| Die Kurrende, Bd. 2 Chorale [Partition] Carus Verlag
By Various. Edited by Trubel, Gerhard. Hymn settings, Mass Sections, Psalms, Ger...(+)
By Various. Edited by
Trubel, Gerhard. Hymn
settings, Mass Sections,
Psalms, German; Choral
Collections, Mixed Choir,
Music for Casuals;
Occasions: Eucharist,
Communion, Peace and
Justice, Prayer, Wedding,
Confirmation, Praise and
thanks, Morning, Midday,
Evening, Psalms, Baptism,
Mourning, Death, Our
Father; Use during church
year: Advent
$26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carols For Choirs 2 Chorale SATB [Partition] Oxford University Press
Carols for Choirs 2 by David Willcocks and John Rutter (1945-). Edited by David ...(+)
Carols for Choirs 2 by
David Willcocks and John
Rutter (1945-). Edited by
David Willcocks, John
Rutter. For mixed choir.
Mixed Voices. ...for
Choirs Collections.
Christmas, Choral
Collection. Choral
collection. 224 pages.
Published by Oxford
University Press
$28.50 - Voir plus => Acheter | | |
| Bach: Chorale zum EG und GL [Partition] Carus Verlag
By Johann Sebastian Bach / Nikolaus Herman. Edited by Klaus Hofmann. This editio...(+)
By Johann Sebastian Bach
/ Nikolaus Herman. Edited
by Klaus Hofmann. This
edition: paperbound. Hymn
Settings, Mass sections;
Use during the church
year: Advent, Special
Days, End of the Church
Year, Epiphany, Lent and
Passiontide, Ascension,
New Year, Holy Week,
Easter and Eastertide,
Pentecost, Trinity,
Christmas; Choral
Collections for Mixed
Choi. Choral collection.
88 pages. Published by
Carus Verlag
$21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo SKU:
CA.1002709 Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext. 1x
10.027/31 trombone 1, 1x
10.027/32 2 trombones, 1x
10.027/33 trombone 3, 1x
10.027/34 trombone 4.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Duration 8 minutes. Carus
Verlag #CV 10.027/09.
Published by Carus Verlag
(CA.1002709). ISBN
9790007189310. Text
language:
German. The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and parts
available separately -
see item CA.1002700. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Chorale SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo SKU:
CA.1002712 Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 2. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/12. Published by
Carus Verlag
(CA.1002712). ISBN
9790007189334. Text
language:
German. The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bach: Chorals. Awake my heart Chorale [Partition] Carus Verlag
By Johann Sebastian / Herman Bach. Edited by Klaus Hofmann. Hymn settings, Mass ...(+)
By Johann Sebastian /
Herman Bach. Edited by
Klaus Hofmann. Hymn
settings, Mass Sections;
Choral Collections, Mixed
Choir; Occasions: Peace
and Justice, Morning,
Midday, Evening; Use
during church year:
Advent, Special Days,
Epiphany, Lent and
Passiontide, Holy Week,
Easter and Eastertide,
Ascension, Christmas.
Choral collection. 80
pages. Published by Carus
Verlag (German import).
$15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Big Blue Book of Intermediate Piano Solos - Volume 2 Piano, Voix et Guitare [Partition] - Intermédiaire Word Music
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords...(+)
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 136 pages.
Published by Word Music.
$39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ten Chorale Improvisations, Set 2 Orgue MorningStar Music Publishers
By Paul Manz (1919-). For organ. This edition: commemorative edition. Collection...(+)
By Paul Manz (1919-). For
organ. This edition:
commemorative edition.
Collection. General,
Thanksgiving, Christmas,
Epiphany, Lent. Medium.
Organ score. 35 pages.
Published by MorningStar
Music Publishers
$21.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sixteen Bicinios, Vol 3 Chorale 2 parties [Octavo] CanticaNOVA Publications
Composed by Angelo Bertalotti. Arranged by Gabriel Iroffy. Text: Traditional Mar...(+)
Composed by Angelo
Bertalotti. Arranged by
Gabriel Iroffy. Text:
Traditional Marian texts.
Exercises becoming
repertoire. Marian,
Advent. Octavo. Published
by CanticaNOVA
Publications (C5.7113).
$1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Above All Chorale 3 parties SAB [Octavo] - Intermédiaire Alfred Publishing
Arranged by Mark Hayes. For Choir. (SAB). Choral Octavo. Level: Level 3 (grade ...(+)
Arranged by Mark Hayes.
For Choir. (SAB). Choral
Octavo. Level: Level 3
(grade L3). Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
$2.50 $2.375 (- 5%) Voir plus => AcheterDélais: 3 to 5 business days | | |
| Above All Chorale SATB SATB [Octavo] - Intermédiaire Alfred Publishing
Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. Level: Level 4 (grade...(+)
Arranged by Mark Hayes.
For Choir. (SATB).
Choral Octavo. Level:
Level 4 (grade L4).
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
(1)$2.50 $2.375 (- 5%) Voir plus => AcheterDélais: 3 to 5 business days | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano) Instrumentation Flexible [Partition] - Facile Alfred Publishing
(Horn in F). Arranged by Michael Lawrence. For Horn in F. Mixed Instruments - Fl...(+)
(Horn in F). Arranged by
Michael Lawrence. For
Horn in F. Mixed
Instruments - Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 40 pages
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano)
Instrumentation Flexible [Partition] - Facile Alfred Publishing
(Tenor Sax). Arranged by Michael Lawrence. For Tenor Sax. Mixed Instruments - Fl...(+)
(Tenor Sax). Arranged by
Michael Lawrence. For
Tenor Sax. Mixed
Instruments - Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 40 pages
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano) Instrumentation Flexible [Partition] - Facile Alfred Publishing
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Michael Lawrence. For Trombone/Ba...(+)
(Trombone/Baritone/Bassoo
n/Tuba). Arranged by
Michael Lawrence. For
Trombone/Baritone/Bassoon
/Tuba. Mixed Instruments
- Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 40 pages
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano) Instrumentation Flexible [Partition] - Facile Alfred Publishing
(Clarinet). Arranged by Michael Lawrence. For Clarinet. Mixed Instruments - Flex...(+)
(Clarinet). Arranged by
Michael Lawrence. For
Clarinet. Mixed
Instruments - Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 40 pages
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano)
Instrumentation Flexible [Partition] - Facile Alfred Publishing
(Alto Sax). Arranged by Michael Lawrence. For Alto Sax. Mixed Instruments - Flex...(+)
(Alto Sax). Arranged by
Michael Lawrence. For
Alto Sax. Mixed
Instruments - Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 40 pages
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano)
Piano seul [Partition] - Facile Alfred Publishing
(Piano Acc.). Arranged by Michael Lawrence. For Piano. Mixed Instruments - Flexi...(+)
(Piano Acc.). Arranged by
Michael Lawrence. For
Piano. Mixed Instruments
- Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 48 pages
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano) Trompette [Partition] - Facile Alfred Publishing
(Trumpet). Arranged by Michael Lawrence. For Trumpet. Mixed Instruments - Flexib...(+)
(Trumpet). Arranged by
Michael Lawrence. For
Trumpet. Mixed
Instruments - Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 40 pages
(1)$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tarantella Carl Fischer
Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus SKU: ...(+)
Choral Double bass voice,
Piano, Viola, Violin 1,
Violin 2, SATB chorus
SKU: CF.CM9735
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS. Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seasonal Hymn Preludes, Volume 2, Christmas, Part 1, Op. 7 [Partition] Wayne Leupold Editions
| | |
| Easy Organ Library, Vol. 52 Orgue Lorenz Publishing Company
For organ: 2-staff. Sacred, Advent, Christmas, Epiphany, General, Thanksgiving. ...(+)
For organ: 2-staff.
Sacred, Advent,
Christmas, Epiphany,
General, Thanksgiving.
Moderately easy.
Published by Lorenz
Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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