Composed by Carl Maria von Weber (1786-1826). Arranged by Kathryn Vedder. For bass clarinet and piano. Classical; romantic period. Piano score and part. 26 pages (score); 10 pages (part). Published by Alea Publishing

By Franz Simandl. For String Bass. String - Bass Studies. Masterwork. 36 pages. Published by Alfred Publishing

Composed by Gregory Youtz. For solo bass clarinet. Classical; 21st century. Score. Composed 2007. 50 pages. Published by Alea Publishing

Arranged by Lloyd Conley. Bass solo songbook (no accompaniment) for string bass. With standard bass notation. Series: Hal Leonard Essential Elements String Method. 23 pages. Published by Hal Leonard.

By Iron Maiden. Bass Recorded Versions (Authentic note-for-note bass guitar transcriptions with notes and tab). Softcover. Published by Hal Leonard.

Bass Recorded Versions (Authentic note-for-note bass guitar transcriptions with notes and tab). Size 9x12 inches. 224 pages. Published by Hal Leonard.

By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by Roger Niese. For Bassoon and Concert Band. Grade 4. Full score and set of parts. Duration 20:00. Published by Baton Music . Full score and set of parts.

Arranged by Michael Sweeney. Bassoon solo songbook (no accompaniment) for bassoon. Series: Hal Leonard Essential Elements Band Method. 24 pages. Published by Hal Leonard.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing.

(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For String Bass. Book. 48 pages. Published by Carl Fischer

Double Bass Quartet

SKU: BT.YE0036

Composed by Joseph Lauber. Classical. Set (Score and Parts). Yorke Edition #YE0036. Published by Yorke Edition (BT.YE0036).

Four movements, top part advanced. Several recordings and many broadcasts. Duration c.13'.

Programme Notes:

The Swiss composer Joseph Lauber was born at Ruswil near Lucerne in 1864. After studying with Heger in Zürich and Rheinberger in Munich, Lauber worked with Diémer and Massenet in Paris. With Massenet he learnt a great deal about orchestration, a subject that he subsequently taught until the end of his life at the Geneva conservatoire as well as piano and composition. He died in 1952.

Lauber's 193 catalogued works are many and varied. He wrote for all instruments and in every genre except oratorio and opera. Among his output areseveral works for double bass, most written for Prof. Hans Fryba, a personal friend with whom he worked as a double bass and piano recital duo. Fryba was one of the leading players in Europe in his day and was principal of the Berlin Philharmonic Orchestra. First was Theme and Variations (1936-7) and a Rhapsodie with orchestra (1937). Three Walzes followed in 1939, a Gavotte and Gigue, a Sonata and then in 1943 Fantasie de Concert, written for the Geneva Competition. Four Caprices appeared in 1942, the same date as the Quartet for double basses which was dedicated to Fryba and written for the Berlin Philharmonic Double Bass Quartet, one of the first ever such ensembles to exist.

The Quartet for double basses was revived by Klaus Stoll in the 1970s for the Philharmonic Double Bass Quartet at that time to play. It was subsequently published in 1975 by Yorke Edition by kind permission of the composer's son Edmund Lauber.

Rodney Slatford 2004

Bass Guitar

SKU: BT.MUSMI0391

Composed by Enzo Abatucci. Tuition. Book with CD. Composed 2018. Play Music Italy #MUSMI0391. Published by Play Music Italy (BT.MUSMI0391).

Italian.

Saper leggere e suonare un ritmo fa parte delle basi che ogni bassista deve assolutamente padroneggiare. In realt molti incontrano difficolt nell’interpretazio ne ritmica di uno spartito o di un qualsiasi esercizio scritto, e sono quindi incapaci di superare questo scoglio senza l’aiuto di un esempio audio o video attinente. Questo metodo, che si rivolge a tutti i bassisti, dal principiante al più avanzato, colmer tutte le vostre lacune e vi dar solide basi per finalmente acquisire o migliorare il senso del ritmo. Estremamente progressiva, quest’opera didattica vi far lavorare su tutte le figure di ritmo essenziali per suonare il basso. Ma la sua vera ricchezza risiedenel suo approccio tanto pratico quanto pienamente musicale. Non si limita alla teoria. In effetti per affrontare le figure ed i ritmi avrete a che fare con veri grooves. Il che significa che lo studio viene svolto in vere condizioni musicali cioè con vere linee di basso da suonare su diverse basi musicali, per progredire al livello ritmico e divertirsi al livello musicale! Sul disco dati allegato al metodo, troverete numerosi file audio e video. I video (mp4) presentano tramite l’immagine i numerosi esempi e grooves così come devono essere suonati. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti alle diverse linee studiate.

Bass Guitar - Grade 2

SKU: BT.MUSMI0352

Composed by Bruno Tazzino. Tuition. Book with CD. Composed 2017. Play Music Italy #MUSMI0352. Published by Play Music Italy (BT.MUSMI0352).

Italian.

Ques to metodo, semplice ed efficace, vi permetterà di capire come comporre una linea di basso o diventare più creativi se già conoscete le basi! La prima parte vi guiderà passo dopo passo nelpercorso creativo.

Partendo dalle basi fino ai concetti più avanzati, scoprirete tutti i mezzi, le tecniche ed alcuni consigli per scegliere le note giuste, ossia quelle che permettono di creare splendide linee dibasso. La seconda parte, dedicata esclusivamente alla pratica, propone di applicare i concetti visti precedentemente.

Su non meno di 8 giri di vari stili (rock, hard & heavy, folk, blues, reggae, funk, soul,jazz),troverete 5 grooves diversi, ossia 40 linee di basso in tutto! Ognuna illustra una o più nozioni esposte nella prima parte e presenta un’analisi precisa degli elementi che la costituiscono.

Ques t’opera fa quindi da collegamento tra la teoria e la pratica, tra le conoscenze e la musicalità, tra lo studio ed il piacere di suonare. Per quanto riguarda il disco dati allegato (audio mp3 e video mp4),troverete per le 40 linee di basso la dimostrazione in video, a velocità normale poi ridotta nonché le numerose basi musicali corrispondenti, in versione “lunga durata” in modo da dare lapossibilità ad ognuno di potersi esprimere, a due velocità diverse.

Composed by Gregory Youtz. Classical; 21st century. Score. Composed 2007. Published by Alea Publishing (A7.ALEA1054B).

Bass Guitar

SKU: BT.MUSMI0368

Tuition. Book with CD. Composed 2017. 40 pages. Play Music Italy #MUSMI0368. Published by Play Music Italy (BT.MUSMI0368).

Italian.

Questop era ha lo scopo di farvi scoprire, studiare e soprattutto suonare gli arpeggi sul basso. Gli arpeggi costituiscono senza dubbio l’attrezzo principale del bassista.

By Alexander Brent Smith. For oboe (clarinet), bassoon (viola/bass clarinet/basset horn) and piano. Winds, Strings and Piano. Remarkable, melodic, interesting composition. First Edition Alternate parts provide many options for performance. 20th Century. Score and set of parts. Published by Rosewood Publications

Bassoon, piano

SKU: FG.55011-524-8

Composed by Kirmo Lintinen. Score and part. Fennica Gehrman #55011-524-8. Published by Fennica Gehrman (FG.55011-524-8).

ISBN 9790550115248.

In Kirmo Lintinen's Rondo burlesque (2007-2008) for bassoon and piano , the qualitative elements of the bar, with their upbeats, accents and GPs, create a refined musical rhetoric and are very much to the fore. At the premiere, Lintinen's manner of playing, with its sparing use of the pedal obscuring the first beat but not the sense of time, underlined the inherent character of the piece. The roguish poetic metres gambolled jerkily along, and although at surface level the music may appear guileless, Lintinen knows his polyphony, judging by the capital roving of his voices even in the homophonic textures. Kirmo Lintinen (b. 1967) is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all gen-res and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.

Composed by Jean-Philippe Rameau (1683-1764). Edited by Sylvie Bouissou / Benoit Dratwicki / Julien Dubruque. Arranged by Francois Saint-Yves. This edition: urtext edition. Paperback. Airs d'opera. Vocal score. 146 pages. Published by Baerenreiter Verlag (BA.BA9198).

(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hogwood). Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. For Violoncello and Basso Continuo; Violin and Basso Continuo. Opera Omnia - Vol. 5. Early Music. Critical commentary. Op. 5 (H. 103-108, H. 109-114). 152 pages. Published by Ut Orpheus

Arrangement for Wind Quintet. By Giuseppe Verdi. Arranged by Linckelmann, Joachim. For Flute (Piccolo), Oboe, Clarinet (b flat), Bassoon, Horn. Set of Parts. Published by Baerenreiter-Ausgaben (German import). ISBN M006502837.

Composed by Luigi Boccherini (1743-1805). Edited by Luca Levi Sala. Luigi Boccherini Opera Omnia. Early Music. Score (softcover). 104 pages. Published by Ut Orpheus (UT.PEB-37A).

By Antonio Vivaldi (1678-1741). Arranged by Albie Micklich. For Bassoon and Piano. Chamber music. Published by Potenza Music

Bass Clarinet

SKU: HL.14034840

Composed by Giuseppe Verdi. Music Sales America. Opera or Operetta. Book [Softcover]. Music Sales #NOV09053510. Published by Music Sales (HL.14034840).