A Sequenced Guide to American Fiddling (Cello/Bass). Composed by Crystal Plohm...(+)
A Sequenced Guide to
American
Fiddling (Cello/Bass).
Composed by Crystal
Plohman
Wiegman, Renata Bratt,
and
Bob Phillips. Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement.
Folk; Traditional. 48
pages.
Published by Alfred Music
(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello...(+)
(Cello and Bass). By
Andrew H. Dabczynski and
Bob Phillips. Orchestra.
For Cello and Bass.
String Orchestra
Collection. Book and CD.
48 pages. Published by
Alfred Music Publishing
(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello...(+)
(Cello and Bass). By
Andrew H. Dabczynski and
Bob Phillips. Orchestra.
For Cello and Bass.
String Orchestra
Collection. Book and CD.
40 pages. Published by
Alfred Music Publishing
Composed by
Evan Hause. E.B. Marks.
Classical, Contemporary.
Softcover. 16 pages.
Edward B. Marks Music
#EBM236316. Published by
Edward B. Marks Music
(HL.236316).
ISBN
9781495096228. UPC:
888680695699.
9.0x12.0x0.086
inches.
Rock and
jazz sounds mingle with
classical tradition and
modern techniques in
Hause's virtuoso cello
suite. In Fish Heaven, an
arpeggiated texture
reminiscent of Bach's
cello suites expands
along a quasi-Gospel
chord progression. In
Crabs on Parade, the
contrapuntal technique of
crab canon is rendered in
a pizzicato texture
drawing upon guitar
technique. In five
movements: 1. Man O' War,
2. Atlantis, 3. Sea
Serpents, 4. Fish Heaven,
5. Crabs On Parade.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Suite Violoncelle - Intermédiaire/avancé OR-TAV Music Publications
Cello - Grade 4-5 SKU: OT.22087 Composed by Daniel Akiva. Duration 9:40. ...(+)
Cello - Grade 4-5
SKU:
OT.22087
Composed by
Daniel Akiva. Duration
9:40. Published by OR-TAV
Music Publications
(OT.22087).
ISBN
9790675000184.
Dani
el Akiva is an
internationally known
composer and guitar
artist. Like many of his
works, the Suite for
cello relates to music of
the Sephardic (Spanish)
Jewish tradition.