Composed by Eric Whitacre (1970-), lyrics by Octavio Paz. Octavo for SATB choir (A Cappella). With piano rehearsal part. Series: Eric Whitacre Choral. 8 pages. Published by Shadow Water Music.

SSAA a cappella. By Matthew Harris. (SSAA a cappella). Choral. Size 6.8x10.5 inches. 16 pages. Published by Associated.

Exigence. Composed by Jose Galvan. Exigence Choral Series. Concert, Festival. Octavo. 12 pages. Published by Mark Foster Music

Composed by Eric Whitacre, lyrics by Octavio Paz. Octavo for SATB chorus (a cappella). With rehearsal piano part. Choral. 12 pages. Published by Walton Music.

Arranged by Cesar Carrillo. For SATB Choir, a cappella. Choral music. Published by Santa Barbara Music Publishing. (SBMP 184)
Level: Medium.

Guitar

SKU: UT.CH-227

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 227. Published by Ut Orpheus (UT.CH-227).

ISBN 9790215324145. 9 x 12 inches.

Emilio Calandin: Piccola sfumatura
Claudia Montero: Lagrimas de Buenos Aires
Marco Reghezza: Como Preludio
Marco Smaili: Preludio
Alessand ro Spazzoli: Preludio in Do maggiore
Roberto Tagliamacco: Prelude sur le nom de Tarrega
Paolo Ugoletti: Prelude sur le nom de Tarrega

Having been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions.
These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet).
In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires...
In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head...
I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega.
(Piero Bonaguri).

Piano Duet

SKU: HL.14000754

Composed by Alfredo Casella. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH02913. Published by Chester Music (HL.14000754).

8.25x11.75x0.198 inches.

Work for Piano Duet composed in 1915. Pupazzetti, described by Casella as a group of five pieces for marionettes, seeks to provide a few moments of humorous escapism.

SATB choir, piano

SKU: MN.CH-1297

Composed by Ralph Swickard. Multi-Movement/Large Choral Work. Choral score. Laurendale Associates #CH-1297. Published by Laurendale Associates (MN.CH-1297).

Includes movements: 1. Entre lo que veo y digo 2. Fuegos Ldricos 3. Cancion esentonada Texts of these vocal compositions were written by Mexican poet and Nobel Prize winner, Octvio Paz. The poetical texts are from his book Arbol adentro - translated as A Tree Within. The English translation, by Eliot Weinberger, is published by New Directions Books, New York, NY 1988, and is usedby permission The first performance of this music took place in Saranac Lake, NY in 1991. Subsequently, the music was performed by the Gregg Smith Singers in New York City, and by the Coro de Madrigalistas de Bellas Artes in Mexico City. Part of the Gregg Smith Singers Legacy Composers Series.

Composed by Eric Whitacre (1970-), lyrics by Octavio Paz. Octavo for SATB choir, piano accompaniment and percussion. With performance notes. Series: Walton Choral. 16 pages. Published by Walton Music.

Guitar

SKU: UT.CH-220

Composed by Alessandro Spazzoli. Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. 12 pages. Ut Orpheus #CH 220. Published by Ut Orpheus (UT.CH-220).

ISBN 9790215323292. 9 x 12 inches.

Homenaje a Rodrigo: Evocación - Homenaje - Gloria (2015); Arietta (2014)

(From La Pazzia Senile). By Adriano Banchieri (1568-1634). Arranged by Patrick M. Liebergen. For SAB Voices A Capella with Optional Keyboard. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer . piano reduction/vocal score.

Grade 2

SKU: AP.98-RWS224901

(Silent Night). Composed by Gruber. Arranged by Bankston. Young Concert Band. Extra full score. Composed 2022. RWS Music Company #RWS-2249-01. Published by RWS Music Company (AP.98-RWS224901).

A creative reimagining of the classic carol Silent Night in the relaxing Brazilian style of Bossa Nova. Warm and mellow harmonies, deceptive chord movements and Latin percussion provide an excellent education in ethnic rhythms and sounds. Broaden your bandâ??s diversity with this tranquil arrangement of a Christmas classic.

Grade 2

SKU: CL.RWS-2249-00

(Silent Night). Composed by Gruber. Arranged by Bankston. Young Concert Band. Score and set of parts. Composed 2022. RWS Music Company #RWS-2249-00. Published by RWS Music Company (CL.RWS-2249-00).

A creative reimagining of the classic carol Silent Night in the relaxing Brazilian style of Bossa Nova. Warm and mellow harmonies, deceptive chord movements and Latin percussion provide an excellent education in ethnic rhythms and sounds. Broaden your band’s diversity with this tranquil arrangement of a Christmas classic.

Choir Sacred (SATB choir)

SKU: AP.50176

(Silent Night). Composed by Franz Xaver Gruber. Arranged by Ruth Morris Gray. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Sacred. Choral Octavo. 12 pages. Alfred Music #00-50176. Published by Alfred Music (AP.50176).

UPC: 038081573465. Spanish. Words by Joseph Mohr.

This bilingual arrangement of Silent Night alternates between Spanish and English verses. Ruth pays careful attention to expressive phrasing, voice leading, and tessitura, making it easy for school, community, and church choirs to prepare and perform. The flowing piano part and an optional flute obbligato bring a peaceful sense of reverence. Teach it this year and sing it for years to come.

Music Minus One Tenor Saxophone. By Stan Getz. By Stan Getz. Arranged by Glenn Zottola. Sheet music with online audio. Music Minus One. Jazz, Standards. Softcover Audio Online. 56 pages. Music Minus One #MMO12225. Published by Music Minus One

3-part mixed voices, cantor, assembly, keyboard accompaniment, guitar, C instrument, B-flat instrument - Early intermediate

SKU: GI.G-10959

Make Me a Channel of Your Peace. Composed by Alexis Santos-Alvarado. Advent, Lent, OT 14 C, Easter 6 C. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. GIA Publications #10959. Published by GIA Publications (GI.G-10959).

English, Spanish. Text Source:

Attr. Francis of Assisi, 1181&ndash,1226, tr. al esp. e ing. anón. / Span. and Engl. tr. anon.

Text by St. Francis of Assisi.

Choir

SKU: HL.14045563

A Tres Voces Iguales. Composed by Miguel Asins Arbo. CARISCH - MUSIC SALES. General Merchandise. Real Musical #MK16458. Published by Real Musical (HL.14045563).

ISBN 9788438701737. Spanish.

Choir Sacred (2-Part choir)

SKU: AP.50178

(Silent Night). Composed by Franz Xaver Gruber. Arranged by Ruth Morris Gray. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Sacred. Choral Octavo. 12 pages. Alfred Music #00-50178. Published by Alfred Music (AP.50178).

UPC: 038081573489. Spanish. Words by Joseph Mohr.

This bilingual arrangement of Silent Night alternates between Spanish and English verses. Ruth pays careful attention to expressive phrasing, voice leading, and tessitura, making it easy for school, community, and church choirs to prepare and perform. The flowing piano part and an optional flute obbligato bring a peaceful sense of reverence. Teach it this year and sing it for years to come.

Volume 98 - Antonio Carlos Jobim by Antonio Carlos Jobim. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Play Along. Intermediate, advanced. Book and CD. 104 pages. Published by Jamey Aebersold Jazz

SAB choir, cantor, assembly, keyboard accompaniment, flute, guitar - Early intermediate

SKU: GI.G-10566

Ven, Príncipe de Paz / Come, O Prince of Peace. Composed by Christian Leaños & Lourdes C. Montgomery. Arranged by Peter M. Kolar. Advent. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #10566. Published by GIA Publications (GI.G-10566).

English, Spanish. Text by Christian Leaños.

The flute part is optional.

Voices and Orchestra

SKU: HL.50498835

Per Coro E Orchestra. Composed by Corghi A. MGB. Contemporary Music. Score Only. Composed 2006. Ricordi #NR138981. Published by Ricordi (HL.50498835).

Italian.

Guitar

SKU: GI.G-10959G

Make Me a Channel of Your Peace. Composed by Alexis Santos-Alvarado. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #10959G. Published by GIA Publications (GI.G-10959G).

Text Source: Attr. Francis of Assisi, 1181&ndash,1226, tr. al esp. e ing. anón. / Span. and Engl. tr. anon. Text by St. Francis of Assisi.

Choral Piano, Tambourine, Voice 1, Voice 2, Voice 3

SKU: CF.CM9602

Composed by Brazilian Folk Song. Arranged by Eduardo Lakschevitz Elisa Dekaney. Fold. Performance Score. 12 pages. Duration 2 minutes, 28 seconds. Carl Fischer Music #CM9602. Published by Carl Fischer Music (CF.CM9602).

ISBN 9781491154243. UPC: 680160912742. 6.875 x 10.5 inches. Key: Gb major. Portuguese. Brazilian Folk Song.

According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the houses owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [? k? li'sensa olele e] E com licenca do dono da casa [? k? li'sensa du d?nu da kaza].
According to Ermelinda Paz , Marujo do RosA!rio (literally translated from the Portuguese as aSailor of the Rosarya) comes from the hydrographic region of the SAPSo Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called acheganASSa-de-marujoa (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics aA com licenASSa Aa, A'lelAa, A(c) com licenASSa do dono da casa, A' Aa com licenASSa Aaa means aplease excuse me, I have permission from the houseas owner to come in.a This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final ama or an.a Just nasalize them. IPA Transcription A com licenASSa olelAa Aa [E kE li'sensa oleale e] A com licenASSa do dono da casa [E kE li'sensa du adEnu da akaza].
According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza].
According to Ermelinda Paz, Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza].
According to Ermelinda Paz, Marujo do Rosário (literally translated from the Portuguese as “Sailor of the Rosary”) comes from the hydrographic region of the São Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called “chegança-de-mar ujo” (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics “É com licença ê, ôlelê, é com licença do dono da casa, ô ê com licença ê” means “please excuse me, I have permission from the house’s owner to come in.”This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final “m” or “n.” Just nasalize them.IPA TranscriptionÉ com licença olelê ê[ɛ kʌ li'sensa ole‘le e]É com licença do dono da casa[ɛ kʌ li'sensa du ‘dʌnu da ‘kaza].