By Francois Couperin (1668-1733). For solo keyboard. Piano Collection. Dover Edi...(+)
By Francois Couperin
(1668-1733). For solo
keyboard. Piano
Collection. Dover
Edition. Classical
Period. SMP Level 9
(Advanced). Collection.
Introductory text,
performance notes and
glossary of French terms
(does not include words
to the songs). 240 pages.
Published by Dover
Publications
(Seven Pieces by Louis and Francois Couperin). By Francois Couperin (1668-1733)....(+)
(Seven Pieces by Louis
and Francois Couperin).
By Francois Couperin
(1668-1733). Arranged by
Duarte/Sirala. For
guitar. Standard
notation. Published by
Berben
Le Tombeau De Couperin Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor Music Sales
Woodwind Quintet SKU: HL.14018741 Wind Quintet Score. Composed by ...(+)
Woodwind Quintet
SKU:
HL.14018741
Wind
Quintet Score.
Composed by Maurice
Ravel. Arranged by Hans
Abrahamsen. Music Sales
America. Classical.
Score. 30 pages. Music
Sales #KP00112. Published
by Music Sales
(HL.14018741).
ISBN
9788759861080.
10.25x14.25x0.485 inches.
English.
Maurice
Ravel's Le Tombeau De
Couperin, which has been
expertly arranged for
Wind Quintet by Hans
Abrahamsen.
Woodwinds (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SK...(+)
Woodwinds (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-30
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Violoncello (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) ...(+)
Violoncello
(2(picc).2(cor ang).2.2 -
2.1.0.0 - hp- str (6 db
are required))
SKU:
BR.OB-5540-23
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Double bass (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) ...(+)
Double bass
(2(picc).2(cor ang).2.2 -
2.1.0.0 - hp- str (6 db
are required))
SKU:
BR.OB-5540-27
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
For Cello and Piano. Composed by Francois Couperin (1668- 1733). Leduc. Baroq...(+)
For Cello and Piano.
Composed
by Francois Couperin
(1668-
1733). Leduc. Baroque.
Softcover. 12 pages.
Alphonse
Leduc #AL16920. Published
by
Alphonse Leduc
Viola (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SKU: B...(+)
Viola (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-19
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Violin 1 (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SKU...(+)
Violin 1 (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-15
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Orchestra (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SK...(+)
Orchestra (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.PB-5569-07
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). An
homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way. Have a look into PB
5540. Suite; Ballet;
Early modern. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5569-07.
Published by Breitkopf
and Haertel
(BR.PB-5569-07).
ISBN
9790004213797. 6.5 x 9
inches.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Violin 2 (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SKU...(+)
Violin 2 (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-16
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Bartók
probably first played
pieces by Domenico
Scarlatti in public in
1911. During the next two
decades he featured them
in his piano recitals
more than 60 times. His
dedication to Italian and
French Baroque music is
also illustrated by the
fact that, in 1920, he
signed a contract with
the Budapest publisher
Rozsnyai to edit seven
volumes of Baroque
keyboard music. His plan
was to select
compositions by Couperin
and Rameau in addition to
pieces by Scarlatti, but
during the 1920s it ended
up being only two volumes
of Couperin and another
two comprising ten
compositions by
Scarlatti. In editing
these masterpieces,
Bartók's aim was
primarily to
counterbalance or
evenovershadow the works
by the
Mendelssohn-Schumann
epigones used in primary
and secondary music
education. The present,
single-volume collection
comprises Bartók's two
Scarlatti volumes,
complete with an
editorial preface, his
detailed performing
instructions, and his
commentary. The editor
recommends these
compositions for pianists
with at least five years'
experience, and gives
practical recommendations
for the grouping of
individual items to form
charming sonatina-like
sets of pieces.
Bartók spielte
wahrscheinlich 1911
erstmals Werke von
Domenico Scarlatti
öffentlich und in den
folgenden zwei
Jahrzehnten ließ er
sie an seinen
Klavierabenden mehr als
sechzig Mal erklingen.
Seine Verbundenheit mit
der italienischen und
französischen
Barockmusik beweist sich
auch darin, dass er 1920
einen Vertrag mit dem
Budapester Verlag
Rozsnyai über die
Herausgabe von sieben
Heften mit Werken der
Klaviermusik schloss.
Geplant war, dass er das
Material der Bände
sowohl mit Werken
Scarlattis als auch mit
Kompositionen Couperins
und Rameaus
zusammenstellte. Im Laufe
der 1920er-Jahre kam es
schließlich zur
Herausgabe einer
Couperin-Auswahl in zwei
Heften sowie - ebenso in
zwei Heften - von zehn
Scarlatti-Kompositionen.
Mit der
Veröffentlichung
dieser Meisterwerke
beabsichtigte Bartók
in erster Linie, den
Mendelssohn-Schumann-Epig
onen bereits in der
Musikausbildung in der
Grund- und Mittelstufe
entgegenwirken und ihre
Werke in den Hintergrund
treten zu lassen.
Die
vorliegende Publikation
versammelt in einem Band
das Material der beiden
mit Bartóks Vorwort,
detaillierten
Vortragsanweisungen und
Anmerkungen erschienenen
Scarlatti-Hefte. Der
Herausgeber empfiehlt
PianistInnen diese
Kompositionen seit
mindestens fünf Jahren
zum Klavier spielen und
gibt auch praktische
Vorschläge dafür,
wie man die einzelnen
Stücke zu einem
attraktiven
Sonatina-artigen Ganzen
gruppieren kann.
Piano Solo SKU: AP.36-M225791 Composed by Maurice Ravel. This edition: Ma...(+)
Piano Solo
SKU:
AP.36-M225791
Composed by Maurice
Ravel. This edition:
Master Piano Series.
Piano Solo. Master Piano
Series. Book.
LudwigMasters
Publications #36-M225791.
Published by
LudwigMasters
Publications
(AP.36-M225791).
ISBN
9781638872603. UPC:
735816105204.
English.
The word
tombeau is a musical term
from the 17th century,
meaning a piece written
as a memorial. Maurice
Ravel (1875-1937)
composed LE TOMBEAU DE
COUPERIN as a
six-movement suite (based
on those of the
Traditional Baroque
suite) for solo piano,
with each movement
dedicated to the memory
of a friend who had died
fighting in World War I.
The Couperin referred to
in the title is
François Couperin the
Great (1668-1733),
although Ravel's
intentions were to pay
homage to the
sensibilities of the
Baroque French keyboard
suite in general, not one
composer in general.
Often light-hearted
rather than sombre as one
may suggest, Ravel
responded, The dead are
sad enough, in their
eternal silence.
Movements: I. Prelude,
II. Fugue, III. Forlane,
IV. Rigaudon, V. Menuet,
VI. Toccata.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Fran�§ois Couperin. For Piano. Masterworks; Piano Collection. K...(+)
Composed by
Fran�§ois Couperin.
For Piano. Masterworks;
Piano Collection. Kalmus
Edition. Baroque;
Masterwork. Book. 120
pages. Published by
Kalmus Classic Edition
(for percussion ensemble). By Maurice Ravel (1875-1937). Arranged by Ralph Hardi...(+)
(for percussion
ensemble). By Maurice
Ravel (1875-1937).
Arranged by Ralph
Hardimon. Percussion
Ensemble. For
glockenspiel, xylophone,
2 vibraphones, 3 marimbas
(4.3 octave - low A), 5
timpani, triangle (8
players). Advanced. Score
and parts on CD-ROM. 20
pages. Duration 3'30 .
Published by Tapspace
Publications
Composed by Thomas Ades (1971-). Mixed Instruments - Miscellaneous Ensemble; ...(+)
Composed by Thomas Ades
(1971-). Mixed
Instruments -
Miscellaneous Ensemble;
Performance Music
Ensemble.
20th Century; Adult
Contemporary. Book. Faber
Music #12-0571536565.
Published by Faber Music
