Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Edited by Alexander Shealy. For recorder. Format: recorder book (solos, duets, t...(+)
Edited by Alexander
Shealy. For recorder.
Format: recorder book
(solos, duets, trios).
With standard notation,
chord names,
instructional text,
fingering charts and
lyrics. Instructional and
folk. Series: World's
Favorite Series, No. 50.
128 pages. 9x12 inches.
Published by Ashley
Publications.
(A Treasury of Songs from Stage and Film, Specially Designed for Teen Singers! I...(+)
(A Treasury of Songs from
Stage and Film, Specially
Designed for Teen
Singers! Includes Story
Synopsis, Song Set-up,
Audition Tips and 16-Bar
Cut Suggestions). Edited
by and compiled Lisa
DeSpain. For Voice. Book;
CD; Vocal Collection.
Broadway. 220 pages.
Published by Alfred Music
Publishing
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Le galion de
guerre espagnol de 64
canons, construit à Cuba
entre 1770 et 1771 pour
un armateur anglais au
service du roi d'Espagne,
a quitté le Pérou pour
Cadix en 1784 avec à son
bord une énorme
cargaison de cuivre,
d'or, d'argent et
d'autres objets de
valeur. Il y avait
également plus de 400
personnes à bord, dont
des passagers, des
membres d'équipage et
des prisonniers incas à
la suite d'une révolte.
La traversée de
l'Atlantique s'est
déroulée sans encombre,
en passant par le
Portugal pour profiter
des vents favorables. Le
naufrage au large de
Peniche est le résultat
d'une erreur humaine,
apparemment due à des
cartes françaises
comportant des erreurs
dramatiques dans la
position des îles de
Berlengas et des îlots
voisins. Le 2 février
1786, alors que la mer
est calme et la nuit
claire, le navire heurte
la formation rocheuse de
Papoa et la coque se
brise immédiatement en
deux. Le fond coule
rapidement, tandis que le
pont reste à flot
pendant un certain temps.
128 personnes ont perdu
la vie, dont de nombreux
Indiens qui étaient
coincés dans les
sous-sols. Ce naufrage
est considéré comme
l'un des plus importants
de l'histoire
maritime.
Ce que
le compositeur veut
transmettre, et ce que
l'on ressent à
l'écoute, c'est d'abord
le son de la puissance,
de l'espoir, de la gloire
de la conquête, de la
splendeur de la richesse.
C'est ensuite la
perception de
l'environnement maritime,
l'harmonie avec la
douceur de l'océan, le
glissement de la coque
dans l'écume de la mer
par des journées bleues
et ensoleillées. Mais à
côté de cette
tranquillité, on entend
bientôt une chaîne
rythmique qui nous fait
ressentir une
représentation de
l'agitation, de
l'équipage affairé, du
dur labeur d'un marin, du
désespoir d'un peuple
exotique emprisonné dans
une cave sombre et
humide. Un rythme
distinct qui nous
rappelle le salero
d'Andalousie, avec ses
influences arabes et son
peuple, l'apaisement de
la résignation des
autres qui sont obligés
de se soumettre. Puis on
entend clairement un
crescendo qui nous fait
imaginer l'agonie de la
collision qui précède
le naufrage. La rupture
de la coque, l'eau qui
envahit tout, le
désespoir, le choc des
corps sur les rochers, la
tragédie à venir. Avant
le grand final, où le
retour de la douceur
musicale nous rappelle
que l'histoire est
terminée. La suprématie
de la nature sur la
cupidité humaine. Les
vagues, bien que douces,
emportent les épaves,
les vies et les trésors
du Nouveau Monde au fond
de la mer.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres.
Performed by The Rolling Stones. Fakebook for voice and C instrument. With vocal...(+)
Performed by The Rolling
Stones. Fakebook for
voice and C instrument.
With vocal melody, chord
names, color photos,
discography, selected
riffs (guitar tab) and
introductory text. 431
pages. Published by
Alfred Publishing.
SATB divisi unaccompanied
Choral (SATB divisi a
cappella)
SKU:
HL.466846
Pangasinan Folk Song
Saringhimig Singers
Philippine Folk Songs
Choral Series.
Arranged by George G.
Hernandez. Pavane Choral.
Folk. Octavo. 12 pages.
Pavane Publishing #P1710.
Published by Pavane
Publishing (HL.466846).
UPC: 196288070740.
6.75x10.5x0.029
inches.
In the
Philippines this may be
the most popular love
song in the country.
George Hernandez has a
string of excellent folk
songs from the
Philippines and with this
choral we launch the
George G. Hernandez
Philippine Folk Song
Choral Series. This
arrangement has all the
tenderness and lushness
necessary to make the
audience swoon. An IPA
pronunciation guide is
available separately as a
free download.
By David C. Dickau. For SATB Choir (div.), flute. The Matthew and Michael Cullot...(+)
By David C. Dickau. For
SATB Choir (div.), flute.
The Matthew and Michael
Culloton Choral Series.
Choral octavo only.
Instrumental
accompaniment sold
separately (SBMP 786.1).
Choral. Choral octavo.
Duration 4:10
Choral (Vocal Score) SKU: HL.402077 For Soprano Solo, Children's Choir...(+)
Choral (Vocal Score)
SKU: HL.402077
For Soprano Solo,
Children's Choir and
Orchestra. Composed
by Nico Muhly. Choral.
Classical. Octavo.
Duration 1500 seconds.
St. Rose Music
#SRO100186-01. Published
by St. Rose Music
(HL.402077).
ISBN
9781705160084. UPC:
196288056829.
9.0x12.0x0.276
inches.
The Right
of Your Senses is a set
of nine songs for
children's voices, solo
soprano, and orchestra
written for the National
Children's Chorus,
American Youth Symphony
and Los Angeles
Philharmonic Association.
The texts are primarily
17th-century, by Thomas
Traherne and George
Herbert, but two of them
come from the
11th-century Enchiridion
by Byrhtferth. The
overarching theme is the
story of creation, but
not just the list of
objects created: the
texts deal with the
emotional resonances of
the sun, the sea, the
air, and the moon with
all their mysterious,
bright, and dark
potential. There is a
recurring gesture in the
strings, introduced at
the very top: a simple
descending pattern which
binds many of the
movements together, even
when hidden in the more
tumultuous sections. The
first two movements are
bright, whereas the
middle three movements
are violent and deal with
the angrier natural
elements. The seventh
movement is the most
abstract and playful, and
here a direct nod to
Benjamin Britten's A
Ceremony of Carols, with
a fast three-part canon
depicting the behavior of
the atom. The eighth
movement, Night, is the
slowest, and depicts the
night sky. The final
movement is calm, and
encourages us: Be
faithful in a little, and
you shall be master over
much. The piece ends with
five strokes of high
bells. x Nico Muhly.
Study Score Choral SKU: HL.402076 For Soprano Solo, Children's Choir a...(+)
Study Score Choral
SKU: HL.402076
For Soprano Solo,
Children's Choir and
Orchestra. Composed
by Nico Muhly. Choral.
Classical. Softcover. 72
pages. Duration 1500
seconds. St. Rose Music
#SRO100186. Published by
St. Rose Music
(HL.402076).
ISBN
9781705160077. UPC:
196288056812.
9.0x12.0x0.167
inches.
The Right
of Your Senses is a set
of nine songs for
children's voices, solo
soprano, and orchestra
written for the National
Children's Chorus,
American Youth Symphony
and Los Angeles
Philharmonic Association.
The texts are primarily
17th-century, by Thomas
Traherne and George
Herbert, but two of them
come from the
11th-century Enchiridion
by Byrhtferth. The
overarching theme is the
story of creation, but
not just the list of
objects created: the
texts deal with the
emotional resonances of
the sun, the sea, the
air, and the moon with
all their mysterious,
bright, and dark
potential. There is a
recurring gesture in the
strings, introduced at
the very top: a simple
descending pattern which
binds many of the
movements together, even
when hidden in the more
tumultuous sections. The
first two movements are
bright, whereas the
middle three movements
are violent and deal with
the angrier natural
elements. The seventh
movement is the most
abstract and playful, and
here a direct nod to
Benjamin Britten's A
Ceremony of Carols, with
a fast three-part canon
depicting the behavior of
the atom. The eighth
movement, Night, is the
slowest, and depicts the
night sky. The final
movement is calm, and
encourages us: Be
faithful in a little, and
you shall be master over
much. The piece ends with
five strokes of high
bells. x Nico Muhly.
(Solo Settings for Classical and Fingerstyle Guitar). By Mark Johnstone. For Gui...(+)
(Solo Settings for
Classical and Fingerstyle
Guitar). By Mark
Johnstone. For Guitar
(Classical). Spiral,
Solos. Christmas.
Beginning-Intermediate.
Book. 64 pages. Published
by Mel Bay Publications,
Inc Textbook Christmas
(High Voice). Arranged by Richard Walters. For high voice and piano. Vocal Colle...(+)
(High Voice). Arranged by
Richard Walters. For high
voice and piano. Vocal
Collection. Classical
Period, Americana and
Vocal Standards.
Difficulty: medium.
Collection (two copies
needed for performance).
Vocal melody, lyrics and
piano accompaniment. 218
pages. G. Schirmer
#ED3851. Published by G.
Schirmer
Nighttime Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440515S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440515S
Composed
by Robert Martin. Full
score. With Standard
notation. 48 pages.
Theodore Presser Company
#144-40515S. Published by
Theodore Presser Company
(PR.14440515S).
UPC:
680160667819. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
One role of music is to
evoke. Therefore,
Nighttime is a nocturne,
a night piece suggestive
of flickering shadows,
perhaps created by
firelight. It is a
recurrent setting in
human existence. The
music opens with the
scene of twilight calm,
gently disturbed with the
slight uncertainty about
what is around us, what
we cannot see. Later, the
clarinet takes on a solo
role, and the notes bleed
like careless paint into
the other instruments
that quietly sustain
them. Next, the flute
takes over the role of
solo. The piece ends with
a repeated cadence of
morning light. (From the
performance notes.).
(Voice and Piano) For voice and piano. Format: piano/vocal songbook. With vocal ...(+)
(Voice and Piano) For
voice and piano. Format:
piano/vocal songbook.
With vocal melody, piano
accompaniment and lyrics.
Classical period and
romantic period. 208
pages. 9x12 inches.
Published by Schirmer.
Piano Solo - Easy-Intermediate SKU: FP.FBS02 Composed by Sarah Baker. She...(+)
Piano Solo -
Easy-Intermediate
SKU:
FP.FBS02
Composed by
Sarah Baker. Sheet Music
and Books. Eight pieces
on a night theme for solo
piano, by Sarah Baker.
Suggested grade 4-5.
Classical. Collection.
Forsyths Publications
#FBS02. Published by
Forsyths Publications
(FP.FBS02).
ISBN
9790570500192.
Sara
h Baker is Vocal Composer
in Residence at Education
Music Services, an ABRSM
examiner and a well known
composer of songs and
musicals for primary
schools and massed-choral
events.
All this
experience has come
together in the creation
of this first published
album of piano pieces,
inspired by the sounds
heard at night from the
woodland just beyond
Sarah’s childhood
home.
Suitable for
players of around grade
4-5 standard, her
evocative sound pieces
begin at the tranquillity
of dusk and end with the
exuberant dawn
chorus.
The
composer
writes:
'I grew up
with woods behind my
house, and the nocturnal
noises and images that I
remember were the
inspiration for these
eight short sound
pictures on the theme of
night. The music moves
first from the
tranquility of dusk and
evening mists, to the
emerging starlight of
twilight. As night falls
it takes on on a darker
quality with shadows and
dreams disturbing peace
and calm.The night birds
and bats swoop and flit
past as they seek their
prey, but gradually dawn
approaches and peaceful
sleep is restored. The
morning is heralded in
the joyful exuberance of
the dawn chorus.'.
This Silent Night Chorale 3 parties SAB, Piano [Octavo] Lorenz Publishing Company
Composed by Patricia Mock. Arranged by Faye Lopez. Singable Solutions. Sacred An...(+)
Composed by Patricia
Mock. Arranged by Faye
Lopez. Singable
Solutions. Sacred Anthem,
Christmas. Octavo.
Lorenz Publishing Company
#10/4874L. Published by
Lorenz Publishing Company
(LO.10-4874L).