Stefan Grossman vous ammene à la rencontre de maître de la country blues guitar : Scrapper Blackwell, Blind Blake, Big Bill Broonzy, Rev. Gary Davis, Blind Lemon Jefferson, Lonnie Johnson, Charley Jordan, Josh White. Biographie de chaque guitariste, partitions en solfège et tablatures, CD audio enregistrements originaux des morceaux étudiés.

Blue Day Blues
Kokomo Blues
Georgia Bound
Big Bill Blues
Mississippi River Blues
Mr. Conductor Man
Saturday Night Rub
Stove Pipe Stomp
Worryin' You Off My Mind
Cincinnati Flow Rag
Italian Rag
Sally, Where's You Get Your Liquor From
Two Step Candyman
Easy Rider Blues
Hot Dogs
One Kind Favor
Go Back To Your No Good Man
Life Saver Blues
Hunkie Tunkie Blues
Keep It Clean
Jesus Gonna Make Up My Dying Bed
Little Brother Blues

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Leçon de Dave Van Ronk de DVD couvre une grande variété de musique excitante et puissante. Le blues de Leroy Carr et Scrapper Blackwell, le 'vieux jeu' la cueillette du révérend Gary Davis, le rebond du ragtime de Blind Blake, le blues sophistiqué de Brownie McGhee, le country blues de Jim Jackson, chanson anneau pour enfants et un Van Ronk d'origine reçoivent tous l'unique Dave Van Ronk traitement. Chaque arrangement est discuté et expliqué en détail. C'est une leçon complète pour le guitariste intermédiaire qui illustre clairement comment la musique traditionnelle peut être placé dans un cadre fingerstyle. Titles include: Green Green Rocky Road, Kansas City Blues, Sportin' Life Blues, Sunday Street, Spike Driver's Moan, That Will Never Happen No More, Midnight Hour Blues, Cocaine Bluesand Down South Blues. / Guitare / niveau : Intermédiaire / Dvd

Grâce à cette série de DVD, vous allez explorer divers style de fingerstyle blues guitare. Cette première leçon se focalise sur la clé de Do. Vous apprendrez les techniques de Mississippi John Hurt, Rev. Gary Davis et Blind Blake. Mais le but de cette leçon est surtout de vous permettre d'improviser en jouant du blues. Vous étudirez les morceaux ci-dessous, phrase à phrase, chaque morceau sera jouer normalement puis plus lentement. Le livret contient toutes les partitions, 85 minutes, en anglais. / Guitare

A collection of 86 classic blues songs from the 20s through to the present day, featuring pivotal songs by the leading artists that defined the genre. All the songs have been arranged in the original keys from the actual recordings including guitar chord boxes and complete lyrics. / Chant Et Guitare

Blind Blake a été le guitariste de blues de ragtime premier ministre des années 1920. Sa technique en vedette des rouleaux de pouce droite unique qui évoque la sensation de la danse-étape de Charleston. Dans cette leçon de livre audio/nouvelle complète, Woody Mann explore les idées, techniques et styles de ce musicien légendaire qui a influencé des générations de guitaristes de blues de pays. Les trois companion CD contiennent trois heures complètes sur l'enseignement note par note, phrase par phrase. Ecrit en tablature et notation standard. / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11 X 8,5

Dans ces leçons de CD, Dave Van Ronk présente ses arrangements de mélodies folkloriques et le blues. Ces leçons sont pour le guitariste fingerstyle intermédiaire. Le livre comprend une entrevue, une discographie et les 11 mélodies enseignées sur le triple CD en notation standard et de la tablature. UNE leçon : La technique de basse alternance est présentée avec quatre accords : Green Green Rocky Road, Kansas City Blues, Stackerlee et samedi soir Shuffle. LECON deux : Alternance de la basse dans 3/4 avec la ballade de l'IRT. Wilson Rag de Elizabeth Cotten, aveugle de Blake qui n'arrivera jamais sans plus et Moan de Spike conduire de Miss John Hurt. Leçon 3: Blues du Brownie Mc-Ghee de vie que joue a chuté de réglage D. Dans 12/8 avec St. James Infirmary Blues joué en la mineur. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par SOKOLOW FRED. Ces mélodies ont été inspirés par les guitaristes de blues acoustique de grande ' première génération ': avoir Ledbetter, Mance Lipscomb, Gary Davis, Jesse Fuller, Blind Blake et autres. Tunes d'auteur Fred Sokolow transmettent certains les mêmes sentiments que ces artistes de blues au début et sont amusants à jouer. Plusieurs des airs sont en remplaçante ajustements apportés. Fred décrit son inspiration pour chaque morceau dans le livre et il effectue également sur le CD joint. Dans la notation et tablature with chords suggérés de back-up. / Niveau : Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Woody Mann enseigne les sons et les techniques du style guitare blues ragtime classique. Inspiré par les premiers maîtres comme Blind Blake, Big Bill Broonzy, le Révérend Gary Davis et Blind Boy Fuller, Woody a écrit des airs originaux qui dégradent les complexités de la musique en instruments claires et lisible. Il illustre des techniques de cueillette syncopés, ornements de la corde, des lignes de basse rythmiques, ragtime classique riffs et montre comment atteindre la caractéristique swinging sonore de blues de ragtime. Chansons comprennent: # Midtown Fling, vers la fin de matinée Blues, Manhattan Rag, pays Buck, de m. Blake Dance, Technique et Variations / Guitare / Dvd