it has a charm
of its own. Score and
part available separately
- see item
CA.3949300.
St. Mark Passion Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(as a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passi...(+)
(as a pasticcio by Johann
Sebastian Bach, with
arias from Hande'ls
Brockes-Passion).
Composed by Georg
Friedrich Handel /
Kaiser. Edited by
Christine Blanken.
Arranged by Johann
Sebastian Bach. For SATB
vocal soli, SATB choir, 2
oboes, 2 bassoons, 2
violins, 2 violas, basso
continuo. This edition:
Paperbound. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Passions, Lent and
Passiontide, Holy Week.
Vocal score. Language:
German. Composed circa
1747. 88 pages. Duration
90 minutes. Published by
Carus Verlag
(Cantata for the 3rd Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 3rd
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SAB
vocal soli, SATB choir, 2
oboes, 2 violins, viola,
basso continuo. This
edition: Paperbound.
A-Moll (A minor). German
title: Alles nur nach
Gottes Willen. Cantatas,
Epiphany. Level 3. Vocal
score. Language:
German/English. Composed
1726. BWV 72. Duration 20
minutes. Published by
Carus Verlag
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Full score. Composed
1736/1751. HWV 75. 184
pages. Duration 85
minutes. Carus Verlag #CV
55.075/00. Published by
Carus Verlag
(CA.5507500).
ISBN
9790007167769. Language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements.
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Viola 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/13. Published by
Carus Verlag
(CA.9120113).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Viola 3.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/15. Published by
Carus Verlag
(CA.9120115).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Viola 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/13. Published by
Carus Verlag
(CA.9120213).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Viola 2.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/14. Published by
Carus Verlag
(CA.9120214).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Viola 2.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/14. Published by
Carus Verlag
(CA.9120114).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Viola 3.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/15. Published by
Carus Verlag
(CA.9120215).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Violin 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/11. Published by
Carus Verlag
(CA.9120211).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Violin 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/11. Published by
Carus Verlag
(CA.9120111).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Violin 2.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/12. Published by
Carus Verlag
(CA.9120212).
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Organ. Composed 1724. BWV
62. 20 pages. Duration 23
minutes. Carus Verlag #CV
31.062/49. Published by
Carus Verlag
(CA.3106249).
ISBN
9790007043650. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.062/21 oboe 1, 1x
31.062/22 oboe 2, 1x
31.062/31 horn 1, 1x
31.062/32 horn 2.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Set of
Orchestra Parts. Composed
1724. BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/09. Published by
Carus Verlag
(CA.3106209).
ISBN
9790007043605. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and parts
available separately -
see item CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Cello/Double Bass.
Composed 1724. BWV 62. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.062/14. Published by
Carus Verlag
(CA.3106214).
ISBN
9790007043643. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1725.
BWV 3. 4 pages. Duration
27 minutes. Carus Verlag
#CV 31.003/12. Published
by Carus Verlag
(CA.3100312).
ISBN
9790007041458. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Study score.
Composed 1724. BWV 62. 56
pages. Duration 23
minutes. Carus Verlag #CV
31.062/07. Published by
Carus Verlag
(CA.3106207).
ISBN
9790007043599. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Choral Score.
Composed 1724. BWV 62. 4
pages. Duration 23
minutes. Carus Verlag #CV
31.062/05. Published by
Carus Verlag
(CA.3106205).
ISBN
9790007043582. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200.
(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edit...(+)
(nach der Abschrift von
J. S. Bach). By George
Frideric Handel
(1685-1759). Edited by
Traub, Andreas. For STB
soli, SATB choir, 2
oboes, taille, 2 bassoon,
2 violins, viola and
basso continuo. This
edition: paperbound. HWV
48. Full score available
separately - see item
CA.5504800. Oratorios,
Passions; Stuttgart
Urtext editions; Use
during church year: Lent
and Passiontide, Holy
Week. Piano/Vocal score.
Language: German. 152
pages. Duration 150 min
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann
and Martin Luther. Edited
by Gunter Graulich.
Arranged by Paul Horn.
This edition: urtext.
Hymns by Martin Luther:
Nun komm, der Heiden
Heiland; Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Nun komm,
der Heiden Heiland.
Sacred vocal music,
Cantatas, Advent. Single
Part, Cello/Double Bass.
TVWV 1:1178. 4 pages.
Duration 7 minutes. Carus
Verlag #CV 39.493/14.
Published by Carus Verlag
(CA.3949314).
ISBN
9790007056407. Language:
German/English.
The
cantata text by Erdmann
Neumeister known from
Bach's work of the same
name (BWV 61), appears
here in a much shorter
composition by Telemann.
Definitely it has a charm
of its own. Score and
part available separately
- see item
CA.3949300.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 2.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/12. Published by
Carus Verlag
(CA.3114912).
ISBN
9790007208578. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 1.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/11. Published by
Carus Verlag
(CA.3114911).
ISBN
9790007208561. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.