Score SKU: HL.50603544 For Baritone Voice, Piano, and String Quartet S...(+)
Score
SKU:
HL.50603544
For
Baritone Voice, Piano,
and String Quartet
Score. Composed by
Outi Tarkiainen.
Instrumental. Softcover.
Edition Wilhelm Hansen
#WH33187. Published by
Edition Wilhelm Hansen
(HL.50603544).
UPC:
840126931341.
A
song cycle for baritone
voice, string quartet,
and piano. The composer
writes: Naarasaiti (The
Lustful Mother) is about
becoming a mother, an
experience in which
sexuality combines in a
natural way with the
birth of a new life. The
texts of the cycle are
from the collections of
poems Aiteja, tyttaria
(Arbeeadni, The Time of
the Lustful Mother, 2013)
and Kylma kumppani
(Galbma radna, My Cold
Companion, 1999) by two
contemporary Sami poets,
Rauni Magga Lukkari and
Rose-Marie Huuva. The
poems' primitive,
matriarchal beat is
present throughout in the
music: a dark, earthy
solo viola accompanies
the baritone while the
sizzling, sparkling
strings erupt at times in
powerful textures..
Score SKU: HL.50603542 For Baritone Voice, Piano, and String Orchestra...(+)
Score
SKU:
HL.50603542
For
Baritone Voice, Piano,
and String Orchestra
Score. Composed by
Outi Tarkiainen. Score.
Softcover. Edition
Wilhelm Hansen #WH33158.
Published by Edition
Wilhelm Hansen
(HL.50603542).
UPC:
840126931327.
A
song cycle for baritone
voice, string quartet,
and piano. The composer
writes: Naarasaiti (The
Lustful Mother) is about
becoming a mother, an
experience in which
sexuality combines in a
natural way with the
birth of a new life. The
texts of the cycle are
from the collections of
poems Aiteja, tyttaria
(Arbeeadni, The Time of
the Lustful Mother, 2013)
and Kylma kumppani
(Galbma radna, My Cold
Companion, 1999) by two
contemporary Sami poets,
Rauni Magga Lukkari and
Rose-Marie Huuva. The
poems' primitive,
matriarchal beat is
present throughout in the
music: a dark, earthy
solo viola accompanies
the baritone while the
sizzling, sparkling
strings erupt at times in
powerful textures..
Concert Band Symphonic Band - Grade 5 SKU: FJ.B1577S Score Only. C...(+)
Concert Band Symphonic
Band - Grade 5
SKU:
FJ.B1577S
Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Symphonic Band.
Score. Duration 8:15. The
FJH Music Company Inc
#98-B1577S. Published by
The FJH Music Company Inc
(FJ.B1577S).
English.
Drawing
on some of the composer's
early influences
including John Barnes
Chance and Ottorino
Respighi, this mature and
powerful work explores
the dark and mystical
while adding elements of
intensity and relentless
energy. Composed in three
sections, an underlying
sense of tension is
present throughout before
the final minutes erupt
triumphantly in a fury of
aggression and sound. Not
for the faint of
heart!
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1769 Composed by Brian Bal...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1769
Composed by
Brian Balmages. Concert
Band. FJH Young Band.
Score and Part(s).
Duration 3:15. The FJH
Music Company Inc
#98-B1769. Published by
The FJH Music Company Inc
(FJ.B1769).
UPC:
241444399392.
English.
Everyone
is still. The countdown
begins. And in a single
moment, adrenaline surges
in an eruption of energy
and power. This intense
closer does not let go,
keeping the audience and
performer on the edge of
their seats throughout.
Very playable - just make
sure you find time to
catch your breath (or
does that refer to the
audience?. . .). Ready,
set. . .
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Orchestra SKU: FG.042-08465-6 Composed by Erik Valdemar Bergman. Score. P...(+)
Orchestra
SKU:
FG.042-08465-6
Composed by Erik Valdemar
Bergman. Score. Published
by Fennica Gehrman
(FG.042-08465-6).
ISBN
979-0-042-08465-6.
In Poseidon, commissioned
by the National Symphony
Orchestra of Washington
and Mstislav
Rostropovich, Bergman
turns to the Greek god of
the sea and lord of the
earthquake as a symbol
for primaeval power and
the wellspring of
creativity. In the ocean
depths - the subconscious
- power stirs and rises
to the threshold of
consciousness. It
projects itself into the
second movement's
eruption of energy, after
which follows recovery
and calm. Composed in
1992.
2 pianos (4 hands) - difficult SKU: HL.49019723 For two pianos. Co...(+)
2 pianos (4 hands) -
difficult
SKU:
HL.49019723
For
two pianos. Composed
by Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Piano. Softcover.
Composed 1977. 32 pages.
Duration 10'. Schott
Music #ED21404. Published
by Schott Music
(HL.49019723).
ISBN
9790001188074. UPC:
888680039219.
9.25x12.0x0.107
inches.
This piece
dates back to Vasks'
Sturm and Stress period
and was premiered in
1977. Freely notated over
long passages, it uses
both commonly notated
passages and symbols as
well as clusters. Vasks
uses this wide range of
modern piano technique
for an expressive
performance of both
pianists. The performers
have to cope with
eruptions of powerful
sounds and passages of
great softness, while
excitement alternates
with contemplation.
Composed by Cole Porter.
Arranged by Jay Althouse.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Secular. Choral
Octavo. 12 pages. Alfred
Music #00-46559.
Published by Alfred Music
(AP.46559).
UPC:
038081531342.
English.
There's
nothing quite like the
excitement of opening
night, captured
brilliantly here in the
showstopper from Cole
Porter's Kiss Me, Kate.
Anticipation gradually
builds as the bubbly tune
passes from voice to
voice in a crescendo,
eventually erupting into
the title line of the
song. A terrific
selection for staging or
choreography, smartly
arranged for developing
choirs!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
For Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Joanna Co...(+)
For Piano. Composed by
Ludwig van Beethoven
(1770-
1827). Edited by Joanna
Cobb
Biermann. Henle Music
Folios. Softcover. G.
Henle
#HN1456. Published by G.
Henle
Composed by
Cole Porter. Arranged by
Jay Althouse. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-46560. Published by
Alfred Music (AP.46560).
UPC: 038081531359.
English.
There's
nothing quite like the
excitement of opening
night, captured
brilliantly here in the
showstopper from Cole
Porter's Kiss Me, Kate.
Anticipation gradually
builds as the bubbly tune
passes from voice to
voice in a crescendo,
eventually erupting into
the title line of the
song. A terrific
selection for staging or
choreography, smartly
arranged for developing
choirs!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1....(+)
Voice and piano (Soli:
SBar(T) -
1(picc.A-fl).1(cor
ang).1(Ebclar.Bclar).0. -
1.1.2.0. - perc - hp -
pno - str: 1.1.1.1.1.)
SKU: BR.DV-6140
Scenes for 2 Singers
and 15
Instrumentalists.
Composed by Udo
Zimmermann. Voice;
Softbound. Deutscher
Verlag. World premiere:
Hamburg, February 27,
1986DV 1140 awarded the
German Music Edition
Prize. Opera; Music
theatre; Music post-1945;
New music (post-2000).
Piano/Vocal Score.
Composed 1984/85. 140
pages. Duration 75'.
Deutscher Verlag fur
Musik #DV 6140. Published
by Deutscher Verlag fur
Musik (BR.DV-6140).
ISBN 9790200460230.
13.5 x 10.5
inches.
Translation
: Engl. (S. Wadsworth)
(1988) / (Norbert
Rubesaat) (1993); French
(Jean-Pierre Wurtz)
(1997) Place and time:
Jail Munchen-Stadelheim,
in the hour before the
execution on 22nd
February 1943 Characters:
Sophie Scholl (soprano) /
Hans Scholl (baritone or
tenor) >>Weisse Rose<<
(White Rose) was the name
of the resistance group
to which Hans and Sophie
Scholl belonged. Udo
Zimmermann's composition
is characterized by the
varying structure of its
scenes: dramatic,
visionary scenes, e.g.
the remembered wartime
experiences on the front,
Sophie's anxiety about
the removal of the
children and the wish to
see her parents one last
time, contrast with
contemplative monologues
that are intended to
provide insights into the
individual's particular
situation. The composer
interweaves into the
structure of the piece
dream sequences with
sudden bursts of anxiety
that are not triggered by
the execution that is
about to take place but
by the consequences of
one's own actions. The
result is a deliberate
fusion of the various
parts into one another.
More than 100 different
productions prove that
the topic is as important
as ever and that the work
is both artistically
rewarding and
practicable. Udo
Zimmermann About the
piece Two young people,
the siblings Sophie and
Hans Scholl, are in a
prison cell, one hour
before they are to be put
to death by their fascist
executioners. Their
christian convictions and
sense of responsibility
gave them the courage to
put up resistance,
resistance against the
lies, the contempt for
humanity and all human
values. Sophie and Hans
Scholl took their stand
in the full knowledge
that they were taking a
deadly risk. They would
simply not have been able
to live with their
feelings of shame had
they not grasped the
chance of fighting for
what they believed in,
even though it was a
dangerous thing to do.
Memories of past events,
doubts, hopes and fears,
justification of deeds
and an acceptance of
death, all these things
happen and move in, and
between, these two people
during this
representation of the
hour before death. The
orchestra provides a
psycho-physical shorthand
of their inner mental
state. Musical effects
and gestures search for
their identity in human
behaviour. The moments of
stillness and silence
provide moments of
musical tension, which
are just as powerful as
the eruptions of fear and
desperation. CDs:
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor),
Instrumentalensemble,
cond. Udo Zimmermann CD
Orfeo C 162 871 Grazyna
Szklarecka (soprano),
Frank Schiller (tenor),
musica viva-ensemble
dresden, cond. Udo
Zimmermann CD Berlin
Classics Eterna BC 0120
060-2 CD (excerpts):
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor), Ein
Instrumentalensemble,
cond. Udo Zimmermann CD
BMG 74321 73628 2
Bibliography : Kornel ,
Attila: ,,Tief unter uns
nur Schweigen - Die
Asthetik der Stille in
Udo Zimmermanns
Kammeroper ,,Weisse Rose,
in: Die Tonkunst 11
(2017), pp. 368-377.
Rheinlander , Matthias:
Im Osten nichts Neues?
Ostalgie ohne Kitsch am
Beispiel von Udo
Zimmermanns Oper Die
weisse Rose, in: Musik
und Unterricht, Heft 73
(2003), pp.
34-40.
World
premiere: Hamburg,
February 27, 1986DV 1140
Awarded the German Music
Edition Prize.
Choir Secular (SATB choir) SKU: AP.48462 Composed by Andy Beck. Performan...(+)
Choir Secular (SATB
choir)
SKU:
AP.48462
Composed by
Andy Beck. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. 12 pages. Alfred
Music #00-48462.
Published by Alfred Music
(AP.48462).
UPC:
038081552859.
English.
A jubilant
antiphonal exposition
extends an invitation to
music-making, before
erupting into a truly
fresh concert and contest
opener! Exploring a wide
variety of choral sounds
and textures including
unison,
call-and-response, and
buoyant counterpoint,
this piece invites
artistry and engagement
in every phrase. Add the
optional timpani and
snare drum parts to
heighten the
experience.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Band Concert Band - Grade 3.5 SKU: CF.CPS122 Composed by Alan Lee Silva. ...(+)
Band Concert Band - Grade
3.5
SKU: CF.CPS122
Composed by Alan Lee
Silva. Collate - FS SWS -
spine: 1/2 or .5. Carl
Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+4+6+8+4+2+4+
10+24 pages. Duration
3:30. Carl Fischer Music
#CPS122. Published by
Carl Fischer Music
(CF.CPS122).
ISBN
9780825885075. UPC:
798408085070. 9 x 12
inches. Key: C
minor.
It’s
time to run! Erupting
from the outset, Escape
the Lost City drives
forward with wild
intensity. With all the
thrilling qualities of an
action movie score, this
work’s quick
ensemble figures, played
with precision and
passion, conclude this
whirlwind journey. Hang
on tight and wow the
judges with this one!
Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; S...(+)
Composed by Cole Porter.
Arranged by Jay Althouse.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Secular. Choral
Octavo. 12 pages. Alfred
Music #00-46558.
Published by Alfred Music
(AP.46558).
Accordion and 1 or more inst. SKU: BR.EB-9134 1996-1998. Composed ...(+)
Accordion and 1 or more
inst.
SKU:
BR.EB-9134
1996-1998.
Composed by Adriana
Holszky. Solo
instruments; Folder.
Edition Breitkopf.
World premiere of the
first version: Salzburg,
August 5, 1997World
premiere of the version
for orchestra:
Saarbrucken, November 10,
2006
Music post-1945;
New music (post-2000).
Score. Composed
1996-2006. 50 pages.
Duration 11'. Breitkopf
and Haertel #EB 9134.
Published by Breitkopf
and Haertel (BR.EB-9134).
ISBN 9790004182499.
16.5 x 11.5
inches.
Das Stuck
nimmt Bezug auf ein
Gedicht des chinesischen
Zen-Meisters Mummon. Der
Titel weist, wie in den
Versen ausgedruckt, auf
die Nicht-Zweiheit und
ihre Verwirklichung hin.
Wolke und Mond, beide das
gleiche. Taler und Berge,
jedes verschieden. Sind
es nun eins oder zwei?
Wunderbar! Herrlich!
Entsprechend dem Gedanken
der Einheit zweiter
Objekte scheinen in
Holszkys Komposition die
beiden Stimmen
strukturell und klanglich
miteinander zu
verschmelzen: Das Cello
wirkt wie ein
zusatzliches Register des
Akkordeons. Ausserst
kurze, schnelle Gesten
sind minutios ineinander
verzahnt, liegende Klange
werden durch Tremoli und
Triller, Vibrato und
Impulsrepetitionen,
Vierteltonmodifikationen
und Glissandi belebt und
zum Pulsieren gebracht.
Beide Instrumente
erzeugen so gemeinsam
eine schwerelose,
quecksilbrige
Klangatmosphare. Dazu die
Komponistin: Die
Mobilitat und
Verschmelzung (sowohl
klanglich als auch
strukturell) der beiden
solistischen Klangebenen
(Violoncello und
Akkordeon) ist maximal
und findet im hochsten
Frequenzbereich statt.
Durch die Multiplikation
von Bewegungsmustern bei
den symmetrisch
angeordneten
Violinblocken (zwei
Zwolfergruppen) und durch
die Metallfarben bei den
vier Schlagzeugern
entsteht ein
leuchtend-filigraner
Klangraum, der die
Solisten wie eine
bewegliche Wolkenschicht
umhullt eine ineinander
verschachtelte,
durchsichtig schwebende
Klanggalaxie mit einem
pulsierend-vibrierenden
Doppelkern: Violoncello
und Akkordeon. (Adriana
Holszky, Text zur
Urauffuhrung der
Orchesterfassung, 10.
November 2006) CDs:
Klangwerkstatt Weimar,
Christina Meissner
(violoncello), Claudia
Buder (accordeon) CD
Animato ACD6065 Julius
Berger (violoncello),
Stefan Hussong
(accordeon) CD Wolke und
Mond, wergo WER 6803 2
Bibliography : Kostakeva
, Maria: Metamorphose und
Eruption. Annaherung an
die Klangwelten Adriana
Holszkys, Hofheim: wolke
2013 (p. 57f). Moller ,
Hartmut:
Komplementaritaten im
Komponieren Adriana
Holszkys, in:
Vernetzungen. Neue Musik
im Spannungsfeld von
Wissenschaft und Technik,
hrsg. von Jorn Peter
Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung, Band
49), Mainz: Schott 2009,
pp. 68-82. dies .:
Kraftfelder aus
komplementaren Energien.
Die Arbeitsskizzen zur
Oper Der gute Gott von
Manhattan im Kontext, in:
Adriana Holszky, hrsg.
von Ulrich Tadday
(Musik-Konzepte, Neue
Folge Heft 160/161),
Munchen: edition
text+kritik 2013, pp.
128-150.
World
premiere of the original
version: Salzburg, August
6, 1997 World premiere of
the version for vl and
acc: Braunschweig,
November, 21 1998 World
premiere of the version
for orchestra:
Saarbrucken, November 10,
2006.